Horizontal Abstract Prints

Lithograph on Guarro vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: Published by Galerie Börjeson, Malmö; printed by La Polígrafa, Barcelona, 19...

large format Panorama photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to th...

Screenprint in colours on wove paper Edition 55 of 100 81.3 x 135.3 cm (32 x 53.2 in) Signed and numbered on the front Mint Published by Pace Prints

Robert Natkin Intimate Lighting, 1974 Silkscreen on Arches paper 27 × 38 inches Pencil signed, dated and numbered from the limited edition of 150 on the front Published by Chromacomp...

The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) "The New Cable," 1931 12 x 16 1/2 inches Color linocut Signed, titled, inscribed 'Second State', and numbered 13/60 in pencil Framed: 19 x 24 inches Literature: Coppel Sa17 Illustrated on page 10 of the catalog The proposed edition of the first state of the Giant Cable was 50, but only 30 impressions were pulled. Andrews removed the blue background for the second state, which was published under the title The New Cable in an edition of 60. BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass (1896-1970). After emigrating to Canada she taught art continuously until a month before her death. She was elected a member of the Canadian Painters - Etchers Society (after 1976 the Print and Drawing Council of Canada) in 1951. She began exhibiting her work in 1921.In 1929 she was included in "The First Exhibition of British Linocuts...

Larry Rivers At The Dwan Gallery: Rivers Small Recent Work (Hand Signed), 1965 Silkscreen on wove paper Hand signed and dated "Rivers, 1965" in graphite pencil lower right front Fram...

Artist: Carmen Cicero, American (1926 - ) Title: Untitled 2 Year: 1970 Medium: Silkscreen, signed and numbered in pencil Edition: AP Image Size: 18 x 20 inches Size: 22.5 x 24 in. (5...

"Carlos Garcia De La Nuez (Cuba, 1959) 'Mis dos casas', (My Two Houses) 2006 silkscreen on paper 19.7 x 23.7 in. (50 x 60 cm.) Edition of 99 ID: GAR1649-005-104" ____________________________________________ "Carlos García de la Nuez. Born in Havana, Cuba, 1959. Lives and works in Mexico City, Mexico. He is a member of the renowned 1980s generation of Cuban artists, whose works differentiated from other contemporaries, noticeably in their intentional distancing from political criticism as a form of expression. This generation was interested in establishing and legitimizing new values of art for art’s sake, gathering inspiration from art movements happening outside of Cuba. Born in Havana, Cuba in 1959, the artist’s paintings explore abstraction and semiotics through the use of color, texture and scale. García de la Nuez participated in the historic 1982 exhibition titled 4x4 with colleagues Gustavo Acosta...

Joan Miró "M.1067" from Maravillas con variaciones acrósticas Original lithograph in colors on Vélin de Rives paper Hand signed by the artist and numbered III/XV from an edition of f...

Lithographie originale en 8 couleurs, édition en 99 exemplaires sur papier Arches, 26 épreuves sur papier Japon et 25 épreuves d'artistes. Epreuve signée et datée 98, numérotée 28/99...

Cama Roja original engraving painting. paper Arches, 63x90 cm. ed. Galerie Maeght, Barcelona. IMpr. J. Barnara, Barcelona Catalogue razonne 1973-1978 pag 186 TÀPIES PUIG, Antoni (B...

This full-sheet, no-fold printer’s proof lithograph by Saul Steinberg comes from the 2011 publication All Except You, issued by Galerie Lelong, Paris, France. Originally created as t...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Pommes (Apples), from the album Georges Braque, Le Solitaire (The Solitary), originates from the 1959 e...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Trois panneaux (noir) (Three Panels [Black]), originates from the historic 1964 folio Derriere le Miroir, No. 149. Pu...

Signed and dated "55" in pencil. Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abst...

Artist: Alexander Calder (after) (American, 1898-1976) Title: Skybird, Flying Colors for Braniff Airlines Year: 1974 Medium: Lithograph, signed in the plate Size: 20 in. x 26 in. (50...

Jean Marie Haessle, French-American (1939-) Serigraph silkscreen Hand signed in pencil and numbered Elana's Dream (red background) 1980 Jean Marie Haessle was born in 1939 in Alsa...

This exquisite linocut after Pablo Picasso (1881–1973) titled Femme au Collier (Woman with Necklace), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo (Linoleum...

Ed Ruscha (b. 1937) Grey Suds, 1971 (from the series 'Suds Suite') Screenprint in colors on Arches paper Edition 34/100 (there were also 15 artist's proofs) Signed, numbered, and dat...

