Vertical Abstract Prints

Artist: John Hoyland – British (1934-2011) Title: Red Block on Pink Series: New York Suite Year: 1971 Medium: serigraph Image size: 36 x 26 inches Shee...

Artist: Keisuke Serizawa, Japanese (1895-1984) Title: Metamorphosis of Zan Biell Year: circa 1970 Medium: Woodcut on Rice Paper, signed and numbered in pencil Edition: AP Size: 29 x...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

Motif (Abstract) in orange, blue and gold abstract. From the small edition of 10. from 1982. I am not sure if this is a woodcut or woodblock print or a silkscreen screenprint or some combination. Viola Burley Leak, American (1944 - ) Viola Leak was born in Nashville, Tennessee, she received a B.A. in Art from Fisk University, a B.F.A. in Fashion Design from Pratt Institute, Brooklyn, an M.A. from Hunter College, NY and an M.F.A. in Media from Howard University, Washington, DC. Leak was an art consultant for both the New York State Board of Education and the Metropolitan Museum of Art's Print Department, in addition to working for the Experimental Gallery of Art at the Smithsonian Institute. Her mixed media work often references religious motifs and those of her African-American experience and heritage. She is a multimedia artist, her works include printmaking, textile designing, soft sculpture, appliqué tapestries, doll making, and multi-media. Viola has studied with many renowned artists such as Aaron Douglas, Romare Bearden, Robert Blackburn, and Charles White. Her works can be found in the collections of World Federation of United Nations, New York State Office Building, Manufacturers of Hanover Trust Company, Atlanta Life Insurance Company and many more organizations. Viola's exhibition experience is extensive - more than 100 showings over a decade, national and international. Her quilts exude a miraculous and magical presence. They have traveled in two international shows and three national quilt projects in the past three years. A proud moment for her was being featured in the December 20, 2000 of the Smithsonian magazine; the article praised her mural "Afro Dance Scan" as one of the outstanding artworks in the "When the Spirit Moves: African American Dance...

Artist: Charles Ross, American (1937 - ) Title: Jupiter 1925 - 1949 Year: 1979 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 100, AP XX Size: 41 in. x 29 in. (104....

Germat is an original color etching realized by the German artist Karl Fred Dahmen in 1974. Hand-signed, titled, dated and numbered on the lower margin. Edition 94 of 100 prints. ...

Marginal Screen print, 1971 Signed and numbered in pencil From: Twelve Progressions, 1970-1971 Commissioned by Martha Jackson Graphics Printed: Domberger, Stuttgart, Germany Edition:...

Lithograph, 1975 Handsigned by the artist in pencil and numbered 81/99 Publisher : Fundacio Joan Miro (Barcelone) Printer : La Poliagrafa S.A. (Barcelone) Catalog : Mourlot 1031 70.0...

Antoni Tàpies Lithograph 1967 from Derriere Le Miroir: Lithograph in colors; 1967. 11 x 15 inches. Very good overall vintage condition. Unsigned from an...

Julian Schnabel, American (1951 - ) - Tibet House, Year: 1995, Medium: Screenprint, signed and numbered in pencil, Edition: 26/200, Size: 57.85 x 42 in. (146.94 x 106.68 cm), Fra...

Abstract Composition is a contemporary artwork realized by the French Artist Arman (Armand Pierre Fernandez) in 1980s. Mixed colored lithograph on paper. Hand signed on the lower ri...

This Limited Edition abstract print, "Lemon Lime Goodness," by Sofie Swann measures 20" x 16" and is an edition of 95. Printed on canvas, this gicl...

A superb impression of this large color etching. Signed and numbered 29/30 in pencil, lower margin. Printed by Joan Barbarà, Barcelona. Published by Maegh...

Lanny Lasky (1923-2011) Untitled, c. 1970s Print (lithograph?) Sight: 22 1/4 x 17 1/2 in. (image) Framed: 30 1/2 x 22 1/2 x 1 1/2 in. Signed lower right, numbered lower left: 113/120 Lasky was as passionate about making art accessible to all as she was about creating it. She devoted much of her time to art education — as an education director for the Hudson River Museum, at the Lincoln Center Institute and the Bronx Council on the Arts. She was a consultant to the New York State Council on the Arts and the Connecticut State Department of Education and worked in many capacities, including director at the Museum of Modern Art’s education department from 1986 to 2001. Lasky brought art to countless Riverdale children and senior citizens through her work with Riverdale Neighborhood House. “Throughout her life she was always committed to her work as an artist, but she was also seriously committed to art education and that was important,” her son, Michael Lasky, said. “She worked toward innovative art programs and had the kids paint...

This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon ...

