20th Century Abstract Paintings

'Stretcher Series' by Toi Hoang, 1990. Large Conceptual Oil, SFMoMA, SECA Art Award, CMoCA, Saigon ----- Signed lower right, on stretcher bar, 'T H N' for Toi Hoang (Vietnamese-Amer...

This captivating 1960s vintage oil painting, Demeter and Persephone, is an original, signed work by celebrated mid-20th-century Denver artist Edward Marecek (1919–2004). Inspired by ...

"Road to Damascus" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) "The Road to Damascus" 16 x 20 inches Oil on panel Initialed and dated 63 lowe...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing presses...

CANYON EDGE Size: 36 x 46.5 cm (including frame) Oil on board A striking mid-century modernist landscape rendered in a semi-abstract style, that captures the sculptural quality of t...

Acrylic on canvas, signed lower left and right. Not framed.

"Making a Beseech" (Frill Dog series). A colorful contemporary dog painting of a Scottish Terrier dog with accompanying text from a book is an inspirational departure from the traditional illustrations found in British Rudyard Kipling's "Thy Servant a Dog", 1930. The book was the first ever narrated by a dog, Boots, a Scottie. Making a beseech is the only trick the Scottie, Boots knows, paws over nose. Nancy van Meter...

A burst of pure delight in primary colors, by a notable artist who's been exhibited at many of America's most important museums. It was painted during the mid-century resurgence of c...

Antique American modernist oil painting. Oil on board, circa 1950. Housed in a vintage frame. Image size, 16L x 11H. Signed.

Joseph Glasco (American, 1925-1996) Lanzorate, 1985 Monotype with fabric collage and mixed media on paper Signed and dated lower right, 1/1, titled lower left 31.5 x 48 inches 37 x 5...

An large acrylic painting by Kyohei Inukai from 1968. An abstract optical image with contrasting blue and red hues. Artist: Kyohei Inukai, American (1913 - 1985) Title: Target Yea...

An extra-large red abstract composition that invigorates the bystander with its powerful red and black color play. This oil painting is an exquisite example of a mid-century modern a...

21.5x17 with mat , 14.5x10.75 without mat. Noted artist and sculptor, Dr. Rene Shapshak was born in Paris, studied at the École des Beaux-Arts in Paris (that produced such giants as Claude Monet and Pierre Renoir), London, Bruxelles, emigrated to South Africa in 1932 or 1934, lived in Johannesburg (47 Saunders Street, Yeoville - where he held art classes for many years), executed numerous commissions, was committee member of the Transvaal Art Society, Johannesburg, 1937; left for the USA in 1954, his wife Eugenie and sons Leon, Maurice and Paul followed in August, 1955, the family staying for years at the famous Chelsea Hotel, with an atelier nearby at 219 7th Ave cor. 23rd St, New York NY. He showed there in a number of exhibits and was a denizen of the hotel along with many other famous artists. The Hotel has collected and displayed the work of many visual artists including Jackson Pollack, Larry Rivers, Christo, John Sloan, Arman, Francisco Clemente, Ralph Gibson, Rene Shapshak, Robert Mapplethorpe, Diego Rivera, Frida Kahlo, Robert Crumb, Jasper Johns, Claes Oldenburg, Willem De Koonig, and Henri Cartier- Bresson. Dr. Shapshak had become a world-renowned artist and sculptor, bringing his artistic and cultural contributions to many countries. His art is represented in Buckingham Palace, in the Rothschild, Schiff and Schonegevel Collections in England and Athens, Greece and in the Smithsonian Institute in Washington, D.C. He did sculptures of Mahatma Ghandi and John Cecil Rhodes...

Nicely painted mid century abstracted figurative painting. Oil on canvas. Framed. No signature found. Great color and composition. Nicely framed in a period modernist molding.

A Welsh artist, Glyn Morgan studied at Cardiff College of Art under Ceri Richards. He was a renowned imaginative artist and friend of Cedric Morris. He was influenced by the Benton E...

Untitled 1957 Gouache 9.25 x 8.5 inches Framed: 17 x 16 inches

American school abstract painting. Oil on board circa 1990.

Antique American modernist abstract oil painting. Oil on board, circa 1950. Signed.

At once an Abstract Expressionist and Color Field painting, this large colorful work by Robert Goodnough bursts with the energy of confetti. This acrylic and oil on canvas painting i...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 9.5 x 8 inches condition: very good provenance: fro...

