Modern Landscape Prints
MODERN STYLE
The first decades of the 20th century were a period of artistic upheaval, with modern art movements including Cubism, Surrealism, Futurism and Dadaism questioning centuries of traditional views of what art should be. Using abstraction, experimental forms and interdisciplinary techniques, painters, sculptors, photographers, printmakers and performance artists all pushed the boundaries of creative expression.
Major exhibitions, like the 1913 Armory Show in New York City — also known as the “International Exhibition of Modern Art,” in which works like the radically angular Nude Descending a Staircase by Marcel Duchamp caused a sensation — challenged the perspective of viewers and critics and heralded the arrival of modern art in the United States. But the movement’s revolutionary spirit took shape in the 19th century.
The Industrial Revolution, which ushered in new technology and cultural conditions across the world, transformed art from something mostly commissioned by the wealthy or the church to work that responded to personal experiences. The Impressionist style emerged in 1860s France with artists like Claude Monet, Paul Cézanne and Edgar Degas quickly painting works that captured moments of light and urban life. Around the same time in England, the Pre-Raphaelites, like Edward Burne-Jones and Dante Gabriel Rossetti, borrowed from late medieval and early Renaissance art to imbue their art with symbolism and modern ideas of beauty.
Emerging from this disruption of the artistic status quo, modern art went further in rejecting conventions and embracing innovation. The bold legacy of leading modern artists Georges Braque, Pablo Picasso, Frida Kahlo, Salvador Dalí, Henri Matisse, Joan Miró, Marc Chagall, Piet Mondrian and many others continues to inform visual culture today.
Find a collection of modern paintings, sculptures, prints and other fine art on 1stDibs.
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Style: Modern
Composition, Parallèlement, Léonor Fini
By Leonor Fini
Located in Auburn Hills, MI
Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Parallèlement, Illustré ...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Venice : Beautiful Woman - Original Lithograph, HANDSIGNED & Ltd /250
Located in Paris, IDF
Serge VERGEZ (1933-)
Venice : Beautiful Woman, 1982
Original Lithograph
Handsigned in pencil
Numbered / 250 (the number you can see can be different)
On Vellum 56 x 76 cm (c. 22 x 3...
Category
1980s Modern Landscape Prints
Materials
Lithograph
Original Vins du Sud-Ouest vintage French wine map poster
Located in Spokane, WA
Original Les Vignobles de France , Vins du Sud-Quest French vintage wine map poster. Horizontal. Size 36.5" x 27". Archival linen backed and re...
Category
Late 20th Century Modern Landscape Prints
Materials
Lithograph
University of Virginia - Original Lithograph - 1850
Located in Roma, IT
Vintage View of the University of Virginia is an original modern artwork realized in Italy in the first half of the 19th Century.
Original Lith...
Category
Mid-19th Century Modern Landscape Prints
Materials
Lithograph
Maurice Robert Dey, Rainbow on the Hudson
Located in New York, NY
Biographical information on Maurice Robert Dey is hard to find. He was born on 1899 (or maybe 1900), in Switzerland. As an adult he lived and worked in Woodstock, the NY artists' c...
Category
1930s Modern Landscape Prints
Materials
Linocut
View of Reggio - Etching by Domenico Ascani - 19th century
Located in Roma, IT
View of Reggio is a print realized by Ascani in the 19th century.
Etching Hand-watercolored on paper.
titled on the plate.
Good conditions with foxing
Category
19th Century Modern Landscape Prints
Materials
Etching
Rouault, Composition, Visages (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Chiffon de Mandeure paper. Unsigned, as issued. Good condition. Notes: From the folio, Visages, 1969. Published by Éditions L'étoile Pilante, Paris, a...
Category
1960s Modern Landscape Prints
Materials
Lithograph, Stencil
Mabel Oliver Rae, etching of Merton Tower, Oxford
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
Jean-Paul Riopelle, Composition, L'édition de tête (after)
Located in Auburn Hills, MI
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Jean-P...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Centro, Paroles peintes I, Roger Bissière
Located in Auburn Hills, MI
Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...