Hand signed and numbered. Edition of 50. Good conditions. Fausto Melotti (Rovereto, 1901-Milano, 1986) was an italian sculptor and painter. In his works of art, the link with the ...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

Vincent Longo, American (1923 - 2017) - Brown and Red Composition, Year: 1976-80, Medium: Etching and Aquatint on Arches, signed, dated and numbered in pencil, Edition: 3/20, Image S...

Impressive portfolio with 17 lithographs on Japanese Kitakata appliqué with de Kooning's authorized facsimile signature and numbered "23" in pencil on the justification page. Publish...

Vintage Poster Modern Art Museum is a vintage Lithograph and Offset poster realized after Joan Mirò (1893-1983) in 1977. Good conditions. Joan Miró (20 April 1893 – 25 December 198...

The Lion Eating Straw Like The Ox refers to the following text...The wolf and the lamb shall feed together, and the lion shall eat straw like th...

L’aristocratico is a Contemporary artwork realized in 1975 by the italian Contemporary artist Leo Guida. Original mixed colored etching. Hand signed and dated on the lower right ma...

This print by Pablo Picasso is a prime example of the artist's manipulation of perspective and reduction of subjects into simple, flat forms rendered in a geometric and angular fashi...

A Cubist composition of three figures, perhaps clowns, dancing in a circle using a hoop. This Lithograph by Johnny Friedlaender is signed and numbered in pencil. Fugue Around The Fe...

A very good impression of this early color offset lithograph on white wove paper. Signed, dated and numbered 8/150 in felt-tip pen and black ink by Rauschenberg...

Intaglio and acrylic on Saunders Waterford, St Cuthberts Mill paper. Paper size: 37 x 25 inches. Inscription: Hand signed and numbered, 143/160, as issued. Notes: Published and print...

André Masson (1896 - 1987) - Hand-Signed Lithography, 1975 Additional Information: Material: Color lithography Edited in 1975 Limited edition, numbered in lower left corner 26/50 Si...

I’ve enjoyed bringing some of the spray paint textures from my fine art into my screen prints. I like the subtle color shifts and ethereal gradients that can be achieved with spray p...

Krakow 74 is an original poster print designed by J. Wysocki in 1974. The artwork was realized on the occasion of Krakow cultural festival. Good conditions except for some foldings.

Composition is an original etching by the artist Luigi Boille. It is in excellent conditions. This artwork is a beautiful coloured etching, representing an abstract composition in ...

Abstract composition is a beautiful color serigraph and lithograph on paper, realized by the Italian artist Enzo Brunori (Perugia, 1924 - Rome, 1993). Hand-signed and numbered in pe...

This original color serigraph is hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997) in pencil in the lower right margin. Numbered from the edition of 275, this piece was publi...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 22) Year: 1975 Medium: Lithograph, signed ...

Sam Francis - Exhibition Poster is a mixed colored offset print realized in 1983. This print was realized on the occasion of the exhibition dedicated to the artist and held in Studi...

'Stabiles' is a lithograph poster after Alexander Calder and published by Galerie Maeght in 1971. Calder had produced the stones for this lithograph a year earlier in 1970 for a prin...

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimicking the medium of oil paint...

Artist: Darryl Hughto, American (1943 - ) Title: Good Earth Grey XV Date: 1982 Screenprint with Acrylic Painting, signed, titled and dated in pencil Image Size: 37 x 24 inches Size...

Sonia Delaunay Rythme-couleur, 1962 Lithograph on Fabriano wove paper 27 3/5 × 19 7/10 in l 70.2 × 50 cm Frame included - 32 1/3 x 24 4/5 l 83 x 63 cm Edition of 40 Condition: Overa...

This artwork titled "Abstract II" c.1990, is an original color screenprint by noted American Artist Jeffrey Long, b.1948. It is hand signed and numbered 11/150 in pencil by the artis...

Stawomir Mrozek - Poster is a vintage offset print realized in the 1970s. Signed on the plate. Good conditions except for some cutaways on the margins.

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe III Catalogue Raisonne. Nicely framed. Lithograph III...

Untitled is an etching on wove paper realized by Johnny Friedlaender (Pless, 1912 - Paris, 1992). Signed and numbered 64/95. 76 x 56,5 cm, o. R. Embossing stamp: Manus Presse.

Figure is an original artwork realized by the french artist Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence). Lithograph print, mid-20th century. Very good conditions except f...

Untitled - III Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

Medium: Woodcut Year: 1990 Signed, numbered and dated by hand Edition: 25 Size: 32.4 × 20.7 on 41.5 × 29.4 inches COA provided Works in public or private collections: Art Museum Bon...

Butterfly is a vintage woodcut print realized by Jean Lucrat in 1948. Good condition on a cream colored paper. No signature, on the back the title in...

Wood engraving, 1964 Handsigned by the artist in pencil and numbered 55/170 56.50 cm. x 37.50 cm. 22.24 in. x 14.76 in. (paper) 36.30 cm. x 27.00 cm. 14.29 in. x 10.63 in. (image) ...