PICNIC UNDER THE PINES Size: 54 x 66.5 cm (including frame) Oil on board A mid-century figurative painting that captures a lively outdoor gathering beneath two abstracted pine trees...

Vintage American modernist abstract oil painting by Duayne Hatchett (1925 - 2015). Oil on board, circa 1994. Signed on verso. Displayed in a period modern frame. Image, 22"L x 24"H.

By French post-war artist James Coignard (1925-2008).

Colore is an original Contemporary artwork realized in the 1970s by the italian artist Leo Guida (1992 - 2017). Original Painting in Tempera. Total dimensions: 70 x 0.1 x 40 cm. T...

Hand signed verso, mixed media on two sections of joined canvas Work is titled "Ego Wall with Mess," circa 1983. Provenance: Brooke Alexander Gallery, New York, New York. bearing their label verso. 24 x 30 x 3-3/4 inches (61.0 x 76.2 x 9.5 cm) Hand signed on the reverse: Judy Rifka Judy Rifka (born 1945) is an American woman artist active since the 1970s as a painter and video artist. She works heavily in New York City's Tribeca and Lower East Side and has associated with movements coming out of the area in the 1970s and 1980s such as Colab and the East Village, Manhattan art scene. A video artist, book artist and abstract painter, Rifka is a multi-faceted artist who has worked in a variety of media in addition to her painting and printmaking. She was born in 1945 in New York City and studied art at Hunter College, the New York Studio School and the Skowhegan School of Painting and Sculpture in Maine. Rifka took part in the 1980 Times Square Show, (Organized by Collaborative Projects, Inc. in 1980 at what was once a massage parlor, with now-famous participants such as Jenny Holzer, Nan Goldin, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, and Kiki Smith, the roster of the exhibition reads like a who’s who of the art world), two Whitney Museum Biennials (1975, 1983), Documenta 7, Just Another Asshole (1981), curated by Carlo McCormick and received the cover of Art in America in 1984 for her series, "Architecture," which employed the three-dimensional stretchers that she adopted in exhibitions dating to 1982; in a 1985 review in the New York Times, Vivien Raynor noted Rifka's shift to large paintings of the female nude, which also employed the three-dimensional stretchers. In a 1985 episode of Miami Vice, Bianca Jagger played a character attacked in front of Rifka's three-dimensional nude still-life, "Bacchanaal", which was on display at the Museum of Art Fort Lauderdale. Rene Ricard wrote about Rifka in his influential December 1987 Art Forum article about the iconic identity of artists from Van Gogh to Jean-Michel Basquiat and Keith Haring, The Radiant Child.The untitled acrylic painting on plywood, in the collection of the Honolulu Museum of Art, demonstrates the artist's use of plywood as a substrate for painting. Artist and writer Mark Bloch called her work "imaginative surfaces that support experimental laboratories for interferences in sensuous pigment." According to artist and curator Greg de la Haba, Judy Rifka's irregular polygons on plywood "are among the most important paintings of the decade". In 2013, Rifka's daily posts on Facebook garnered a large social media audience for her imaginative "selfies," erudite friendly comments, and widely attended solo and group exhibitions, Judy Rifka's pop art figuration is noted for its nervous line and frenetic pace. In the January 1998 issue of Art in America, Vincent Carducci echoed Masheck, “Rifka reworks the neo-classical and the pop, setting all sources in quotation for today’s art-world cognoscenti.” Rifka, along with artists like David Wojnarowicz, helped to take Pop sensibility into a milieu that incorporated politics and high art into Postmodernism; Robert Pincus-Witten stated in his 1988 essay, Corinthian Crackerjacks & Passing Go that "Rifka’s commitment to process and discovery, doctrine with Abstract Expressionist practice, is of paramount concern though there is nothing dogmatic or pious about Rifka’s use of method. Playful rapidity and delight in discovery is everywhere evident in her painting." In 2016, a large retrospective of Rifka's art was shown at the Jean-Paul Najar Foundation in Dubai. In 2017, Gregory de la Haba presented a Rifka retrospective at the Amstel Gallery...

Phyllis Ciment Abstract Pastel Painting c.1970s Red, white and blue - Fine colorful abstract painting 24" wide x 18" high The frame measures 33" wide x 28" high Signed by the art...

