Horizontal Abstract Prints

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Sun Keyed Year: 1972 Medium: Screenprint (unsigned) Edition: 3000 Image Size: 12 x 14 inches Size: 14 x 18 in. (35.56 x 45....

Joan Miro (Spain, 1893-1983) 'Maravillas con variaciones acrósticas en el jardín de Miró (cobertura para el estuche)', 1975 lithograph on canvas 21.5 x 32.25 x 21 in. (54 x 82 cm.) Edition of 1500 Unframed ID: MIR2001-014 It is documented in Cramer, P (1992). Miró Litographer V (1972-1975). Maeght Éditeur, pp 162-163. No. 1051. Artwork history: At the end of 1971 Rafael Alberti wrote from Rome to Joan Miró in the following terms “(…) I think I have news that you liked my folder...

Agam, Yaacov, (Jacob Gipstein) (Israeli, b. 1928). UNTITLED. Screenprint in colors, not dated. Edition of 165, signed with marker, and numbered 164/165. 18 1/2 x 47 3/4 inches, 470 x...

This artwork titled "Moon Rock" 1970, is an original colors screen print on paper by noted Polish/Israeli artist Mordecai Ardon, 1896-1992. It is hand signed and numbered 10/180 in p...

Ed Ruscha Ed Ruscha, Hand Signed and inscribed to Marvin Davis, former owner of 20th Century Fox, and his wife Barbara, 2000 Hardback illustrated monograph (book) with color plates. ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans Titre (Untitled), originates from the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. This plate pays homage to the artist’s groundbreaking geometric abstraction and his profound influence on postwar modernism. Through precise form and rhythmic structure, Sans Titre captures the musicality and spiritual dynamism that defined Kandinsky’s mature visual language, balancing intuitive movement with mathematical harmony. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, honoring Kandinsky’s legacy in fine art printing. Artwork Details: Artist: After Wassily Kandinsky (1866–1944) Title: Sans Titre (Untitled), from Derriere le Miroir, Nos. 60–61, 1953 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1953 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Wassily Kandinsky (1866–1944) was a Russian-born painter, theorist, and pioneer of abstract art whose revolutionary vision transformed 20th-century modernism. Regarded as one of the first artists to create purely nonobjective paintings, Kandinsky sought to express inner emotion and spirituality through color, rhythm, and form, believing that art could evoke the same universal harmony as music. His groundbreaking theories on abstraction and the “spiritual in art” shaped the foundation of modern aesthetics and influenced generations of artists worldwide. Closely associated with the Bauhaus movement, he developed a dynamic visual language that combined geometry and lyricism, bridging intuition and intellect. Kandinsky’s legacy resonates alongside the innovations of Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, and Man Ray—artists who, like him, redefined the possibilities of modern art. His works are represented in the world’s leading museums, including MoMA, the Guggenheim, the Centre Pompidou, and the Tate, and remain among the most coveted by collectors globally. The highest price ever paid for a Wassily Kandinsky artwork is approximately $45.6 million USD, achieved in 2017 at Christie’s London for Bild mit weissen Linien (Painting with White Lines) (1913). Wassily Kandinsky Sans Titre, Kandinsky Derriere le Miroir, Kandinsky Maeght Editeur Paris, Kandinsky Mourlot Freres, Kandinsky 1953 edition, Kandinsky lithograph...

Willem de Kooning (1904-1997) was one of the torchbearers of post-war American abstraction and one of the most important artists of the 20th century. With a career spanning nearly ...

color lithograph , Edited in 1976 Limited edition , numbered as 20/100 in lower left corner.
 Hand-signed by artist in pencil in the lower right Paper size: 52 x 72 cm Excellent cond...

Joseph Grippi, American (1924 - 2001) - Orange Sunset, Year: circa 1975, Medium: Screenprint Monoprint, signed in pencil, Image Size: 29.25 x 40 inches, Size: 31.5 x 42 in. (80.01 x ...

"Original Lithograph X" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts Miro's signature biomorphic abstract st...