Category
1960s Modern Landscape Prints
Materials
Etching
Bazaine, Composition, Derrière le miroir (after)
By Jean Bazaine
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 197, 1972. Published by Aimé Maeght, Éditeur, Paris; pr...
Category
1970s Modern Landscape Prints
Materials
Lithograph
Composition, Éloge de André Lhote
By André Lhote
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de André Lhote, 1960. Published by Editions d'Art ...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Original A Wonderful Opportunity for You, United States Navy 1917 vintage poster
Located in Spokane, WA
Original WW1 poster: A Wonderful Opportunity for You. Ashore, on leave. United States Navy. A pre-war recruiting lithographic poster features an ebullient sailor going home o...
Category
1910s Modern Landscape Prints
Materials
Lithograph
Aufbruch Zur Jagd - Etching by Wilhelm Woernle - 19th Century
Located in Roma, IT
Aufbruch Zur Jagd is an Etching realized by Wilhelm Woernle in the 19th Century.
Good condition.
Category
19th Century Modern Landscape Prints
Materials
Etching
The Farmers in boat with vegetables - Etching - 1860
Located in Roma, IT
"The Farmers in boat with vegetables" is an Artwork realized in 1860.
Etching on ivory old paper.
The state of preservation of the artwork is good except some stains and imperfect...
Category
1860s Modern Landscape Prints
Materials
Etching
Sunlight on Stone; Caudebec-en-Caux
Located in Middletown, NY
An extremely scarce impression from the artist's own collection.
Etching on watermarked antique laid J Whatman Japon paper, 14 1/2 x 7 5/8 inches ( 368 x 195 mm), full margins. Signe...
Category
Mid-20th Century Modern Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Vintage Art Etching Farm with Cow and Farmer, Famed Children's Book Illustrator
Located in Surfside, FL
Medium: etching
Surface: paper
Country: United States
Signed in plate with initial G.
Black and white illustration of a landscape with farmhouse (old barn).
TIBOR GERGELY
Budapes...
Category
Mid-20th Century Modern Landscape Prints
Materials
Etching
Fred Taylor Lincoln LNER Railway Poster 1930 - Early English Architecture
By Fred Taylor
Located in London, GB
To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the poster you want.
Fred Taylor (1875-1963)
Lincoln -Early English Architeture (L.N.E.R)
Printed for London North Eastern Railway
Lithographic poster c. 1930
40×25 inches
Taylor was one of Britain’s leading poster artists between 1908 and the 1940s and is best known for his architectural posters...
Category
1930s Modern Landscape Prints
Materials
Lithograph
'Navajo Medicine Ceremony of the Night Chant' — Southwest Regionalism
Located in Myrtle Beach, SC
Ira Moskowitz, 'The Three Gods of Healing (Navajo Medicine Ceremony of the Night Chant)', lithograph, 1945, edition 30, Czestochowski 148. Signed and titled in pencil. Signed and dated in the stone, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (2 1/4 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed.
Image size 12 1/4 x 15 13/16 inches (311 x 402 mm); sheet size 17 1/8 x 20 7/8 inches (435 x 530 mm).
ABOUT THIS WORK
The nine-night ceremony known as the Night Chant or Nightway is believed to date from around 1000 B.C.E. when it was first performed by the Indians who lived in Canyon de Chelly (now eastern Arizona). It is considered the most sacred of all Navajo ceremonies and one of the most difficult and demanding to learn, as it encompasses hundreds of songs, dozens of prayers, and several highly complex sand paintings. And yet the demand for Night Chants is so great that as many as fifty such ceremonies might be held during a single winter season, which lasts eighteen to twenty weeks.
