Screen Prints and Multiples

Screenprint Edition of 100 50 x 50 cm, 19 x 19 in Signed and numbered on the front Excellent, no significant condition issues under normal viewing conditions with inconsequential cre...

Owl's Head, Maine by Gretchen Dow Simpson is a stunning limited edition silkscreen print that captures the idyllic charm of this coastal location. Published by Pamplemousse Press and...

'Viperteen' - Screen Print by Prefab77 Size: 24.25 x 24.25 inches / 61,6 x 61,6 cm Published on 21st of June 2017 Edition of 25 5 color Screen Print on Fabriano 250gsm cotton paper ...

Enveloped by outstretched paintings, Gonzalo García reveals the ever-present ghosts of our past and present in a delicate swirl of color, light, and fle...

Silkscreen on Screen print on Stonehenge Steel Grey 250gms 20 × 16 in 50.8 × 40.6 cm Edition 197 of 250 KAWS is a multi-faceted artist straddling the worlds of art and design in his...

This screenprint depicts a self portrait of the artist, and an introspective qoute.

"Untitled" abstract screenprint (Encrevé/Miessner Kat. N° 113) by artist Pierre Soulages from the "Kinderstern" portfolio published by Edition Domberger to raise money to house famil...

Numbered and signed rf Lichtenstein and dated '75 in pencil lower right by the artist. Blindstamp Styria Studio chop lower right. From the America: The Third Century Portfolio. Publi...

This 30 color screen print was created at Brand X Editions to commemorate the terrorist attacks of September 11, 2001 in New York City. This print comes directly from the publisher, Lincoln Center Editions...

Publisher GKM. Unframed. Edition of 150 ex. Signed and numbered. Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à ...

Artist: John Cedarstrom Title: Water Lily Flower Year: circa 1980 Medium: Serigraph, signed in pencil Edition: AP Paper Size: 23 x 31.5 inches

Artist: Mark Kostabi (1960) Title: Merger Year: 1988 Edition: 50, plus proofs. Medium: Silkscreen on Arches paper Size: 39 x 27.5 inches Condition: Excellent Inscription: Signed and ...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 62/200 on lower front. Bears the publisher's blind stamp on the fro...

Three Eyes from the Icons series. Screen print in colors with embossing on Arches cover paper. Hand signed, dated and numbered by the executor of the Haring estate, Julia Gruen, in p...

Shooting Star - 1979 Print - Silkscreen 36.5'' x 36.75'' Edition: Signed in pencil, dated and marked 238/250 Unframed

This Blue Dog work consists of 1 blue and 1 red dog on either side of Lady Justice centered and standing on a moon. All are on a two-toned pink background and the dogs have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Equal Justice...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Sultan’s artworks are rich in color and texture. He is known for his iconic, abstract poppy flowers. The poppies are large in scale and overlay a minimal background, often made from tar. This Mixografia print, "Yellow Flowers...

David Shrigley I Hate Human Beings, 2021 Screen print on wove paper Signed, dated, and numbered on the COA Edition 37/125 on the verso Published by AllRightsReserved, Hong Hong Accom...

Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Salute, 1960. Published and printed by Tiber Press, New York under...

Josef Levi, American (1938 - ) - Still Life with Cranach and De Heem, Year: 1980, Medium: Screenprint on Arches, signed, titled, numbered and dated in pencil, Edition: Trial Proof,...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

Signals is a lithograph print realized by Leo Guida in the 1970s. Good condition, with slight folding on white margins. Artist sensitive to current issues, artistic movements and h...

CRIS GIANAKOS Send Our Boys Home, 1970 Silkscreen on wove paper 35 × 23 inches Edition 37/225 Pencil signed, dated and numbered from the edition of 225 on the recto Unframed Provenan...

Computer City is a frenzy of colors and action. This is a city scene with stop lights, parking signs, directional signs, stop signs, digital time clock, buildings, streets and a mass...

This listing is for the one Silkscreen serigraph piece listed here. Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing...

DONALD SULTAN (B. 1951) Lantern Flowers, Black and Blue, Oct 4, 2017, from Big Lantern Flowers Screenprint in blue and black with flocking, on museum board, 2017, signed, titled and...

Flamingo! 2 is a limited edition giclée print hand finished with screen printed layers of diamond dust and varnish by printmaker Benjamin Thomas Taylor. The diamond dust animates the...

Helmut Sundhaussen Title: Abstract Geometric Composition Medium: Color silkscreen Year: 1972 Signed, numbered and dated by hand Edition: XL Size: 18.7 × 18.7 on 21.8 × 21.8 inches C...

Fine Art Cream Speckletone Paper with Gold Metallic Inks 24 × 18 in 61 × 45.7 cm Edition 98/275 Red Edition: "These 'Bee Geometric' prints remind us how much our planet depends o...

Hand numbered 198/200, signed and dated on the recto in the lower right margin. Provenance: Martin Lawrence Gallery, Los Angeles, 1993 and Private coll...

Green Shapes is a colored screen print realized by Renato Barisani in 1983 . Hand-signed and dated in pencil on the lower right. Numbered  in pencil on the lower left. Edition XXIi/...

'The Orange Point', color serigraph, edition 54, c. 1940. Signed, titled, and annotated 'Ed/54' in pencil. A fine impression, with fresh colors, on buff wove paper; the full sheet wi...

Behold the original British Columbia United Air Lines vintage Travel Poster—a rare gem from the mid-century Modern era. This archival linen-backed beauty is in excellent condition an...

"Road Runner 7" is an original four-color screenprint artwork by Miriam Singer measuring 26"h x 17"w framed. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA ...

