Framed Abstract Paintings

Sylvia Rutkoff (1919-2011) Sr5-1 c.1960s “Crossed Arms” Acrylic on Masonite 36x42 period frame Unsigned Collection acquired from family estate

“Soil Ties” is a framed oil on canvas painting by Sherri Belassen, depicting an abstracted patch of wildflowers. The artist’s technique of applying layers upon layers of paint over e...

Impressive early American impressionist flower landscape painting by Lila Caroline McGillivray Knowles (1886 - 1979). Oil on board. Framed. Signed. Image size, 10 by 12 inches.

Damien Hirst Spin Painting, 2009 (Damien Hirst Circle): A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless...

Impressive early American modernist abstracted forest landscape oil painting. Framed. Oil on canvas. Image size, 24H by 36L.

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Peter Evans...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on an Aqua blue background with thick use of paint. It...

Impasto Oil Painting of Oak Tree in Yellow Corn Field in the English Countryside by British Landscape Artist, Colin Halliday. This painting articulates the intensity of the colours a...

Green, Yellow, abstract, Picasso, Atelier stamp lower right Dora Maar, original name Henrietta Theodora Markovitch (Marković), (born November 22, 1907, Paris, France—died July 16, 1...

Nicely painted early American impressionist landscape oil painting. Framed. Oil on board. Signed.

This framed 26.5" x 31" oil painting by an unknown French constructivist artist uses a dynamic palette of bright colors in a geometric abstraction to create an industrial assemblage ...

Modernist landscape oil painting by Suzanne Schweig Langsdorf Martyl (1917/18 - 2013). Oil on board. Signed. Framed. Measuring 28 by 32 inches overall and 20 by 24 painting alone.

A lively, impressionistic depiction of a Mother and Daughter discovering a monumental Claude Monet painting at the Paris Museum. We are whisked away in this cherished scene with the ...

Paolo Barrile (Italian, b. 1925), "Scrittura", Acrylic on Panel, 1997, signed, titled, dated, and numbered "18" to verso, wood frame. Image: 27.5" H x 28" W; frame: 28.25" H x 28.75"...

This diptych titled "Warm In The Summer, Even When It's Dark" is an original artwork by Hyland Mather made of acrylic, aerosol, string, ink and pins on canvas, wooden box frame. It m...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Impressive American impressionist winter landscape oil painting. Framed. Oil on board. Signed. Image size, 9H by 11L.

Impressive early American school modernist abstract oil painting. Framed. Oil on canvas board. Signed.

'Midcentury Biomorphic Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...

Very impressive signed 1967 abstract landscape. Appears to be an abstract coastal scene. Framed.

Ali Enache is an American abstract painter based in Los Angeles, California. A Washington D.C. native and a graduate of University of Wisconsin-Madison, Ali Enache worked as a design...

Finely painted contemporary tropical landscape. Oil on canvas. Framed. Signed verso.

Artist : Susan Kiefer Title : "Grace Notes" Materials : oil on canvas Date : May 2020 Dimensions : 30" x 40" x 1.5" Description : Hard-edged geometric abstract with four overlapping...

A meadow in Tuscany on a summer's evening at my friend's house, near Sestina. The heat of the day has left a balmy warmth and the low sun is casting long deep shadows across the wild...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 23 by 38 inches overall and 15 by 30 painting alone. In excellent original condition. Hands...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Jennifer Bricker-Pugh Harvest and Thread Acrylic on Panel Year: 2022 Size: 23x34x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 924802-1080 Jennifer is a...

2019 / 8 x 10" original / Oil and graphite on unstretched canvas :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Read...

Original drawing painted in wax by Joan Miro. Certified by Jacques Dupin, official certifier of the artist's work. The work is a wax painted on two continuous pages of a book publish...

Wonderful early American modernist abstract expressionist oil painting. Framed. Oil on canvas. Signed.

Oil on board. Framed.