The Night Chant is designed both to cure people who are ill and to restore the order and balance of human and non-human relationships within the Navajo universe. Led by a trained medicine man who has served a long apprenticeship and learned the intricate and detailed practices that are essential to the chant, the ceremony itself is capable of scaring off sickness and ugliness through techniques that shock or arouse. Once the disorder has been removed, order and balance are restored through song, prayer, sand painting, and other aspects of the ceremony.
The medicine men who supervise the Night Chant ensure that everything—each dot and line in every sand painting, each verse in every song, each feather on each mask is arranged precisely, or it will not bring about the desired result. There are probably as many active Night Chant medicine men today as at any time in Navajo history due to the general increase in the Navajo population, the popularity of the ceremony, and the central role it plays in Navajo life and health.
ABOUT THE ARTIST
Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972.
After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001.
Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955).
Moskowitz’s lithographs of...
Category
1940s Modern Landscape Prints
Materials
Lithograph
Giacometti, Composition (Kornfeld 322; Lust 32), Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin Chiffon de Mandeure paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres I...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Picasso, Composition (Cramer 88), Dans l'Atelier de Picasso (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Girton College, Cambridge lithograph by Hugh Casson
By Hugh Casson
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
20th Century Modern Landscape Prints
Materials
Lithograph
Léger, Composition, mes voyages (after)
Located in Auburn Hills, MI
Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...
Category
1970s Modern Landscape Prints
Materials
Lithograph
Julian Trevelyan, Notre Dame de Paris, etching and aquatint
Located in London, GB
Julian Trevelyan (1910-1988)
Notre Dame
Etching and aquatint, stamped signature, numbered 42/50
35 x 48 cm
Nephew of the historian G M Trevelyan, he was educated at Bedales and Tri...
Category
1960s Modern Landscape Prints
Materials
Etching, Aquatint
Brianchon, Une vigne de la doulce France, Vins, Fleurs et Flammes (after)
Located in Auburn Hills, MI
Lithograph and Stencil on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Vins, Fleurs et Flammes, 1956. Published by ...
Category
1950s Modern Landscape Prints
Materials
Lithograph, Stencil
Composition, Le Livre Blanc, Jean Cocteau
By Jean Cocteau
Located in Auburn Hills, MI
Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...
Category
1930s Modern Landscape Prints
Materials
Lithograph, Stencil
'Taos - Relic of the Insurrection of 1845' — Southwest Regionalism
Located in Myrtle Beach, SC
Ira Moskowitz, 'Relic of the Insurrection of 1845' also 'Taos Pueblo with Ruin)', lithograph, 1944, edition 30, Czestochowski 121. Signed and titled in pencil. Signed and dated in the stone, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (1 3/8 to 1 15/16 inches). Very pale light toning within a previous mat opening, otherwise in excellent condition. Matted to museum standards, unframed.
Image size 11 5/8 x 15 1/2 inches (296 x 394 mm); sheet size 15 1/8 x 19 inches (384 x 483 mm).
ABOUT THE IMAGE
The Taos Revolt was a populist insurrection in January 1847 by Hispano and Pueblo allies against the United States occupation of present-day northern New Mexico during the Mexican–American War. The rebels killed provisional governor Charles Bent and several other Americans. In two short campaigns, United States troops and militia crushed the rebellion of the Hispano and Pueblo people. The New Mexicans, seeking better representation, regrouped and fought three more engagements, but after being defeated, they abandoned open warfare. The hatred of New Mexicans for the occupying American army, combined with the rebelliousness of Taos residents against imposed outside authority, were causes of the revolt. In the uprising's aftermath, the Americans executed at least 28 rebels. The Treaty of Guadalupe Hidalgo in 1850 guaranteed the property rights of New Mexico's Hispanic and American Indian residents.
ABOUT THE ARTIST
Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972.
After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001.
Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955).
Moskowitz’s lithographs of American Indian...
