Horizontal Abstract Prints

A very good impression of this early color offset lithograph. Signed in pencil by Lichtenstein. Printed by Colorcraft, New York. Published by Leo Castelli Gallery, New York. Catalo...

Archival pigment ink print on archival paper, Edition of 20 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Scienc...

Frank Stella (American, 1936-2024) 'Union Pacific' (from the Aluminum Series), 1970 Lithograph and screenprint in metallic silver on Special Arjomari paper Edition 33/75 (there were ...

Sun Curtain by Richard Smith, 1971 Additional information: Medium: lithograph on two sheets 64 x 92 cm 25 1/4 x 36 1/4 in signed and dated in the plate Charles Richard "Dick" Smith was an English printmaker and painter. Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters. In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent. In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal. Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery. After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry. By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...

Brice Marden Lana 2 1966 Screenprint on paper 20 x 24 inches; 51 x 61 cm Edition of 11 Signed, titled, and numbered in graphite (lower recto) This silkscreen was printed by Brice...

Artist: Lennart Nyström, Swedish (1944 - ) Title: One Sheet (Green) Year: circa 1975 Medium: Screenprint, signed and numbered in pencil Edition: 70/95 Size: ...

Stanley WIlliam (Bill) Hayter Meduse, 1958 High Viscosity Etching & Engraving Pencil signed, titled and numbered from the edition of 50 (10/50) on th...

Artist: Jasha Green, American (1923 - 2006) Title: Untitled 6 Year: circa 1979 Medium: Lithograph, signed and numbered in pencil Edition: 250 Size: 22 x 30 in. (55.88 x 76.2 cm)

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Lithograph realized by Giulio Marelli in 1970 ca. Edition of 150 in arab numbers and XXV in roman numbers. Hand signed and numbered in pencil. Very g...

Mesmerizing large scale photograph from the artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seasca...

This is a rare print, #46 in an edition of 96 that Gwendolyn (Gwen) Knight created while visiting Philadelphia's Brandywine Workshop with her late husband, the artist Jacob Lawrence. It is signed, titled, and dated along the lower edge. The print itself measures 22" x 30" and is professionally framed in a contemporary dark wood frame with muted green and gold double mats under UV protective glass. Framed measurements are 29.5" x 38". This print can also be found in the permanent collections of: - Washington State Arts Commission - Telfair Museums - David Driskell Center, University of Maryland - Seattle Art Museum and many private collectors. Gwendolyn Knight was born in Barbados in 1913. When she was seven, her widowed mother entrusted her to close friends who brought her with them to the United States. In 1926, Knight moved with her foster family from their first home in St. Louis to Harlem, where her developing interest in the arts flowered in the creative atmosphere of the Harlem Renaissance. In Harlem, Knight became a daily participant in the workshop of sculptor Augusta Savage, in whom Knight found a mentor, and Savage's studio became a second home. Through Savage, Knight first came into contact with Claude McKay...

Artist : Romare Bearden Title; Bopping at Birdland (stomp time) Year: 1979 Size: 33 ¼ x 24 inches Lithograph on Arches Paper Edition; Signed in pencil and marked 114/175 (Gelburd/Ros...

Elizabeth Catlett - THERE IS A WOMAN IN EVERY COLOR Rare vintage fine art lithograph poster reproduced after Catlett's original 1975 woodcut print entitled THERE IS A WOMAN IN EVERY...

Peter Stroud, British (1921 - 2012) - The Clifford Suite, Year: 1973, Medium: Screenprint, signed, dated and numbered in pencil, Edition: 44/45, Image Size: 27 x 36.25 inches, Size: ...

Grosse Prostituée, Sorcière à la Chouette et Voyageur en Sabots ( Ref: Bloch 1760) etching on wove paper, Edited in 1968 Limited edition of 50 copies Current copy numbered: 37/50 on...

Lithograph on vélin paper. Paper Size: 15 x 33 inches, with bifold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, ...

