1960s Abstract Paintings

Clarence Holbrook Carter (American, 1904-2000) Double Ovoids with Blue and Black, 1960s Acrylic on scintilla 15.25 x 12.25 inches A surrealist mid-century figural abstract painting....

"Abstraction" Mid-Century Abstract Non-Objective Color Field oil painting modern James Daugherty (1887 – 1974) "Abstraction," 28 ½ x 20 inches. Estate...

This stunning and sophisticated oil on canvas painting, entitled "Abstract Hilltop" was realized in the United States, circa 1960. It features an array of color blocks in tones of ch...

Robert Andrew Parker, American (1927 - 2024) - Abstract Composition, Year: 1962, Medium: Gouache on Board, signed and dated top left, Size: 25 x 33.75 in. (63.5 x 85.73 cm)

Abstract is an original contemporary artwork realized by Aldo Moriconi in 1967. Oil painting on board. Label on the back with artwrok's details. Includes frame.

Richard Andres (American, 1927-2013) Panama Garden, c. 1964 acrylic on canvas signed lower right, signed and titled verso 46 x 38 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Clarence Holbrook Carter (American, 1904-2000) Seeing Egg, c. 1960s Acrylic on textured paper 30 x 22 inches 38.5 x 30.5 inches, framed A surrealist mid-century figural abstract pai...

Richard Andres (American, 1927-2013) Magic Garden, c. 1962 oil on canvas signed lower left, signed and titled verso 50 x 42 inches Richard Andres was born in Buffalo, New York in 19...

This stunning abstract expressionist oil on canvas is by artist Helen M Hale. Painted in the 1960's this abstract landscape has strong brushwork and blocks of colour. Labelled verso...

An original watercolor painting by American artist Wes Olmsted depicting an abstract landscape view.

Syril Frank (American, 1929-2021) 1. Untitled, 1966 Mixed media collage; oil paint, paper, pen, canvas 19 5/8 x 24 in. Framed: 20 1/2 x 24 3/4 in. 2. Unt...

An original large abstract oil on canvas by British Canadian artist William John Bertram Newcombe. This stunning abstract expressionist oil in blues and greys is a bold, adventurous ...

Pierre MONTHEILLET (1923-2011) Composition in grey Gouache and wash on laid paper Signed "Montheillet" lower right Dimensions of the work: 24 x 32 cm Dimensions of the frame: 40 x 50...

Combination of several figures in various poses by Robert Moesle (American, b. 1932), (Paralipomenon) The figures overlap in multiple layers, highlighting certain aspects of each person. Careful attention was paid to the texture and folds in clothing. White gouache is used as a highlight. Signed in the lower right corner. Presented in a wood frame with a rose colored mat and anti-glare glass. Card size: 17.5"H x 12.5"W Robert Moesle was born in San Jose, California in 1932. He graduated from San Jose State College and attended The Ruskin School of Art, Oxford University, England. Moesle lives in the Chateau region of France, which he finds to be an ideal location for a watercolorist. Moesle paints outside and enjoys watching the landscape change through the seasons. Unlike most watercolorists, Moesle takes his time painting and tries to capture the feeling of durability in his subjects. Moesle has exhibited his work in shows in London, Paris and throughout the United States. “Figurative painting by Robert Moesle are…lyrical, visionary, softly dream-like… Moesle’s Harlequin Prince offers a memory of early Picasso...

Richard Andres (American, 1927-2013) Shore V, c. 1964 acrylic on canvas signed lower right, signed and titled verso 54 x 44 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Gloria Dudfield (1922-2015) Untitled c.1960s Mixed media: gouache, pastel and encaustic on newsprint 11"x15.5" unframed Unsigned Gloria (Fischer) Dudfield July 12, 1922 – May 27, 20...

Nicely painted mid century hard edge abstract by Gabrielle Roos. Oil on canvas. Signed verso.

