Medium Abstract Paintings

Blackland Blues Creation Date: 2023 Medium: Flashe and oil on Linen Size: 30 x 30 x 1.5 in Framed Size: 31.5 x 31.5 x 2 in LOOK FOR FREE SHIPPING AT CHECKOUT All the botanicals in ...

Abstract Yellow and Green (Yellow, Green and Black Tablescape Oil Painting) by New York School Painter and WPA artist, Lionel Gilbert Signed, lower left This horizontal painting was...

A fine mid 20thCentury Modernist/Post Impressionist Landscape circa 1952 oil on canvas 46cmx54cm Good quality silver gilt gallery frame 59cmx68cm Painted by Thure Wahlstrom (1908- ? ...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

12-03 - Untitled in White - incl. black floating frame - We love the subtle touch of orange. Balanced with blue and white, it just brings a nice freshness in the room, like a spri...

Modern iridescent abstract artwork with many dynamic drizzles and drips over blue deep green and yellow background. Signed in front. Ready To Hang - No Framing Required! I incl...

Tom Harford Thompson was born in Amersham in 1964. He trained as a pattern cutter at London College of Fashion, before going on to study a BA in Art History at Manchester School of A...

3 Figures- Combined, oil on canvas, sighed lower right by KOKO. Artist authenticity certificate is available.

"Transfiguration" is a captivating original abstract painting by the talented artist Pawel Kontny (also known as Paul Kontny), created during the mid-20th century. This unique composition was crafted using a combination of marble dust, gesso, and oil glaze on masonite, resulting in a striking raised texture that adds depth and dimension to the artwork. The use of marble dust and gesso gives the piece a rich, tactile quality, making it visually stunning. The painting is rendered in a harmonious palette of neutral tones, including shades of brown, beige, yellow, and grey, creating a subtle yet powerful interplay of light and shadow. These muted hues evoke a sense of calm and contemplation, allowing the viewer to immerse themselves in the abstract forms and textures that dominate the canvas. This piece is presented in its original black and gold frame, which enhances its vintage charm and complements the sophisticated color palette. "Transfiguration" is an exceptional work of art, perfect for collectors of mid-century abstract art...

Elevate your decor with this 25 x 25 inch abstract painting on wood. Bold purple, teal, and pink brushstrokes create a striking, contemporary vibe, while the wood panel adds a unique...

Balancing act 2 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 2 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

The movement of optics silhouetted and contoured by straight lines and bare flat tints in their formless purity, for me embodies the Divine grace and luminous energy that the soul of...

The movement of optics silhouetted and contoured by straight lines and bare flat tints in their formless purity, for me embodies the Divine grace and luminous energy that the soul of...

Amitabh Sengupta - Nigeria Period , Edition 1/1 Frottage on Paper , 30.25 x 22.25 inches , 1987 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is depi...

Lilac and Elder (Abstract Expressionism painting) Acrylic on canvas - Unframed. Color and luminosity define the work of Greet Helsen. Her paintings are best described as abstract l...

This is a one of a kind original oil and resin painting by San Diego artist, Julia San Roman. Its dimensions are 30" x 12" x 1.5". It is unframed. A certificate of authenticity will ...

A large abstract about the interaction of warm and neutral colors and touches of gold. Decorative, soft and serene, suitable for any interior. :: Painting :: Abstract :: This piece c...

Labyrinth Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including acr...

Charcoal & Oil stick on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that a...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Amitabh Sengupta - Nigeria Period , Edition 1/1 Frottage on Paper , 30.5 x 22.5 inches , 1987 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is depict...

Paris - Ober (Blue Tarp) (Abstract painting) Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tenden...

A playful abstract composition by the artist Ray Barry (1931-2022). Signed to the lower left. Well presented in a white mount and off-white frame, behind glass. On paper.

A playful abstract by the artist Ray Barry (1931-2022). Signed to the lower right. Well presented in a whitewash frame. On paper.

'Opal Painting (gold)' 2018 by Catherine Howe. Fluorescent & mica pigments in acrylic mediums, 24K gold leaf gilded on canvas, 30 x 30 in.. This painting features Howe's signature ab...

Jon Rowland Tree of Love #5 Original Abstract Painting Acrylic and Oil Paint on Board Board Size: H 61cm x W 61cm x D 3.6mm Sold Unframed and Unmounted (Please note that in situ imag...

#1630 (Abstract painting) Oil on Canvas - Unframed. Boecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will ev...

Born and raised in Beverly Hills, California, Daniel Maltzman has always been interested in pop culture and advertisement. His early career consisted of promoting the hottest clubs i...

Entrance To A Mosque Fez, Morocco Trevor Waugh Oil on canvas Framed Figurative Orientalism

Mint Fold is a framed conceptual pop painting by María Magán, created using acrylic on canvas in vivid mint green tones. This work is part of the artist’s Chicles series, where objec...