"Original Lithograph VIII" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts M...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. Paper size is 35 inches h x 30 inches w with an image size of 26 inches h x 27 inches w. Born in Mexico City in 1950, Ricardo Mazal moved to Barcelona Spain in 1986, and since 1990 has lived and worked in New York City, as well as Santa Fe New Mexico. Mazal’s work explores the process of visual perception as it takes form in the human consciousness. His paintings depict the passage of time, not by illustrating events but by leaving their residue to dissipate in space like a still photograph of a speeding object blurred to abstraction. In the last decade he has been honored with ten individual museum exhibitions, including a retrospective at the Museo de Arte Moderno in Mexico City and the Museo de Arte Contemporaneo (MARCO) in Monterrey. He has also shown at the Museo Nacional de Anthropologia, Mexico City and the Scottsdale Museum of Contemporary Art. KORA follows the direction begun by La Tumba de La Reina Roja (The tomb of the Red Queen...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. Paper size is 35 inches h x 30 inches w with an image size of 26 inches h x 27 inches w. Born in Mexico City in 1950, Ricardo Mazal moved to Barcelona Spain in 1986, and since 1990 has lived and worked in New York City, as well as Santa Fe New Mexico. Mazal’s work explores the process of visual perception as it takes form in the human consciousness. His paintings depict the passage of time, not by illustrating events but by leaving their residue to dissipate in space like a still photograph of a speeding object blurred to abstraction. In the last decade he has been honored with ten individual museum exhibitions, including a retrospective at the Museo de Arte Moderno in Mexico City and the Museo de Arte Contemporaneo (MARCO) in Monterrey. He has also shown at the Museo Nacional de Anthropologia, Mexico City and the Scottsdale Museum of Contemporary Art. KORA follows the direction begun by La Tumba de La Reina Roja (The tomb of the Red Queen...

Aijiro Wakita, Japanese (1942 - 2006) - Continuation 20, Year: circa 1970, Medium: Screenprint, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 29.75 x 37....

This artwork titled "Curvy Brushstrokes" 1997 is a colors etching with sugar lift aquatint on Somerset textured white paper by renown artist Sol (Solomon) LeWitt, 1928-2007. It is hand signed and numbered 1/15 in pencil by the artist. The image size is 29.90 x 39.90 inches, paper sheet size is 40.5 x 49.80 inches, framed size is 43.75 x 53 inches. Published by Crown Point Press, San Francisco, printed by Dana Sywulak, assisted by Dena Schneleit, Mary Andrews and Case Hudson at Crown Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne, plate #1997.07. Custom framed in a wooden black frame, floated on white backing, with white spacer. It is in excellent condition, the frame has minor very small restorations, practically invisible. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

Etching, 1968 Handsigned by the artist in pencil and numbered 7/50 Publisher : Galerie Louise Leiris, Paris Catalog : [Bl. 1615 ; GB 1631] 56.50 cm. x 64.50 cm. 22.24 in. x 25.39 ...

Bright and bold screen print by Spanish artist Guido Lopez (Spain, 20th century). Titled "Poezia Marina", signed lower right "Guido Lopez', 12/150. Unframed. Image 22.5"H x 25"L, Mat...

Sybil Kleinrock’s work straddles the borders between expressionism and surrealism. Colorful and soft pastels play together to suggest a composition that can be interpreted as both a ...

Screen print on arches paper. From Double Metamorphosis Series. Hand signed and numbered by Yaacov Agam. From the edition of 180. Sheet size 36.25 x 49.75 inches. Image size 29 ...

The Horizontal 'Spots' by Damien Hirst is a multi-color woodcut in his signature palette formed with series unique colors. This exquisite piece is created in a limited edition of onl...

MEL BOCHNER Kick Against the Pricks (Blah..Blah...Blah...), 2018 Two color silkscreen on boutique silk fair paper with blue-colored back, 350 gsm paper Signed, dated, and numbered 29/30 on the front by Mel Bochner Frame included: elegantly framed in a museum quality white wood frame with UV plexiglass is included Measurements: Framed: 12.5 inches x 30 inches x .5 inch Artwork: 10.5 inches x 28 inches Published by Two Palms Press Bibliography Catalogue Raisonné of Editioned Prints Krakow Witkin...

Artist: Arnold Hoffman, Jr., American (1915 - 1991) Title: Triangle Y Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 10/50...

Ross Bleckner FLOATING RED Year: 2019 Medium: Archival pigment print on Innova Etching Cotton Rag 315 gsm fine art paper Size: 42 x 70 inches (107 x 178 cm) Edition: 30 Price: $7,000 Also sold as a set with Floating Red Glowing and contemplative, Ross Bleckner’s work blends abstraction with recognizable symbols to create meditations on perception, transcendence and loss. Ross Bleckner was born in 1949 in New York and grew up in the prosperous town of Hewlett Harbor on Long Island. The first art exhibition he saw—The Responsive Eye, a show of Op art on view at the Museum of Modern Art in New York in 1965—had a strong impact on him. He decided to become an artist when he was in college, studying with Sol LeWitt and Chuck Close at New York University, where he earned a BA in 1971. Two years later, he completed an MFA at the California Institute of the Arts in Valencia, where he met David Salle. After moving back to New York, Bleckner purchased and moved into a Tribeca loft building in 1974. Painter Julian Schnabel rented three floors of the building, and the Mudd Club, a nightclub frequented by musicians and artists, occupied space there from 1977 to 1983. Bleckner sold the building in 2004. His first solo exhibition was held in 1975 at Cunningham Ward Gallery in New York. In 1979 he began his long association with Mary Boone Gallery in New York, which championed several of the so-called art stars of the 1980s. In 1981 Bleckner met Thomas Ammann, an important Swiss art dealer who went on to collect his work. Bleckner’s early 1980s Stripe...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. Paper size is 35 inches h x 30 inches w with an image size of 26...