Clarence Holbrook Carter (American, 1904-2000) Torso No. 1, 1967 Acrylic on paper Signed and dated upper right 15 x10 inches 24 x 20 inches, framed A mid-century figural abstract painting. Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

Modern pastel blue abstract painting by Texas born artist Clark Fox. The work features an intricate geometric pattern in various tones of light blue against ...

Homage to Klee is an original contemporary artwork realized by Sergio Barletta in 1960. Mixed colored oil on masonite. Includes frame: 78 x 26 cm Hand signed and dated on the high...

Hand signed lower right. Oil and mixed media on cardboard. Authenticity by the Parisian Gallery Baudoin Lebon. Published in the Catalogue of Michaux's Personal Exhibition "40 Opere d...

USA (13) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Canvas Size: 16.5 in. x 21.5 in. (41.91 cm x 54.61 cm)

This vibrant abstract oil painting is by Italian born but South African based artist Armando Baldinelli. It was painted circa 1960 after Baldinelli left Italy for South Africa and wa...

Signed verso, 'Barr' for Charles Barr (American, 1929-2019); additionally inscribed and painted circa 1965. From the Pittsburgh Post-Gazette, 2019: CHARLES "CHUCK" BARR Age 89, of Highland Park, graduated from human life on August 11. Although no headlines marked the event, he was a great man. People ranging from fellow Pittsburghers to New York art collectors have known Chuck as a wonderful self-taught artist and creative jazz musician. But above all, everyone touched by his joy knew him as a carrier of the Great Spirit. Ten minutes with Chuck could do more than make your day. It could open your heart to the boundless possibilities that life offers, if only we live from love. Chuck was raised in a working-class musical family in Beechview. Leaving home as a teenager to play tenor sax in a Chicago nightclub alongside brother, Tommy, a pianist, he burned out on the late-night routine. He then spent years trying to fit into so-called normal society, working various jobs in places from Yokohama (with the U.S. Army) to Philadelphia. Around 1969, Chuck returned to Pittsburgh to rediscover his calling and became a local legend. A Post-Gazette article dubbed him the city's "rambling minstrel" for his sax and flute recitals in public. College-trained artists marveled at the dynamic, visually musical paintings...

Black Flowers is an original artwork realized by the Italian contemporary artist Marisa Busanel in 1967. Mixed media (tar and collage) painting on pane...

This vibrant British abstract is by noted artist Peter L Field. Painted circa 1960, the composition in reds has relief sculptural impasto. The red works ...

Stunning abstract with Native American symbols using earth tones and 3D aspect for increased depth and texture by listed artist Duane Armstrong (American, b. 1938). 1966. Signed and ...

Framed 19 x 26. Image 14 X 21 Bernard Segal was born in Cincinnati, Ohio and attended Cincinnati University and the Cincinnati Art Academy. He was known for figure, abstract painting, collage, and cartoon illustration. In the 1920's and 30's, he lived in NYC and attended The Art Students League where he was creative with a number of artistic styles of the period. During WWII, he worked as a cartoonist for a government issued newspaper called 10-SHUN that was published in Greensboro, NC. Bernard worked under the pen name Seeg, and was the author of the comic strip "Hank and Honey," that appeared in the New York Herald Tribune from the 1940's through the 50's. This cartoon was syndicated and published in Quebec under the title "Louise et Louis." The strip was later retitled to Ellsworth. Segal also illustrated a number of Jewish books that were published by the Union of American Hebrew Congregations, and Bible stories. In the 1950's Segal moved to Bucks County, Pennsylvania, and became a member of the New Hope Modernists. He worked with esteemed artists such as George Nakashima, Charles Evans, Louis Stone, Lloyd ney, josef Zenk, Clarence Carter and Charles Ramsey. Segal's most noted work was made during the 1960's, during which time he produced paintings and collages in the abstract expressionist style. He enjoyed painting bright abstract oil...

Oil, gouache and color crayons on paper. Signed i, v. Wicht, lower right recto. Provenance: private collection, Chicago, IL.

This striking conceptual abstract oil painting is by British artist Penelope Ellis. It was painted in 1963 in black on a grey background. The shapes appear to be floating or flying, ...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 16L.

