Advertising Prints and Multiples

Delahaye is a 1989 poster by Pierre Fix-Masseau. The artwork features the classic 1937 Delahaye model 135 M amidst the backdrop of the famous Casino de Monte-Carlo. This poster comme...

Beautiful poster of exhibition of the writings and engraved work of Max Ernst to the gallery of the point Cardinal. Max Ernst ( 1891 - 1976 ) was a German painter, sculptor, graphic artist and poet. A prolific artist, Ernst was one of the main pioneers of the Dada movement...

Paper Size: 28 x 20 inches ( 71.12 x 50.8 cm ) Image Size: 21.75 x 15 inches ( 55.245 x 38.1 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Additional...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

Paper Size: 37.5 x 24 inches ( 95.25 x 60.96 cm ) Image Size: 37.5 x 24 inches ( 95.25 x 60.96 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Addition...

Vintage Exhibition Poster Morandi is a vintage Offset print realized for the exhibition at Galleria Marino in Rome after Giorgio Morandi. Good condition Giorgio Morandi (July 20, 1...

Original UK Lobby Card of John Glen´s movie "James Bond 007 - The living daylights", UK 1987. Actors: Timothy Dalton and Maryam d'Abo Keywords: J...

This circa 1950 original poster by Wootton is an evocative call to arms, inviting individuals to "Join the Royal Air Force Regiment." Wootton, known for his work in military and avia...

 Costume for Macbeth is a modern artwork realized after Sergei Eisenstein in the mid-20th century. Mixed colored phototype print. Includes frame: 45 x 34 cm Fair conditions due to...

Soon after the German invasion of the Soviet Union in June of 1941, the Okna TASS studio spontaneously formed in Moscow. Comprised of renowned artists, poets and literary figures, th...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8 x 3.25 inches ( 20.32 x 8.255 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithogra...

This is an original exhibition poster from the 2000 Cindy Sherman exhibition at the Hasselblad Center in Germany. Although this version of the poster is unsigned, it remains a highly...

Beautiful poster from 1967 for an exhibition of Paul Klee at the Cantini Museum in Marseille. Paul Klee was a Swiss-born German artist. His highly individual style was influenced by ...

This poster was made around 1940s by Henry Lemonnier 🇫🇷 (1890-1954) a French poster artist. He worked for various printers as well as in advertising....

Alphonse MUCHA (after) Exhibition "Grand Palais" in Paris, 1980 Vintage Exhibition Poster Hi-Quality offset print On nice paper 60 x 40 cm (c. 24 x 16in) Very good condition, light...

Paper Size: 40 x 29.5 inches ( 101.6 x 74.93 cm ) Image Size: 23.5 x 23.5 inches ( 59.69 x 59.69 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age ...

This circa 1940 original advertising poster, "Voir Melican - Opticien," showcases the refined artistry and design sensibilities of mid-20th-century commercial advertising. Designed t...

6 colour screenprint with hand applied glitter on Somerset Tub Sized Satin Radiant White 410gsm Edition of 125 Signed and dated by the artist on archival label on the back Mint. Due ...

Political poster of the 70s to stop Franco's crimes. Six Basque revolutionaries in danger of death, stop Franco's crimes, save Izko and his comrades. Minister Lopez Bravo and Franco'...

Poster for Lorjou at the Musee Galliera October 14- November 22, 1970

Fernand LÉGER (1881 - 1955) Music : The Orchestra Lithograph after a watercolor (printed in Atelier Mourlot) Signature printed in the plate On paper 66 ...

"Ex Libris Chamberlain"  is a woodcut on ivory-colorated paper by  Michel Fingesten,  Early 20th Century. Hand signed in pencil. In excellent conditions: As good as new. Michel Fing...

Bad Reputation (Black) on Speckle Tone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 83/350. My Obey “Bad Reputation” print is inspired by music graphics, especially punk and new wave album sleeves, t-shirts, and flyers. I love the Xerox machine with spot color approach to a lot of those graphics that married the rough and crude side of financial and artistic limitations with an intuitive and clever ability to craft subversive, eye-catching images. Some of the edges of this imagery and text are intentionally rough and imperfect… if slick and clean are your bag, you might want to skip this one baby! See if you can spot the references to musicians like the New York Dolls...

"Ex Libris"  is an Etching, Ex Libris, on ivory-colorated paper by Michel Fingesten . In excellent conditions: As good as new. This artwork represents  an invitation from the artist...

