Medium Landscape Paintings

Oil on canvas. Framed. Image size, 18H x 24L. No signature found. Very nicely painted.

Antique American modernist abstract oil painting. Oil on canvas. Framed. Image size, 30L x 24H.

Beautiful mid-century landscape of a calm stream winding through a forest full of birch trees by California artist Portia Barnes (American, 1885-1962). Signed "Portia Barnes" lower r...

​Helen Taylor (Contemporary) Journey interrupted (by a New Oak) Oil on canvas 46 x 61 cm Helen Taylor’s practice follows an interest in belonging, connection, and journeys. She sp...

Please note that the dimensions listed refer to the unframed work: 70 x 70 cms / 27 ½ x 27 ½ inches. Should you require any further information, such as artist details or framed meas...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

In his work, “Caribou in the Mountains,” Hermann Herzog depicts a line of caribou traveling down a snowy mountain pass.

La Plage à 12h 61 x 50 cm Acrylic on canvas La Plage à 12h by Grégoire Mathias captures the essence of a sunlit midday at the beach, where relaxed figures gather under striped p...

Antique Expressionist Painting of Ibiza by the American Artist Martin Baer (1894-1961), 1935. Baer was born in Chicago and early in his career worked in Germany, North Africa, and Pa...

Antique impressionsit oil painting of a cityscape. Oil on canvas, circa 1925. Signed. Displayed in a period frame. Image, 18"L x 22"H.

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Gorgeous California landscape titled, "Sunrise on Tin Mountain, Death Valley" with Oak in foreground and mountains and Eucalyptus trees in background by Edward Langley...

Rural Mountain Scene with Sheep in Ireland by Post War Modern Irish Artist, David Overend. Art measures 16 x 12 inches Frame measures 25 x 21 inches ...

Sea Coast. 1958, canvas, oil, 50x70 cm

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

Days spent watching the rhythm of summer waves and surf gently lapping harbour walls inspired this acrylic on canvas painting by Camilla Clark. The gorge...

An original oil painting by British artist Oliver Walker depicting a secluded farmhouse in the fells. Initialled by the artist to the lower right. On canvas on stretchers.

This artwork titled "Cahro Di Gnano" c. 1990 is an oil painting on canvas by noted Italian artist Lido Bettarini, 1927-2019. It is signed at the lower l...

Antique Orientalist oil painting of Biskra by Paul Lazerges French, 1894 Canvas: Height 39cm, width 46cm Frame: Height 65cm, width 73cm, depth 10cm This oil on canvas by celebrated...

Harry Fogg artist based in the British National Park "The Brecon Beacons" Really pretty Impressionist landscape Oil on canvas Signed Image 19.5" x 23" F...

Signed to the lower left. Presented in a gilt frame with a silver slip. On paper.

Provenance: Private Collection, Naples Fl, to Andrew Ford Collection, Sarasota, Fl. 2018 Description: Georges Washington was born out of wedlock and held a...

Lee Tiller Evensong Original Contemporary Landscape Painting Oil Paint on Canvas Image Size: H 45.7cm x W 61cm Framed Size: H 63cm x W 80cm x D 3cm Sold Framed in a White Wooden Fra...

The Rural Lane English School, mid Victorian period, circa 1860'1870 oil on canvas, framed framed: 21.5 x 27 inches canvas: 18 x 24 inches Provenance: private collection, England Con...

Stark and emotional depiction of a family after a natural disaster by Charles Kinghan (American, 1895-1984). This grayscale painting was created as an ...

Frio River depicts one of Texas' most popular landscapes in the style of Realist painting. The artist use the natural beauty of Texas as scenes for his Realist paintings. The artist...

"White Lilies" by Oleg Turchin is a 30x24 inch oil painting on canvas. Turchin brings these flowers to life with each stroke of his brush. The technique w...

March Avery Taking in the Nets, 1967 Signed, titled and dated on the stretcher Oil on canvas 16 x 22 inches March Avery was born in New York in 1932 to painters Milton Avery and Sally Michel. Guided by her famous father, she began painting as a child—although as she would tell it, “I think I was painting in utero.” She had her first solo exhibition in 1963. Now in her late eighties, the artist continues to work six days a week in her lifelong neighborhood, Greenwich Village. Avery’s oil paintings, sketches, and watercolors carry forward certain stylistic characteristics of the family oeuvre, what art historian Robert Hobbs...

