Medium Landscape Paintings

Menton, South of France signed by the Hungarian artist, Laslzo Ritter (1937-2003) oil on canvas, framed Framed: 22 x 28 inches Canvas : 18 x 24 inches Inscribed verso Provenance: pri...

Work on canvas

Paris by Claude Marin (French 1914-2001) signed oil on canvas, unframed canvas: 24 x 28.5 inches Provenance: private collection, Paris, France Condition: very good condition Origina...

Gorgeous mid century San Francisco Bay seascape oil painting by California artist Hartzell Harrison Ray (American, 1896-1991). Signed "H. Ray" lower right and on verso. Texture added...

John Nost Sartorius (London 1759-1828) A Huntsman with Dogs and Pony Signed 'JN Sartorius pin.' lower right Oil on canvas Canvas Size 26 3/4 x 37 in Framed Size - 31 x 41 in John No...

Beautiful oil on canvas painting by the American Impressionist artist Louis H. Richardson. Signed lower right and dated 1917. Overall framed measurements in original Newcomb Macklin frame 27.5 by 31.25 inches. Louis H Richardson [1853-1923] American Impressionist : Louis H. Richardson was born in New Bedford, MA, where he lived and worked until his death in 1923. Richardson was a self-taught Impressionist artist, most known for his sensitive paintings of the landscape surrounding New Bedford and the Dartmouth area. From his shanty shack studio at Salters Point in South Dartmouth, he would paint the wetlands and feature water, trees, the sky and land. In 1917, Richardson was part of a two-man show in New York City with artist Clifford W. Ashley at the Arlington Art Galleries on Madison Avenue. Of his show, The New Bedford Sunday Standard wrote: “His style is so absolutely his own that the simple mention of his name recalls to mind vividly the salt marshes, the soft browns of silent reaches near the sea, wind-blown inlets, flying clouds. … Some of it reaches a height of charm and truth that it would be impossible to surpass.” Richardson believed in the art community and founded the New Bedford Arts Club and its successor the New Bedford Fine Arts Society. When not painting, Richardson worked at the New Bedford Water Company and later as a plumbing inspector for the city’s Board of Health. He was an avid baseball player and would be known as “the Babe Ruth of New Bedford.” On his death, the local newspaper declared him “one of the best-known artists in New Bedford” and “one of the art pioneers in building up a more widespread appreciation of art in the community.” His work is in the permanent collection of the New Bedford Whaling Museum...

George William Mote (1832-1909) British oil painting on canvas, framed framed: 25 x 28 inches canvas: 22 x 27 inches provenance: private collection condition: very good and sound co...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 24 x 30 Frame Size: 33 x 39 Medium: Oil on Canvas Dated 1972 "Spring Shadows" B...

The Scottish Island by William B Dealtry (British 1915-2007): signed oil on board, framed framed: 27.5 x 32 inches board : 23 x 27.5 inches Provenance: private collection of this art...

A gorgeous American impressionist painting of Gloucester Harbor. Unsigned but by a very skilled hand. The canvas is 20" x 16" housed in a period frame.

In this oil painting, I captured the essence of serenity and growth. Embracing the harmonious dance of light and shadow, I portrayed the irises with an impressionistic touch, evoking...

Bleeding Sky is an acrylic on canvas by artist Rene Gonzalez, depicting a group of foxes huddled beneath a tree, taking refuge from a celestial downpour ...

A beautiful oil on canvas painting by the French artist, Jean Salabet. Salabet was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His wor...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 30 x 24 Frame Size: 44 x 38 Medium: Oil on canvas “ Gift Of Rain “ G. Harvey (G...

This is an amazing vintage original oil painting on canvas depicting Clipper ships in the stormy ocean by Listed Italian Artist Renato Longanesi (b.19...

Series: Between light and silence Golden cliffs rise above the turquoise sea, their forms softened by the shifting wind. Beneath a lavender sky, the waves break into stained-glass mo...

A beautiful large late 19th century French impressionist oil on canvas depicting an extensive landscape with trees in the foreground and an atmosph...

Storm Clouds over the River Yare *see notes below English School, circa 1830's circle of John Constable (English 1776-187) oil painting on canvas, framed canvas: 18 x 25 inches condition: relined canvas, overall very good and presentable condition provenance: private European Collection A very beautiful, period depiction of the Norfolk landscape, with far reaching views over Norwich Cathedral...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 24L. Excellent ready to hang condition. Impressive colors and compo...

"The Loch Keepers Cottage" by F. E. Jamieson (British 1895-1950) signed, lower corner oil painting on canvas, framed canvas: 16 x 24 inches framed: 20 x 28 inches Fine quality antiq...

Antonio Sala Herrero (1927-2012) - View of Montjuic Barcelona - Oil on canvas Oil measures 50x61 cm. Frame measures 66x77 cm.

This lovely Scottish Impressionist Victorian oil painting is by noted artist Joseph Henderson. Painted circa 1880 it is entitled Washing Day. The composition is of two women laying o...

Signed illegibly and inscribed with location. Monograph to the reverse on the canvas with initials V. M. G. Presented in a gilt frame with a cotton slip. On canvas.

Benito Magallón (1947-2011) - Landscape - Oil on canvas Oil measurements 54x65 cm. Frameless. Benito Magallón was born in Cascante, Navarra, in 1947. At the age of 6 he went to live...

I love to paint big skies, particularly on the coast . The blues in this piece are calming and serene, the small figures adding interested scale . This piece is on a deep stretched c...

Johann Georg de Hamilton (1672-1737) A saddled officer's Arabian horse with a hound and gun, in a landscape Oil on canvas Canvas size - 21 x 23 in Framed size - 27 x 29 in Provenanc...

