1910s Art

Eye catching watercolor of bright flowering vines covering a towering column along the serene Riviera, circa 1920. Original one-of-a-kind artwork on paper displayed on a white mat ...

Antoine Calbet presents his works, mainly portraits and genre scenes, at the Salons of the Société des artistes français from 1881 until 1940, as well as at the international exhibit...

ROYDS, Mabel Allington. Tightrope Dancer, ca 1911. Color woodcut. MB 1. From a small edition. Signed and titled in pencil. After working with Walter Sickert in Paris at the turn ...

Christian Thomsen (1860 Kolding - 1921 Copenhagen), Peasant girl with goose, design c. 1910, execution 1966. model number 527. First choice. Porcelain ...

Outstanding etching realized by Chadwick in 1915, Monogrammed in pencil lower right. Very good condition.

ALBERT RUTHERSTON, RWS (1881-1953) Page for the Emperor – Costume Design for Androcles and the Lion Variously inscribed: “Androcles”/No.28/ Two Pages for The Emperor/ Mr Alfree/Mr Bugh/King Watercolour, pen and ink and gold paint Framed 25 by 19 cm., 9 ¾ by 7 ½ in. (frame size 43 by 36 cm., 17 by 14 ¼ in.) Provenance: By descent in the family of the artist. Exhibited: London, Sally Hunter Fine Art, Albert Rutherston – Drawings, Theatre Designs & other Treasures, 2016, no.75. The present work is a costume design for a page in Androcles and the Lion, a play in two acts by George Bernard. Rutherston designed the set and costumes for the 1913 premier production performed at St James’s Theatre, London and produced by Harley Granville-Barker. Born Albert Daniel Rothenstein, he was the youngest of the six children of Moritz and Bertha Rothenstein, German-Jewish immigrants who had settled in Bradford, Yorkshire in the 1860s. He and his siblings proved to be a hugely talented and artistic family, his elder brother became Sir William Rotherstein (1872-1945), the artist and director of the Royal College of Art; two of his other siblings, Charles Rutherston and Emily Hesslein, both accumulated major modern British and French art collections and his nephew Sir John Rothenstein was direct of the Tate Gallery. He was educated at Bradford Grammar School before moving to London in 1898 to study at the Slade School of Art where he became close friends with Augustus John and William Orpen. He met Walter Sickert during a painting holiday in France in 1900 and by introducing Sickert to Spencer Gove became instrumental in the beginning of the Camden Town Group. He was one of Sickert’s most frequent companions and was one of the original members of the Fitzroy Street Group. Rutherston had a sociable and attractive personality, he frequently travelled abroad with other artists including Max Beerbohm, Spencer Gore, Walter Russell and Edna Clarke Hall...

GAMY and MONTAUT, Ernest. La Voiture Th. Schneider, 1912 gagne à Dieppe Dinant et à la Sarthe vitesse et régularité / Magneto Bosch Corburateur Claudel Roues Riley. Mabileau & Co., ...

John Sloan (1871-1954), Barbershop, 1915, etching and aquatint, signed in pencil lower right, inscribed in pencil “For John Quinn, Esq. – John Sloan” lower left margin, (also signed ...

An original antique impressionist oil painting by American artist George Renouard.

Signed Lower Left Likely an illustration for a Gerlach Barklow Yard Long Calendar, circa 1915

Sloan, John. BARBER SHOP. Etching and aquatint, 1915, (Morse 173), 3rd (final) state, Only 35 were printed, by Sloan. Signed in pancil, lower right. 10 x 12 inches (256 x 308 mm (pl...

Work on paper Stamp of the workshop of O. Vautier Dimension of the "passe partout" frame 52.5 x 38 cm Otto Vautier is a renowned Swiss painter, born in 1...

Signed Lower Right by Artist Post Cover, October 1, 1910

Benson, Frank. MARSH GUNNER. Paff 149. Etching, 1918. Edition of 150. Signed in pencil, lower left, and numbered "93" in pencil, lower right. 10 7/8 x 8 7/8 inches (plate), 15 3/4 x ...

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Suprematist composition. 1919, paper/gouache 21,5 x 28,5 cm Gustav Klucis (1895-1938) Latvian painter, sculptor, graphic artist, designer and teacher, ...

G.C. Haverkamp ( 1872-1926) View of Antwerp, Veemarkt with Saint Pauls Church , original signed etching circa 1914. Fine detail etching in good condition . Antique giltwood frame.

