20th Century Abstract Prints

VILLA NEUVE is an original limited edition lithograph printed using hand lithography techniques on archival printmaking paper 100% acid free. VILLA NEUVE is an imaginative modernist ...

Round Dance is an original etching contemporary artwork realized by Marino Marini in 1963. Good conditions. Edition of 100 copies. The artwork is depicted in a well-balanced compo...

Love By Robert Indiana Robert Indiana (1928–2018) was an American artist known for his bold, typographic pop art, particularly his iconic "LOVE" sculpture and print. His work ofte...

Louise Nevelson Bicentennial Dawn, 1976 Photolithograph, silkscreen and gold foil on white wove paper hand signed, dated and numbered 15/100 with incised signature on the front 35 × ...

Pablo Picasso (after) "Le Bouquet" Bouquet of flowers, abstract floral arrangement. limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 244...

Lithograph, 1959 Handsigned by the artist in pencil and numbered 234/275 Publisher : Maeght (Paris) Catalog : [Maeght 1036] 20.00 cm. x 30.50 cm. 7.87 in. x 12.01 in. (paper) 10.00 ...

Untitled is an original contemporary artwork realized by Sam Francis in 1986 Lithograph on BFK Rives. Hand signed on the lower right margin. Numbered on the lower left margin. Edition of 23/55. Dryp stamp of the Editor The Litho Shops Inc Santa Monica. George Page...

This limited edition reproduction of Francis Bacon's 1969 painting Lying Figure was published for a retrospective of his works at the Beyeler Foundation in Basel, Switzerland, in 201...

A Hahnemuehle Fine Art Print, attributed to Roy Lichtenstein. Editioned of 25.

Miro a l’Encre II Joan Miro, Spanish (1893–1983) Portfolio: Indelible Miro Date: 1972 Lithograph on Wove Paper Size: 14 x 10 in. (35.56 x 25.4 cm) Frame Size: 21.5 x 18 inches Printe...

This artwork titled "Laudis End" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 90/99 in pencil...

After Andy Warhol The Souper Dress, ca. 1969 Screenprint on Cellulose Dress. Stamped; with the Souper Dress label at the neck 38 × 22 inches Bears original label on the inside (the f...

Artist: Keith Haring (1958-1990) Title: Safe Sex! (Gundel 60) Year: 1987-1988 Medium: Offset lithograph on paper mounted on rice paper Size: 29.52 x 27.36 inc...

Artist: (after) Ellsworth Kelly (American, 1923-2015) Title: "Ellsworth Kelly: Ferus Gallery (Gate)" Year: 1966 Medium: Original Lithograph, Exhibition Poster on cream wove paper Lim...

Yaacov Agam (b. 1928) Magic Rainbow II, late 20th century Screenprint in colors on wove paper LXIII/XC (edition 63/90) Signed and numbered in pencil along lower edge 13 x 15...

Andy Warhol’s *Apple (FS. IIB.359)*, part of his 1985 *Ads* portfolio, reimagines Apple Inc.’s logo as vibrant, neon-colored art, blending corporate branding with fine art. Created d...

Vintage Poster Exhibition Galerie Maeght is a vintage Lithograph and Offset poster realized after Joan Mirò (1893-1983) in 1978. Good conditions. Joan Miró i Ferrà (20 April 1893 –...

Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Miró: Cartones, 1959-1965, October - November 1965, 196...

This abstract black and white Roth print is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. It is a single print from the...

Artist/Designer; Manufacturer: Frank Stella (American, 1936-2024) Marking(s); notes: signed, FS76-332, printer's inkstamp; ed. 4/10; 1979 Materials: screenprint hand-colored with acr...

This abstract composition by William Schwedler includes several geometric forms and shapes that are placed alongside straight, angled lines. Dead Give Away Artist: William Schwedle...

Composition au verre a pied (Composition with stemmed glass) Lithograph (Ink drawing, pen and brush transferred to lithograph stone) , 1947 Unsigned Editi...

Staring at each other lovingly, the mother and child in this print by Pablo Picasso are representative of the maternal bond between individuals in this relationship. Rendered in soft...

