Medium Landscape Paintings

Vintage American modernist abstract oil painting. Oil on canvas. Framed. Measuring: 26 by 30 inches overall, and 22 by 25 painting alone.. In excellent original condition. Handsomel...

Italian painter (18th century) - Arcadian landscape with flock and shepherds. 56 x 70 cm without frame, 63.5 x 79 cm with frame. Antique oil painting on canvas, in a wooden frame (...

Signed pontillist style oil on canvas figures in cityscape circa 1980 by French post impressionist artist Hugues Claude Pissarro. The piece depicts a view of the top of the Pont Neuf...

Fishing Boats in Rough Seas English artist, mid 19th century oil on canvas, unframed Canvas: 21 x 32 inches Provenance: Private collection Condition: overall very good and sound cond...

A beautiful mid 20th century French post-impressionist oil on canvas depicting a winter landscape with figures on a path. Excellent quality work in very good condition. Presented i...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 30 x 24 Frame Size: 44 x 38 Medium: Oil on canvas “ Gift Of Rain “ G. Harvey (G...

Signed, titled and dated oil on canvas figures in landscape by Belgian post impressionist painter Modest Huys. This stunning piece depicts of workers harvesting a field on a late sum...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 25 x 30 Frame Size: 34 x 39 Medium: Oil on Canvas Circa 1950 "Lazy Day Blues" Texas Bluebonnet Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas is in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit, and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

Artist: Vahe Yeremyan Title: Pacific Highway Medium: Oil on Linen Year: 2025 Style: Contemporary Art Dimensions: 29.5" x 29.5" x 1" inch (75 x 75 x 3cm) Presentation: Unframed, Galle...

Up for sale is an original oil painting on board depicting a majestic tall ship sailing across a vibrant, churning sea. The ship, with its towering masts and fully unfurled white sai...

Signed illegibly and inscribed with location. Monograph to the reverse on the canvas with initials V. M. G. Presented in a gilt frame with a cotton slip. On canvas.

3874 Japanese gouache landscape with trees and cranes Set in brass finish metal frame

Untitled (also known as "1811 THE BACKWOODSMAN'S CHRISTMAS") Oil on canvas, c. 1875-1925 Unsigned Provenance: Found in Ohio A charming American naive nocturn of a hunter and his two ...

"Path Across the Fields" by Paul Morgan, British 20th century signed oil on board, framed Framed: 21 x 24.5 inches Board : 16 x 20 inches Provenance: private collection Condition: ve...

Artwork sold with frame ( 62 x 77 x 4 cm ) Henri Moreillon was a Swiss painter active during the 20th century, recognized for his evocative oil paintings that capture both urban and...

Signed fauvist oil on canvas landscape by French painter Louis Valtat. The work depicts a field of poppies. Signature: Signed lower right Dimensions: Framed: 22"x26" Unframed: 14"x...

According to the catalogue raisonne of Church's work, the artist only produced one painting titled Morning in the Tropics (1858). This painting currently resides at the Walters Art M...

This striking original oil painting by Colorado-based artist Ken Elliott captures the emotive rhythm and chromatic energy of a wooded landscape rendered in motion. Layers of rich pig...

This colorful and powerful seascape might help to brighten your walls and room. It is of Bass Rocks in Gloucester Massachusetts. Artist Helen Marie Stockton used bold turquoise col...

Artist/ School: Prudence Turner, British b. 1930, signed. Title: Perthshire Medium: oil painting on canvas, framed. Size: painting: 20 x 24 inches, frame: 25.25 x 29.25 inches ...

Giner Bueno (1935-2000) Reparando Las Redes Painter from Alicante, son of the painter Luis Giner Valls. He studied at the School of Arts and Crafts of Valencia and finished his stu...

Artist: Florent Chade (French, 1896-1985) Title: Chamonix, le Mont Blanc Year: Circa 1950 Medium: Oil on canvas board board size: 15 x 18.25 inches Sig...

This artwork titled "People of the Village" c.1980, is an oil painting on canvas by Hungarian artist Anton Kowalski, b.1926. It is signed at the lower right corner by the artist. The canvas size is 21 x 24 inches, framed size is 26.5 x 30.5 inches. Framed in original dark wood and green frame, with fabric liner. It is in excellent condition. About the artist: The artist was born in Sopron in Hungary in 1926. He was a student of the Academy of Budapest and during the uprising in 1956 against Communism he escaped from Hungary to Vienna where he now lives and works. He has become internationally known for his (typically East European style) “Naive” paintings depicting Village life in the four seasons in glorious color. Children especially like his works as each one tells a story. He has exhibited in many Galleries throughout Europe, particularly in Munich, Vienna, Tokyo, and Harrods in London. His work has been on permanent exhibition at the Stewart Gallery...