This exquisite oil on canvas depicts a mythological scene rendered with great finesse, likely painted during the late 17th century. A reclining nude female figure, partially draped i...

In my painting, I sought to capture the serene and ageless beauty of nature's embrace. Using oil paints, I blended the disciplines of fine art, impressionism, and realism to bring to...

"Boat"s In Cala Boira" features bright sunny blues, greens, and colorful water reflections; it is an exceptional oil painted on location on the island of Mallorca in by Maria Bert...

A dreamy, lush, atmospheric abstract landscape with a flowing waterfall and poetic space. Won't you lay down with me? On the forest floor? Among the newly born green and mist from t...

Vintage post impressionist landscape oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, read...

Urban Landscape with figures in an abstract city environment ADDITIONAL INFORMATION: Oil Paint on Canvas 52 H x 61 W x 4 D cm (20.47 x 24.02 x 1.57 in) Sold framed Please note tha...

Bathers by Lake French School, second half 20th century oil on canvas, framed framed: 23.5 x 31 inches canvas: 20 x 28 inches provenance: private collection, France condition: good a...

Work : Original Painting, Unique Work. Painted in 1997. Framed. Provenance from Private collection in France. Excellent Condition. Medium : Acrylic on Linen Canvas. Artist : Loïc Le...

Choose the color of the frame: black or wood Framed dimensions: 72 x 88 cm (28.3 x 34.6 in) Signed by the artist and a certificate is delivred. Ready to hang In Les Lopins, French p...

This original vintage oil painting on canvas is a beautiful example of Dutch-style winter landscape art, inspired by the Dutch Golden Age and the 19th-century Romantic revival. Sign...

Signed oil on canvas still life painting circa 1909 by French impressionist painter Maxime Maufra. The piece depicts pink roses and fuchsias in a garden. Signature: Signed lower l...

Series: Between light and silence This seascape captures a fleeting, luminous rhythm — where waves rise like breath and the sea reflects not just the sky, but a pulse of emotion. The...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

A rare color lithograph by late French artist, Éliane Thiollier. Edition of 275, certificate of authentication is provided. Minor acid staining from the old mat. Éliane Thiollier s...

José WEISS Neuilly-sur-Seine, 1859 - Houghton (England), 1919 Oil on wooden panel Signed lower left “José Weiss” 40 x 61.5 cm (54 x 75 cm with the frame) Joseph Vincent Nicholas Fr...

Artist/ School: Huguette Ginet-Lasnier (French 1927-2020), signed lower front Ginet-Lasnier, the wife of the painter Jean Lasnier, was born in the Seine-Maritime region of France an...

Donald Vogel was inspired by gardens throughout his painting career. Before moving to Dallas, as a student at the Art Institute of Chicago in the late 1930's, Vogel's studio was a block away from Chicago's Lincoln Park...

Barbara Robinson is a leading contemporary artist of the classical school. His paintings are figurative, although sometimes bordering on the abstract....

Kathleen Keifer is a California-based, internationally collected artist. She is a leading force of the New California Realism. Kathleen brings a fresh, clean perspective to her color...

My process starts with taking the photographs I work from, I like to experiment with angles and light in the photographing. Every inch of the canvas has multiple layers on to build u...

Acquired by the gallery directly from the artist UNFRAMED: 18" x 24" FRAMED: 24.5" x 30.5" x 1" Artist Statement "This scene was inspired by a trip to Tejon Ranch nearly 10 years ago with a small group of artists from the California Art Club. The golden color offers a different take on “California gold’ and is very much like the the foothill scenery near my home in Angels Camp." — Ray Roberts

Beautiful mid century landscape of a historic California mission, highlighting its iconic architectural details such as a columned arches, white was...

Verdant Hills by Bernard Labbe (French mid 20th century) original oil on artist paper size: 19 x 26 inches condition: very good and ready to be enjoyed Description: This expressive ...

Impressive early American impressionist coastal seascape oil painting. Framed. Oil on canvas. Signed. Image size, 22H by 18L.

Work on canvas

Winter Scene oil/canvas 20 x 24 image size, 23.75 x 27.50 framed Here is a very nice winter snow scene oil painting on canvas by Midwest American Artist Karl Rudolph Krafft. Origina...

In this vibrant oil painting, I've captured the essence of spring's awakening. The lush greens and soft whites dance across the canvas, as light filters through the delicate blooms. ...

FLORAL IV 2024 Paris, France This dark complex and layered floral painting of an abstract of flowers presents an energetic and mesmerizing subject. This original painting on cotton ...

Autumn Provence by Andre Guillou (French 1925-2017) signed and dated 2002 oil on canvas, unframed canvas: 25.5 x 21 inches provenance: private collection...

Artist/ School: Huguette Ginet-Lasnier (French 1927-2020), signed lower front Ginet-Lasnier, the wife of the painter Jean Lasnier, was born in the Seine-Maritime region of France an...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed.

Surrealist Landscape Oil on canvas 'R. Lee Glenn' verso 30 x 24.25 inches 31.75 x 26.75 inches, framed Surrealism aims to revolutionize human experience. It balances a rational visi...

This vibrant 20th-century French Impressionist painting by Charles Ducant captures the timeless allure of a bustling Parisian street scene, immersing the viewer in the charm and ener...

ARTIST: Lionel Aggett PS (1938-2009) British TITLE: "Sunrise Sully Sur Loire' SIGNED: lower left and gallery labelled verso MEDIUM: pastel on paper SIZE: 67cm x 63cm incl frame CO...