Category
1940s Modern Landscape Prints
Materials
Lithograph
Silver Wood
Located in San Francisco, CA
This artwork titled "Silver Wood" 1966 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated, inscribed A.P and titled in pencil by the artist. The image size is 16 x 22 inches, sheet size is 12.25 x 27 inches. It is in excellent condition.
About the artist:
Virgil Thrasher...
Category
Late 20th Century Modern Landscape Prints
Materials
Screen
Grand Theatre of Trieste - Lithograph - 1862
Located in Roma, IT
Grand Theatre of Trieste is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government...
Category
1860s Modern Landscape Prints
Materials
Lithograph
Composition (Vallier 143), La Liberté des Mers, Georges Braque
Located in Auburn Hills, MI
Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Édite...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Country Road, Signed Lithograph by Clarence Carter
Located in Long Island City, NY
Country Road
Clarence Holbrook Carter
American (1904–2000)
Date: Circa 1979
Lithograph, signed and numbered in pencil
Edition of 200, AP
Image Size: 24 x 18 inches
Size: 30 x 22 in...
Category
1970s Modern Landscape Prints
Materials
Lithograph
Porte d'Amsterdam a Harlem - Etching by Charles Cuisin - 1870s
Located in Roma, IT
Porte d'Amsterdam a Harlem is a black and white etching realized by Charles Cuisin (1832-1900) in 1870s.
Titled in the lower.
Image size: 31cmx22cm.
Very Good condition.
Signed o...
Category
1870s Modern Landscape Prints
Materials
Etching
Les Cinq Enfants de Charles 1er - Etching by Felix-Augustin Milius - 1872
Located in Roma, IT
Etching realized by Félix Milius d'après Van Dyck in 1872.
Very good condition.
Category
1870s Modern Landscape Prints
Materials
Etching
Giacometti, Georges Braque le 31 août 1963, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 144-145-146, 1964. Published by Aimé Maeght, Éditeur, P...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Bazaine, Composition, Derrière le miroir (after)
By Jean Bazaine
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 197, 1972. Published by Aim...
Category
1970s Modern Landscape Prints
Materials
Lithograph
Le Capricorne (Capricorn), Les Signes du zodiaque, Jean Lurçat
By Jean Lurçat
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Les Signes du zodiaque, 1959. Published by Édit...
Category
1950s Modern Landscape Prints
Materials
Lithograph
The Passing Gondola
By James McBey
Located in Storrs, CT
The Passing Gondola. c. 1926. Etching. Edition 80, #18. Hardie/Carter 230. 8 1/2 x 10 1/2 (sheet 11 1/4 x 13). Illustrated: Fine Prints of the Year, 1927. Printed on antique wove pap...
Category
1920s Modern Landscape Prints
Materials
Etching, Drypoint
Picasso, Composition (Hodorisch B2), Le manuscrit trouvé dans un chapeau (after)
Located in Auburn Hills, MI
Lithograph on vélin des papeteries Lafúma paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Le manuscrit trouvé dans un chapeau, orné de dessins a la ...
Category
1910s Modern Landscape Prints
Materials
Lithograph
Léger, Composition, mes voyages (after)
Located in Auburn Hills, MI
Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...
Category
1970s Modern Landscape Prints
Materials
Lithograph
Delaunay, Planche No. 16, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
1930s Modern Landscape Prints
Materials
Stencil
Peau d' Ame ( Body and Soul)
Located in New Orleans, LA
Christine Ravaux created Peau d' Are which is signed by pencil. This impression is #2 of 15
Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted with ...
Category
Early 2000s Modern Landscape Prints
Materials
Mezzotint
Jansem, Atelier parisien, Au Temps de Paris Seine (after)
By Jean Jansem
Located in Auburn Hills, MI
Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Le Canal St Martin - Etching by Adolphe Martial-Potémont - 1870s
Located in Roma, IT
Le Canal St Martin is a black and white etching realized by Adolphe Martial-Potémont (1827-1883) in 1870s.
