Screen Prints and Multiples

Lithograph, silkscreen in colors on vélin vergata paper. Paper size: 16.5 x 12.625 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue Raisonne Reference: M...

This limited-edition silkscreen poster by Lance Hidy was created to promote Dow & Frosini, a framing store on Telegraph Avenue in Berkeley, California, next to UC Berkeley, which lat...

Publisher GKM. Unframed. Edition of 140 ex. Signed by the artist. Free shipment worldwide. Adami is the maestro of the unadulterated line,” writes the Swedish poet Lasse Söderberg i...

Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, The Poems, 1960. Published and printed by Tiber Press, New York un...

Artist: Italo Valenti, Italian (1912 - 1995) Title: Untitled (Verde) Year: 1972 Medium: Screenprint, signed and numbered in pencil Edition: 150 Size: 27 x 29.5 inches

Henri Matisse (1869-1954) (after) Icarus Screen print On heavy paper 99 x 70 cm (c. 40 x 28 in) Excellent condition

Richard Anuszkiewicz Annual Edition, 1987-1988 Limited edition silkscreen on masonite Signed and dated by the artist lower right in pencil Frame Included (floated within a box frame)...

Discover "EVE," a vivid and expressive screenprint by Helen Frankenthaler, exemplifying her abstract expressionist style. Created in 1995, this artist's proof (9/16) is beautifully r...

Turquoise Roof is a limited edition hand-pulled serigraph no. 111 / 260 signed by the artist in excellent condition. Published by Aspen Mountain Graphics. sheet size 28 x 36 image 25 x 32.75 For American artist William Hook ( b. 1948- ) art was a central focus in his family home and he began his career in art at an early age.. He studied at several prestigious art schools in the US and abroad. His work has been featured in magazines such as Southwest Art, Art of the West, U. S. Art, American Artist and Focus Santa Fe. The book... Leading the West... by Donald Hagerty features William Hook as one of the most notable influences on the western art scene. Publishers Harper-Collins and North Light have included his work in numerous books written about the contemporary art process in Europe and America. Hook’s paintings can be found in the permanent collections of the Denver Art Museum, the Tucson Art Museum, the University of New Mexico, the FORBES Museum, NYC, and the Genesee Museum, NY as well as in many corporate and private collections. His work has also been featured in prints for the New Mexico Symphony, Music from Angel Fire...

Richard Lindner 3 Biennale Internationale de L'estampe (International Biennale of Graphic Arts), Miss American Indian, 1968 Silkscreen on wove paper Unnumbered 35 1/2 × 23 1/2 inches...

Artist: Hava Raucher Title: Beach Chair II Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP 40 Paper Size: 36 x 26 inches

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CCC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

Brice Marden Lana 2 1966 Screenprint on paper 20 x 24 inches; 51 x 61 cm Edition of 11 Signed, titled, and numbered in graphite (lower recto) This silkscreen was printed by Brice...

Artist: Lennart Nyström, Swedish (1944 - ) Title: One Sheet (Green) Year: circa 1975 Medium: Screenprint, signed and numbered in pencil Edition: 70/95 Size: ...

Signed, numbered and titled in pencil, from the edition of 30. Mermaid dream of Dia de Los Muertos. The turbulent times of the 70’s set the tone for Fuentes' approach to creating ...

Matisse's Cat is a limited edition hand made print by artist Mychael Barratt which takes inspiration from the paper cutting work of Matisse in the 1940s....

Dr Seuss THEODOR GEISEL "THE CAT'S DEBUT - RIGHT" Limited Edition - Serigraph on Coventry Paper Authorized Estate Edition Edition Size: 850 Arabic Numbers 99 Patrons’ Collection 155 Collaborators’ Proofs 5 Hors d’ Commerce...

'EVEN THE HEART SKIPS A BEAT' (Black on Black) is a signature stylistic print by RETNA. The large-scale glittering artwork is a silkscreen print with layers of genuine diamond dust. ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: Mel Ramos, American (1935 - ) Title: Camilla Year: 1989 Medium: Serigraph, signed and numbered in pencil Edition: 161 Image Size: 37 x 32 inches Paper Size: 42 in. x ...

