Framed Abstract Paintings

-red and yellow colors- original abstract paper acrylic painting. FRAMED work by Spanish artist ISIDRO CAHUE. Acrylic on paper Perfect state The personality of the artist is reflect...

Dividing Light II [2021] Please note that insitu images are purely an indication of how a piece may look Dividing Light II is an original painting by artist Sheryl Roberts. Sheryl has mastered the composition of dramatic light...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

"Birth" is a striking semi-abstract watercolor painting created by the talented Colorado artist, Charles Ragland Bunnell, in 1943. The artwork, crafted during Bunnell's Black and Blu...

Katharina Hormel creates minimalistic landscape paintings featuring everyday scenes of life. Her art often portrays people engaged in their daily activities, such as taking a leisure...

Ruz- original abstract acrylic painting. Virtual frame Original work of the artist RUZ Acrylic on paper Perfect state While contemplating the painting of Ruz, we are inclined to ta...

"Dans Le Jardin"Sunflower garden with children canvas 36x36 framed 45x45x1.5 signed in the lower-left corner. Sotiris was born in Athens, Greece i...

Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background "Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022 Graphite, colored pencil, and acrylic painting on vellum 24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding Signed, verso Excellent condition and ready to hang This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang. About the artist: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Oil on masonite sold with frame Total size with frame 102x102 cm Jean Krillé is a Swiss artist from Geneva, recognized for his significant contributions to contemporary art. Born in...

5022 Surreal Abstract set in a brushed aluminum frame Signed P.Russo 1986

"In the Studio" is a compelling exploration of the artist's workspace, where the tools of creation are celebrated as subjects in their own right. Sophie Dumont captures the essence o...

GERALD ROSE (BRITISH, 1935 – 2023) SHEEP IN WINTER Acrylic on board Signed and dated ‘Gerald Rose 69’ (lower right) 29.1/2 x 19.1/4 in. (75 x 49 cm.)

Colourful Abstract Landscape Painting of the English Countryside entitled Northern Hills by British Artist Art measures 24 x 18 inches Frame measures 32 x 26 inches Capper still l...

Blue Square is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2015. Oil on canvas applied on plywood. Hand signed and dated by the artist on the back. Hand signed o...

In this bold new abstract painting by Milly Ristvedt vertical lines of colour in various widths pop against a soft, fluid burgundy canvas. As always, the colour palette—bright pink, ...

Like a symphony that blends different instruments and musical themes, a library can contain a variety of books representing diverse genres, authors, and subjects. Each book brings i...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on paper (two sheets) mounted on canvas. Signed on rear support, gallery labels verso. 35.25 x 46.2...

Solent No.25 is an oil on canvas showing a section of the landscape, painted from an aerial perspective by Artist & Musician John Illsley. The artwork com...

Abstract artist Paul Kirley creates visual experiences that connect people to place as though they were dreaming. Links between reality and contemporary abstraction are created as a ...

A photographer from the age of five, Dicke started painting at Culver Military Academy in 1963 under the tutelage of the late Warner Williams, a bas-relief, realist artist. Later, he...

It makes a bold statement. Field Green is one of a series of colour field paintings created by modernist Milly Ristvedt. Renowned as a master colourist, Ristvedt chose a bright palet...

Guinovart. Josep Guinovart i Bertran (Barcelona 1927-2007) was a painter, draftsman and engraver from Catalonia, Spain. After studying at the School of the Lonja and the Promotion ...

"Float" (2020) by J. Adam McGalliard is an original, handmade pen an ink drawing that depicts an abstract portrait of a man laying down. J. Adam McGalliard is a Contemporary Realis...

