Figurative Photography

'Verbier Skiers' Fashionable Skiers at Verbier, 1964. 20x20" inches / 51 x 51 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in 2025 L...

Prof. Christiaan Barnard is a vintage black and white photograph realized in the 1970s. Good conditions.

Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his native South American vibrant and passionate colors. Bringing them...

"Beggars Banquet Classic" Photography 24" x 20" in Ed. 4/30 by Michael Joseph Medium: C-Print Comes in black frame Size framed: 29 x 28 inch Michael Joseph is a photographer best k...

An underwater black and white photograph of beautiful naked young woman breasts covered with air bubbles. “In my line of photography all best shots are ...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006, 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on a Polaroid. Signature ...

Kurosawa's Trees, Study 3, Memanbetsu, Hokkaido, Japan by Michael Kenna is a limited edition black and white photograph, depicting a line of tree silhouettes with a mountain range in...

edition 2/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Beautiful shot of white horse against black background. Diasec. Face mounted on acrylic. No signature but certificate of authenticity from artist is provided. About the Artist:...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Printed plate number, Curtis's title, date, copyright, and photogravures by John Andrews and Son on recto. Photogravure on Holland Van Gelder tissue Known for his remarkable documen...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

An underwater photograph of a naked young woman wrapped in bright tulle. Original gallery quality archival pigment print on archival paper signed by the artist. Limited edition of 1...

Volleyball in Santa Barbara, 1975 - Beach Sports Coastal California Photograph by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

C Print Photograph 30" x45", edition 5 of 5, C Print Photograph, signed on reverse, unframed- this is the final available print in this edition. This photograph is from Stephen Mall...

'Barbados Bliss' Ava Marshall relaxes with a book amongst the bougainvillea in Barbados, April 1976. A sumptuous scene of relaxation in an exquisite...

24 x 16 inches - Edition 1 of 5 with 2 APs framing is an additional $420. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien)....

Photogravure on papier gravure Cartiere Enrico Magnani à la main, mounted on papier Cartiere Enrico Magnani à la main moulé-pressé paper, as issued. Inscription: unsigned and unnumbe...

Michael James O’Brien draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural ...

ABOUT THIS PIECE: Beauty, elegance and fierce attitude defines Elena’s eye-catching work. She is known for her high impact colorful portraits. Her style is permeated with the passion f...

ABOUT THIS PIECE: Beauty, elegance and fierce attitude defines Elena’s eye-catching work. She is known for her high impact colorful portraits. Her style is permeated with the passion f...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

In addition to photographing fine art projects, Landon photographs for commercial and editorial clients around the world. American Photography, Communication Arts, Pictures of the Y...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Artist: Josephine Cardin Medium: Photography Limited edition of 30 Cardin uses a mix between photography and painting to develop her contemporary figurative art, inspired by music...

Flora 11 is a vibrant Digital C-Type print in an Edition of 15 in this size by contemporary photographer duo Tortora & Travezan. Photography duo Tortora & Travezan create vibrant po...

"M35" Pop Art Photography 60" x 60" inch Edition of 10 by Giuliano Bekor Modernismo series Title of artwork: M35 Year: 2012 Medium: Photography Print size: 60x60 Inches trim bleed R...

"Emulsion 23" Photography 48'x48' inch Edition of 10 by Giuliano Bekor Emulsion series. Title of artwork: EM23 Year: 2010 Print size: 48x48 Inches trim bleed Rarity: Limited edition...

Claudio Lippi, Claudio Villa and others -Vintage Photo is a black and white photograph realized in the 1980s. Good conditions and aged.

"FENDI FYW3" Fashion Photography 48" x 48" in Edition of 4 by Giuliano Bekor Grenades series Title of artwork: FENDI FYW3 Year: 2023 Medium: Photography Print size: 48x48 Inches tr...

"Emulsion 27" Abstract Photography 48'x48' inch Edition of 10 by Giuliano Bekor Emulsion series. Title of artwork: EM27 Year: 2010 Print size: 48x48 Inches trim bleed Rarity: Limite...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

"With Love From" Photography 39" x 31" in Edition of 7 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x...

Neil Folberg (b. 1950) Travels with Van Gogh and the Impressionists, Lin Arison and Neil Folberg Pigment print on rag paper Ultrachrome K3 inks on Crane Museo Silver Rag archival fin...

"Presence" Photography 29.5" x 24" in Edition of 15 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 31...

"Legs in Red" Photography 29.5" x 24" in Edition of 15 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x...