Amitabh Sengupta - The Face Nigeria Period , Edition 1/1 Frottage on Paper , 30.5 x 22.5 inches , 1986 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME i...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

ACRYLIC PAINTING IN WOOD FRAME, ON LAMICHAPA WOOD MDF SUPPORT. IT IS SUPPLIED WITH THE FINISHED CORNERS TO BE HANGED. IT IS SUPPLIED WITH A VARNISH COVER TO AVOID DUST AND DIRT...

This contemporary abstract painting by Teodora Guererra features a light, cream, yellow, and off-white palette. The artist applies thick layers of oil paint in sweeping, horizontal s...

Abstract landscape based on memories of Venice Italy. Terra cotta roofs, sunlit washed stone surfaces, canals, and ancient faded artworks on plaster walls. Composition of squares and...

Maggie LaPorte Banks. A Sense of Place 2. Acrylic, collage and pure pigment on canvas. W. 75 cm x H. 75 cm x D. 2 cm. Unframed. Please note insitu images are purely an inidcation of ...

Contemporary colorful abstract painting by Houston based artist Shelbi Nicole. The work features black, white, and orange shapes floating against a grey background. Signed and dated ...

Navigation by artist Lisa Weiss is a contemporary abstract blue, white, grey, and yellow mixed media on panel that measures 30 x 20 and is priced at $1,500. Lisa Weiss’ work is about mark making, patterning, spontaneous movement, momentary awareness and paring down to essentials. She is continually looking for ways to detach from the past and future with a focus on the here and now. Weiss’ paintings are process driven by movement, repetition, materials, and place. Her works are for beauty and contemplation. A professional artist from Tennessee, Lisa Weiss received her BFA in painting and sculpture from Middle Tennessee State University in 1990. She received a teaching assistantship to Louisiana State University in Painting and Drawing and completed her MFA in 1996. Lisa has exhibited her work nationally in solo and group shows for the past fifteen years. She is included in numerous public and private collections throughout America, Canada, United Kingdom, Australia and Holland. She has the honor of being in the Hunter Museum permanent collection. In the last seven years, Lisa has attended four artist residencies: Dorland Colony in California, Millay Colony in New York, Wurlitzer Foundation in New Mexico and the Nantucket School of Art on Nantucket Island. She has taught design, painting and drawing at the University of Southern Mississippi, Watkins College of Art and Film, Eastern New Mexico University and Winthrop University. Lisa has recently earned initial certification for teaching yoga from Yandara Yoga Institute in Todos Santos, Mexico. She has traveled the United States, Mexico and Europe. Lisa currently creates artwork in her studio in Franklin, Tennessee. Selected Collections Hunter Museum of Art: Chattanooga, TN. Hilton Hotel: Washington, DC. Iberia Bank: Memphis, TN Sand Point Corporation: Sand point, FL. Baptist Hospital: Nashville, TN. Glanker Brown Law: Memphis, TN. Harrahs: Las Vegas, NV. Hot Springs National Park: Hot Springs, AR. CoCa - Cola Bottling Co.: Knoxville, TN. Creative Arts Guild: Dalton, GA. Tennessee Watercolor Society: Nashville, TN. Private Collections: United States, Canada, United Kingdom, Germany, Australia, Holland Selected Exhibitions 2013 Tinney Contemporary: Three Person Show, Nashville, TN. 2012 Copper Fox Gallery - Inaugural Opening, Leipers Fork, TN. 2012 L. Ross Gallery: Paper Exhibition – Memphis, TN. 2012 L. Ross Gallery: Group Show – Memphis, TN. 2012 L Ross Gallery: Common Thread - Memphis, TN. 2011 Nina Kuzina Fine Art: Group Exhibition - Nashville, TN. L Ross Gallery: Paper Group Exhibition - Memphis, TN. Bennett Gallery: 7 in 11 Group Exhibition - Knoxville, TN. 2009 Waterworks Art Center: Seedlings Exhibition - Salisbury, NC. L. Ross Gallery: “Nature Forms’ – Solo Exhibition – Memphis, TN. 2008 Gallery Up: ‘Papillon’ – Solo Exhibition - Rock Hill, SC. 2007 Project A: ‘Sequence’ – Solo Exhibition – Nashville, TN. 2006 L. Ross Gallery: ‘Prana’ – Solo Exhibition – Memphis, TN. Bennett Gallery: ’New Works’ – Two Person Exhibition’ – Knoxville, TN. 2005 Upstream People Gallery: ‘7th Annual All Media International’ - Omaha, NE. L. Ross Gallery: ‘Inner Garden’ - Solo Exhibition Memphis, TN. 2004 Art Forms: ‘Between Moments’ - Solo Exhibition - Memphis, TN. 2003 Perry Nicole Fine Art: ‘Flux’ - Solo Exhibition - Memphis, TN. 2002 Eastern New Mexico University: ’Faculty Exhibition’ - Portales, NM. Art Forms: ‘Strong Voices’ - Group Exhibition - Memphis, TN. 2001 Hanson Gallery: ‘Remembrance’ - Group Exhibition - Knoxville, TN. Perry Nicole Fine Art: ‘Quest’ - Two-person Exhibition - Memphis, TN. 2000 Creative Resource Gallery: Group Exhibition - Birmingham, MI. Perry Nicole Inaugural Opening: ‘Ascension’ - Solo Show - Memphis, TN. 1999 Creative Resource Gallery: Group Exhibition, Harbor Springs, MI. National Miniature Exhibition: Group Exhibition - Salt Lake City, UT. 1998 Period Gallery: ‘National Miniature Exhibition’ - Omaha, NE. Exit Gallery: ‘Small Wonders’ - Solo Exhibition - Hattiesburg, MS. 1997 Blue Haus Alternative Workspace: Group Exhibition - Hattiesburg, MS. 1995 Ironworks Gallery: ‘Art for Arts Sake’ - New Orleans, LA. 1993 Parthenon Gallery: ‘Central South Exhibition’- Group Show - Nashville, TN. 1992 Dalton Creative Art Guild: Group Exhibition - Dalton GA. 1990 Parthenon Gallery: ‘Tennessee Watercolor Society Exhibit’ - Nashville, TN Awards and Honors 2008 Yandara Yoga Teacher Training: Todos Santos, MX. 2008 ‘The Conversation’: Inspired from the painting ‘Empire’: Rock Hill, SC. 2005 Nantucket School of Art & Design: Artist Residency, Nantucket Island, MA. 2004 Helene Wurlitzer Foundation: Artist Residency, Taos, NM. 2003 Maho Bay Environmental Arts Program: Artist Residency, St Johns...

