20th Century Abstract Prints

Abstract Blue Square Rolando de Juan, Argentine (1931–1989) Date: 1971 Lithograph, signed and numbered in pencil Edition of 120 Size: 30 in. x 23 in. (76.2 cm x 58.42 cm)

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Axsom, Richard H., ...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...

An original lithograph by Joan Miro, created in 1978, from the series entitled "Album 21" consisting of 21 original lithographs. Hand signed and numbered from the edition of 75 on V...

Bodegon 29 Juan Manuel Gomez-Quiroz Chilean (1939–2021) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 300, AP 40 Image Size: 25.5 x 17 inches Size: 29 in. x...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

Howard Hodgkin In Tangier, 1991 Screenprint in 22 colours on huntsman velvet 300gsm paper Signed with initials HH, numbered (63/72) and dated ('91) in pencil 82 × 86 cm Edition of 7...

CORITA KENT (Sister Mary Corita) 1918–1986 WORKING ON IT INCESSANTLY, ca. 1970 Color serigraph. Signed and numbered in ink 200/. In generally good condition. Image 22 3/8 x 11 1/2, sheet 23 x 12 1/4 inches. Provenance: Marjorie Kauffman Graphics on original period label. Sister Corita is highly important in the development of modern use of serigraphy with highly charged social and political content expressed in strong colors and dynamic composition. She often made biblical and well as literary references as a major part of the composition. She taught printmaking at Immaculate Heart...

Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...

André Masson, French (1896 -1987) - Amours légendaires, Year: 1959, Medium: Etching, signed and numbered in pencil, Edition: 7/30, Image Size: 11.75 x 9.75 inches, Frame Size: 2...

Lithograph on vélin paper. Paper Size: 15 x 33 inches, with bifold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Jo...

This signed and numbered lithograph by Jasper Johns, produced in an edition of 100, is offered by CLAMP in New York City.

Etching and aquatint, 1953 Handsigned by the artist in pencil Edition : 300 ex. Publisher : Lacourière, Paris Printer : Lacourière, Paris Catalog : RMM 63 17.00 cm. x 33.00 cm. 6.6...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Executed in 1956 and issued as the frontispiece of the Picasso Lithograph...

Pablo Picasso's depiction of a woman from Alès is bright and colorful, rendered in bright shades of pink, yellow, and blue. Shown in a Cubist style with her face and body fragmented,...

Artist: James Coignard (French, 1925-2008) Title: "Espace - Ecriture (Space - Writing)" *Signed by Coignard in pencil lower right Year: 1983 Medium: Original Hand-Embellished Carboru...

Artist: Larry Zox Title: Purple Composition Year: 1971 Medium: Linocut, signed and numbered in pencil Edition: 6/50 Paper Size: 22 x 30 in. (55.88 x 76.2 cm)

Lithograph on Guarro vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: Published by Galerie Börjeson, Malmö; printed by La Polígrafa, Barcelona, 19...

Pablo Picasso Hommage à René Char, 1969 Color lithograph on Arches wove paper by Henri Deschamps, Paris Signed in the plate Image size: 63.6 x 44.7 cm Sheet size: 75.7 x 52 cm Prin...

Lithograph realized by Giulio Marelli in 1970 ca. Edition of 150 in arab numbers and XXV in roman numbers. Hand signed and numbered in pencil. Very g...

Original exhibition poster; TAPIES GALERIE MAEGHT Unbacked, fine condition. Antoni Tapies was a Spanish painter, sculptor, and art theorist who became one of his generation's most famous European artists. Tàpies was perhaps the best-known Spanish (Catalan) artist to emerge in the period since the Second World War. An original lithograph exhibition poster by Spanish artist Antonie Tapies (1923-2012) titled "Galerie Maeght Expo 79", 1979. This original exhibition poster was produced for Tapies's exhibition at Galerie Maeght in 1979. Printed and published by Art Adrien Maeght in Paris, France in 1979. Reference: Catalogue Raisonne: Galfetti Ref. 719 - Los carteles de Tapies No.83. Experience art history with this original vintage exhibition poster from the celebrated Antoni Tàpies 1979...

Original AIR FRANCE EUROPE, Editions Perceval, artist: Jacques Nathan Garamond. Professional acid-free archival linen backed vintage travel post...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250, Hommage à Aimé et Marguerit...

Klänge (Sounds) is one of the first examples of an artist’s book and contains both poems and woodcuts by Kandinksy. Of the 25 hors-texte illustrations, 12 are in color and 13 are in...

Eduardo Chillida (Spain, 1924-2002) 'Bilbao – Mundial 1982', 1982 silkscreen on japanese paper 37.5 x 23.7 in. (95 x 60 cm.) Edition of 150. P/A: 25, H.C.: 50 Publisher: Maeght Unframed ID: CHI1038-010 Hand-signed by author ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Pablo Picasso's mastery of perspective and integration of geometric planes into his portraits is evident in this portrait of a woman wearing a matching orange hat and blouse. Returni...

