Pop Art Mixed Media

Keith Young Fortune Cookie Strawberry Bear Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 9x2.5in Signed by hand COA provided Rea...

Edition: 142DX/150 Technique: Mixed-Media elements

Rachel Bergeret, stylist by trade, created her heroine more than 10 years ago. We call it ''La Parisienne'': The wavy hair, the dominance of gold by Gustav Klimt, the audacity of Toulouse Lautrec and the modernity of Edmond Kiraz...

Keith Haring Pop Shop, c.1986: Vintage original 1980s Pop Shop bag designed & illustrated by Keith Haring. Features a bold 1985 Keith Haring prin...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

Charles Fazzino (b. 1955) I'll See Ya in Court, 2003 Limited Edition 3-Dimensional Serigraph Construction Framed: 43 x 34 1/2 in. Edition 81 of 200 Signed and inscribed bottom: 81/20...

The Bruce High Quality Foundation Copper Plate Bruce Shadow Box Sculpture, 2017 Customized wooden shadow box featuring a copper printmaking plate with hand-painted Bruce face. Accomp...

Jim Dine, John Chamberlain, Marcel Duchamp, Jasper Johns, Roy Lichtenstein, Barnett Newman, Kenneth Noland, Claes Oldenburg, Larry Poons, Robert Rauschenberg, James Rosenquist, George Segal, Frank Stella, Andy Warhol, Tom Wesselmann New York: The New Art Scene (Hand Signed Book), 1967 Hardback Monograph with illustrated dust jacket. Hand Signed by Frank Stella, Larry Poons and Jim Dine 13 1/4 × 10 × 1 1/4 inches Unframed This is the iconic, gorgeous oversized hardback Ugo Mulas photo book documenting the 1960s New York art scene - illustrated with over 500 images. The book itself, which is normally unsigned, is a valuable collectors' item. However, exceptionally the present book is hand signed by three of the remaining living legends featured. We are not aware of any other copy in the world, besides the present volume, that is also hand signed by Frank Stella, Larry Poons and Jim Dine - so this is an extraordinary collectible not to be found anywhere else. The signatures are also unconditionally guaranteed authentic forever as the these three living artists signed the book in person for the present owner - provenance you are unlikely to ever find elsewhere in the world. A memorable gift for the real collector of books and art. Defined as " a photographic record of a long moment in the history of American art " and listed in "The Book of 101 Books" (Seminal Photographic Books of the 20th Century). this large coffee table volume...

Purple Rose Fight For Change - is a Biennale Winner 2021 and Golden Art Award Winner 2022. Patrizia Casagranda's artwork comprises of a multi-laye...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Grey Green Fight For Change - is a Biennale Winner 2021 and Golden Art Award Winner 2022. Patrizia Casagranda's artwork comprises of a multi-layer...

Kerry Smith Talking Heads - 77 Mixed Media on PVC Year: 2022 Size: 25x23.5in Signed, dated by hand COA provided Ref.: 924802-1626 ------------------------------------- "Off The Rec...

Naguy Claude mixes popular culture icons and street art with comic and cartoon characters, as well as famous superheroes, in his original layered mixed media paintings. His artworks express a fascination with highly emotional content while retaining childlike playfulness. The fusion of positivity and nostalgia evokes familiarity while placing Claude's original artworks in an innovative realm. The layered and complex paintings, with their simple messages, showcase his unique approach. Naguy Claude created this one-of-a-kind 21.5-inch high by 21-inch wide artwork with acrylic paint, spray paint, and varnish on canvas. His characters develop their own unique essence with layers of splattered and dripped acrylic and spray paint rendered with vivid colors. This artwork is stretched, wired, and ready to hang. It is signed by the artist on the front and back and does not require framing. Free local Los Angeles delivery. Affordable U.S. and global shipping are available. A certificate of authenticity issued by the art gallery is included. Coming from a working-class neighborhood in the Parisian suburbs, Claude had the opportunity to experience various cultures and traditions, which gave him a different outlook on the world and ignited his curiosity. During his teenage years, Claude was fascinated with public graffiti art while riding public transportation. He participated in his first exhibition at the age of 16. His artwork reflects the diverse influences he has encountered throughout his life, including his passion for popular culture, street art, and the emotional complexity of childhood. Cartoon icons such as The Simpsons, Mickey Mouse, Dragon Ball...