"Nail Fetish Bacongo-Zaire" is a sculpture made of glass, wood, and metal created circa 1910. He has a top hat upon his head and face paint. Their right ha...

To see our other views of Public Schools, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. A J Meyer (British, fl 1900-1930) Dulwich College Etching 22x30cm Sadly little is known of Meyer, an accomplished artist and particularly producer of etchings. He was one of many artists to join the craze for etchings started by Whistler and that died out after the 1929 Wall Street...

Delovincourt: biography Delovincourt, is a poster artist. Delovincourt was an art nouveau artist. He was mainly active during the modern period. Delovincourt: his main works Delovinc...

Artist: Henri Le Sidaner (French, 1862-1939) Title: "Le Perron (The Porch)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by Sidaner in the plate (printed signature) lower right Year: 1911 Medium: Original Lithograph on soft-cream Simili Japon paper Limited edition: approx. 1,500 Printer: Maison Fortier and Marotte, Paris, France Publisher: Gazette des Beaux-Arts, Paris, France Reference: Sanchez and Seydoux 1911, No. 12 Sheet size: 10.75" x 7.13" Image size: 7.5" x 5.75" Condition: Light toning to sheet. It is otherwise a strong impression in excellent condition Notes: Printed in one color: blue. This lithograph was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002. Biography: Sidaner, (7 August 1862 – July 1939), an intimist painter, born to a French family in Port Louis, Mauritius. In 1870 he and his family settled in Dunkirk. Le Sidaner received most of his tutelage from the École des Beaux-Arts under the instruction of Alexandre Cabanel but later broke away due to artistic differences. Between 1885 and 1894 Le Sidaner lived the year round at the Etaples art colony and was joined there by his childhood friend Eugène Chigot (1860–1923), who shared his interest in atmospheric light. Later Le Sidaner traveled extensively throughout France. He also visited many cities around the globe, as well as villages throughout Europe. He exhibited at the Salon, the Galeries Georges Petit in Paris and the Goupil Gallery in London, and settled in Gerberoy. Marcel Proust's mention of Le Sidaner's work in his novel In Search of Lost Time confirms its later reputation. In Sodom and Gomorrah...

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Lovely portrait of a young Boy standing on an armchair. Oil on canvas signed Felix BRYK. Swedish School, circa 1900-1910 Portraitist and ethnologist of the early twentieth century. ...

Lucien Victor Guirand de Scevola (1871-1950) Portrait of Marie-Thérèse Piérat in Les Marionnettes, 1910 Pencil on paper, signed, dated and annotated lower ...

Jean-Emile Laboureur, Anzacs, woodcut, 1918-22, signed and numbered (7/45), the second state (of 2). Reference: Sylvain Laboureur 713. In good condition, with remains of old hinges ...

Portrait of a woman praying at a table with food. In the corner a cat reaching up to see over the table. The etching is signed by the artist in the botto...

Signed and dated '1910' lower right

"The poor little bridesmaid ... in her pink cotton gown ... though doubtless, there never was such a pretty girl." A kitchen scene is depicted with a young bridesmaid admiring her f...

Beautiful proof of state on vélin, with notes by the author “1er essai” in pencil. Full margins. Ref. Cat. Salomon 98. Prov. Collection Henri Petiet, Paris.

A very good, dark and evenly-printed impression of this scarce lithograph on cream laid paper. From the edition of approximately 50.

A marionette and a woman with a fantastic, geometric headdress promote a ball in Düsseldorf; the shadows create a dramatic effect. “The modern poster as we know it- large, colorful ...

La Poursuite by Orovida Pissarro (1893-1968) Etching with aquatint 17.2 x 12.5 cm (6 ³/₄ x 4 ⁷/₈ inches) Signed and dated lower right Orovida 1917 Inscribed lower left Final State Trial proof no. 1 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

Lithograph on vélin des papeteries Lafúma paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Le manuscrit trouvé dans un chapeau, orné de dessins a la ...

Jean-François Raffaëlli (1850-1924), La Fumee du Bateau, color etching and drypoint, 1911, signed and numbered in pencil lower right. Reference: Delteil 98. In very good condition, ...

Fine impressionist painting by Franco-American Paul Custis Dougherty. The piece is titled on an exhibition label verso "The Bridge Winter". Also, in pencil on the stretchers the lo...