Larry Zox (1936-2006) American, Des Moines, IA - Colchester ,CT “Untitled” 1981 Acrylic on canvas 50 3⁄4 x 88 3⁄4 in. unframed 51 x 89 in. framed Artist stamp, signed L. Zox, 1981, 5...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

A painting by Valerie Jaudon. "Palmyra" is an abstract, oil on canvas painting by Valerie Jaudon. Using just three colors of bright red and orange, interwoven lines on a black background, Jaudon employs crisp precision making the lines of color appear almost carved into canvas. "Palmyra" recalls gothic stonework, celtic interlace, islamic ornament...

This stunning British abstract oil on paper painting is by noted radical British artist Robyn Denny. One of his earlier works, it was painted in February 1959. Entitled blue and gree...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Title: French Impressionist Seascape of Moored Boat at Sunset with Yellow Sky By Fanch Lel Size: 13 x 16.25 inches (height x width) Oil painting on board, unframed Condition: The pai...

Impressive early American modernist abstract expressionist oil painting. Framed. Oil on canvas board.

Gouache on paper. Signed in pencil, lower right corner.

This painting has been authenticated by the artist and was sold in St Gallen. Born in Italy in 1939, attended the textile and arts and crafts school of St. Gallen from 1956 to 1959. ...

Painterly desert landscape with cacti and hill in the background. The landscape looks similar to New Mexico or West Texas Hill Country. Painting is mainly green, brown, and blue tone...

GERALD ROSE (BRITISH, 1935 – 2023) SHEEP IN WINTER Acrylic on board Signed and dated ‘Gerald Rose 69’ (lower right) 29.1/2 x 19.1/4 in. (75 x 49 cm.)

John Milton Metheany III (American, 1935-2020), Abstract Landscape Scene, Oil on Board, depicting a forest landscape with fallen trees, signed lower right, giltwood frame. 23" H x 31...

A very good large 20th century Abstract Expressionist oil circa 1975. Stanley Smith (b. 1923) British. oil on board 61cmx 122cm. Gallery frame 65cmx 126c...

Joseph Kardonne (1911-1985). Dancers, 1978. Gouache, watercolor and ink on paper, sheet measures 12 x 14.25 inches; 12 1/2 x 17 5/8 inches mounted on cardboard. Signed, dated and t...

Abstract Expression is an original oil painting on canvas, realized in 1994 by the Italian artist Giorgio Lo Fermo. Hand-signed and dated on the back. This is a beautiful example o...

Nice modernist American school painting. Oil and watercolor and gouache on board. Signed. Framed. Image size, 18L x 23H.

Diana Kurz Window, 1961 Oil on canvas 30 x 23 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England and th...

Loren Munk (American, b. 1951) Cut paper collage "Home Boys with Chicken & Bike", collage and mixed media on paper, signed "Munk '85", bears artist's stamp, label on back from Gabrielle Bryers Gallery NYC, 15" x 22" sheet, framed 23.5" x 30.5" .African American kids in a park. Done in a manner that recalls Romare Bearden. The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn Clements, Lois Dodd, Michelle Grabner, Colin Prahl, Peter Saul, Barbara Takenaga, and Stanley Whitney 2014 "Some Artists" curated by Matthew Deleget at Minus Space. David Diao, Mary Beth Edelson, Alfred Jensen, George Maciunas, Loren Munk, Ward Shelley, John Zinsser 2013 "Coming Together: Surviving Sandy Year 1" curated by Phong Bui for the Dedalus Foundation, "The Decline and Fall of the Art World: Part I" curated by Nick Lawrence at Freight+Volume, N.Y. "Reticulate" at McKenzie Fine Art Inc., N.Y. "The Pyramids Along the Nile" at English Kills Gallery 2012 "When We Were Ancient" organized by Ethan Petitt at Teddy's Bar, Williamsburg "Heroes" curated by Julie Torres at Small Black Door, Ridgewood Queens, N.Y. 2011 "ABC123" curated by Janet Goleas at Eric Firestone Gallery, East Hampton, N.Y. "6 Who Paint" curated by Fred Valentine at Big & Small/Casual, Long Island City, N.Y. "It's All Good: Apocalypse Now" curated by Richard Timperio, Side Show Gallery, Brooklyn, N.Y. "Paper 2011" at Janet Kurnatowski Gallery, Brooklyn. "NEW year NEW work NEW faces" by Jason Andrew and Deborah Brown at Storefront Gallery. "Unfinished Pictures" curated by Kristin Calabrese...