Untitled print by Hans Hofmann. Framed in a light wood frame with a front profile of 1/2 inch and a side profile of 1 3/4 inch. The piece is seated behind a 3 1/2 inch mat. Shipping...

WITH MY BIRD is a rarely seen original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival printmaking paper, 100% acid f...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and d...

Etching Edition of 60 58 x 71 cm (22.8 x 28 in) Signed, numbered and dated Condition Upon Request

A Op Art abstract color screenprint, "Planetary Folklore" 1968, by Victor Vasarely (1906-1997). This very striking work by Vasarely is comprised of various colorful geometric shapes, the work is signed lower right "Vasarely" and numbered lower left "2/250. This is an early and crisp impression in excellent condition and housed under glass in a gilt & silvered hardwood frame. This very eye-catching work by one of the 20th century's leading Op artists is ready to hang on your wall. 14" x 14.50" at sight without frame Numered 2/250 A Franco-Hungarian painter, Victor Vasarely (1906-1997) first studied medicine before turning to art. In Budapest, he frequented artists from the Hungarian Bauhaus...

Screenprint in colours on wove paper Edition 55 of 100 81.3 x 135.3 cm (32 x 53.2 in) Signed and numbered on the front Mint Published by Pace Prints

Tracey Emin I Love You/I Love Your Soul/I Love Your Smile, ca. 2010 100% Cotton Beach Towel 60 × 70 inches (folded it's 25 x 30 inches) Signed in plate, authorized printed...

Damien Hirst, The Currency The Currency 1109. tears off my skin, 2016 (With original HENI Frame) Enamel paint, handmade paper, watermark, microdot, hologram, pencil 20 x 30 cm Ha...

James Rosenquist (1933-2017) Star Proctor, 1978 Etching and aquatint in colors with embossment and hand embellishment on Pescia Italia paper Edition 11/78 Signed, numbered, dated, and titled in pencil along lower edge Published by Multiples Inc., New York Printed by Flatstone Studio, Tampa, Florida Framed Dimensions 31in H X 48in L LITERATURE: Glenn, 130 Rosenquist's work is included in major public and private institutions, and has been featured in solo exhibitions at the Solomon R. Guggenheim Museum, Museum of Modern Art, Walker Art Center, Whitney Museum of American Art, Guggenheim Museum Bilbao, The Menil Collection...

Lithograph, 1953 Handsigned by the artist in pencil and numbered 27/100 Printer : Jean Pons (Paris) LCD5351

"La Comedie Humaine VIII" Lithograph in Color on Thick Wove Paper After The Original. The plates executed under the direct supervision of Pablo Picasso. First edition, 1954. Printed ...

Lithograph on vélin d’Arches paper. Inscription: Signed in the plate, embossed with the official Braniff Flying Colors Collection seal, and unnumbered, as issued. Good condition. Not...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the modern mid-century minimalism style. It's made by layering paper cutouts and different exposures...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

ONCE I WAS THE SUN is a limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival printmaking paper, 100% acid free. ONCE I WAS...

Hand-signed and numbered in pencil, 14/30. Engraved at Marcoussus' studio and printed by Lacouriere, Paris. Co-published by Pierre Loeb, Paris and Pierre Matisse, New York. Literatu...

Artist: Beatriz Milhazes Title: Pink Sunshine Year: 2021 Medium: Lithograph on Fabriano Disegno 5 paper Sheet: 18 3/4 × 23 in (47.6 × 58.42 cm) Edition: 100; signed and numbered in pencil (verso) Condition: Mint. Certificate of Authenticity included Beatriz Milhazes is a Brazilian artist whose brilliant paintings and prints draw from local tradition. Brazilian Baroque...

Saul Steinberg Lithograph c. 1970 from Derrière le miroir: Lithograph in colors; 15 x 22 inches. Very good overall vintage condition; center gold-line as originally issued. ...

This exhibition poster/mailer was created for a 1976 exhibition of Fred Sandback's work held at Brook Alexander, Inc. and The John Weber Gallery. The piece serves as both an advertis...