Signed and dated by the artist in ink, lower right Annotated in ink lower left: Plate 19. Sec. 1. Lesson 4 Note: A very early student work by Dehn Provenance: Estate of the Artist

Norman Clayton Hadlow Nisbet ARIBA Design for Fairfield House, Droxford, Hampshire (c. 1910) Watercolour and pencil 33 x 51 cm Signed and extensively inscribed. Exhibited Royal Acad...

Arthur B. Davies (1862-1928), Dawn (or, Kneeling Figure), 1918, soft ground etching and aquatint, signed in pencil lower right. Reference: Czestochowski 59, second state (of 3). In v...

Brunellechi's classic color drawings elegantly illustrate three plays by Musset, "La Nuit Venitienne", "Fantasio", and "Les Caprices de Marianne"

Erich Heckel (1883-1970), Antwerp, drypoint, 1914, signed and dated in pencil lower right margin. Reference: Dube 123. In excellent condition, the full sheet on a cream/ivory wove pa...

"Monotony of Work", part of the "architecture" series, showing the monotony of work at an office building at night in our modern world by applying the CMPB-technique - Original photo...

Work on cardboard Beige wooden frame 48 x 40.5 x 3.8 cm

THE ARCHITECT'S ORIGINAL PROPOSAL FOR KING'S COLLEGE HOSPITAL William Alfred Pite (1860-1949) King`s College Hospital, Denmark Hill general bird`s-eye view (1913) Initialled H.M.F.,...

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Lithograph for Luigi Emilio Caldanzano’s Art Nouveau advertisement for Lenti Radio-Attive, which marketed “radioactive” eyeglass lenses claim...

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Deco Woman Crayon on paper, c. 1920 Signed in ink lower left: "Wm. Sommer" (see photo) Provenance: Estate of the artist Edwin Sommer (the artist’s son) Jose...

A magician billed as The Fakir Shah Rabey is pictured with his "astral" subject, The Aerial Woman, who levitates above in a hoop. Original lithographic magic poster...

William Meyerowitz (1898-1981), Armistice Day, 1918, etching with watercolor. Edition not stated. Signed in pencil. Signed and dated in the plate, lower left. Image size 9 3/4 ...

Sloan, John. HEAD WITH NECKLACE. Morse 163. Etching, 1913. Edition of 100, of which only 75 were printed. Titled, signed and inscribed "100 proofs" all in pencil, and further signed ...

William Dennis was a landscape painter based in Nottingham, England. Known for his impressionistic, pastoral landscape paintings, Dennis painted mostly in oil, capturing the rural sc...

Marc, Franz (German, 1880-1916). STELLA PEREGRINA. FranzHanffstaengl, Munich, 1917. Only edition. Number 25 of the limited edition of 110. Folio (18 x 13 inches), parchment-bac...

Siccard-Redl, Josef. Fruhling, Ca 1910. Color wood engraving, Signed and titled in pencil by the artist. Little is known of this artist other than he worked in Vienna during the ...

Collection of girl portrait studies that are signed and dated by the artist. The papers are not framed. The dimensions are of the larger work, the small...

Emil Huber’s mesmerizing and surrealist eyeball design for Stirnemann u. Co. Zürich promotes an organization of commercial, industrial and administrative operations in Switzerland. ...

John Sloan (1871-1951), Anshutz on Anatomy, etching, 1912, signed titled and inscribed “100 proofs” by the artist, and also signed “Ernest Roth imp” by the printer. Reference: Morse 155, eighth state (of 8), from the edition of 80. In very good condition, the full sheet, printed in dark brown ink on a brown/tan wove paper, 7 1/2 x 9, the sheet 11 1/8 x 12 3/4 inches. A fine impression. Sloan wrote of this print: “Tom Anshutz, our old teacher at the Pennsylvania Academy, gave anatomical demonstrations of great value to art students. Modelling the muscles in clay, he would then fix them in place on the skeleton. Those present in this etched record of a talk in Henri’s New York class include: Robert and Linda Henri, George Bellows, Walter Pach...

Profile of Woman is a drawing realized by Dinz in 1910. Charcoal on ivory-colored paper. Hand-signed on the lower Good conditions. The artwork realized through deft quick strokes...

Georges CONRAD (1874-1936) Nineteenth-century Coachman Original India ink and pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Very good co...

Georges CONRAD (1874-1936) French woman with Japanese inspired gown Original pencil drawing Signed by stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Good condition, pap...

"Le Petit Cirque Prinder" is an original etching by Auguste Brouet. This piece depicts a variety of circus performers surrounded by small children. The artist signed the piece in the...