These innovative, mixed-media paintings render familiar imagery and text into assemblages saturated with poignant slices of Americana. Nostalgic nods to ubiquitous tropes, such as bi...

LeRoy Neiman Carnaval gift book in bespoke box (Hand Signed and Numbered), 1981 Hardback Monograph with Vinyl Dust Jacket. Hand Signed by Artist on Colophon on Vellum parchment pape...

Mixed Media Collage Piece on wood. Homage to tequila. About the artist: Seek One, a native of Philadelphia, Pennsylvania, began writing graffiti at the a...

Rachel Bergeret, stylist by trade, created her heroine more than 10 years ago. We call it ''La Parisienne'': The wavy hair, the dominance of gold by Gustav Klimt, the audacity of Tou...

Keith Haring for New York CityKids, 1986. Rare vintage 1986 sticker illustrated by Keith Haring for the CityKids coalition in New York: "City Kids Speak on Liberty" New York, 1986 sponsored by Burger...

Mixed Media Collage Piece. Chanel theme of luxury. On Wood. About the artist: Seek One, a native of Philadelphia, Pennsylvania, began writing graffiti a...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* KING PRINCE OF POP is one of the biggest painting homage...

Mixed Media Collage Piece. Miami theme of luxury. On Wood. About the artist: Seek One, a native of Philadelphia, Pennsylvania, began writing graffiti at...

These innovative, mixed-media paintings render familiar imagery and text into assemblages saturated with poignant slices of Americana. Nostalgic nods to ubiquitous tropes, such as bi...

Allan D'Arcangelo Trenette Al Pesto - I Tre Merli - New York, NY, 1998 Ceramic Plate Artist signature fired into the plate on the back and numbered 132 from the edition of 1000. 10 1/8 inch diameter by 1/4 inch height Unframed "My most profound experiences of landscape were looking through the windshield." - Allan D'Arcangelo. Note: the stated edition is 1000, but far fewer were actually made, and many were said to have been lost after 9/11 which is why this is so scarce. Makes a memorable and very special gift! This beautiful, extremely rare limited edition, signed and numbered bowl...

These innovative, mixed-media paintings render familiar imagery and text into assemblages saturated with poignant slices of Americana. Nostalgic nods to ubiquitous tropes, such as bi...

Money background. Wealth cash background. From my not-quite-smiling series. Pure pop. Featuring Mickey Mouse, Donald Duck, Scrooge McDuck. The Heather Grey, Navy Heather, Heather Charcoal, Heather Red, Silver, Heather Green and Heather Light Blue color options of this art is standard. Large. Join Mickey Mouse on a mixed-up adventure with the Disney Junior Mickey Mouse. Are you a Mivkey Mouse cartoon comic fan who loves comics and cartoons? This is the perfect gift for a friend, wife, husband, sister, brother, boyfriend, girlfriend, man, woman or children, boys and girls. DREAM BIGGER- Innovation, Imagination, and Inspiration are the roots of our art. Our Rubino Brand is still small and family run. We take great pride in our products and our unsurpassed customer service. We know that our wonderful customers are the reason we are in business! We offer excellent quality, non-toxic products. With our coordinating accessories, you can mix and match our high-quality and unique boys and girls bed, bath, and beach products. Pop art and graffiti, modern, contemporary painting and paintings. And it will remind you of flowers and floral roses flower. Scrooge McDuck is a cartoon character created in 1947 by Carl Barks...

Keith Haring Pop Shop, 1986: Vintage original 1980s Keith Haring Pop Shop bag designed & illustrated by the artist. Features a bold Keith Haring printed signature and standout original Haring Pop shop logos, plus bright, lush colors which make for a unique framepiece. Medium: silkscreened vinyl shopping bag. 19 x 16.75 inches inches. Minor wear commensurate with age & medium; in otherwise good vintage condition. A very cool vintage original Keith Haring frame piece within reach. Keith Haring Pop Shop: In 1986, New York artist Keith Haring opened the Pop Shop in downtown Manhattan. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be accessible to everyone. For nearly twenty years, the shop continued to be a downtown attraction with floor-to-ceiling murals...

Drawing on the cultural and geographic influences of his California roots, Greg Miller explores images of the American urban and rural landscape of the mid-twentieth century. The wor...