This stunning vintage semi-abstract oil painting, created by Lawrence Harris (also known as Larry Harris), showcases a captivating composition of red f...

Robert Mus Untitled 4 Oil on canvas / stretcher 1968 Signed and dated lower right 61 x 83 cms 1600 euros

This 1967 painting by Martin Canin, titled Early Autumn, is a prime example of the Color Field movement, blending vibrant hues into a seamless gradient of yellows, oranges, and golds...

This superb Welsh abstract oil painting is by noted artist Thomas John Nash, better known as Tom Nash. It was painted in 1963 and is entitled on a gallery lab...

In the work "OT-OJ" Stefanelli creates two paintings within one. The addition of writing in the artist's hand imbues the image with the presence of an author and adds a very personal...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, dated, and titled verso. 52.25 x 52.75 in. 54 x 54.25 in. (framed) Custom framed in a maple hardwood floater. Provenance Salander O’Reilly Galleries, New York Private Collection, Connecticut Provenance Estate of Samuel Feinstein...

Artist: George Cecil Carter (1908–1993) Medium: Oil on board Size: Image: 16 ⅞ x 9 ⅞ in Framed: 20 ⅝ x 13 ½ x 1 ⅞ in Style: Mid-Century Modern, Abstract Figurative This striking 1950s oil painting by celebrated Colorado abstract expressionist George Cecil Carter presents a modernist portrayal of a couple, believed to depict Alfred Stieglitz and Georgia O’Keeffe. Rendered in bold brushstrokes and a rich color palette, the piece showcases Carter’s unique ability to merge abstraction with figurative expression, creating a sense of movement and emotion. Housed in a custom frame, this original mid-century artwork is a must-have for collectors of modernist and abstract figurative art. Provenance: From a private collection in Denver, Colorado. About the Artist – George Cecil Carter Born in Oklahoma in 1908, Carter became a leading figure in Colorado’s abstract expressionist movement, working alongside artists like Al Wynne, Mary Chenoweth...

Phenomena Quoth by Paul Jenkins (1923-2012) Acrylic on canvas 76 x 100 cm (29 ⁷/₈ x 39 ³/₈ inches) Signed lower center, Paul Jenkins Signed, titled and dated on the reverse Executed in 1963-64 Provenance Kenmore Galleries, Philadelphia Dr. Theodore A. Feinstein collection Sotheby's New York, 24th February 1995 Crozier Fine Arts, New York Private collection, New York Artist biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco of Buddha, polychrome sculptures of the enlightened Bodhisattva, the Buddhist goddess of mercy Kuan-Yin, Indian bronzes of Hindu god Shiva, and statues of meditative Buddhist lohans. Serving in the US Naval Air Corps during the Second World War, Jenkins painted watercolours of Japanese Kabuki dancers and read the ancient Chinese poetic teachings of the I Ching and Lao Tse Tung’s Tao Te Ching...

Michael Frary (1918 - 2005) Austin Artist Image Size: 16 x 12.5 Medium: Oil "The Clown" Biography Michael Frary (1918 - 2005) Michael Frary was born in Santa Monica, California on Ma...

Impressive early American modernist abstract oil painting by Louis Wolchonok (1898 - 1973). Framed. Oil on board. Signed. Image size, 24H by 18L.

Diana Kurz Summer Joy, circa 1960 Signed and titled on verso Oil on canvas 70 1/2 x 66 1/4 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's...

Study for Decoration is a graceful preparatory sketch for a decoration of the French artist, stylist, decorator and illustrator Adolphe Giraldon. This is a small painting in tempera ...

Patterns and reverberations in a celestial sense, this work can bring liveliness, movement and texture to a room. Its color palette is very attractive. Michael Forster was trailblaz...

Leonard Lieb (American, 1912-1977) Abstract in Green and Black, c. 1950 Oil on masonite Signed lower center 48 x 24 inches Leonard Lieb was a Pittsburgh painter of genre scenes who ...

Vintage American modernist oil painting. Oil on canvas, circa 1970. Unsigned. Image size, 30L x 40H. Framing available.

Gorgeous gouache on paper by Rolph Scarlett c. 1950s. The piece is in perfect condition. Unframed it measures 13.75 high by 16 wide. It is signed "Scarlett" lower right.