Abstract composition is a colored etching realized by Hsiao Chin in 1977. The artwork is hand-signed and dated in pencil on the lower right. Numbered on the lower left.  Edition of...

Lithograph realized by Costantino Persiani in 1971. Limited Edition of 120. Excellent condition.

Lithograph, 1984 Handsigned by the artist in pencil and numbered 108/125 Publisher : Graphos Verlag A.G. Printer : Silium (Paris) Catalog : Benavides 986 61.00 cm. x 78.00 cm. 24.02...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: Briggs Edward Solomon's artwork is known for its balance and juxtaposi...

Ray Smith (United States, 1959) 'La Espera', 2020 Silkscreen on paper. Edition of 50 11.7 x 17.8 in. (29.5 x 45 cm.) Ref: SMI-101 Ray Smith (American, b.1959) Born in Brownsville, T...

Artist: Italo Valenti, Italian (1912 - 1995) Title: Untitled (Verde) Year: 1972 Medium: Screenprint, signed and numbered in pencil Edition: 150 Size: 27 x 29.5 inches

White Finger Ball  is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Unsigned, and not numbered, this...

Villa Nueve by Conrad Marca-Relli, American (1913–2000) Date: 1982 Lithograph on Somerset, signed and numbered in pencil Edition of 250 Size: 22 in. x 27 in. (55.88 cm x 68.58 cm)

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Antoni Tapies, Spanish (1923 - 2012) - Invitation, Medium: Lithograph, signed in the plate, Size: 9 x 17 in. (22.86 x 43.18 cm), Frame Size: 16.25 x 24.25 inches, Description: An...

A very good impression of this color lithograph on Waterleaf white wove paper. One of 25 Roman numeral impressions, aside from the Arabic numeral edition of 100. Signed and numbered ...

Judy Pfaff Wufu Wu (The Five Chinese Blessings), 1995 Signed, dated, numbered and titled in graphite pencil on the front Edition of 120 (unnumbered) Original etching on Japanese Kozo...

large format photograph of sun reflections on a coral reef water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to th...

Lawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition. Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed. An impression of this work is included in the permanent collection of the Syracuse University Art Museum. ABOUT THE ARTIST Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe. Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston. In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press: “The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.” The other speakers were Karl Knaths...

Tracey Emin I Could Feel You, 2015 Archival quality giclée print on Purcell Ultrasmooth Fine Art Paper 300 GSM 9 1/2 × 12 inches Plate signed Unframed Rare archival quality, giclée reproduction of Tracey Emin's original gouache I Could Feel You, which is in the permanent modern art collection of the Tate. This was printed back in 2015 in an undisclosed limited edition, and is now long sold out. More details about the original 2014 work are on the Tate Gallery's website as follows: Emin, whose work is often candidly autobiographical, scrutinises her relationship with her own body, using drawing...

Artist Name: Gene Davis Title: Carousel Year: 1980 Medium Type: Lithograph Size-Width Size-Height: 17" x 23" Signed Edition Size: Signed in pencil, and marked 172/250 Known for ...

Arman Boom Boom (unique variation from New York International Portfolio), 1965 Screenprint with pencil additions. Pencil signed and numbered 12/225 on the front Published by Chiron ...

Shusaku Arakawa Double Point Blank, 1979 Lithograph on paper with deckled edges Hand signed, numbered 13/45 and titled with publisher's and printer's blind stamp on lower front and p...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