Acrylic Abstract Painting, Original artwork created by Ronald Hunter. A balanced abstract composition of round forms, made with many layers of acrylic paint. The combination of bl...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

size includes frame 20X20 sight size. Richard tum Suden (1936, Brooklyn NY) Painter, sculptor, graphic artist, has taught at Parsons School of Design in New York, Art Students League...

Description Landscape is an original, one-of-a-kind abstract painting by Italian artist Marilina Marchica, created in 2025. Executed in oil on stretched cotton canvas, the artwork pr...

Oil on canvas, signed at the right bottom Jacques Trichet is a French artist born in 1955 who lives and works in Saint Martin Lars in Sainte Hermine in France. After a stay in Mexi...

Liane Ricci was born in Sleepy Hollow, NY in 1970, and has studied at the Art Students League, the School of Visual Arts and the Fashion Institute of Technology, and at the Hartford ...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Large bright vivid drawing done in oil crayon or oil pastel. Abstract floral drawing. David Kimball Anderson’s work is bold and graceful, respectful and spiritual. A practicing Bud...

Step into a vivid labyrinth of color and imagination with this original work by visionary artist Serg Graff. Titled Kaleidoscope Wishes, this piece is a fantasy abstract composition ...

This original oil painting is noted for its bright and vivid analogous color palette and soft, yet distinctive geometric shapes that appear to dance within the frame. The artist, Wyn...

"Perfectly Primrose" is an enchanting oil painting that captures the serene beauty of a hillside blanketed with vibrant wildflowers. This beautiful piece transports you to a sunny da...

Emma's artwork is inspired by the Parisian luxury world of fashion, textures and colour. This blue tone artwork titled "Lagoon 05" works well on it's own or as a grouping. It comes f...

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Linear Moss (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construct, th...

Original art canvas entitled London Calling by renowned contemporary U.K. artist Jagga. Co-signed by the artist and The Clash bass player, Paul Simonon. Limited edition number 16/20...

blue and pink drops abstract. original.acrylic paper painting.. framed Artwork by Spanish artist ISIDRO CAHUE. The personality of the artist is reflected in different fields of art...

Josette Dubost is a French artist born in 1936 who lives & works in Solliès-Pont, France.

Geometric Abstract American Oil Painting WPA Color Field Abstraction Modern Non Objective. August Mosca (Italian/American, 1909 – 2002) Abstract 17 x 13 inches Oil on canvas Signed ...

Oil on canvas Harry James Moody is a German artist born in 1952 who lives and works in Los Angeles, United States. He received his training as artist at the Frankfurt Stadel Fine A...

Puzzle 94 by David E. Peterson is part of an ongoing series featuring a beautiful, exotic woods and abstract painting. These 3-dimensional wall sculptures look amazing, they are colored purple, navy and yellow, with natural wood showing through. David E. Peterson Artist Statement “Industrial Design informs my work. Inspiration might come from a brightly coloured sneaker, an eye- catching dress, an intricate watch...

Debirs by Eohim Sanchez Oil on canvas 30" x 30" Year: 2019 :: Painting :: Minimalism :: This piece comes with an official certificate of authenticity signed by the artist :: Read...