This stylish abstract cubist oil on board painting with a monogram signature "M.J." is from a German artist (20th Century). The colorful painting features a stylized abstract composi...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Pictographic scene by Charles Stewart (American, 1922-2011). There are several figures in the center of the piece, one of which has raised hands, as if to praise the sun above them. Surrounding the figures are symbols reminiscent of Neolithic art - spirals, handprints, and animal symbols. Signed "C. Stewart , T. S (for Taos Society of Artists)." in the lower left corner. Presented in a wood frame with vinyl faux-lizard skin wrapping, and a linen mat. Image size: 16.5"H x 21"W Charles C. Stewart (1922-2011) was born in Toledo, Ohio. From an early age he had a natural talent for the arts, so much so that during his school years, his teachers encouraged him to take classes at the Toledo Museum. He studied there for eight years. During World War II, he served with the tank destroyers in five campaigns. When he returned from the war, he studied art and sculpture at the Art Student's League in New York. He then went to Mexico for eight months to study and paint. While in Mexico, he fell in love with the country, its people and arts, vowing one day to return and live. In 1947, Stewart moved to Taos, New Mexico to start his career. He opened a frame shop and small studio and studied at the Taos Valley Art School under Louis Ribak. In 1949, he opened his own gallery. He taught art and sculpture at the Taos Art Association and at Philbrook Art Center in Tulsa, Oklahoma, as well as teaching private students. He built three homes in Taos, the last of which is known as the "Stewart House." The "Stewart House" was written up in the New Mexico Magazine in an article entitled "The House That Chuck Built" by Tricia Hurst In late 1984, Stewart and his wife, Mary Lou, were exploring the Baja in Mexico and ended up at "Land's End," a small fishing village on the Sea of Cortez called Cabo San Lucas...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

Nicely painted early American modernist abstract landscape. Oil on canvas. Framed.

Susan Kiefer Admitting Porosity Oil on canvas Year: 2023 Size: 24x24x1.35in Signed and inscribed by hand COA provided Ref.: 924802-1675 An angular composition with a field of dark b...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

How wonder filled it is to witness the natural beauty of a sunrise over the ocean on one of those blessed early summer mornings. You feel the ocean amidst while luxuriating in the d...

Abstract expressionist library with colorful books. Worked in oil and with a knife, the subject ends up disappearing in favor of abstraction, the colors are soft but vibrate a lot. S...

Sumptuous abstracted landscape with red and white station from artist David Shevlino, whose masterful application of paint through the use of broad brush...

A unique oil painting on paper, framed with a thin, black aluminium box frame. Artwork floated and raised to the back board. Ready to hang. Size of 100 x 70 cm is that of the artwork...

William Sharp (1900 - 1961) Factory on the River Oil on canvas 20 1/2 x 28 1/2 inches Initialed lower left: WS Provenance: Estate of the artist Private Collection, New York Swann Auction Galleries, American Art, June 13, 2019, Lot 178 Private Collection, New York Colonial Sand and Stone Co., founded by Generoso Pope, was once the country’s largest sand and gravel business, providing the concrete for much of New York City’s skyline, including the Empire State Building, Rockefeller Center, Radio City Music Hall, airports and subways. William Sharp was born on June 13, 1900, in Lemberg, Austria, where he attended college and the Academy for Arts and Industry. He later studied in Kraków, Poland, and in Berlin and Munich, Germany. Sharp began his career as a designer of stained-glass windows and as a painter of murals. He served in the German army during World War I. After the war he became a newspaper artist in Berlin and a well-known etcher. Sharp drew political cartoons that were bitterly critical of the growing Nazi movement. As the influence of National Socialism intensified, he began to contribute drawings, under a pseudonym, to publications that were hostile to Hitler. After Hitler assumed power, Sharp was confronted with these drawings and told that he would be sent to a concentration camp. However, in 1934, he escaped to the United States. His first newspaper assignment in America was making courtroom sketches for The New York Mirror...

Contemporary 'Storm Source' depicts severe weather at the center of a storm. An intense and electrically radiant sky, ocean, sunset painting from American Realist, Willard Dixon. The unique sky-scape is a birds-eye view to the dramatic and unfolding scene. Framed in dark ebony wood, and ready to hang and enjoy. The original painting is 58 x 60 inches. Signed and dated by the artist. Condition is excellelnt. One of our finest American contemporary realist painters, Willard Dixon has painted Northern California and western landscapes for over 35 years. His work captures the undeniable beauty of the West with its grand and humble spirit. The same sensitivity can be found in Dixon’s urban street scenes that offer viewers a resting place to contemplate our rapidly changing world, and his portraiture, which largely focuses on his artist friends and illustrious colleagues. Willard Dixon’s art has been shown extensively in San Francisco, Los Angeles, and New York, He has had over 40 one-man shows and numerous group shows. His work is in the collections of The Metropolitan Museum of Art in NY, The SFMOMA, and the Oakland Museum of California Art. He has executed large-scale commissions for The California Supreme Court, The Oakland Museum and The Las Vegas Federal Courthouse. He received an NEA Fellowship Grant in 1989. In 2013, one of his portraits was included in The Outwin Boochever Portrait Competition, at the National Portrait Gallery in Washington, DC. Dixon’s works are included in prominent private and museum collections worldwide. Born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish...

