Horizontal Abstract Prints

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of th...

A superb, richly-inked impression of this early, very scarce lithograph. Signed and dated in pencil, lower right.

This piece titled "Totem I" is an original artwork made from chine colle collage on Somerset paper by Katie VanVliet. This piece is shipped in the pictured white frame and measures 9...

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego IV', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-121 Unframed

Sergio Hernández (Mexico, 1957) 'Lluvia Espesa', 2011 woodcut on paper Velin Arches 300 g. 46.5 x 82.7 in. (118 x 210 cm.) Edition of 10 Unframed

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

“As an artist, I have to relate to humanity’s struggles ... I never separate these situations from my art,” - Ai Weiwei At first glance the intentionally enlarged image shows us, wh...

Liknon Green Joe Tilson, British (1928) Date: 1989 Screenprint, signed and numbered in pencil Edition of AP 2/5 Size: 39 in. x 40 in. (99.06 cm x 101.6 cm)

Miró Lithographe I - Plate IX is an original artwork realized by Joan Miró in 1972. Lithograph on paper; the hallmark of Graphis Arte, Livorno is on the back. Perfect conditions. This beautiful abstract print comes from the set of...

Lithograph, 1953 Handsigned by the artist in pencil and numbered 27/100 Printer : Jean Pons (Paris) LCD5351

Victor Guadalajara (Mexico, 1965) 'Nave', 2005 engraving on paper Velin Arches 300 g. 22.9 x 30.8 in. (58 x 78 cm.) Edition of 99 ID: GUA-105 Unframed

Abstract Composition is an original lithograph realized by Nelia Licenziato in 1980. Hand-signed and dated on the lower right. Artist's proof. The state of preservation of the art...

This contemporary abstract limited edition print by Teodora Guererra features a cool, neutral grey palette of blue, grey, and white, with subtle warm accents integrated in layers. T...

Arcadia is a salmon-colored and emerald abstract print. The undulating terrain of free-flowing lines meet in the center of the composition, luminous white horizon line. Aspinwall wor...

Red composition is an original contemporary artwork realized by Otto Hofmann in 1989. Mixed colored screen print. Hand signed on the lower right margin....

Jayson Lilley Only Living Boy Limited Edition Print Edition of 21 Image Size: H 46cm x W 138cm Signed Sold Unframed Please note that insitu images are purely an indication of how a p...

This abstract landscape limited edition print by Elwood Howell features a vibrant blue palette. Light green and violet accents contrast with the bright blue landscape, which creates ...

Abstract composition is a colored screen print on paper, realized in the 1970s by the Italian artist Wladimiro Tulli. Hand-signed on the lower right. Numbered. Edition, 54/100. A b...

Number 84 in an edition of 100 prints. Signed. Robert Gordy was an iconic New Orleans painter. He was part of the "Art and Decoration" movement that also ...

Abstract Composition is an original Lithograph realized by Simone Gentile in the 1980s. Hand-signed. Numbered. Edition, 75/90. The artwork is depicted through confident strokes in...

The artwork will be sent unframed Linocut and monotype print technique Art print from 4 matrices Limited edition, print unique number 1/6 Paper Fabriano Rosaspina 220 g Paper size 1...

Para el Caro Mario is an original screen print realized by Aguero Torres Leopoldo in 1973. Very good condition on a white cardboard. Hand signed with pencil by the artist on the lo...

A very good impression of this color etching with pochoir and paint applied with a tire on Pescia Italia paper. Signed, titled, dated and numbered 72/78 in pencil by Rosenquist. Prin...

Colorful and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-201...

An abstract, black and white lithograph contained in an interesting shape enclosed by clean negative space. Signed L. Siekman, titled Jupiter Four and numbered 9/10. It is part of a ...

Artist: Kenny Scharf Title: Paradis Perdu Medium: Archival pigment inks with high glass varnish and diamond dust on Innova Etching cotton rag 315 gsm fine art paper Date: 2022 Editio...

ABOUT THIS ARTIST: Nicole Yates is a painter and digital designer from Portland, Oregon. She believes art enriches living spaces through an aesthetic drawn from the natural and digital worlds. At home and in the office, Nicole is inspired by the colors that surround us-the architecture, outdoors, travel, food and wine...

Screenprint in colours on Verin d'Arches paper Edition of 150 + AP15 + PP4 28.2 x 37.5 cm (11.1 x 14.8 in) (Frame 40 x 46 x 3.5 cm / 15.8 x 18.1 x 1.4 in) Signed, numbered, dated an...

Artist: Helen Frankenthaler (American, 1928-2011) Title: "Altitudes" *Signed, dated, and numbered by Frankenthaler in pencil lower right Year: 1978 Medium: Original Lithograph on light yellow-pink J.B. Green Hayle Mill Bodleian handmade paper Limited edition: 29/42 Printer: Bill Goldston and John A. Lund of Universal Limited Art Editions, West Islip, NY Publisher: Universal Limited Art Editions, West Islip, NY Reference: "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison No. 72, page 264, 268-270; "ULAE" - Sparks No. 33, page 88, 323; Clark No. 67; Williams No. 67 Sheet size (irregular margins): 22.25" x 30.88" Condition: Remnants of previous mounting tape on verso. In excellent condition with strong colors Very rare Notes: Provenance: private collection - New York, NY; private collection - notable fashion illustrator Jay Hyde, Crawford, New York, NY; acquired from an art gallery in New York, NY; likely acquired directly from the publisher Universal Limited Art Editions, West Islip, NY. Lithograph drawn with tusche wash. Printed in two colors from two stones: red and green. Universal Limited Art Editions chop mark/blind stamp lower right. "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison - "Frankenthaler carefully chose a European handmade paper that would add another color and texture to the print" ... "By contrast, in "Altitudes", the artist created a bleed image so that the sheet of paper is smaller than the stone's image and the large red tusche wash sweeps across the surface of the yellow-pink J.B. Green Hayle Mill Bodleian paper, becoming warmed and enhanced by its color and texture." "Universal Limited Art Editions - A History and Catalogue: The First Twenty-Five Years" - Sparks - "In "Bronze Smoke" (cat. no. 32), "Altitudes" (cat. no. 33), and "Door" (cat. no. 34), minimal compositions were replaced by fields of drifting, multilayered color, as rich and satisfying as her work on a much grander scale." Biography: Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting...