Incredible mid century abstract expressionist oil painting by Ken Munowitz. Oil on canvas. Framed.

A modern abstract collage and oil on panel by American artist James Koenig. This Untitled work created in 1969 will be featured in our exhibition "Draw Near" which will run from Mar...

Red abstraction 1964-66, paper, gouache, 86x61 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964 - began...

Artist: Frank Roth, American (1936 - ) Title: The Cat's Pajamas Year: 1968 Medium: Oil on Canvas, signed, titled and dated verso Size: 66 x 72 in. (167.64 x 182.88 cm)

Red sun. 1969, gouache on paper, 59x70 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964 - began to partic...

Abstract with vase. 1965, paper, gouache, 79 x 59,5 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964 - be...

Nicolai Evguenievich Vetchtomov (1923-2007) Composition black and red. 1967, mixed media on paper, 40.4x70.5 cm

Add some life to your room with this bright & colorful Mid-Century, Abstract Expressionist painting by artist Harold Haydon. Floated in a black, wooden frame. Image size: 10" x 14...

Antique American modernist street scene oil painting. Oil on canvas. Framed. Image size, 29L x 20H.

Emotive abstract in warm colors by Anna Ballarian (American, 1918-2010), playing with deep contextualized Magenta and Ochre and blurred collage blocks to an extraordinary Kinetic aff...

Dramatic abstract expressionist landscape with vibrant hues of green and blue like feathers by unknown artist Gottlieb (American,20th Century) c.1965. S...

Detailed abstract acrylic painting of a microcosmic underwater realm by an unknown San Francisco Bay area artist (American, 20th Century). Signed indistinctly lower right side. Unfra...

Daniel Newman, American (1927 - 1994) - Storm Clouds II, Year: 1960, Medium: Oil on Canvas, signed and dated on verso, Size: 14 x 18 in. (35.56 x 45.72 cm)

A dynamic, abstract expressionist image by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "Les Anderson" lower r...

Artist: Soni Wallace Title: Untitled - Abstract City Year: circa 1962 Medium: Watercolor, signed Size: 12 x 16 in. (30.48 x 40.64 cm)

Antique American school vegetable still life painting. Oil on canvas, circa 1960. Unsigned. Image size, 20L x 10H. Housed in a period modern heydenryk frame.

Dynamic abstract figurative painting by Doris Ann Warner (American, 1925-2010). Signed "Warner" lower right. Unframed. Image size: 30"H x 24"W. Doris Warner first achieved recognit...

Sadamasa Motonaga (1922-2011) Work Executed in 1963 Oil and Synthetic resin on paper 14.5 x 10 cm Signed on the front Signed, dated, and titled (on the reverse) The present work is a...

This striking conceptual abstract oil painting is by British artist Penelope Ellis. It was painted in 1962. A superb image and ahead of the conceptual ideas of the swinging sixties a...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Pastel, 1964 Handsigned by the artist in pencil and annotated Essai 1/1 Publisher : Georges Visat (Paris) Catalog : Sabatier 110 34.00 cm. x 44.50 cm. 13.39 in. x 17.52 in. (paper) ...

This striking conceptual abstract oil painting is by British artist Penelope Ellis. It was painted in 1963 in black on a grey background. A superb image and ahead of the conceptual i...

Vintage American modernist landscape painting. Oil on canvas. Framed.

Substantial and period painting, a Mid Century Modern portrait of a woman in an abstracted landscape by listed California artist Tarmo Pasto...

Signed and dated by the artist vertically lower left edge. Part of an experimental series of works using motor oil, India Ink, adhesives, sand, and various other mediums.

This superb British Abstract oil painting is by noted artist Christopher Sturgess-Lief. Painted in 1961 it is an evocative and captivating abstract using the highly individualised sy...

Dynamic mid-century abstract titled "Blend" by Sausalito, California bay area artist Jeffrey Simpson, (American, 20th Century). Signed, titled, and dated "J. Simpson, Blend" 1965 on ...