Etching, 1976 Handsigned by the artist in pencil and numbered 16/50 Publisher : Sala Gaspar (Barcelone) Printer : Torralba, Rubi (Barcelone) Catalog : Dupin 343 105.00 cm. x 90.00 cm...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miro...

Artist: Pablo Picasso (1881-1973) Title: Le Peintre Year: 1982 Medium: Lithograph on Arches paper Size: 29.25 x 21 inches Edition: 1000, plus proofs Condition: Good Inscription: Sign...

Adolph Gottlieb (1903-1974). NIGHT GLOW. Etching and aquatint in colors, 1971. Edition of 65. Signed and dated in pencil, numbered 17/65 in pencil. Published and printed by 2RC Edizi...

This striking exhibition poster by Peter Nyborg showcases his mastery of color and form. Printed on heavy stock paper, it boasts vibrant, richly layered hues that radiate energy and ...

Etching and aquatint, 1972 Handsigned by the artist in pencil and numbered 73/150 Publisher : Pierre Belfond, Paris Printer : Atelier Bellini, Paris Catalog : [Agerup 224] 51.50 c...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Conrad Marca Relli - Composition VI Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and ...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

Antoni Tapies (Spain, 1923-2012) 'Las segovias', 1996 silkscreen on paper 14.2 x 10.2 in. (36 x 26 cm.) Edition of 150 Ref: TAP1205-005-150 Hand-signed by author ____________________...

Larry Bell, American (1939 - ) - Barcelona, Year: 1989, Medium: Lithograph, signed and numbered in pencil, Edition: 62/75, Size: 30 x 22 in. (76.2 x 55.88 cm)

Walasse Ting 丁雄泉 Abstract Expressionist Flower, 1969 Color lithograph with publisher's blindstamp Pencil signed, dated, and numbered IV/XV by Walasse Ting on the front 23 × 30 inche...

Sol LeWitt Limited Edition Geometric Abstraction Silk Scarf, ca. 1987 Limited Edition Silkscreen on 100% Italian silk scarf/shawl Signed on the fabric with artist's printed signature...

numbered 64/180. Published by Atlantis Art Verlag Freiburg

Black/White/Black, 1970 Screenprint in colors on Special Arjomari Edition of 75 42 1/4 x 29 3/4 in. Publisher: Gemini G.E.L., Los Angeles

Lithograph, 1964 Handsigned by the artist in pencil Edition : /500 Publisher : Les Peintres Témoins de leur Temps, Paris Printer : Charles Sorlier, Paris Catalog : 206 72.50 cm....

Rafael Bogarin (Venezuelan 1946 - ) "Jupiter 5" Edition 5/295, Abstract Geometric Serigraph signed, titled and numbered in Pencil, 28 x 22.50, Late 20th Centu...

ANTONIO SAURA "Serie Abierta" 1989 Silkscreen on paper. Copy 48/99. Signed and justified in pencil. 75 x 104cm.

Serigraphy and collage of elements on Lucio del Pezzo hand-painted hand-made paper. Graphic work created in the 80s in 50 numbered copies signed by the artist.  The sheet is in perfe...

Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brush marks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art Gallery of Ontario, Toronto, Canada 1976 R.C.A.Printmakers,Waddington Gallery,London 1988 'Exhibition Road',R.C.A,London 1989 Berkeley Square Gallery, London 1989,90 Austin Desmond Gallery, london 1990 Scottish Gallery, London 1991 Big Little Picture-Show,W.Jackson,London 1992 'Winter Seen III',W.Jackson Gallery,London 1993 1 st Egyptian Print Triennale, Giza, Egypt 1994 Art '94, london, with Art First La Galerie du Touquet (with Alain Morcot) 1995 Art...

This exhibition poster/mailer was created for a 1976 exhibition of Fred Sandback's work held at Brook Alexander, Inc. and The John Weber Gallery. The piece serves as both an advertis...

Artist: Ray Elman Title: G.S. came as an Artichoke Year: 1979 Medium: Serigraph and Collage, signed and numbered in pencil Edition: 99 Paper Size: 38 in. x 3...

Artist: Nicholas Krushenick, American (1929 - 1999) Title: Silver Liner Year: 1978 Medium: Silkscreen, signed and numbered in pencil Edition: 200; AP 30 Size: 32 x 26 inches (66.04...

Artist: Nicholas Krushenick Medium: Screenprint Title: Silver Liner Year: 1977 Edition: 103/200 Framed Size: 33 3/4" x 27 3/4" Sheet Size: 34" x 26" Signed: Hand signed in pencil

This original signed poster, titled Expo de Gravures de la Guilde Graphique, was created by French Canadian artist Julien Lacroix for an exhibition. The poster, published in 1973, is...