Tree of Dreamy Constellations. Signed in reverse: Ferdinando De Filippi (born 1940, Lecce, Italy) Tree of Dreamy Constellations is a fascinating painting created in a calligraphic m...

WINTER ON FIFTH AVENUE, FLAGS, NYC An oil painting on linen by award winning contemporary artist Michael Budden that showcases the bustling life on Fifth Avenue in NYC peering throug...

Wonderful modernist landscape painting. Francis Kelly was born in 1927 in St. Paul, Minnesota. He received his early education in Chicago and California. He served in the United States Navy from 1944 to 1948 when he entered the Art Center School, Los Angeles. During 1951 in 1952 he lived in Paris, attending the Academie de la Grande, Chaumiere. In 1953 he went to the University of Hawaii, Honolulu, and then to the University of California at Los Angeles, where he was graphic laboratory assistant to John Paul Jones. Awarded a Fulbright Grant in 1955 he came to the Graphic Department of the Central School, London. The St. George's Gallery first introduced his etchings in Britain. In 1958 Kelly was awarded the Stacy Grant for painting. His work has been shown at Royal Academy Exhibitions and he has traveled extensively. In 1966 he was appointed Art organizer for the U.S. Embassy "Festival of Arts in Humanities". His paintings were shown in the exhibition "Five American Artists in Britain". During 1976 he acted in a similar capacity on behalf of Windsor & Newton Ltd., who sponsored an exhibition of American artists commemorating the U.S. Bicentennial. He appeared in the film Science in Art. Kelly has studied painting conservation at the Courtald Institute. In 1967 he was sent to the Italian Art and Archives Rescue Fund to Florence to restore flood damaged paintings. In 1971 his book, Art Restoration, was published by David and Charles and in the U.S. by McGraw-Hill. His second book, The Studio and The Artist was published in 1975. Kelly's work has been shown at 24 museums in Great Britain and numerous galleries. Acquisitions have been made by many public and private collections, universities and educational services. During more than 40 years in Britain he has found a growing affinity with the countryside, observing less the well-known landmarks but rather more the timeless rural lanes and by-ways as yet still unspoiled by building and industry. A member of the group in Brighton preserving Brighton's West Pier, he has produced a series of works recording the ravages of time on this finest of Victorian structures.

Signed lower left and dated 1921. This radiant landscape bursts with Beal’s signature vibrancy and plein air spontaneity. In the foreground left, a flourishing mango tree fans its l...

Jim’s of Lambertville is proud to offer this artwork by: William Langson Lathrop (1859 - 1938) Deemed the “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887 at the Art Students League. Lathrop first moved east in the early 1880s and took a job at the Photo-engraving Company in New York City. While there, he befriended fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop’s early years as an artist were ones of continuing struggles. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together and traveled to Europe with Henry Snell in 1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...

A stunning oil painting depicting Carmel Beach in California depicting sand dune flora toward the walking path through the bushes and plants. The puffed clouds moving in the sky aga...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Artist designed frame. Joseph Barrett (b. 1936) Joseph Barrett was born in Midland, North Carolina, in 1...

This lovely Dutch Old Master oil painting is attributed to artist Pieter Wouwerman. Painted circa 1660 it is figurative landscape with horseback travellers and their dogs in the foreground with ruins on their right. Beyond is a river and hilly landscape, all in the fading light of approaching dusk. There are some superb details making this an excellent Dutch Golden Age oil painting. Provenance: Devonshire estate. Condition. Oil on canvas, 24 inches by 20 inches and in good condition. Frame. Housed in a complementary gilt frame, 31 inches by 27 inches and in good condition. Pieter Wouwerman (1623-1682) was a Dutch Golden Age landscape painter. He was born in Haarlem. According to Arnold Houbraken, a biographer of artists from the Dutch Golden Age, Pieter Wouwerman was the brother of the landscape painters Jan and Philips Wouwerman, who, like his more famous brother, made a living selling Italianate landscapes in the manner of Pieter van Laer...

