Framed Abstract Paintings

Large scale and dramatic, ""Langostina" - an abstract painting by Harold Black (American, 1913–1993). This piece is vibrant and colorful, bordering on cubist in execution. Warm areas...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Damien Hirst Spin Painting, 2009 (Damien Hirst Circle): A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless...

Richard Anuszkiewicz Near and Far Acuity, 1957 Gouache and watercolor painting on board Hand signed and dated 1957 by Richard Anuszkiewicz on the right front Frame included Anuszkie...

ARTIST: Julian Jake Paltenghi (1955-) British / French TITLE: "Tall Still Life OF Flowers" SIGNED: verso MEDIUM: oil and mixed media on canvas SIZE: 111cm x 55cm inclusive of fram...

Peter Joyce British, b. 1964 Under The Cliffs, 2025 acrylic and collage on paper 112 x 77 cm 44 1/8 x 30 1/4 in signed, dated and titled verso Peter Joyce was born in Poole, Dorset,...

Artist/ School: Josnye Gallet (French signed and dated 1972) Title: Surrealist floating figures in a space like atmosphere. Medium: signed verso, oil painting on canvas, unframed....

Ocean Grid is a geometric wall sculpture composed of individually carved wooden blocks, painted in a rich spectrum of blues, whites, and deep indigos. The rhythmic arrangement of col...

Luctor Et Emerge 2025 Paris, France This abstract oil painting features delicate white blossoms scattered across cracked natural linen branches against a semi gloss deep black backg...

Modern red, blue, green, and yellow mixed media abstract painting by the artist Bert Millar. The work features vertical stripes of various colors set against a light grey wash of col...

This is an original abstract oil on canvas painting by San Diego artist, Khalid Alkaaby. It's framed dimensions are 13.5"x13.5"x2". It comes framed. A certificate of authenticity wil...

"Royal Performance" Large Scale Mid Century Hard Edge Abstraction by Felix Ruvolo Dynamic piece by Felix Ruvolo (American, 1912-1992). This piece exemplifies late-1960s pop art and ...

Richard Andres (American, 1927–2013) Untitled, 1968 acrylic on canvas signed lower right, signed and titled verso 88.5 x 50.5 inches Has an indent and a tear in the canvas. See phot...

Richard Andres (American, 1927-2013) Interior, 1976 acrylic on canvas signed lower right, signed and titled verso 50 x 59.5 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Vintage American school realist landscape oil painting. Oil on canvas. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 23 by 28 inches overall. Handsomely framed in ...

Antique American abstract oil painting. Oil on board. Framed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition, ready to hang and en...

Antique American modernist abstract oil painting by Adele Becker. Oil on canvas. Framed. Signed.

This painting is a great example of David Adickes' early work that embodies the abstract geometric style. Most likely originally sold at DuBose Gallery in Houston, Texas. Circa 1960s...

Abstract Expressionist Sky Composition by Gerard Guegueniat (French 1970's) signed oil painting on board, framed: 16.5 x 32.5 inches board: 15.5 x 31.5 inches provenance: private co...

Expressive layered passages of bronze, periwinkle, red and turquoise with highlights of yellow are framed by dark green foliage in this rich oil on canvas. Poised between abstraction...

Nicola Ortiz Poucette (1935-2006). Ladies of the Evening, ca. 1960. Ink and casein on illustration board. Image measures 15 x 26 inches; 19 x 30 inches framed. Signed lower right...

Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artist Mirtha Moreno, immigrated to the United State...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Pat Adams Free More, 1989 Acrylic and encaustic painting with varnish on paper laid down on canvas Hand signed and dated on the upper left front Original artist's frame included This...

Sorin Bica's "Empathy" is a 68 x 58 x 2 inch abstract expressionist oil painting on canvas. The vibrant painting of layered red, blue, yellow, white and orange faces, with swirling f...

George Dannatt (1915-2009) Henge-Line 1985 Oil on card Image: 5 1/4 x 4" 13.3 x 10.2 cm Frame: 9 7/8 x 8 5/8" 25.0 x 22.0 cm George Dannatt’s long career as a pai...

Charles Fodor (American, 20th Century) Composite #6, 1969 Oil on canvas Signed, dated and titled verso 27.5 x 20 inches 29 x 21.5 inches, framed

Title: Composed Calmness Painting Equestrian Horse Modern Gold Contemporary Striking Invest Energy Calm Blue This painting forms part of an artwork series called BLUE. I borrowed f...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

A rare and evocative 1950 mid-century abstract painting by American artist Edward Marecak, 'To Troy To Troy' captures the expressive energy and intellectual depth of postwar modernis...