Richard Diebenkorn 1984 Olympic Lithograph (Hand signed deluxe limited edition w/Olympic Committee COA), 1982 Offset Lithograph on Parsons Diploma Parchment paper 24 × 36 inches Edition of 750 Hand signed by Richard Diebenkorn in graphite pencil on the front (unnumbered) Published by Knapp Communications Corporation for Los Angeles Olympic Organizing Committee Accompanied by a letter of authenticity from the publisher. This is one of only 750 hand signed lithographic posters, published in 1982 to celebrate the 1984 Los Angeles Olympics . However, the publisher is said to have destroyed many of the works that did not sell in the original marketing period, so only about 200-250 are said t remain. The Olympic Committee commissioned 15 nationally known artists, including West Coast artists like Sam Francis and Richard Diebenkorn, to create unique designs to promote the event. This was Diebenkorn's contribution to the portfolio. Hand signed Richard Diebenkorn prints (with the full signature) like this are extremely elusive and desirable. excellent provenance as it was acquired as part of the complete portfolio of limited edition hand signed Olympic prints, all held in the original box with colophon. All of the works in this rare portfolio, including this Diebenkorn lithograph...

Ralston Crawford, 'Third Avenue Elevated #1', lithograph, 1951, edition 55. Freeman L51.4. Signed, titled and numbered '48/55' in pencil. A fine, richly-inked impression, with rich ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

This piece is part of my private collection of the School of Paris era. It is pencil signed in the lower left corner by the artist and numbered 88/200.

Color lithograph realized by Calder in 1969. Edition of 20/75. Hand signed and numbered in pencil. Includes a contemporary white frame. Very good condition.

Fire Bird by Makoto Ouchi, Japanese etching, kabuki contemporary red gold black Ouchi Makoto (大内マコト) was born in Kawasaki, Kanagawa Prefecture, and enter...

Helen Frankenthaler (after) A Paintings Retrospective: vintage LACMA Museum poster, 1990 Offset lithograph museum poster (Unsigned & Unnumbered) 37 × 25 inches Unframed This was printed in the artists lifetime - making it more collectible - on the occasion of the exhibition, "Helen Frankenthaler: A Paintings Retrospective from February to April, 1990 at the Los Angeles County Museum of Art (LACMA) Print is published by Editions Limited Galleries, San Francisco for Los Angeles County Museum of Art (LACMA), LA, CA The work depicted is Helen Frankenthaler, The Bay, 1963, acrylic on canvas, Detroit Institute of Arts, Michigan (Incidentally, this beautiful work is featured on the cover of the book Water and Art' by David Clarke.) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Picasso made prints throughout his career, creating around 2,400 works until his death in 1973. Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimension...

Antoni Tapies (Spain, 1923-2012) 'Chaise et ciseaux (variations III)', ca. 1970-1975 Serie: Variations sur Chaise lithograph on paper 41.4 x 29.6 in. (105 x 75 cm.) Edition of 90 Unf...

Pablo Picasso (after) "Nature Morte au Verre" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 277/500 lower left From the estate of Pablo Picasso with an embossed blindstamp in the lower right side of the piece. After Pablo Picasso's death in 1973, his granddaughter Marina authorized the printing of these original lithographs, which have come to be known as the Picasso Estate...

Rare vintage original poster published by the famous Paris Gallery Claude Bernard pour an historic exhibition of Jean Dubuffet in the sixties (1964) about the Hourloupe series. Jean ...

Ochre Composition is an original artwork realized by Luigi Montanarini in the 1970s. Original colored serigraph on paper. Hand signed by the artist on the lower left. Numbered on lo...

Pablo Picasso (after) "Deux Pigeons" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 146/500 lower left From the estate of Pablo Picass...

Artist: Gene Davis Title: Zebra Portfolio: Series II Medium: Screenprint on canvas laminated to board Date: 1969 Edition: 110/150 Frame Size: 30 1/2" x 36 1/2" Sheet Size: 24" x 30 1...

Artist: Louisa Chase, American (1951 - 2016) Title: Untitled (Spooks) Year: 1987 Medium: Lithograph, signed and numbered in pencil Edition: 30 Paper Size: 30 x 44.5 Inches (76.2 x 1...