Stanley Sporny (American 1946 - 2008) A view into a stream with overhanging branches reflected in the water. A beautiful oil painting that explores the stream bottom as well as the ...

Impressive 1963 modernist painting. A cubist abstract with great composition and color. Framed. Signed.

Nicely painted mid century abstract cubist nude oil painting. Great color and composition. Framed. Signed

Artist/ School/ Date: Douglas Stuart Allen (American/ French 1923-2021) American born artist from Chicago, retiring to France during his latter years to become a full time painter. ...

Hunt Slonem "Cloud 9" White and Blue Mottled Bunny A single rabbit gestured in black on a mottled white and blue background in a vintage frame Unframed: 10 x 8 inches Framed: 14.5 x...

Antique American modernist abstract oil painting by Ervin B. Nussbaum (1914 - 1996). Oil on canvas. Framed. Signed. Dated 1950. Artist Bio: Ervin B. Nussbaum was born in Co...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Antique American school modernist landscape painting. Oil on canvas. Framed. Signed.

This oil painting measures 100 x 100 cm 39.4 x 39.4 inches) and is presented in a black frame, giving it a final size of 107 x 107 cm (42.1 x 42.1 inches). The choice of a minimalis...

Antique American modernist abstract landscape oil painting. Oil on canvas. Framed. No signature found.

Hunt Slonem "Blue Daiseys" Textured Metallic Flowers A group of five daisy flowers gestured in white, yellow and green on a blue and silver background in a vintage frame Unframed: 2...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 17 by 21 inches overall and 16 by 20 painting alone. In excellent original condition. Hands...

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

A painting in abstract acrylic is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creat...

Impressive early American modernist landscape painting. Watercolor and gouache on paper. Framed. Signed. Image size, 14 by 18 inches.

Up for sale Original Abstract Acrylic Painting on canvas in a fantasy abstract style. A unique technique, very colorful. An unusual combination of colors, a flow from sharp to soft s...

Colorful Floral Abstract Painting Acrylic on Silk 56" x 75 3/4" Housed in a Black Metal Frame Overall Size: 56 1/2" x 76 1/4" This monumental painting was recently discovered...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Katheryn Holt (American, born 1951) "Offshore" 2021 Oil paint, Acrylic paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. "Offshore," a 48" x 48" mixed...

Ali Enache is an American abstract painter based in Los Angeles, California. A Washington D.C. native and a graduate of University of Wisconsin-Madison, Ali Enache worked as a design...

Dan Pelonis’s "Speedboats" combines repetition and abstraction to reflect on motion and cultural memory. The painting depicts rows of minimal red-and-white speedboats gliding against...

A native of Upstate New York, Matt Ballou was educated at The School of The Art Institute of Chicago (BFA 2001) and Indiana University ( MFA 2005) before coming to The University of ...

Impressive early American modernist beach scene oil painting by Brooks Kelly (1935 - 2012). Framed. Oil on canvas, lain to board. Signed. Image size, 12H by 16L.

Ron Hick's (US based) "Matilda" (2024) is an original, handmade oil painting that depicts an abstract portrait of a woman. Ron Hick's works have been characterized as a blend of rep...

This contemporary abstract painting by Paul Fournier captures the night sky. With a career spanning more than six decades, Paul Fournier has established himself as one of Canada’s m...

Antique American exhibited oil painting by Grace McFarren. Oil on canvas. Signed. Framed. Measuring 29 by 49 inches overall and 26 by 46 painting alone.

Antique American modernist landscape oil painting. Oil on canvas. Framed. Signed verso.

Antique American modernist farm landscape oil painting. Oil on canvas. Signed. Framed. Measuring 19 by 25 overall and 18 by 24 painting alone.

Early Triptych Abstract Trees Forest Landscape Painting by British Urban Artist, Angela Wakefield. This rare early work is from an intense body of abstract work that formed the very ...