Dan Christensen, American (1942 - 2007) - Latuka, Year: 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 131/140, Image Size: 20 x 38 inches, Size: 29....

This exquisite lithograph by Alexander Calder (1898–1976), titled Les folles de Sache (The Madwomen of Sache), originates from the historic 1975 folio Derriere le Miroir, No. 212. Pu...

Artist: Joan Miro (1893-1983) Title: Le Lézard Aux Plumes D'or: Plate I (Mourlot 803; Cramer 148) Year: 1971 Edition: H.C.; 195, plus proofs Inscription: Signed and inscribed ‘H.C.’ ...

This Limited-Edition abstract print, "Blueberry Hill," by Sofie Swann is an edition of 95. Printed on 30 x 45 canvas, this giclee ships framed in a whit...

This exquisite silkscreen by Joan Mitchell (1925–1992), titled Untitled, from the album The Poems, originates from the 1960 edition published and printed by Tiber Press, New York, un...

large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle paintings by artist Henri Rousseau Cloud Forest...

Artist: Alexander Calder Title: The Black Line Medium: Lithograph in colors Date: 1967 Edition: 42/60 Sheet Size: 22" x 30" Frame Size: 28" x 36" Signature: Hand signed and numbered ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series E, Variation 1, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published by Martin Fabiani, Editeur, Paris, and printed by Georges Duval, Paris, on February 27, 1943, this edition presents a suite of drawings that encapsulate Matisse’s lifelong pursuit of purity in draftsmanship and composition. Created under the artist’s supervision, each plate demonstrates Matisse’s mastery of contour and simplicity, transforming minimal gestures into harmonies of balance and grace that evoke both strength and serenity. Executed on velin pur fil paper, this lithograph measures 9.62 x 12.88 inches (24.44 x 32.72 cm). It is signed in the plate and unnumbered, as issued, in accordance with the authorized 1943 publication format. Produced during wartime Paris under the direction of publisher Martin Fabiani, this folio embodies Matisse’s commitment to artistic renewal through discipline, sensitivity, and elegance. It remains a landmark in 20th-century printmaking, celebrated for the lyrical clarity and modernity of its graphic vision. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Series E, Variation 1, from Henri Matisse, Dessins, Themes et Variations, 1943 Medium: Lithograph on velin pur fil paper Dimensions: Paper size 9.62 x 12.88 inches (24.44 x 32.72 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1943 Publisher: Martin Fabiani, Editeur, Paris Printer: Georges Duval, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 9 Condition: Well preserved, consistent with age and medium Provenance: From the 1943 folio Henri Matisse, Dessins, Themes et Variations, published by Martin Fabiani, Editeur, Paris Notes: Excerpted from the 1943 folio (translated from French): "Finished printing in Paris, on February 27, 1943, at the expense of Martin Fabiani, publisher, with the help of Roger Lacouriere. Henri Matisse’s 'Themes and Variations' were printed by G. Duval and the preface of Aragon, printed by Fequet et Baudier. Justification of the draw—This folio has been printed in CML examples, all numbered, namely: X examples on Imperial Japan, numbered from I to X, signed by the artist; XX examples on Velin d’Arches, numbered from II to XXX, signed by the artist; and CMXX examples on Velin pur fil, numbered from XXXI to CML." About the Artist: Henri Matisse (1869–1954) was a French painter, draughtsman, sculptor, and printmaker whose bold use of color, fluid line, and decorative brilliance helped define modernism and Fauvism. Born in Le Cateau-Cambresis, Matisse trained at the Academie Julian and later in Paris, where his expressive palette and relaxed compositions challenged conventions of light and form. Alongside his contemporary and friendly rival Pablo Picasso, Matisse reshaped the course of 20th-century art, each artist pushing the other toward greater innovation and emotional depth. Over his career, he worked across a wide array of media—painting, cut-outs, printmaking, sculpture, and interior design—always emphasizing harmony, balance, and visual poetry. His works are in the permanent collections of leading museums globally, including the Musee d'Orsay, MoMA, the Tate, and the Centre Pompidou. The highest price ever paid for a Matisse artwork is approximately $80.75 million USD, achieved in 2018 at Christie's New York for Odalisque Couchee aux Magnolias (1923). Henri Matisse lithograph, Matisse Series E Variation 1, Matisse Dessins Themes et Variations, Matisse 1943...