This artwork titled "Baden Baden, Casino" 1988 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered 261/375 in pencil by the artist. The image size is 36 x 42 inches, sheet size is 42 x 48 inches. With the blind stamp of the printer Styria Studio at the lower left corner margin. It is in excellent condition, three small pieces of hanging tape remain on the back. About the artist: Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival. Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes. Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions. When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union. In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars. Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care. Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out." His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995. LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather. He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess. As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid." After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war. On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s. When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint. While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine. In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician. Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation. In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter. Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world. "Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962. Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him. A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters. Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS. Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne Farrell...

Alex Katz (born 1927) Reflection 2 2021 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 47 x 39.5 inches (119 x 100.3 cm) Edition of 81/100 With flat plane...

Shahn, Ben. PORTRAIT OF SACCO AND VANZETTI. P.32. Serigraph in black, 1958. Edition unspecified; Prescott knew of 55 copies. Printed on Japan paper...

Artist: Lennart Nyström, Swedish (1944 - ) Title: Three Sheets (Brown) Year: circa 1975 Medium: Serigraph, signed and numbered in pencil Edition: 40/95 Siz...

Artist: Hunt Slonem, American (1951 - ) Title: Pocahontas Pillow Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 30 Size: 26 x 29 inches

Artist: Giuseppe Uncini, Italian (1929 - 2008) Title: Ferrocemento Year: circa 1970 Medium: Mixed Media Print, signed and numbered in pencil Edition: 110/150 Image Size: 16.5 x 13 in...

Landscape is a mixed colored screen print realized by the Sicilian artist Renato Guttuso. Sheet dimension: 50 x 69 cm. Good conditions. Renato Guttuso (Bagheria, Palermo 1912 - Ro...

Artist: Robert Indiana Title: Parrot Portfolio: 1997 The American Dream Medium: Original serigraph Year: 1997 Edition: 76/395 Frame Size...

Lucio Muñoz Martinez (Spain, 1929-1998) 'S/T', 1994 engraving on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 75 ID: MUÑ1114-004-075 Hand-signed...

Peter Stroud, British (1921 - 2012) - The Clifford Suite, Year: 1973, Medium: Screenprint, signed, dated and numbered in pencil, Edition: 44/45, Image Size: 27 x 36.25 inches, Size: ...

Artist: Donald Sultan Title: Wallflower 26 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 29 3/8" x 26 3/4" Sheet Size: 24 1/4" x 21 1/2"...

Artist: Johns Baldessari Title: Best Men Year: 2017 Medium: Screenprint on Arches 88 paper Edition: 50; signed, dated and numbered in pencil Sheet: 32 1/2 x 28 inches (82.5 x 71.1 cm...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed.

Anna Harley Sunrise Mini Limited Edition Silkscreen Print Edition of 80 Size: H 22cm x W 22cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a...

Hand signed in lower left margin and numbered 35 of 200 (aside from the artists proof edition of 30). Printer Rupert Jasen Smith, New York. Co published by Ronald Feldman Fine Arts N...

Juergen Kuhl Flowers Year: 2018 Color silkscreen Size: 35.1 × 35.1 inches COA provided *mounted on foam core board About Jurgen Kuhl: In Cologne, the city of art in Germany, paint...

Beautiful exhibition poster by Puerto rican artist, Rafael Tufino (1922-2008). Augusto Marin, Exposicion de Pinturas, 1965. Screen print on paper, 20 x 3...

A Op Art abstract color screenprint, "Planetary Folklore" 1968, by Victor Vasarely (1906-1997). This very striking work by Vasarely is comprised of various colorful geometric shapes, the work is signed lower right "Vasarely" and numbered lower left "2/250. This is an early and crisp impression in excellent condition and housed under glass in a gilt & silvered hardwood frame. This very eye-catching work by one of the 20th century's leading Op artists is ready to hang on your wall. 14" x 14.50" at sight without frame Numered 2/250 A Franco-Hungarian painter, Victor Vasarely (1906-1997) first studied medicine before turning to art. In Budapest, he frequented artists from the Hungarian Bauhaus...

Screenprint on Rives paper, Edited in 1969 Limited Edition of 250 copies Signed and dated in pencil by artist in lower rith corner , numbered as 88/250 in lower left corner Paper siz...

Screenprint in colours on wove paper Edition 55 of 100 81.3 x 135.3 cm (32 x 53.2 in) Signed and numbered on the front Mint Published by Pace Prints

Tracey Emin I Love You/I Love Your Soul/I Love Your Smile, ca. 2010 100% Cotton Beach Towel 60 × 70 inches (folded it's 25 x 30 inches) Signed in plate, authorized printed...

