Framed Abstract Paintings

Jane Skingley b. 1963 Hokusai Green II, 2024 mixed media on vintage book pages laid onto canvas 50 x 50 cm 19 3/4 x 19 3/4 in signed verso Jane Skingley paints seascapes and landsca...

"Minoan" Abstract Painting, Textural Oil on Canvas, Signed, 1991 Beautiful textural abstract by Sasha Rogers (Canadian, 20th/21st Century). Signed "Sasha S. Rogers '91", titled "Min...

An ethereal cloud of deep blue floats across the canvas against a backdrop of fiery red, dashes of orange and black paint drips in this vibrant acrylic by Toronto’s Lynne Fernie. “...

Vintage Indonesian modernist nude oil painting. Oil on canvas. Framed. Signed.

Meet Me by the Harbour [2022] Please note that insitu images are purely an indication of how a piece may look Meet Me by the Harbour is an original painting by Mary Scott. This is a...

Harbor Party by John von Wicht, German (1888–1970) Date: circa 1965 Gouache and Pastel on Japon, signed in pencil lower right Size: 15.5 x 23 in. (39.37 x 58.42 cm) Frame Size: 22 x ...

"The Zoo" is an abstract Post War oil on panel painting by Hans Hofmann in 1944. The artwork is 21 3/8 x 24 1/2 inches and, with the frame, is 22 1/4 x 25 1/2 x 2 inches. "The Zoo...

Myron Lechay Abstract Interior of Room, 1923 Signed upper right corner and dated upper left corner Oil on canvas 24 x 20 inches Provenance: Estate of the artist Spanierman Gallery, ...

La Danse des Étoiles exemplifies Gérard Stricher’s ability to merge energy and emotion through color. The work pulses with chromatic vitality—fiery reds, cobalt blues, and golden yel...

This textured abstract painting features red, yellow, green and white. This painting has a thin white floater frame. Khalilah is inspired by the works of Jack Whitten, Alfred Leslie...

painted on genuine used boxing ring canvas, the paint work represents the opposing forces of line and color. :: Painting :: Abstract :: This piece comes with an official certificate...

"Float" (2020) by J. Adam McGalliard is an original, handmade pen an ink drawing that depicts an abstract portrait of a man laying down. J. Adam McGalliard is a Contemporary Realis...

Arezzo By Miles Cole [2018] original Oil Paint on Canvas Image size: H:61 cm x W:51 cm Complete Size of Unframed Work: H:61 cm x W:51 cm x D:2cm Frame Size: H:66 cm x W:56 cm x D:3....

Antique American modernist beach scene oil painting. Oil on board. Framed. Image size, 20L x 16H.

This painting, “Mighty Fishies,” is a 12x12 (see Mini Fishies as a pair) mixed media painting on canvas by artist Trip Park. Featured in the work are five fish that resemble sardines...

The painting titled "Circle E" is from a series of Circle Paintings with Trapezoids. A blush colored background is layered with lines shapes, both solid and transparent. My intent...

John McCaw's (US based) "The Study" is an abstract mixed media and oil painting in blues, green, grey, tan, red, white and black John McCaw (b. 1967), the eldest son of American exp...

Bernard A. Kohn American, 1905-1989 The Great Spirit in the Sky Oil on board 30 by 45 in, w/ frame 35 ¼ by 50 ½ in Signed and dated 1958 Bernard A. Kohn was born on the 21st of Nov...

Untitled Mixed media on paper, 1979 Signed and dated ‘79 lower right (see photo) Sheet size: 31 1/2 x 48" Frame: 34 1/4 x 50 1/4" Provenance: Members Gallery, Albright-Knox Art Galle...

Vintage American modernist abstract signed oil painting. Oil on canvas. Signed.

David trained as a Fine Artist at Manchester College of Art before completing a Master’s Degree at the Royal College of Art. He went on to build a distinguished career in art and des...

This intriguing minimalist composition by Pat Service was inspired by her love of road trips and is all about colour and clean, bold shapes. The canvas is saturated with a deep blue ...

Frank Sinatra 1915-1998 American Purple Abstract Signed "Sinatra 89" (lower right) Oil on canvas Few artists so thoroughly impacted the American cultural landscape as Frank Sinat...

Masri Hayssam (Lebanese, Italian, born 1965) "Untitled" 2022 Oil Paint, Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom left and back of the painting....

Glyn Morgan was a Welsh artist who studied at Cardiff College of Art under Ceri Richards. He was a renowned imaginative artist and friend of Cedric Morris. He was influenced by the B...

This is the artist's garden which is located directly in front of her studio. The flower bed has been sown with wildflower seeds indigenous to the Cotswolds, although a few other ran...

We are pleased to be the gallery that represents the paintings of French abstract artist Christophe in the United States. We are offering another impressive painting...

Inukai’s aesthetic of interlocking geometric forms paired with this early hard-edge technique is truly a stroke of genius. The incredible precision he achieves with the light blue ba...

Edi Swan (Scottish, 1935 – 2009) Harbour scene Oil on board, unframed Signed and dated ‘edi swan 1973’ (middle right) 24 x 48 in. (61 x 122 cm.)