Colourful Abstract Landscape & Sky Painting with Reds, Purples & Blues of Pendle Hill in the Northern English Countryside by leading British Urban Artist Angela Wakefield. Art measu...

Sunlit Forest French School, 1970's signed by J.Bredeche ( French School) oil on canvas, unframed Canvas : 21 x 25.5 inches Inscribed verso Provenance: private collection, Paris Cond...

Henry Ward Ranger Connecticut Landscape oil/panel 12 x 16 image size 21 3/8 x 25 3/8 x 2 3/4 framed A wonderful example of Rangers painting style of glazes and areas of impasto text...

Giuseppe Zais (Forno di Canale 1709 - Treviso 1784) - Landscapes with Washerwomen. 41 x 56 cm unframed, 49.5 x 64.5 cm with frame. Oil on canvas, in a carved and gilded wooden fram...

I love to paint big skies, particularly on the coast . The blues in this piece are calming and serene, the small figures adding interested scale . This piece is on a deep stretched c...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Abel Warshawsky (American, 1883-1962) Mural Study Oil on board Signed and inscribed verso 9.5 x 18 inches 15.75 x 24.25 inches, framed Impressionist painter A.G. Warshawsky was acti...

Antique American modernist abstract painting. Oil and encaustic on canvas, circa 1980. Signed on verso. Displayed in a period frame. Imag...

Serene Countryside Landscape with Sailboat & Wild Flowers in the English Countryside by British Artist, Les Parson Art measures 16 x 12 inches Frame measures 22 x 18 inches Serene ...

At the beach is an artwork realized by Aldo Riso. Mixed colored tempera and watercolor painting. Titled on lower left. Frame included: 70.5 x 91.5 cm This beautiful mixed media...

Antique American impressionist painting of kids in a park. Oil on canvas, circa 1920. Unsigned. Displayed in a giltwood frame....

Antique American impressionist winter landscape oil painting by Ernest Albert (1857 - 1946). Oil on canvas, circa 1900. Signed. Frame...

Vintage 20th Century Painting of Lush Green Ireland Village by Irish Artist, Liam Reilly Art measures 24 x 18 inches Frame measures 28 x 22 inches This stunning painting captures t...

Vivid abstracted landscape in vibrant fauvist hues of birch trees in green field by Libby Beth Seligman (American, b. 1958), 1977. Signed and dated lower right corner. Presented in r...

This charming British Impressionist landscape oil painting, painted circa 1910 is by noted artist Charles Burleigh. Burleigh spent most of his life in the Brighton and Hove area, exc...

Original landscape in oil. Initialled to the lower right. Presented in a large wooden frame. On canvas on stretchers.

Mark Harrison’s Last Light (2025) is an original, handmade oil painting on canvas that captures the fleeting beauty of twilight as it falls over a snow-covered plain and the rugged p...

Joanna Mrozowska Born in 1976 in Warsaw. Studied in the Department of Painting in the Academy of Fine Arts in Warsaw; she graduated with a Master’s degree in painting, with the cycle...

Alberto Ulloa Burgos (1 January 1950 – 1 October 2011). Street After Rain (Santiago de Chile), 1970. Oil on masonite panel measuring 20 x 24 inches; 26 x 30 inches framed. Signed and dated lower right. Original frame with export label stamp. Alberto Ulloa Burgos was a painter, sculptor, and poet from Altamira, Dominican Republic. He was a student of the distinguished Latin American painter Jaime Colson...

Mid-Century cubist oil and acrylic futuristic cityscape on canvas. Signed bottom right, artist unknown. Highly colourful and well-composed interpretation of a cityscape of the futur...

ARTIST: Lionel Aggett PS (1938-2009) British TITLE: "Sunrise Sully Sur Loire' SIGNED: lower left and gallery labelled verso MEDIUM: pastel on paper SIZE: 67cm x 63cm incl frame CO...

Rich, spicy colours combine with pastels in this Indian inspired painting from British artist Paul Wadsworth. Paul’s paintings are widely collected and his expressionist style is muc...