Roland Ayers (1932-2014). The Emperial Message, 1959. Drypoint Etching on paper, 15 × 17 ¾ inches. Larger in acid free archival matting. No Frame. A/P (no edition, unique examp...

large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations, an homage to the photo realistic ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series C, Variation 3, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published b...

Artist: Salvador Dali Title: Sports Medium: Lithograph in colors on Arches paper Year: 1973 Edition: XXXV/CI Sheet Size: 18 7/8" x 23 7/8" Image Size: 16" x 19" Signature: Hand signe...

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. Print A "Certificate of Authenticity" issued by the artist is included. We are the...

Large format abstract photograph diptych of mesmerizing water surface and ephemeral abstract ripple patterns from a series of photographic works capturing the monochromatic oceanic b...

Woodcut in colours on Somerset White paper Edition of 48 Signed on the front Artwork in mint condition. Artwork not inspected outside of frame. Minor scratches throughout frame Float...

The Spanish Modern and Surrealist artist Joan Miro was one of the great masters of the 20th century. His bold linework and childlike technique set him apart from his contemporaries a...

Howard Hodgkin (1932-2017), one of Britain’s greatest contemporary artists became best known for his vibrantly colored paintings that chronicle his personal experiences. IN TANGIER...

Lithograph, 1976 Handsigned by the artist in pencil and numbered 12/100 Publisher : Bram Van Velde & Jacques Putman (Paris) Printer : Pierre Badey (Paris) Catalog : Mason-Putman 223 ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Joan Miro by Jacques Prévert and Georges R...

Artist: Josef Albers (German-American, 1888-1976) Title: "MMA-3 Variant" Series: MMA (Metropolitan Museum of Art) *Unsigned edition Year...

Marc Chagall (Russian/French, 1887-1985), "Temple et Histoire de Bacchus", from the "Daphnis et Chloe" series, Lithograph in Colors, 1961, from an edition of 250, published by Teria...

General Idea was founded in 1967 in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contr...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool green palette and captures a landscape scene with lush foliage and rol...

Artist: Kenny Scharf Title: Sajippe Kraka Joujesh Medium: Silkscreen Signed: Hand Signed Measurements: 39" x 46" Edition Number: 26/150 PRINTER: Fine Art Printing Ltd, NYC PUBLIS...

Ursula Von Rydingsvard Working (Hand signed and inscribed twice by Ursula von Rydingsvard), 2011 Hardback monograph with no dust jacket as issued (Hand signed and inscribed twice by ...

This exquisite lithograph after Georges Braque (1882–1963), titled Bord de mer (Seaside), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed...

Kathan Brown Evening Moon, 1962 Color etching on wove paper Hand signed, titled, dated and numbered 30/100 by Kathan Brown on the front 18 3/4 × 27 3/4 inches De-accessioned from the...

large format abstract photograph of water color clouds and horizon from a series of photographic works capturing the sea blue color palette of the ocean SEASCAPE I Diptych by Frank...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 30. Paper size is 35"h x 47"w with an image size of 26"h x 37"w. Rob...

Terry Winters Lines of Communication (from Doctors of the World portfolio), 2001 Abstract expressionist digital pigment print 28 × 33 inches Pencil signed, dated and numbered on the front from the edition of 100 Printer: Universal Limited Art Editions, East Islip, New York / ULAE & Brand X Editions Publisher: Doctors of the World / Art of this Century, NY (Medecins Sans Frontieres) Unframed This stunningly prescient work is a pencil signed and numbered digital print that was part of the 2001 “Doctors of the World” portfolio. This series also includes works by artists such as Sol LeWitt, Elizabeth Murray and Chuck Close. In this work for the Doctors of the World portfolio, Winters explores the connections between the lines of communication and illness in a world where you can instantly speak with someone anywhere via the internet and airborne illnesses are the latest form of modern warfare. More about Terry Winters: Over the last four decades, Terry Winters has expanded the concerns of abstract painting by engaging contemporary concepts of the natural world. Many of his earliest paintings depict organic forms reminiscent of botanical imagery. Over time, his range of themes expanded to include the architecture of living systems, mathematical diagrams...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

This is an exclusive handprinted limited edition cyanotype. "Infinity Pool" is a sophisticated image that captures the water reflections shimmering over ...

Abstract composition color engraving pencil signed limited edition 10/60, actual size 22"X29"5 framed 31"x39" under glass. Hratchaya Najar Barsoumian Born in 1939 in Alep, Syria, N...

A large, pastel colored monotype print on cast paper pulp by American Abstract artist, Friedel Dzubas. It is signed and dated lower right. Friedel Dzubas, German/American (1915–1994...

Manfred Schwartz (American, b. Poland, 1909-1970), Beach Horizontal Composition, Lithograph on Paper, mid 20th century, marked "artist's proof" lower left, signed in pencil and with ...