Abstract Expressionist Original Watercolor on Paper style of de Kooning Abstract Watercolor titled "Lands End" by Harold Winer (American, 1913-2006). Bright and bold colors of a Fl...

Acrylic ink and paint on canvas, 2024. Signed, titled and dated on the back. Ready to hang. The artwork comes directly from the artist's studio. Height: 53 in ( 134,5cm), Width: 4...

Artist: Elwood Howell, American (1933 - ) Title: Nereides Series V Year: 1979 Medium: Acrylic on Canvas, signed l.r. Size: 66 x 54.5 in. (167.64 x 138.43 cm)

Charles Evans (1907-1992) Mediterranean Costal Town, 1932. Gouache and watercolor on paper. Sheet measures 8.5 x 10 inches; mounted in frame measuring 8.5 x 10 inches. Signed and dated lower left. Charles Evans was a modernist known for his abstract style of painting. He studied at New York's Art Students League and Parsons School of Design, and later in Paris with Fernand Lger at the Acadmie Moderne. In 1930, Evans and his wife spent a year living in what was Paul Cezanne's studio in Aix-en-Provence, France. The following year, Evans purchased the old silk mill in New Hope and became involved in the area's modernist movement, joining the Independents in 1932. By 1935, he began to work collaboratively with Louis Stone, whom he had met in 1929 while studying with Hans Hofman in Saint Tropez, and with Charles F. Ramsey, teaching art classes and working on the Cooperative Painting Project. Every week, the three were joined by the abstract painter, Lee Gatch, in discussions at Ledger's Inn in Lambertville. In 1948 Evans co-founded the New Hope Gazette with Walter M. Teller. The same year he created set designs for St. John Terrell's Lambertville Music Circus. He also designed sets for the Bucks County Playhouse and Philadelphia's Playhouse in the Park. He later served as Set Designer for the Fred Miller...

Contemporary mixed media and pastel on paper of a golden sun like orb by Belgian artist Francis Besson, signed bottom right. In plain contemporary oak f...

Abstract colorful countryside landscape. The artist appropriates this Normandy countryside where the fields are increasingly disappearing in favor of urbanization. She captures every...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection...

Dominika Krechowicz is a professor at the Gdansk GUT Institute The Art works from this series are painted with acrylic technique on canvas They were created 2008. All works are sign...

Jene Highstein Untitled, 1982 Pastel and Chalk on Paper Hand signed and dated by artist on the front 32 × 40 inches Frame included Original hand signed pastel and chalk drawing, with...

George Dannatt (1915-2009) Crystals Emerging from a Solid 1991 Pencil on a blue oil wash on paper 23.0 x 18.0 cm George Dannatt’s long career as a painter and sculptor ended with...

Antique American impressionist flower still life signed oil painting. Oil on canvas. Signed. Framed. Image size, 25.5L x 21.5H.

Artist/ School: French School, signed lower corner, circa 1980's period. Title: Cubist abstract composition of figures. Medium: oil painting, on canvas. Size: frame: 32.5 x ...

CRIMSON HORIZONS Size: 56 X 66.5 cm (including frame) Oil on canvas A dynamic and emotive mid-century abstract landscape composition that celebrates form, colour, and texture over r...

Cross, an abstract finished with a high gloss lacquer by Duane Albert Armstrong (American, b. 1938). Presented in a black wood frame. Signed "D. Armstrong" and dated "2006" lower rig...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Incredible early American modernist interior scene by Anthony Toney (1913 - 2004) . Oil on canvas. Framed. Signed. Measuring 26 by 32 overall and 18 by 24 painting alone.

Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artist Mirtha Moreno, immigrated to the United State...

Clarence Holbrook Carter (American, 1904-2000) Night Garden, 1972 Acrylic on scintilla Signed and dated lower right 21.5 x 21.5 inches 24.25 x 24.25 inches, framed Clarence Holbroo...