The 1930 original poster for the "Exposición de Barcelona" by the artist Rojas is a striking piece of early 20th-century design, reflecting the cultural vibrancy and artistic innovat...

The 1979 original exhibition poster by Pierre Soulages announces an exciting showcase of the artist's recent paintings at the Centre Georges Pompidou's Musée National d'Art Moderne. ...

Victor Koretsky was born in 1909 in Kiev, and died in 1998 in Moscow. On this poster entitled America's Shame, a black man is represented in a pool of blood. It is a critique of the American civil rights situation. Among the photomontage poster artists of the 20th century, Viktor Borisovich Koretskii stands out as one of the most emblematic. His prolific career in the Soviet Union began in the 1930s and ended in the 1980s, and his unique artistic style has influenced generations of graphic designers. During World War II, Koretskii designed propaganda posters for the war effort. Later, he designed the first Soviet postage stamp dedicated to World War II. In 1946 and 1949, Viktor Koretskii received the Stalin Prize for his artistic work. In 1964, Viktor Koretskii was awarded the title of Honored Artistic Worker of the Russian Soviet Federative Socialist Republic, and in the same year he received a gold medal from the Soviet Peace...

Bernard Villemot's original poster for Air France, showcasing travel to North Africa, is a captivating example of his iconic graphic design style. Created in the 1950s, this poster s...

Jacques Monory Spectacular : Surprised Girl, 1976 Original vintage lithograph poster Created for Monory's exhibition at Maeght Gallery On paper 60 x 45 cm (c. 24 x 18 in) Excelle...

This poster, created for Wayne Thiebaud’s “Monotype Variations” exhibition at Crown Point Press held from October to November 1991, features a captivating series of three bowls of pa...

The 1955 original advertising poster featuring Tilda Thamar promotes Ricard, a well-known brand of pastis. Thamar, a renowned Argentine actress, dancer, and singer, adds allure and s...

Bernar Venet Sit on Steel (Hand Signed & Inscribed), 1991 Offset lithograph poster. hand signed. dated. dedicated. Boldly signed, dated and inscribed in silver sharpie on the front 26 3/4 × 18 1/4 inches Unframed Rare vintage poster, hand signed and dedicated by Bernar Venet to the legendary sculptor Isaac Witkin...

Original American Lobby Card of "The Beatles' - Yellow Submarine", 1968 Keywords: The Beatles, Movie, Music, Film, Musicfilm, Cinema, Lobby Card, Lobby Cards, Comic,

The 1958 original travel poster by Alain Gauthier for Royal Air Maroc encapsulates the essence of adventure and discovery synonymous with air travel to Morocco. With its bold typogra...

Original American Lobby Card of "The Beatles' - Yellow Submarine", 1968 Keywords: The Beatles, Movie, Music, Film, Musicfilm, Cinema, Lobby Card, Lobby Cards, Comic,

The 1951 recruitment message Make a Modern Career in the RAF Ground Trades reflects the post-war era’s focus on modernization and the appeal to a new generation seeking opportunity a...

Dudley Hardy Abbotts, Boots and Shoes, 1895 Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 92 of "Les Maîtres de l'Affic...

The A Londra con la Sabena travel poster, created by G. Vanden Heynde in 1951, serves as a captivating representation of mid-20th century air travel, promoting London as an enticing destination. This poster was part of Sabena’s marketing efforts to attract travelers to experience the convenience and excitement of flying to one of Europe’s most iconic cities. During the 1950s, international air travel was becoming more accessible, though it still retained an aura of luxury and adventure. Sabena, the national airline of Belgium, was at the forefront of this burgeoning industry, offering routes that connected major European cities. The slogan A Londra con la Sabena encapsulates the promise of a seamless and sophisticated travel experience, highlighting the airline's ability to transport passengers to the heart of the United Kingdom. London, as depicted in the promotional materials of the era, symbolized a blend of historical grandeur and modern vitality. Post-World War II, the city was undergoing significant reconstruction and revitalization, which made it an attractive destination for tourists and business travelers alike. Sabena’s campaign aimed to capture the imagination of those eager to explore London’s rich cultural heritage, iconic landmarks, and bustling urban life. Sabena’s promotional posters from this period often emphasized the comfort and efficiency of their services. By flying with Sabena, travelers were assured of a journey marked by high standards of hospitality and safety, which was an essential selling point in the early days of commercial aviation. The tagline A Londra con la Sabena directly appeals to the Italian-speaking market, indicating the airline’s effort to reach diverse audiences across Europe. The messaging of the poster aligns with Sabena’s broader branding strategy, which was to present air travel as not only a practical means of transportation but also an exciting and upscale experience. By associating the airline with a world-class city like London, Sabena positioned itself as a premium carrier that could offer both adventure and reliability. In the context of the 1950s, traveling to London would have been seen as an opportunity to engage with a city that was a global center of finance, culture, and politics. The allure of London’s theaters, museums, shopping districts, and historic sites would have been a significant draw for potential travelers. Sabena’s role was to make this journey possible, providing a bridge between the traveler’s home and the vibrant streets of London. G. Vanden Heynde’s involvement in creating the A Londra con la Sabena poster...