Charles Jones British, (1836-1892) Cattle & Sheep in the Scottish Highlands Oil on panel, signed with monogram & dated (18)75, further inscribed verso Image size: 19.75 inches x 15.75 inches Size including frame: 26.75 inches x 22.75 inches A dramatic Scottish landscape painting of Highland Cattle and Sheep by Charles ‘Sheep’ Jones...

Vintage Oil Painting of a River Landscape with Rain Clouds in Ireland by 20th Century Modern Irish Artist, John S Haggan (1946-2021) Art measures 20 x ...

James Paterson Signed and dated 1895 On the reverse signed James Paterson 176 Bath Street, Glasgow Killniess, Moniaive, Scotland on the reverse Canvas Size: 21 x 26" (52 x 66cm) Ou...

Frank Myers Boggs American, 1855-1926 Pont Neuf Oil on Canvas 21 ⅜ by 25 ½ in, w/ frame 27 ⅜ by 31 ¾ in Signed and dated 1896 At an early age, Frank Myers Boggs moved from Springfi...

This warm, realistic painting depicting a day exploring the Dutch countryside features a golden field with a stream bisecting the landscape with windmills dotting the landscape. The...

A floral, but instead of a vase it finds itself in a jungle setting. Rich reds weave amongst the large green leaves and white flowers creating fullness for this tropical jungle Flor...

original Watercolour on Paper Image size: H:42 cm cm x W:64 cm cm Complete Size of Unframed Work: H:54 cm cm x W:76 cm cm x D:.1 cmcm Sold Unframed Please note that insitu image...

Antique American modernist landscape oil painting. Oil on canvas. Framed. Signed illegibly.

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Pond, Size: 17.5" x 30.5" x 0.8''...

Beautiful mixed media abstracted landscape evoking the elegant beauty of the first snow in winter by Grace Eichholz (American, b. 1927). Warm neutrals with highly abstracted landscap...

A wonderful oil on canvas circa 1908 by French post impressionist painter Henri Liénard de Saint-Délis depicting a boat docked at the harbour in the harb...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

Afternoon Street Scene - Mid Century Figurative Landscape by Rudolf Jacobi A mid century small town afternoon street scene with small figures by Rudolph...

Gustav VERMEHREN (Copenhagen 1863 – Copenhagen 1931) Rest Oil on canvas H. 72 cm; W. 79 cm Signed lower right and dated 1911 (twice) Exhibition: 1963, F...

A slightly surreal study of a large cathedral like structure in a desert landscape. The naive yet structured composition is wonderfully unique and somewhat otherworldly. Well present...

Talsi. Oil on canvas, 59x72 cm Landscape with houses in Latvian city Talsi Dontsov German (1916. Saratow, Russia – 2001. Riga, Latvia) His professional carrier began at ...

Gorgeous desert landscape with a smoke tree and other desert plants by Vina McPheeters (American, 1892-1964). Signed "Vina McPheeters" in the lower right corner. Presented in a gilt-toned gold and black frame. Image size: 20"H x 24"W. Vina Pearl McPheeters (American, 1892-1964) was born in Iowa on October 7, 1892. Vina was the wife of Robert Guy McPheeters. By 1930 she had settled in southern California into a home in Montebello (Los Angeles County). She died in Glendale, CA on April 23, 1964. She exhibited in her home town of Van Nuys California, studied with Hanson Puthuff, Jack Wilkinson Smith and Bennett Bradbury...

Louis Aston Knight (French/American, 1873-1948) Signed: Aston Knight (Lower, Right) " Risle at Melleville ", circa 1920 Oil on Canvas 21 3/4" x 18" Housed in a 3" Ornamented Fra...

Unsigned. Presented in a gilt frame with a cotton slip. On board.

Pensativa By Miles Cole [2019] original Oil Paint on Canvas Image size: H:76 cm x W:61 cm Complete Size of Unframed Work: H:76 cm x W:61 cm x D:2cm Frame Size: H:81 cm x W:66 cm x D...

Carle John Blenner (1862 - 1952) Pont Neuf, Seine, Paris, France, 1887 Oil on canvas 15 x 22 inches Signed and dated lower right; titled lower left ...

This contemporary abstract expressionist painting, "Coastal Silence", was created by French artist Natalya Mougenot. Bathed in the muted stillness of Mediterranean light, the piece c...