Danny McCaw's (US based) "San Francisco" is an oil painting with impasto brushstrokes that depicts a vague and abstracted city street bordered by towering skyscrapers with cars in mo...

I was inspired to paint this after visits to several aquariums, and being mesmerised with the colors and movements of the jellyfish, the way they seem to merge into one. I used very ...

This colourfield, awash with peony pink, suspends a grey wave that appears as though it is passing through. Working with a new medium and a new palette, Teichert is communicating wit...

Roland Bierge (1922–1991) was a French artist best known for his expressive abstract paintings and work across multiple media, including sculpture, ceramics, and tapestry. Born in Hé...

Daniel Walbidi comes from a small coastal community 250km south of Broome called Bidyadanga which is the traditional homeland of the Karrajarri people. Formerly La Grange Mission, it...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

"Well Wisher Palm Pilot (Linea Pictura)" is an original artwork by Hyland Mather made of acrylic, ink, string drawing, and pins on drop cloth. It measures 41”h x 41”w framed and is s...

Robert Natkin Untitled, 1976 Acrylic on lithograph on paper 20 1/2 x 40 inches Provenance The artist Beat Keerl (gift from the above) Born in Chicago to Russian-Jewish immigrant p...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

Artist: Irwin McFadden, American Title: Variants Year: 1972 Medium: Acrylic on Canvas, signed and dated verso Size: 19.5 in. x 19.5 in. (49.53 cm x 49.53 cm) Frame Size: 25 x 25 inches

Artist: Julien Dinou, Swiss (1895 - 1983) Title: Jeu de Taches Year: 1966 Medium: Oil on Board, Signed and dated Size: 20 x 26 inches; 50.8 x 66.04 cm Frame: 24...

Dan Parry-Jones – Swimmer with Orange Armbands Mixed Media on Panel 38.5 x 38.5 in (80 x 80 cm) White custom frame included "Swimmer with Orange Armbands" is a striking mixed-media...

David trained as a Fine Artist at Manchester College of Art before completing a Master’s Degree at the Royal College of Art. He went on to build a distinguished career in art and des...

Daybreak, Original Framed Signed Contemporary Ethereal Abstract Acrylic Painting, 2022 24" x 24" x 1" (HxWxD) Acrylic on Canvas 26" x 26" x 2.5" (HxW...

Oil on canvas glued on a c-us box Total size with frame: 21x27x5 cm

Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is figurative and symbolic. They harken back to 80s neo-Expressionism - my favorite contemporary art movement. I tend not to beat collectors over the head with fatuous "meanings" of my work, but this one does have a subtext, a rather personal one. But you are welcome to read whatever you want into it." Comes framed in a professional high-profile float frame. “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Crimson Afterglow Miniature Abstract Landscape Art Study by Contemporary Artist, Angela Wakefield Art measures 7 x 5 inches Frame measures 13 x 11 inches Title: Crimson Afterglow A...

Katheryn Holt (American, born 1951) "Lost River" 2022 Oil paint, Wood Panel, Wood The artist signed the back of the painting. Framed: 41" x 41" x 1.25" The upper half of the compos...

mixed media on paper 13 x 9 inches unframed 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings...

Oil on plywood, signed lower right Barlerin was disciple of Albert Gleizes.

Robert Glick (American, born 1950) "By the Bay" 2023 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom left of the painting. "By the Bay," a 30" x 30" oil on canvas by ...

Step into the vibrant world of mid-20th-century American art with this remarkable Vintage New York School Minimalist Abstract framed oil painting, dating back to the pivotal year of ...

A textural oil painting by Darius Yektai (b. 1973 / Southampton, NY) made up of a motley of flowers, from Roses, to Hydrangeas, to Babys Breath and more. Affixed to an oil painting w...

Germain's composition is a great example of abstract expressionism on the French front and they called the movement Lyricism. Startling blue movements mixed with myriad of other col...

Salvador Dalí 1904-1989 Spanish Nine of Cups Signed "Dalí’" (top center) Gouache on photographic background This original gouache is a part of Salvador Dalí’s sought-after deck o...

Rotor IV Todd Boppel, American (1934–2000) Date: 1990 Oil on Canvas, signed verso Size: 60 x 44 in. (152.4 x 111.76 cm) Frame Size: 61 x 45 inches

"Jardin d’Hiver" – Gérard Stricher Medium: Oil on Canvas Dimensions: 160 x 160 cm (63 x 63 in) Condition: Excellent Gérard Stricher’s Jardin d’Hiver (Winter Garden) bursts with color...

A red on red painting framed in a matching red floating frame. The only relief from the bright red hue is the gold vessel holding the flowers, and the scraped away white edge of a ta...

Au bord de la Seine (Abstract Painting) Acrylic on canvas - Framed Canvas size: 80 x 150 x 2 cm / 31.4 x 59 x 0.7 inch Andreas Durrer is a Swiss abst...

Fix or Flee by Leise Webley [2021] original Acyclic and oil on canvas Image size: H:56 cm x W:46 cm Complete Size of Unframed Work: H:56 cm x W:46 cm x D:2cm Frame Size: H:60 cm x W...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...