Mixed Media Collage Piece. NYC theme. On Wood. About the artist: Seek One, a native of Philadelphia, Pennsylvania, began writing graffiti at the age of ...

These innovative, mixed-media paintings render familiar imagery and text into assemblages saturated with poignant slices of Americana. Nostalgic nods to ubiquitous tropes, such as bi...

Rachel Bergeret, stylist by trade, created her heroine more than 10 years ago. We call it ''La Parisienne'': The wavy hair, the dominance of gold by Gustav Klimt, the audacity of Tou...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an authenticity unlike any other: layered, textural, controversial, open to imagination, colorful, personal, and inspiring. Coruzzi’s work encapsulates not only urban environments, but the inhabitants as well. Irony is laced between figures drawn with an energetic architectural hand. His work is colorful, funny, and biting through resolutely rendered vignettes of people and places. Coruzzi used spray paint and credit cards to create this one-of-a-kind original artwork on panel. This colorful 9-inch high by 11-inch wide artwork is framed in a white wood frame. Size and price include frame. This artwork is signed on the back. Convenient local Los Angeles shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Fabio Coruzzi was born in Foggia, Italy in 1975, and now resides in Southern California, USA. Remarking on his work in conjunction with his perspective on urban environments, Fabio states: "I wish that each painting I make should be like a poem of the place where I've been. I wish to become a poet of our time, like somebody would tell: "I've been there", but telling that my way, telling the audience that, no matter where we are, in a boulevard or in a restaurant, each single place is like an empty box...

Nelson De La Nuez is one of the most sought-after contemporary Pop artists practicing today. His striking, vivid mixed media artwork borrows motifs and messages from the language of wealth, power, fame, excess, taste, and access to cast a narrative about modern society. Known to many as The King of Pop Art, De La Nuez is an innate iconoclast, elevating themes from commerce, pop culture, advertising, and branding to provide commentary on our culture—showing us that the entire world is for sale—in a manner that is both ironic and aspirational. This one-of-a-kind 51.5-inch high by 42-inch wide original artwork is a mixed media and oil pastel composition layered on paper. This artwork is signed by the artist on the front. This artwork is framed in a modern white wood frame. Size and price include frame. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. Included in the “Who’s Who List of the Most Collected Artists of Our Time '', De La Nuez was born in Cuba and moved as a child to California, where he was initially introduced to many of the iconic images that he uses in his art to this day. His ability to experience these important cultural touchpoints at such a young age with a purely fresh perspective allows him a distinctive point of view—one that is both critical and embracing, sardonic and sentimental—that lends his work an air of accessibility and curiosity and has led to his significant popularity. REPRESENTATION Artplex Gallery, Los Angeles, California, USA EXHIBITIONS 2023 "Perspectives on Street Art", Artplex Gallery, Los Angeles, CA 2022 "Freestyle Iconography", Artplex Gallery, Los Angeles, CA 2021 Hamptons Market Art & Design. The Bridgehampton Museum 2021 Beach Life, DTR Modern Gallery, Nantucket 2021 “Live It Up” De La Nuez, Jennifer Balcos Gallery, Buckhead, ATL 2021 “Winter Wonderland”, DTR Modern Gallery, Washington DC 2020 DTR Modern Gallery, New York 2020 White Room Gallery, Bridgehampton, NY 2020 A Style Gallery, Solo Show, Hong Kong 2020 DTR Modern Gallery, Boston 2019 Pop Art Then & Now, DTR Modern Gallery, Boston, MA 2019 Melbourne Art Fair, Royal Exhibition Building, Australia 2019 Hamptons Market Art & Design, the Bridgehampton Museum 2019 Art Fair Hong Kong 2018 Art Fair, New York, NY 2018 Baselworld, Basel, Switzerland 2018 Art Market San Francisco, CA 2018 LA Modern...

Keith Haring Crawling Baby & Three Eyed Smiling Face stickers circa early/ mid 80s. Set of 2. Originally produced by Haring for his first solo gallery exhibition in 1982, then later sold/given out at Haring's New York Pop Shop throughout the 1980s. Iconic vintage original 1980s Haring collectibles that work well in any collection. Medium: Vintage self-adhesive stickers featuring original design by Keith Haring; offset printed. Approximately 3 inches square in size. Very Good overall vintage condition. Keith Haring Pop Shop History: In 1986, New York artist Keith Haring opened the Pop Shop in downtown Manhattan. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be accessible to everyone. For nearly twenty years, the shop continued to be a downtown attraction with floor-to-ceiling murals...