This original 1958 poster by Jean Des Gachons, created for Messageries Maritimes, is a striking piece that encapsulates the grandeur and adventure of maritime travel in the mid-20th ...

Poster for the 1997 American comedy-horror film directed by Cindy Sherman. Starring Carol Kane, David Thornton and Molly Ringwald. Shipping and Handlin...

Beautiful poster made by Jean Jacquelin 🇫🇷 (1905-1989) a famous French poster artist, who puts in image the mythical liner France (third of the name, ...

Maurice GREIFFENHAGEN Distinguished Woman (Illustrated Pall Mall Budget), 1895 Lithograph On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 24 of "Les Maîtres de l'A...

Paper Size: 30 x 20.75 inches ( 76.2 x 52.705 cm ) Image Size: 20 x 17 inches ( 50.8 x 43.18 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

The 1965 Soviet poster by V. Korolyova is a vibrant and eye-catching work of mid-20th century graphic design, promoting year-round tourism and outdoor recreation across the USSR. This captivating piece reflects the Soviet emphasis on physical activity, well-being, and the enjoyment of nature as central components of a healthy and active socialist lifestyle. The composition is split symmetrically down the middle, with a striking visual contrast that highlights the theme of seasonal recreation. On the left side, vibrant green hues and warm yellows dominate, symbolizing summer. A man is depicted holding a hiking stick...

Paper Size: 37 x 47 inches ( 93.98 x 119.38 cm ) Image Size: 37 x 47 inches ( 93.98 x 119.38 cm ) Framed: Yes Condition: A-: Near Mint, very light signs of handling Additional ...

Not Even So is an original exhibition poster created by John Baldessari for his 1989 exhibition at Ivam Centre Julio González. The poster features a striking split image—on one side,...

Georges MEUNIER Starlight Soap, 1900 Original Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate ...

Hans Hofmann: The Museum of Modern Art is a softcover catalog consisting of 64 pages, authored by William C. Seitz. Originally sold by the Museum of Modern Art, this publication is f...

Paper Size: 22 x 14 inches ( 55.88 x 35.56 cm ) Image Size: 22 x 14 inches ( 55.88 x 35.56 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Paper Size: 27.5 x 19.75 inches ( 69.85 x 50.165 cm ) Image Size: 14.25 x 19.75 inches ( 36.195 x 50.165 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Exhibition poster for Martin Kippenberger...

Paper Size: 61.75 x 46 inches ( 156.845 x 116.84 cm ) Image Size: 61.75 x 46 inches ( 156.845 x 116.84 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8.5 x 5.5 inches ( 21.59 x 13.97 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithogr...

Paper Size: 45 x 29.5 inches ( 114.3 x 74.93 cm ) Image Size: 41.75 x 26.75 inches ( 106.045 x 67.945 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...

The title What God Reigns, I Can Do by Martin Kippenberger reflects the artist's exploration of power, authority, and personal agency. Kippenberger's work often engages with themes o...

Artist: Leonard Baskin Title: Self Portrait - "L.B. AE T. S" Year: 1956 Medium: Woodcut, Signed and Numbered in pencil Edition: 150 Size: 35.5 x 24 inches

Agent X (Elvis) Suspicious Conversation Archival Pigment Inks on Canvas Year: 2022 Size: 58x58in Unique Signed, dated by hand COA provided Ref.: 924802-1146 -----------------------...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

The 1941 original poster, "Trois couleurs, un drapeau, un empire" by Eric, edited by the Secrétariat aux Colonies, is a striking piece of wartime propaganda that encapsulates France’...

Toy Story 2 : Toy Story 2 is a 1999 American computer-animated comedy film directed by John Lasseter and produced by Pixar Animation Studios for Walt Disney...

Ethel REED (1874-1912) The Quest of the Golden Girl, 1897 Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4"...