Artist: Pablo Picasso (1881-1973) Title: Paloma Bleu Year: 1982 Medium: Lithograph on Arches paper Size: 29.5 x 21.25 inches Edition: 143/500;500, plus proofs Condition: Good Inscrip...

Artist Georges Rouault (1871, France - 1958, France) Main title "Des ongles et du bec" Etching and aquatint on wove paper. Creation date 1926 / 1948 Publisher: Etoile Filante, P...

Etching from cuivre rayé après tirage on vélin paper. Paper Size: 15 x 11 inches; image size: 5.91 x 4.92 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné ...

Edward Landon, 'Salient in February', color serigraph, 1945, edition 25, Ryan 166. Signed in pencil. Titled, dated, and annotated 'ED. 40' in pencil. A fine impression, with fresh colors, on cream, wove paper; with full margins (1 3/4 to 2 5/8 inches, top sheet edge deckle); in excellent condition. Image size 9 x 11 inches; sheet size 12 3/4 x 16 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931, he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938. Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940. Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...

Artist: George Chemeche – Iraqi/American (1934-2022) Title: Dancing Ducks in Magenta, Forest Green, Brown, Slate Gray Year: circa 1980 Medium: Screen Print Image size: 19 x 27 inches. Sheet size: 22 x 29 inches. Signature: Signed lower right Edition: 260 This one: 109/260 Condition: Very good Unframed This exceptional geometric abstract serigraph is by the noted Iraqi/American artist George Chemeche (1934-2022 ). He is a master of serigraph printing, but this print has more than technical excellence. It is a wonderful, rhythmic abstract composition. I believe Chemeche might have been a proponent of and/or influenced by the Pattern and Decoration Movement which was happening in New York in the 1970s and 1980s. The print has never been framed and is in very good condition. I will ship the print rolled in a heavyweight tube. George Chemeche was born in 1934 and studied at the Avni Art School in Tel Aviv and the Ecole des Beaux Arts in Paris. The style with which he is intimately associated, pattern painting, The most serviceable definition is that pattern is the systematic repetition of a motif or motifs used to cover a surface uniformly. The spaces between motifs are either other motifs or are an integral part of the repeat. Usually, patterning intentionally acknowledges the decorative function of art, reconciling both the decorative and the meaningful. George Chemeche’s work hangs in the lobby of the Hotel Chelsea where many have admired it for years. Please search online for more biographical information by this fine artist. Selected Biography 1934 Born in Basra, Iraq 1947 Fled Iraq with his family 1947-49 Lives and attends school in Tehran 1949 Immigrates to Israel 1956-59 Studies art in Avni Art School, Tel-Aviv 1959 Gets American-Israeli Culture Foundation grant to study art in Paris 1959-1962 Studies at Ecole Supérieure des Beaux Arts, Paris 1961- Gets two years grant from Lady Francis Fergusson, Scotland 1962 Gets one year grant from Alex de Rothschild, Paris First man show at Gallery Transposition, Paris 1965-72 Exhibits his work in numerous art galleries in Israel including one man show at Haifa Museum 1972 Travels to New York, checks in the Hotel Chelsea 1977-- First one-man show in USA at Louis K. Meisel Gallery, New York, followed by other shows around the country and Europe. 1995 Travels to Iceland to publish the Aya Series book. Text by Donald Kuspit; Art Resourses & Technologies, New York, NY 2002 Publishes, Ibejis: “The Cult of Yoruba Twins” 5 Continents Edition, Milan, Italy 2003 Curates a show at Museum of African Art, NYC Ibejis: The Doubly Blessed Twins 2005 Reads his poems at the Bowery Poetry Club, New York 2010 Lectures about Ibeji art and cult at Iowa University 2011 Lectures about Ibeji Art and cult at Neuberger Museum 2011 Publishes, The Horse Rider in African Art” ACC, UK INDIVIDUAL EXHIBITIONS 1978 Goldman Art Gallery, Haifa, Israel 1977 Louis K. Meisel Gallery, New York 1977 Alexandra Monett Gallery, Brussels 1977 Givon Art GaJIery, Tel Aviv 1974 South Houston Gallery, New York 1974 Ray Landis Gallery, East Brunswick, New Jersey 1973 Gala Gallery, Key Biscayne, Florida 1973 Art Asia Gallery...

Red- original litograph abstract limited edition painting Original graphic work by CASAMADA. edition P.A. 1/5 Signed and numbered in pencil. framed RÀFOLS CASAMADA, Albert (Barcelo...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Artist: Robert Motherwell, American (1915 - 1991) Title: Three Poems: Nocturne II, collaboration with Octavio Paz Year: 1987 Medium: Lithograph on Japon with Chine Colle Edition: 75...

Personages is print realized by Wifredo Lam (Sagua La Grande 1902 - Paris 1982) Colored etching on paper. Hand-signed and numbered, edition of XXI/XXV lower in pencil.