Artist: Victor Vasarely, Hungarian (1908 - 1997) Title: Ter-Ur Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: From the edition of 250 Image Size: 24.5...

Artist: Kikuo Saito, Japanese (1939 - 2016) Title: Beggar's Ladder Year: 1980 Medium: Silkscreen, Signed and Numbered in Pencil Edition: 160 Size: 42 in. x 29.5 in. (106.68 cm x 74.9...

"Equal Justice Under Law" Screenprint #99/125 on Wove Paper Iconic composition by Robert Rauschenberg (American, 1925-2008). A red envelope and a hand holding sprouted grass the pli...

Artist: Erte Title: "La Princesse Lointaine" Type: Serigraph Image Dimensions: 21 x 16 Framed: 38x27 inches Year Produced: 1984 Edition: AP 6/50 Condition: Excellen The Russian born...

David Shrigley Untitled (Cat), 2019 Screenprint on 300gsm BFK Rives paper 76 x 56 cm Edition 30 of 125 Hand-signed and numbered by the artist David Shrigley is a British artist know...

Title: James Jean "Kindling III" Limited Edition Print Description: Step into the enchanting narrative woven by visionary artist James Jean with his mesmerizing limited edition prin...

Artist: Josef Albers (German-American, 1888-1976) Title: "Variant II" Portfolio: Ten Variants *Unsigned edition Year: 1967 Medium: Original Screenprint on Rives BFK paper Limited edi...

"Untitled Yellow Streak" by Sam Francis is a striking artwork that exemplifies the artist's signature style and mastery of color. Created in 1985, this piece showcases Francis's expl...

Publisher GKM. Unframed. Edition of 150 ex Paper: 300gr. Goya. Signed, dated and numbered. Corneille, one of the founders of the COBRA group, has passed away. He died in Paris on Su...

Mark Gonzales Supreme Skateboard Deck 2017: Dimensions: 31.5 x 8 x 0.5 in. (80.01 x 20.32 cm). Medium: Offset print on Maple Wood. Printed artist signature & Supreme logo on reverse. New in its original packaging, excellent overall condition. Provenance: Acquired directly from Supreme New York. From a sold out limited edition of unknown. Mark Gonzales (b. Southern California 1968) Mark Gonzales aka Gonz, first entered the skateboarding world at the age of 13, and by the age of 16 he had featured on the cover of Thrasher, riding an Alva board. He soon switched to Vision, where he graduated to pro status and won the 1985 Oceanside street contest. He is often described as the greatest skateboarder of all time, and even more often as the most influential, and is undoubtedly a true pioneer of modern street skateboarding. Gonz’s affiliation with Supreme goes way back to the stores beginning on Lafayette Street, NYC. Whenever overseas on skate trips, Mark would often send postcards to the late Harold Hunter and the rest of the crew at “Supream” (his misspelling), featuring his own doodles and musings, some of which would later make it on to items of clothing from the brand. The Gonz...

Silkscreen in eleven colors on vélin paper. Paper Size: 12.81 x 9.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Hiroshima, 1983. Published by Th...

Screen print in colours Edition of 250 90 x 121.5 cm (35.4 x 47.8 in) Signed, numbered and dated on the back Condition on request Printed by Silk Print Kettner, Zürich, published by ...

Five Lemons A Pear and Egg : Fruits and Flowers Suite 1994 Print - Screen Print Paper size 22.75'' x 21.75'' inches Image size 12" x 12" inches Edition: signed in pencil, titled, d...

Arístides Esteban (ARES) Hernández Guerrero (Cuba, 1963) 'The Rolling Stone (verde)', 2016 silkscreen on paper 27.6 x 19.7 in. (70 x 49.8 cm.) Edition of 50 ID: ARE-204 Hand-signed ...

Screenprint on Somerset Tub Sized 400gsm paper Edition of 125 Signed and numbered on the back Mint. Minor imperfections may appear due to the production process Since this item will...

Artist: Jack Brusca Title: Globe Flower Medium: Silkscreen Signed: Hand Signed Year: 1978 Edition: Edition of 200 Measurements: 26.5" x 25.5" Frame...

Artist: Josef Albers (German-American, 1888-1976) Title: "Arrived" Portfolio: Soft Edge - Hard Edge *Signed and dated by Albers in pencil lower right ...