This exquisite linocut after Pablo Picasso (1881–1973) titled Faunes et Chevre (Fauns and Goat), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo (Linoleum Engravings). Published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, and printed by Verlag Gerd Hatje, Stuttgart, this important album presents a collection of Picasso’s masterful linocuts, executed during the artist’s mature period. These works demonstrate his inventive approach to form, texture, and contrast, showcasing his technical brilliance and playful spirit in this demanding printmaking medium. Executed on velin paper, this linocut measures Paper Size 12.5 x 14.5 inches; image size 10.5 x 12.75 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. This edition preserves the clarity, depth, and tonal richness of Picasso’s original linocuts, reaffirming his mastery of line and composition. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Faunes et Chevre (Fauns and Goat), from Pablo Picasso, Grabados al linoleo (Linoleum Engravings), 1962 Medium: Linocut on velin paper Dimensions: Paper Size 12.5 x 14.5 inches; image size 10.5 x 12.75 inches Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris Printer: Verlag Gerd Hatje, Stuttgart Catalogue Raisonne Reference: Orozco, M. (2018). Picasso. 70 Years of Book Illustration Catalogue Raisonne. Picasso. 70 Years of Book Illustration, Illustration 214. Condition: Well preserved, consistent with age and medium Provenance: From the 1962 album Pablo Picasso, Grabados al linoleo (Linoleum Engravings), published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris Notes: Excerpted from the album (translated from Spanish), This limited edition of the album "Pablo Picasso, engraved in linocut", appeared for release in February 1963, consists of DXX numbered examples from I to DXX. The publisher thanks the Galerie Louise Leiris, of Paris, for the transfer of the originals for printing. (c) 1962 by Verlag Hatje, Stuttgart. Reproduction rights reserved by S.P.A.D.E.M., Paris, and Cosmopress Geneva. No. Registration B. 885. - 1962; Legal deposit B. 29.632. - 1962. Typography printed by the Sociedad Alianza de Artes Graficas (S.A.D.A.G.), Rosellon, 298-300, Barcelona. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Málaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musée Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso linocut, Picasso Faunes...

Pierre Clerk Black and White - 1973 Print - Silkscreen on Somerset paper 32'' x 36'' Edition: Signed in pencil and marked 27/100 image size: 28" x 32" i...

JUNE WAYNE (1918 - 2011) THE TUNNEL II, 1951 (B.69; G.14; Conway 67) Lithograph, signed, numbered, dated July 1951 and titled incorrectly The Target. Edition 35. 15 3/4 x 19 3/4 inc...

Patrick Heron was a painter, textile designer and writer on art. He was born in January 1920 in Leeds, the son of T.M. Heron, founder of Cresta Silks and a Christian sociologist. ...

Artist: Joan Miro Title: Joan Miro Medium: Lithograph in colors Date: 1974 Edition: Unnumbered Frame Size: 15 1/8" x 22 3/4" Sheet Size: 7 7/8" x 15 1/2" Signature: Signed in the pla...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

Relief print from letterpress plate on Italian mould-made Revere paper Edition 16 of 40 38 x 50.8 cm (15 x 20 in) Signed and numbered on the front Artwork in excellent condition....

Juan Genovés Eclipse. 2003 Silkscreen on Montval paper with atelier dry stamp Signed in felt pen and dated 2003 Numbered 7/75 70,5 x 96 cm Appears in the artist's digital catalogue.

Theodore Waddell Osage Sheep State II Year: 1994 Color Lithograph Edition: 30 Papers: Arches Cover, Black Paper Size: 22.5 x 30 inches Image Size: Same Signed and numbered by hand CO...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Artist: Paula Scher Title: U.S.A. Airline Routes Year: 2020 Medium: Digital pigment print in colors on wove paper Sheet: 43 3/4 × 60 in (111.1 × 152.4 cm) Edition: 90; signed, number...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Roberto Matta, Chilean (1911 - 2002) - L'eau est Mana, Year: 1974, Medium: Lithograph on Arches Paper, signed and numbered in pencil, Edition: 50/200, Image Size: 21.5 x 30 inche...

Victor VASARELY Zebra on a Rainbow (Op Art), 1984 Original lithograph Signed in pencil Numbered /75 On Arches vellum 61 x 78 cm (c.24 x 31 in) REFRENCE : Catalog raisonne Vasarely ...

This original exhibition invitation for Matthias Bitzer: Sequences From A Volatile Now at Almine Rech Gallery, London, held from April 17 to May 19, 2018, is a beautifully designed c...

Artist: Judy Pfaff, American (1946 - ) Title: When the Moon is Full Year: 2002 Medium: Photo-etching, signed, titled and numbered in pencil Edition: 26/30 Image Size: 22 x 87 inches ...

This is an exclusive handprinted limited edition cyanotype. This beautiful triptych is called "French Riviera Cove" and it shows the water reflection of one of the most iconic coves ...

GREENFIELDS is an original handmade limited edition lithograph from the Sacred Garden Series of works by the British artist David Leverett, printed using hand lithography techniques ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Reve au cirque (Dream at the Circus), from the album XXe Siecle, Nouvelle serie, XXVIIIe Annee N°26, Mai 1966, originate...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Fleurs rouges (Red Flowers), from the album Georges Braque, Le Solitaire (The Solitary), originates fro...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

Niki de Saint Phalle Last Night I Had a Dream, 1968 Silkscreen on colored paper Signed and numbered 67/75 in graphite pencil on the front Frame included It is elegantly floated and f...