"Expectation" Photography 49" x 39" in Edition of 3 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 31...

"Berlin" Photography 39" x 31" in Edition of 7 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 31" in ...

Friends is a black and white vintage photo, realized in 1970s. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments, places, famili...

Pool In Sotogrande Bathers round a pool in Sotogrande, Spain, August 1975. Gorgeous print measuring 60x40" inches / 152 x 101 cm paper size. Estate Stamped Collection Edition to...

Street Champion by Earlie Hudnall is a black and white gelatin silver photograph depicting a group of children posing in front of a house. A man watches from the porch as the childre...

MILES ALDRIDGE (*1964, Great Britain) A Family Portrait #1 2011 Chromogenic print Image 67.5 x 101.5 cm (26 5/8 x 40 in.) Sheet 77.5 x 111.5 cm (30 1/2 x 43 7/8 in.) Edition of 10, ...

"Men 2" Black & White Photography 31" x 31" inch Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube....

"Intermixture 2" Black & White Photography 31" x 31" in Ed 2/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tub...

"Pygmalion and Galatea 3" Photography 24" x 24" in Ed. of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

This digital print is part of a limited edition set. Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this skill over time, meticulously pouring over all things photographic, technical and creative alike, with unstoppable enthusiasm. Steve’s passion for taking photographs was ignited early on, during a study-abroad trip to Paris, where he immersed himself in all things art historical. Diligence, a strong trait Schlackman is known for, paid off, and after daily meanderings at the Louvre, a great love for art emerged along with hundreds of photographs. These pictures proved to be early tributes to the urban landscape, and although they didn’t amount to full-on series, a seed was planted. The omnipresent tension between the poor neighborhoods of the Cuban capital, as a result of political dictatorship, and the rich Afro-Cuban cultural roots of their inhabitants, whose wealth is represented by their music and feelings, is physically visible in Steve’s use of high contrast, a metaphoric touch on the subject of the light and darkness of the Afro-Cuban heritage. Although intentionally apolitical, the pictures speak volumes about the Cuban status quo and, appropriately, the eternal joy of living despite socio-political hardship. Play, in and of itself a mode to survive the harsh reality, represents another subject Steve is keen on capturing. Whether it is adults playing dominoes...

"Inside" Black & White Photography 47" x 47" in Ed of 25 by Yevgeniy Repiashenko Photography Year photo was taken: 2016 Works are hand signed and numbered by the artist on verso ...

"No title No 58" Ballet Photography 26 x 32 in Ed of 25 by Yevgeniy Repiashenko No title (No 58) by Yevgeniy Repiashenko Year photo was taken: 2020 Limited Edition of 25 Picture si...

"Arabesque (No42)" Photography 47 x 47 in Ed. of 15 by Yevgeniy Repiashenko Photography Year photo was taken: 2018 Unframed - ships in a tube This picture is a part of Spirit s...

"Surface" Black & White Photography 32 x 47 in Ed. of 15 by Yevgeniy Repiashenko Year photo was taken: 2013 Unframed - ships in a tube This is an archival pigment print on photo p...

Palm Trees on Wilcox (Stranger than Paradise) - 1999 78x76cm, Edition of 100. Archival C-Print based on the original Polaroid. Mounted under matte Plexiglass. Artist inventory number: 398. Signed on back and Certificate. Stefanie Schneider – Palm Trees on Wilcox...

MISS ERIS #29 [From the series Les Foxy Femmes de Carmen De Vos] Published in Carmen De Vos's new book 'The Eyes of the Fox' and on the cover of her TicKL Magazine, 2008. 80x80cm...

"Woven" (FRAMED) Figurative Photography 20" x 16" in Ed. 1/15 by Aaron Mcpolin Size framed: 22" x 18" inch Medium: Archival Giclee Print "A Tender Dissolution" series: Shibari is t...

Ormond Gigli Lovers 3 Gelatin Silver Print Printed by the artist 17.5" x 20.5" Unique: $2500 Provenance: Printed by the artist, from the artist's studio Signature: Signed en verso A...

Work comes with a Certificate of Provenance issued by Christie’s. Framing done in black wood frame with optium plexiglass with photograph floating in the center, frame measurements ...

'Pool At El Cuarton' Bathers at a pool in El Cuarton, Costa de la Luz, Spain, August 1971. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 150 P...

'Porto Ercole' Private boats in Porto Ercole, Tuscany, August 1980. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons ...

This is a 3-D motion lenticular - its moves when you walk past it and it is incredibly 3-D there are little lenses on the face that create this effect. It is professionally framed a...