Beyond (sic) - IX Mezzotint, n.d. Signed, titled and numbered in pencil (see photos) Edition: Unique impression (i/I) Ninion and Sheldon Landy were major collectors of Hamanishi's works. They donated a large group of his mezzotints to Art Institute of Chicago, which formed the core of the exhibitions of his works at AIC in 2014 and again in 2019. Condition: excellent Plate/Image size: 9.75 x 7.75 inches Sheet size: 12 1/2 x 9 5/8 inches Provenance: Ninion and Sheldon Landy, Hamanishi's patrons EXTREMELY RARE-UNIQUE Katsunori Hamanishi Born: 1949, Hokkaido Medium: Mezzotint, with relief printing and metallic foil. Also a few woodblocks Hamanishi studied painting and graduated from Tokai University with a degree in Art, in 1973. Since then, he has been living in the Tokyo area, where his primary focus is printmaking. Mezzotint is a variation of intaglio printing--an exacting and laborious process whereby ink is transferred from below the surface of the plate by use of a press. First, the entire copper plate is indented with a toothed steel rocker tool. Worked in all directions, this creates an even finely-grained texture over the surface of the plate. Each pit will hold ink and were the plate inked at this stage, it would print almost solid black. To create the design the artist smoothes out some of the pits with a burnisher so they will hold less ink. Where highlights are required the plate is burnished and polished quite smooth. A wide range of tones are possible in mezzotint and the process can usually be recognized by a light design on a velvety black background. Hamanishi is internationally known for his mastery of this medium. He creates images with both subtle detail and dynamic composition that explore spatial relationships. His genius is in balancing calm and meditative qualities with the energetic tensions of inanimate and natural objects. Early work had such things as pipes and branches wrapped with cloth, later rope, then straw. When he moved to a more rural area, rice fields became a common element. He has also been exploring the use of color and metallic leaf in his artwork. In 2005 Mr. Hamanishis began the Haze series exploring more abstract themes using the subtle differences between matte and black inks done in mezzotint and relief printing. There is always a sense of mystery and intrigue in the complex mezzotint prints that come from Hamanishi’s deft hands. They compel the viewer to do a slow, thoughtful examination in order to fully absorb the vision the artist intends. Exhibitions: Worcester Art Museum, Massachusetts --2 person show with Hamaguchi Ibiza Biennial, Spain--Grand Prize Original Colored Graphic Print Triennial, Switzerland--Grand Prize Cabo Frio International Print Biennial, Brazil--Grand Prize CWAJ Print Show, Tokyo--Art Grant winner Republic of China Print Exhibit--Gold Medal Graphic Arts Council, Achenbach Foundation, San Francisco--commissioned print Art Institute of Cleveland University of Alberta, Edmonton, Canada--visiting artist Shun-yo-Kai, Tokyo--prize winner Bhara Bhavan International Print Biennale, India Ren Brown...

Antoni Tapies Llambrec-12 Catalogue raisonné: Galfetti 550 Lithograph Year: 1975 Signed by hand and inscribed Edition: H.C. Size: 17.4 × 15.0 on 29.4 × 21.5 inches Over the course o...

PABLO PICASSO (1881-1973) Personnages et cavalier' (A. R. 540) Terre de faïence plaque, 1968, numbered 178/500, with the workshop numbering, partially painted, with the Empreinte ...

Medium: Screenprint, signed, numbered, dated, and titled in pencil Image Size: 25 x 18 inches Paper Size: 30 x 22 inches

Stephan Küthe Untitled I Giclée on Hahnemühle Velvet Year: 2021 Signed, numbered and dated by hand Edition: 10 Size: 18.7 × 13.4 on 23.8 × 17.6 inches COA provided (gallery issued) ...

Agnes Mills (American, 1915-2008) Guignol Intermezzo, 1982 Hand colored etching (UNIQUE) Sight: 13 3/4 x 11 1/4 in. Framed: 19 1/2 x 17 x 3/4 in. Titled lower right Inscribed "AP" bo...

Vibrant abstract monoprint by Karen Pugay (American, b. 1960). Highly saturated, almost day-glow colors are layered to create deep, richly colored shapes. The abstract shapes hint at...

Houston Artist Margarita Urquiza’s Greek-themed etching done on arches paper. Printed by Hare and Hound Press in a unique impression. The work is signed, numbered and dated in pencil...

"Original Lithograph V" is an original color lithograph by Joan Miro, published in "Miro Lithographs III, Maeght Publisher" in 1977. It depicts Mir...

Artist: Antoni Tapies – Spanish (1923- 2012) Title: Untitled, from Paroles Peintes IV, published by O. Lazar-Vernet, Paris Date: 1970 Medium: Etching and aquatint in colors on BFK Ri...

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...