Screenprint on paper. Hand signed and numbered by the artist. Edition 19/30 (there were also ten artist’s proofs). From the portfolio Master American Contemporaries, Inaugural Print Invitational. Published by Museu de Arte Contemporânea, São Paulo, printed by American Image, Katonah, NY, and labeled with the museum’s printed anniversary mark in the lower right corner. Custom framed as pictured...

Takashi Murakami That Sounds Good, I Hope You Can Do That 2019; Screenprint in colors with cold stamped gold and silver foil on wove paper 22 1/4 x 41 inches Edition 190 of 300 Signe...

Artist: Gene Davis (1920-1985) Title: Shooting Star Year: 1979 Medium: Lithograph on Arches paper Edition: 202/250, plus proofs Size: 37.25 x 37 inches Condition: Good Inscription: S...

Silkscreen on vélin d’Arches paper. Paper Size: 14 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks in the Pages of Life, 1998. Published by The Limited Editions Club, New York; printed by Drexel Press, Inc. Long Island City, 1998. Excerpted from the folio, CCC examples, designed, hand-set in Monotype Perpetua, printed, and hand-bound by Michael and Winifred Bixler, Skaneateles, New York. Paper made in France at Arches. Silkscreens printed by the Drexel Press, Inc. Long Island City, New York. PHOEBE BEASLEY...

Artist: Robert Indiana, American (1928 - 2018) Title: Die Deutsche Liebe (The German LOVE) from the American Dream Portfolio Year: 1968 (1997) Medium: Silkscreen on Wove Paper Editio...

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

Rare exhibition poster by Puerto Rican artist Eduardo Vera Cortes (1926-2006). Exposicion de Pinturas de Antonio Maldonado, 1965. Screen print on p...

Screenprint in colours on wove paper Edition 55 of 100 81.3 x 135.3 cm (32 x 53.2 in) Signed and numbered on the front Mint Published by Pace Prints

Artist: Nicola Simbari – Italian (1927-2012) Title: Marco Year: 1978 Medium: Screen Print Image size: 28.5 x 31.75 inches. Sheet size: 35 x 37.5 inches. Signature: Signed lower ri...

"A metaphor for the environmental peril we have created and the struggles future generations will face just to navigate climate-related problems like super storms, drought, famine, p...

Untitled - Tiles by Menashe Kadishman, Israeli (1932–2015) Date: circa 1979 Screenprint, signed in pencil Image Size: 21.5 x 20 inches Size: 41 x 29 in. (104.14 x 73.66 cm)

Silkscreen on Mohawk Superfine Bristol paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Publishe...

Screenprint on museum board. Hand signed and numbered by the artist. Edition of 100. Published by International Images, Putney, Vermont. Sheet size 59 x 68 inches. Artwork is in e...

Areas Contrasted, from A Poem for Alexander by William Scott, 1972 Additional information: Medium: screenprint 56.9 x 77.5 cm 22 3/8 x 30 1/2 in signed, dated and inscribed A/P in p...

Yaacov Agam (b. 1928) Untitled, c. 1980 Silkscreen print Sight: 33 1/2 x 20 1/2 in. (image) Framed: 52 x 29 1/8 x 1 in. Signed lower right Inscribed verso Yaacov Agam was born Yaac...

Reflections Jan De Ruth, Czech (1922–1991) Date: circa 1970 Screenprint, signed, numbered and titled in pencil Edition of HC Image Size: 25 x 16.5 inches Size: 29 x 23 in. (73.66 x 5...

Sandra Ramos (Cuba, 1969) 'Avistamiento I', 2005 silkscreen, collage on canvas 22.9 x 27.2 in. (58 x 69 cm.) Edition of 99 Unframed ID: RAM1508-001-106 Hand-signed by author

Unique screenprint of an edition of 60. Signed and numbered "30/60" in pencil lower right. Published by Andy Warhol, New York. Printed by Rupert Jasen Smith, New York. Andy Warhol P...

Alan Shields Lonely Night, 1969 Screenprint and Pochoir with collage on perforated paper Pencil signed, numbered and dated from the limited edition of 100 Unframed Mixed media colla...

Alex Katz (b. 1927) Ada 3 — From the ADA Portfolio, 2022, (/100) Silkscreen in colors on Saunders Waterford High White HP 425 gsm paper 54 x 40.50 in

PRINCES KEPT THE VIEW is an original limited edition lithograph printed using hand drawn lithography techniques on archival Arches printmaking paper, 100% acid free, by the Iowa born artist Jim Buckels. PRINCES KEPT THE VIEW presents a finely detailed fantasy landscape scene depicting a Mediterranean cliff-side villa beside a moonlit lake featuring classic architectural details including terracotta roof tiles, off-white stucco walls, stone balustrade balconies and stone walled terraces. The highly sought-after, limited edition lithograph - PRINCES KEPT THE VIEW was printed in shades of aqua, light blue, green, terracotta, beige, taupe gray, black and white creating a calm, yet mysterious ambience. PRINCES KEPT THE VIEW is a beautifully detailed, picturesque Mediterranean landscape any fantasy traveler would love to explore. Print size - 26.75." x 31.5" Large off square size, impressive handcrafted limited edition lithograph, unframed, excellent condition, pencil signed by Jim Buckels Edition size - 350, plus proofs Year published - 1990 Printer - J K Fine Art Editions Co. NY JIM BUCKELS Artist statement- "On one level, I think of myself as a decorative artisan, or at best a scene painter. I don't mind this distinction, because many of my heroes never achieved much more. It's a modest but honorable aspiration. The artists who have influenced me are quite dissimilar and usually less prominent in the pantheon of art history: Canaletto, the Flemish scene painters, the Hudson River artists...

Shalom Moskovitz (Israel, 1895 - 1980) - Elijah Ascending to Heaven, Year: 1973, Medium: Screenprint, signed and numbered in pencil, and titled on verso, Edition: 143/300, Image Size...