Charles Hinman is best known for his custom-shaped geometric canvas paintings. This is an original silkscreen from the Licht Calendar portfolio, unsigned from the edition of 3000. Fr...

"Homage to the Square - Portfolio 2, Folder 4, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

Onésime (M.1075) from 1975 is a stunningly colored lithograph by Joan Miró, limited to a small edition of 65 (50 Arabic and 15 Romans). The image size is 35.5 x 27.87 inches and the ...

Querelle d'Amoureaux II (Allegro Vivace, M.1234) is a lithograph from Joan Miró's Allegro Vivace series, from 1981. The print has an image size of 24 x 18 inches and framed dimension...

Pablo Picasso (after) "Portrait de Marie Therese" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 274/500 lower left From the estate of Pablo Picasso with an embossed blindstamp in the lower right side of the piece. After Pablo Picasso's death in 1973, his granddaughter Marina authorized the printing of these original lithographs, which have come to be known as the Picasso Estate Collection. The lithographs were meticulously created after the original works (Oil Paintings, Watercolors, Pastels, Charcoal Drawings, etc.) by Master Chromist Marcel Salinas, who worked closely with Picasso in his lifetime. They are printed in an edition of 500 on Arches paper. Embossed with the estate and chromist's stamp seals, along with the legend on the reverse "Approved by the heirs of Pablo Picasso". Image: 19 1/2" x 15". Paper: 28" x 20 3/4". Pablo Ruiz Picasso (1881 – 1973) was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian air forces during the Spanish Civil War...

"Le Lézard aux Plumes d'Or" is an original lithograph realized by Joan Miró in 1971, and part of the famous homonym series. Hand signed and numbered, it is an H.C. (out of commerce)...

Artist: John Urbain, Belgian/American (1920 - 2009) Title: CM Year: circa 1975 Medium: Silkscreen with Collage, signed and numbered in pencil Edition: 20 Image Size: 28 x 34 inches S...

Derriere Le Miroir-Page 9 Color lithograph, 1973 From: Derriere Le Miroir, No. 201, January 1973 Unsigned (as issued) Publisher: Maeght Editeur, Paris Printer: L’Imprimerie Arte, Adr...

Richard Florsheim created this color lithograph entitled “Warf-Side” in 1962 in an edition of 60 pieces. This impression is signed and inscribed “Trial Proof” and printed at the Mour...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris; rendered by Daniel Jacomet, Paris; printed by l'atelier Jacomet, December 1959. Excerpted from the folio, This album finished printing in December 1959 drawn to nine hundred and seventy examples numbered from I to CMLXX and thirty non-commerce examples numbered from I to XXX, was directed by Daniel Jacomet. Typography of the union printing in paris. AMEDEO MODIGLIANI (1884–1920) was an Italian painter and sculptor of the École de Paris who worked mainly in France. He is known for portraits and nudes in a modern style characterized by a surreal elongation...

The Night is original etching realized by Jean Fautrier. Hand-signed on the lower right in pencil. Numbered on the lower left, edition of 22/50 prints. This formidable print repre...

Modern figurative surrealist lithograph by Mexican artist José Luis Cuevas. The work features two central seated figures with papers laid out on a table in front of them. The title r...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...

Yayoi Kusama Dots Infinity (1986). Edition 58/100 Screenprint [2 screens, 2 colors] Signed, titled, dated and numbered 58/100 in pencil by the artist 28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...

This color lithograph is part of my private collection since the 1970's. Marie Raymond was a pioneer post WWII painter of her generation. She was a lyrical abstractionist of her time...

"Homage to the Square - Portfolio 2, Folder 24, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Lithograph on vélin paper. Paper Size: 12.4 x 19.3 inches, with centerfold and stitch perforations, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From...

This Pablo Picasso print features the head and shoulders of a woman posing for a portrait. With the integration of the solid, sweeping lines, the artist draws attention to the figure...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Assise". The original painting was completed in 1947. In the 1970's after Picasso's dea...

1975 Color Lithograph by Alexander Calder from Our Unfinished Revolution portfolio One of 250 copies, with the printed signature and date on offset paper. This is not pencil signed ...