These innovative, mixed-media paintings render familiar imagery and text into assemblages saturated with poignant slices of Americana. Nostalgic nods to ubiquitous tropes, such as bi...

"ALPHA" Mixed media sculpture 24" x 60" x 1" inch by Shawn Kolodny Resin, Wood, Acrylic paint Creating art to reflect the times we live in, Kolodny creates art for our short attent...

Mixed Media Collage Piece on wood. Homage to Richard Mille watches. About the artist: Seek One, a native of Philadelphia, Pennsylvania, began writing gra...

Peter Max is an American pop artist with a huge catalog of work. This acrylic and mixed-media painting by Max centers the composition on a stylized Statue of Liberty. She is wearing a pink robe...

Mixed media (household paint swatches) Framed in white with Optium museum quality non-reflective Plexiglass The artist uses (Home depot household pai...

Raymond Pettibon Marcel Dzama artist book 2016: Raymond Pettibon, Marcel Dzama: Let Us Compare Mythologies, this rare limited edition artist book/ zine was published on the occasion of Pettibon & Dzama’s exhibition at David Zwirner, London, in October 2016. The book uniquely includes a large fold-out poster of ‘It is big big business’ - featuring Pettibon surfers immersed in gigantic waves amidst Dzama’s illustrations of outlandish characters. The title, Let Us Compare Mythologies is an homage to musician Leonard Cohen. Medium: offset-printed softcover artist book which includes a large fold out poster. Approximately 30+ pages. Book: 8.5 x 11 inches. Poster: 37.5 x 10.25 inches Unused. Very good to excellent overall condition. Unsigned from an edition of 500. Published by Zwirner Books, 2016. About Raymond Pettibon (American b. 1957): Having emerged from the Southern California DIY culture and its punk-rock sensibility, Raymond Pettibon fuses together youthful edginess and political engagement. Drawing from disparate cultural sources—from Marcel Proust to the Bible—the artist’s cartoon-inspired ink drawings on unframed paper recall the look of fanzines and concert flyers, however with an often cryptic semblance of narrative. More recently, Pettibon’s works have been a sustained critique of the Iraq War and American foreign policy, such as No Title ("Why press him?") (2007), which depicts George W. Bush with bloodied hands and surrounded by pointed, ironic commentary. Pettibon was a recipient of the Whitney's Bucksbaum award in 2004. Marcel Dzama: Often compared to outsider artist Henry Darger, Marcel Dzama’s small ink...

Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been shown in...

Mixed Media Collage Piece on wood. Paris/sports theme of luxury featuring Virgil Abloh who was a designer for Louis Vuitton and brought street wear to high fashion. Died of cancer in 2021. About the artist: Seek One...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was named one of 20 standout artists at the 2014 NY Affordable Art Fair. His contemporary artworks continue to be exhibited at major international art fairs in the United States, Asia and Europe, including Los Angeles, New York, London, Singapore and Hong Kong. Celebrities and major art collectors worldwide have acquired his timeless artworks, which have seen a significant increase in value. John applied bold acrylic paint, oil pastels, and mixed media onto architectural paper to create this original artwork measuring 42 inches high by 30 inches wide. This mixed media painting is signed and dated by the artist in the lower left corner using the first two letters of his first and last name (GA JO). Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the gallery is included. Gary John has been a street artist since 1985. Originally from Seattle, Washington, he moved to Venice Beach, Los Angeles in 2003 and began selling on...

In this original acrylic paint on paper from Art Angler Gallery, Jose Palacios depicts "Skylight 6", in a pop art style. He uses vibrant yellow, blue, pink, white, green, black and red shapes to create his composition of "tropical shapes" and patterns. Palacios' work is characterized by it's geometry, precision of his figures and the use of a refreshing and bold palette. The painting is 27.5 x 27.5 inches and includes a white circular mat, creating a round appearance in a square format. Jose Palacios was born in Spain in 1970. A self taught artist, he began his career in the world of comic books and illustration publications. He later transitioned to graphic design and street art. Jose was greatly influenced by the "Movida Madrileña" an explosive cultural period in the 1980's during Spain's transition from dictatorship to democracy which produced arist's such as Ceesepe, Fernando Vicente, Ana Juan, Ouka Leele and Javier de Juan.