Late 19th/early 20th century oil on canvas painting in the manner of Abraham Hulk the Younger (1851-1922), and George Vincent (1796-1832). These artists painted in the Dutch style, though both are British. Each has had experience with Dutch masters that influence their work. George Vincent’s work is perhaps even closer to this than Hulk’s. Vincent paints the trees and skies with the warm hues of light infused on the work. Here, the sky has blue but also a khaki or tan shade, roughed into the blue and white. It is an unusual color in skies, yet Vincent shows us the light through clouds castingva darker shade. The trees are varied greens but also yellowed leaves, as in autumn. Presented in a period decorative gilt frame, the painting is of a cottage in a woodland with cattle by a pond, a little black dog and man and a woman standing by. In the distance is a glimpse of a river and grasses, framed by trees and an overcast sky. Hulk is renowned for his treatment of the changing season from summer to autumn, and the golden leaves and fading greens in this painting suggest this changing time of year. Hulk is the son of a well known Dutch maritime...

English 20th century portrait of an English Frigate in full sail at sea in oils. A very well painted oil on canvas with great detail of a ship cutting through the sea at I'm sure great speed. The piece is an oil on canvas with I think gouache added to the waves to make them a brighter white. The piece is signed Mason and with some investigation, we are attributing this painting to the talented English painter Barry Mason...

Magical Moment oil/canvas signed LL 18 x 24 image unframed, 24.38 x 30.25 framed Here is a beautiful winter scene with deer under moonlight based on a farm near my studio.. It includ...

Dutch Master 17th Century Farmer at the Well with Goats and Cows Oil on Wood Size: approx. 48 x 63 cm Frame: 68 x 83 cm Age-related condition, old restorations (see photos) Viewing...

The French Market by Michel Kritz (French 1925-1994) oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France condition: very good and sound condition

August Frederick Biehle (1885-1979) Woods Interior, Berlin Heights, 1920 Gouache and colored pencil on paper Signed and dated lower right 17 x 23 inches 23.25 x 29.25 inches, framed ...

Wonderful moody French landscape of country house and farm in Yonne by Ronald Greg (British/Canadian, b. 1929), 1969. Signed and dated lower right and on verso. Presented in vintage ...

This atmospheric oil painting by Stephanie Johnson, titled Clearing, captures the fleeting moment when dawn or dusk quiets the landscape in a soft hush. A luminous yellow sky gradual...

Alfred Fontville De Breanski (1877–1957) “English Cottage Garden”, circa 1920 Oil on canvas Signed lower right This richly coloured and romantic vision of rural England by Alfred F...

This impressive mid-century landscape captures the serene beauty of the Netherlands, water-rich and dotted with windmills. Well presented in an ornate gilt effect frame with swept ra...

René Toussaint 1902 – Spa – 1972 Belgian Painter 'Belgian Coast – Le Zwin' Signature: signed lower left ’R Toussaint’ Medium: oil on panel Dimensions: image size 50 x 60 cm, frame...

In this oil painting, I dove into the raw majesty of the northern landscape, melding figurative elements with impressionistic flair to capture a scene both vibrant and serene. My bru...

ARTIST: Stephen Bone NEAC (1904-1958) British TITLE: 'Evening In Stockholm Sweden" SIGNED: lower right MEDIUM: oil on canvas SIZE: 81cm x 71cm inc frame CONDITION: very good DETAIL:...

Stephen Day's (US based) "Spring Aspen" is an original, handmade oil painting that depicts a forest of Pine and Aspen trees coming to life with new green buds of leaves and the thicket of the forest floor beginning to grow. Stephen Day was born in Sheridan, Wyoming, and, while growing up he lived in Santa Fe, New Mexico, Aspen Colorado, and Durango, Colorado. He always felt the wonderfully unique beauty of the west but until he became an artist he really didn't know how to fully respond to that beauty. Day is now a full-time artist living in Taos, New Mexico. Working mainly in oil he paints various subjects from life but the landscape is his first love. He says of his working philosophy, "I paint almost exclusively from life trying to capture the feeling and the mood of the subject before me. This work philosophy forces me to paint quickly to get a spontaneous and fresh response, because everything around us (including ourselves) is in a constant state of change." Day frequently paints on location and uses these smaller paintings to create larger studio paintings. Artist's Background: 1976 - Bachelor of Arts Degree, McMurry College, Abilene, Texas 1980 - Master's Degree, Southern Methodist University, Dallas, Texas Studied at the Art Students League of Denver with Bruce Cody...

Deja Vu #1 by Judith North [2022] Deja Vu is a series of abstract paintings which aim to capture my response to something previously experienced. Additi...