Titled in the lower.
Image size: 30cmx21cm.
Very Good condition.
Realiz...
Category
1870s Modern Landscape Prints
Materials
Etching
Les Tuileries, Regards sur Paris, Maurice Brianchon
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1962. Published by André Sauret, Paris;...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Matisse, Madame L.D. La Blouse Bleue, Portraits par Henri Matisse (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued.
Year: 1954
Paper Size: 12 x 9.25 inches; image size: 9.45 x 6.3 inches
Inscription: Signed in the ...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Giacometti, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 98, 1957. Published by Aimé Maeght, Éditeur, Paris; pri...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Matisse, Mademoiselle L.L. Le Chapeau Jaune, Portraits par Henri Matisse (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued.
Year: 1954
Paper Size: 12 x 9.25 inches; image size: 9.84 x 6.69 inches
Inscription: Signed in the...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Matisse, Margueritte Matisse, Portraits par Henri Matisse (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued.
Year: 1954
Paper Size: 12 x 9.25 inches; image size: 7.08 x 6.69 inches
Inscription: Signed in the...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Matisse, Mademoiselle M.A., Portraits par Henri Matisse (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued.
Year: 1954
Paper Size: 12 x 9.25 inches; image size: 8.66 x 6.3 inches
Inscription: Signed in the ...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Matisse, Georges Besson, Portraits par Henri Matisse (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued.
Year: 1954
Paper Size: 12 x 9.25 inches; image size: 5.51 x 3.54 inches
Inscription: Signed in the...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Matisse, Mademoiselle…Les deux Soeurs, Portraits par Henri Matisse (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued.
Year: 1954
Paper Size: 12 x 9.25 inches; image size: 7.08 x 8.27 inches
Inscription: Signed in the...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Matisse, Madame Gréta Prozor, Portraits par Henri Matisse (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued.
Year: 1954
Paper Size: 12 x 9.25 inches; image size: 9.84 x 6.69 inches
Inscription: Signed in the...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Matisse, Margueritte Matisse, Tête blanche, Portraits par Henri Matisse (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued.
Year: 1954
Paper Size: 12 x 9.25 inches; image size: 9.45 x 5.91 inches
Inscription: Signed in the...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Matisse, Mademoiselle Yvonne Landsberg, Portraits par Henri Matisse (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued.
Year: 1954
Paper Size: 12 x 9.25 inches; image size: 9.45 x 6.3 inches
Inscription: Signed in the ...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Matisse, Zora, La robe jaune, Portraits par Henri Matisse (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued.
Year: 1954
Paper Size: 12 x 9.25 inches; image size: 9.05 x 7.08 inches
Inscription: Signed in the...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Matisse, Mlle X…, Portraits par Henri Matisse (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued.
Year: 1954
Paper Size: 12 x 9.25 inches; image size: 9.84 x 7.48 inches
Inscription: Signed in the...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Netherton Chapel
Located in Storrs, CT
Netherton Chapel. 1935. Etching. Comstock 53.v. 5 11/16 x 4 3/8 (sheet 8 15/16 x 6 1/2). Edition 85 in this state (total edition 88-89). Illustrated Fine Prints of the Year, 1936; Print Collector's Quarterly 26 (1939): 286. A fine impression on white laid paper with a partial crown watermark. Signed in pencil. Housed in a striking 11 1/2 x 10 7/8 wood and champagne gold frame.
According to Comstock "The subject is a small memorial chapel, now much more ruinous than the etching shows, near Bredon Hill...
Category
Mid-20th Century Modern Landscape Prints
Materials
Etching
Matisse, Margueritte Matisse, Portraits par Henri Matisse (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued.
Year: 1954
Paper Size: 12 x 9.25 inches; image size: 9.45 x 6.3 inches
Inscription: Signed in the ...
Category
1950s Modern Landscape Prints
Materials
Lithograph
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