Early fascinations with photography and science have inspired Don Dudenbostel throughout his extensive career. As a young student interested in Science, Dudenbostel was always trying...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Champ de Tournesols is an original hand drawn lithograph by the French artist Georges Lambert printed in Paris France during the 1970's using traditional hand lithography techniques ...

Title: Entre deux Villes. Year: 1955. Lithograph. Edition: 129/150 65 x 50 cm Signature lower in pencil. Ll'Ouvree gravee dry stamp lower left. At the b...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop...

Composition VI is a beautiful color lithograph on paper, realized in 1974 by Joan Miro for the second volume of his catalog ”Mirò Lithographe III. This...

Lauren Steinert A Seat at the Table Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2021 Size: 22 x 30 inches Edition: 5 Unique within the edition Signed by hand COA provided Ref.: 924802-1029 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C. Steinert received a Master of Fine Art in Printmaking from the University of Arizona. She received her Bachelor of Science and Arts from the University of Wisconsin-Madison in Printmaking and Glass-working along with Bachelor degrees in Environmental Science and German. She worked as the Printmaking Technician as well as the Relief Printmaking Instructor for the University of Arizona throughout her time as a graduate student. Steinert is currently the Printmaking Instructor for Pima Community College, a Glassblowing Instructor/Assistant at the Sonoran Glass School, and she works as an Artist Assistant. I believe objects hold memory more distinctly than people do. Spending immersive time with different objects around my home, studio, and the communal spaces I occupy, I attempt to visually translate the stories people...

lithograph, edition of 80 24 7/8 x 31 3/4 inches

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Signed, dated, and numbered in white pencil Color lithograph on Rives BFK paper 19 x 25.5 inches Edition 62 of 200

Saul Steinberg Annuit Coeptis (with Abraham Lincoln, from The New York International Portfolio), 1966 Pencil signed and numbered on the front from the edition of 225 Unframed This Steinberg lithograph is titled Annuit Coeptis, which is one of the mottoes found on the Great Seal of the United States...

MARIANNA STUHR Graduated from Faculty of Graphic Art at Academy of Fine Arts in Cracow as well as doctoral studies at Academy of Fine Arts in Warsaw. For a few years, she works in fi...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

This abstract landscape limited edition print by Elwood Howell features the artist's signature high horizon line. Lush, green abstracted land extends the width of the composition, wi...

Anna Ticho (אנה טיכו ) (1894-1980) was a Jewish artist who became famous for her drawings of the Jerusalem hills. Anna Ticho was born in Brno, Moravia, then part of the Austro-Hungar...

Abstract Composition is a Lithograph realized by Joan Mirò (1893-1983) within the suite "Mirò Lithographe". The artwork is from gallery "Toninelli Arte Moderna" in Milan. No signat...

Artist: Nicholas Krushenick Title: Green Machine Year: 1982 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP 30 Image: 24 x 35 inches Paper Size: 26 x 37 inches

Artist: Josef Albers, German (1888 - 1976) Title: In the Water - P1, F2, I1 Year: 1972 Edition size: 1000 Medium: Screenprint on Mohawk Superfine Bristol paper Image Size: 13 x 15 in...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Wayne THIEBAUD Night River, 1998/2011 Hard ground etching with drypoint and aquatint printed in blue and black, ed. 9 of 40 15 x 20 in. (unframed)

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Demons is an original artwork realized by Renzo Bussotti in 1963. Hand-signed and dated in pencil by the artist on the lower right margin; numbered in pencil on the lower left. Edi...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Concrete Love is a framed limited edition contemporary print by iconic Los Angeles-based visual artist and one of LA's original Graffiti artists Karlos Marquez. It features vibrant c...

Max Papart (1911 - 1994) Carborundum and Collage c.1970 Mixed media embossed etching with collage. From a limited edition of 75. Plate dimensions 18.75" wide x 24.5" high. The fr...

Sergio Hernández (Mexico, 1957) 'Cielo Estrellado', 2011 woodcut on paper Velin Arches 300 g. 46.5 x 82.7 in. (118 x 210 cm.) Edition of 10 Unframed

Sergio Hernández (Mexico, 1957) 'Viaje al fondo del mar', 2011 woodcut on paper Velin Arches 300 g. 46.5 x 82.7 in. (118 x 210 cm.) Edition of 10 Unframed

Edition of 50 60.3 x 61 cms (23 3/4 x 24 ins)

Image dimensions: 7 x 10 cm. Abstract Blue Composition is a color etching, drypoint and burin on paper by an artist who signs "Benic". Signed and numbered in Arabic numerals and i...