Information: Artist / painter / sculptor born in Paris in 1967, graduated from IPEDEC (School of decorative painting in Paris) and specialized in optical illusion painting, Alain Mimouni...

Mixed Media Collage Piece on wood. Homage to champagne and caviar and more. Luxury life. About the artist: Seek One, a native of Philadelphia, Pennsyl...

Mixed Media Collage Piece. Hamptons theme of luxury. On Wood. About the artist: Seek One, a native of Philadelphia, Pennsylvania, began writing graffit...

Artist's Bio: Dan J Leahy is a contemporary artist born and raised in South Florida. Dan started his personal journey in the arts with film and video in Los Angeles and New York city...

Jann Haworth (British / American, b. 1942) Mickey Merz Signed, and dated ‘Jann Haworth 2010’ Mixed media collage 35.1/4 x 25.1/2 in. (89.5 x 65 cm.) Provenance: Private collection, Paris Piasa Paris Jann Haworth was born in Hollywood, USA. From 1959-61 she attended the University of California, Los Angeles before coming to England in 1961 to attend the Courtauld Institute and then the Slade School of Fine Art from 1962-3. In 1963, whilst a student at the Slade Haworth met Peter Blake at a party and they married in July of that year. Haworth moved into Blake’s Chiswick flat and she set up a studio alongside his where she produced her life-size textile figures. A pioneer of soft sculpture, she is best known as the co-creator of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album cover. Haworth is also an advocate for feminist rights, especially for women’s representation in the art world. Together with Pauline Boty...

Damien Hirst Skull record art 2006: Damien Hirst illustrated album cover art for The Hours 2006 - a set of two original record sleeves and vinyl records featuring Hirst's iconic skull imagery. Off-set lithograph. 7 x 7 inches (applies to each individual piece). Very good to excellent overall vintage condition. Includes the original records (likewise very good overall condition). Looks very cool framed as a set. Damien Hirst is a British Conceptual artist known for his controversial take on beauty and found-art objects. Along with Liam Gillick, Tracey Emin, and Sarah Lucas...

Purple Rose Fight For Change - is a Biennale Winner 2021 and Golden Art Award Winner 2022. Patrizia Casagranda's artwork comprises of a multi-laye...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an authenticity unlike any other: layered, textural, controversial, open to imagination, colorful, personal, and inspiring. Coruzzi’s work encapsulates not only urban environments, but the inhabitants as well. Irony is laced between figures drawn with an energetic architectural hand. His work is colorful, funny, and biting through resolutely rendered vignettes of people and places. Fabio Coruzzi used acrylic paint, oil pastel, and graphite to create this one-of-a-kind artwork on canvas. It is signed by the artist on the front and back. This colorful 24-inch high by 30-inch wide original painting is stretched, wired, and ready to hang. It does not require framing. Free local Los Angeles delivery. Affordable U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Fabio Coruzzi was born in Foggia, Italy in 1975, and now resides in Southern California, USA. Remarking on his work in conjunction with his perspective on urban environments, Fabio states: "I wish that each painting I make should be like a poem of the place where I've been. I wish to become a poet of our time, like somebody would tell: "I've been there", but telling that my way, telling the audience that, no matter where we are, in a boulevard or in a restaurant, each single place is like an empty box...

Mixed Media Collage Piece. Hermes theme of luxury. On Wood. About the artist: Seek One, a native of Philadelphia, Pennsylvania, began writing graffiti a...

Set of 10 From The Series Close Before Striking series, One of Kind Mixed Media on %100 Cotton Paper, 2014 Overall size: Image size: 40 in. H x 80 in. W Frame size: 48 in. H x 100 in...

Purple Rose Fight For Change - is a Biennale Winner 2021 and Golden Art Award Winner 2022. Patrizia Casagranda's artwork comprises of a multi-laye...

Jean-Michel Basquiat 1000% Bearbrick Vinyl Figure: A nicely sized (27 inch) & highly decorative Warhol Basquiat statue figure that makes for a standout ...

Voluptuosidad 12, 2019 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His ...

French contemporary pop art collage artwork on canvas, unframed canvas: 10.5 x 7.5 inches provenance: private collection, Paris condition: overall ve...