4093 Multi colored abstract on artist board Set in a vintage hand painted wood frame Signed on verso by P.Russo

A marvellous and extremely rare work by one of the most important artists of contemporary kinetic art, Alberto Biasi (Padua, 1937). This work bears the artist's own handwritten inscr...

This is an original abstract oil on canvas painting by San Diego artist, Khalid Alkaaby. It's framed dimensions are 21.25x21.25x2. It comes framed. A certificate of authenticity will...

Very Interesting and unique late 20th-century Cuban Abstract scene. Signed top left and inscribed on the reverse the piece has a great impact and presents. Influenced by Picasso with the Bull...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Colorful abstract geometric painting by contemporary artist Tina Ruyi. The work features blue, red, green, and yellow stripes woven between light blue blocks of color. Signed and dat...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on a colorful background with thick use of paint. Insp...

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

This contemporary abstract painting by Milly Ristvedt is expressed in a bold palette that includes black and yellow. The power of pure colour and minimal form is masterfully display...

Gold Edition - with real gold leaf, 23,75 carat Art measures 11.81 x 11.81 inches Frame measures 22.83 x 22.83 x 2.36 inches Framed in a high-quality contemporary wooden moulding. ...

Katherine Bello Whirl Wind Mixed Media on Canvas 2025 Size: 24 x 48 inches (60.96 x 121.92cm) Signed and titled by hand COA provided *on stretcher frame, ready to hang. -----------...

Original oil and acrylic painting on canvas titled “Sandscape 2” by the well known American artist, Syd Solomon. Signed Syd Solomon lower left. Signed and dated Syd Solomon 1972 and inscribed as titled on the reverse. 22 × 30 inches. Overall very good to excellent condition. No notable issues detected during inspection. No signs of restoration under UV inspection. The painting is in its original wood with silver reveal floating frame. Overall framed measurements are 24.25 by 32.25 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Abstract Composition in Yellow and Red Gestural Modernist Painting by Christian Belin (French, late 20th century) signed oil on canvas, framed Framed: 15 x 31 inches Canvas: 14 x 30...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Anatoly Kost “Something and nothing” 2012 y. Canvas.Oil. Painting Flat: 72/60 cm. Framed: 76/64 cm "Something and Nothing" is an exploration of presence and absence—of form emerging ...

Genevieve Hamel Untitled Gestural Abstraction Oil on Canvas Year: 2021 Size: 48x30x1.5 Signed by hand COA provided Ref.: 924802-1398

“Untitled, 1946” by Louis K. Stone (1902-1984). A strong and charming example of mid-century American modernism by one of the most important artists working in New Hope, PA. This wa...

"Sem Titulo" gouache on paper. Illustrated in Barsotti's book page 146. The full sheet size listed in the catalogue is 21cm x 30cm. The specialty frame incorporates a mat cut up t...

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

From the estate of Jerry Opper & Ruth Friedmann Opper Yellow Cubist FIgure c. 1940-1950's Gouache 15" x 18", silver wood frame 16"x19" Unsigned This striking gouache painting featur...

Eva Sikorski (1917-1990) abstract portrait painting by listed German born California artist. Classic impressionistic style with muted colors. Oil on canvas. Excellent condition in li...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 24L. Excellent ready to hang condition. Impressive colors and compo...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

This mid-century abstract composition employs a dynamic interplay of geometric planes and gestural brushwork, rendered in a vibrant yet balanced palette of pastel pinks, acid yellow...

Calvert Coggeshall Untitled, 1958 Oil on Canvas 38 H. x 36 W. inches Provenance: The artist's estate Calvert Coggeshall worked as an abstract painter and interior designer primarily in Maine and New York City. From 1951 to 1978, he exhibited regularly with the Betty Parsons Gallery, and later with its successor, the Jack Tilton Gallery. Born in Whitesboro, New York, Coggeshall started his career as an interior designer, working on commissions for clients in the New York City area. He later consulted on the interior designs for Henry Dreyfuss' line of cruise/cargo ships called American Export, popular from the 1940s through the 1960s. In the 1940s, he also worked with inventor Arthur Young to design interiors for the first full-sized scale of Bell helicopter models...

This is a cottage garden belonging to a friend. It is gloriously untidy and in the summer is a riot of traditional flowers. Amongst the banks of greenery there are drifts of custard ...

Artist: Laurie Anderson, American (1947 - ) Title: Fabric 5 Date: 2012 Medium: Oil on fabric, unsigned Image Size: 55 x 58 inches Frame Size: 56 x 59 inches Provenance: Vito Schnab...

Hunt Slonem "Delight" Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 8 x 6 inches Framed: 12.5 x 10.5 inches *Painting is...