1975 Color Lithograph by Alexander Calder from Our Unfinished Revolution portfolio One of 250 copies, with the printed signature and date on offset paper. This is not pencil signed ...

Maravillas con Variaciones Acrosticas is an Original Mixed colored lithograph on Guarro Paper, realized in 1975 by Joan Mirò (1893-1983) Good conditions. Joan Miró (20 April 1893 ...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Robert Rahway Zakanitch (American b. 1935), Les Delices de Fragonard 1988 Hand signed and numbered from edition of 45 Dimensions: 36.5 X 48 This vibrant work features floral patter...

Artist: Joan Miro Title: Joan Miro Medium: Lithograph in colors Date: 1974 Edition: Unnumbered Frame Size: 15 1/8" x 22 3/4" Sheet Size: 7 7/8" x 15 1/2" Signature: Signed in the pla...

Niki de Saint Phalle Last Night I Had a Dream, 1968 Silkscreen on colored paper Signed and numbered 67/75 in graphite pencil on the front Frame included It is elegantly floated and f...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower ma...

Artist: Gene Davis Title: Zebra Portfolio: Series II Medium: Screenprint on canvas laminated to board Date: 1969 Edition: 110/150 Frame Size: 30 1/2" x 36 1/2" Sheet Size: 24" x 30 1...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Artist: Donald Judd Title: Untitled (S. 116) Year: 1977-78 Medium: Etching on wove paper Sheet: 30 x 35 in. (76.2 x 88.9 cm.) Edition: 75 plus proofs; signed, numbered and dated in p...

Joan Miro was a Spanish Surrealist artist, world-renowned for his unique art style that blended surrealist fantasy and modern life. This lithograph is part of the series "Lithographs...

Artist: Joan Miro Title: Plate VIII Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 26" Sheet Size: 12 1/2" x 20" Image Size: 12 1/2"...

Walasse Ting 丁雄泉 Abstract Expressionist Flower, 1969 Color lithograph with publisher's blindstamp Pencil signed, dated, and numbered IV/XV by Walasse Ting on the front 23 × 30 inche...

This artwork "Untitled #1" 1970 is an original silkscreen on Wove paper by noted British artist Ian Tyson, born 1933. It is hand signed, dated and numbered 60/75 in pencil by the art...

"The Waiting" - 1977 Surrealist Lithograph on Paper Surrealist lithograph titled "The Waiting" by Jim Crabb (American, b. 1947-). Black and white surrealist figures take up the pape...

Unknown/ Unidentified Artist, "Lobster" Edition 20/100, Abstract Animal Lithograph numbered and signed in Pencil, 16 x 22, Late 20th Century Colors: Red, Orange, Green, Yellow

Image dimensions: 26.8 x 32.3 cm. Donne Dannate is a beautiful original colored serigraph on paper, realized by the Italian artist and one of the pioneer of the Abstract art, Mario ...

Robert Savoie, Canadian (1939 - ) - Movement, Year: 1978, Medium: Etching and Aquatint on Arches, signed, dated and numbered in pencil, Edition: 15/50, Image Size: 22 x 27.5 inches, ...

Frank Stella at Leo Castelli (Hand Signed and Dated), 1969 Offset Lithograph Invitation Boldly signed and dated 2014 in black marker; Stella signed this f...

Vintage 1960s Antoni Tàpies Lithograph Portfolio: Derriere Le Miroir. Published by: Galerie Maeght/Aime Maeght, Paris 1967. Lithograph in colors; 1967. 15 x 22 inches. Center fold...

Artist: Robert Motherwell (American, 1915-1991) Title: "Signs on Copper" *Monogram signed and numbered by Motherwell in pencil lower right Year: 1981 Medium: Original Lift-Ground Etc...

This vintage blank notecard, published by te Neues Publishing, features artwork by Jean-Michel Basquiat and is a rare example of his painting titled "Antar." Elegantly framed in a wh...