Men Prints and Multiples

Artist: William Cavendish (English, 1593-1676) Title: "Captain Mazin Rides, and the Marquis Gives the Lesson" (Plate 17, Page 76) Portfolio: Methode et Invention Nouvelle de Dresser ...

Henry Moore - Original Lithograph 1977 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Authentic Vintage World War I Recruitment Poster - A Rare Piece of Historical Memorabilia. Archival linen backed and ready to frame. ...

Artist: After Pablo Picasso (1881-1973) Title: Minotaure aveugle guidé par une Fillette dans la Nuit (after Bloch 225) Year: 1992 Medium: Reproduced from the original edition using t...

This radiant purple pink poster was designed by Jim Dine for a production of Gilbert and Sullivan at New York City Center in 1968. The stripe down...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...

Photolithograph realized by Jeffrey Isaac in 2008. Hand signed and numbered. Edition of 260 prints, belonging to the Suite " Olympic Games Beijing 2008 ".  Each work of this portfo...

This signed and numbered lithograph on Japon paper is from a portfolio of 17 prints by Modern artist Karel Appel. He admired the domestic house cat for its aloof, yet instinctive, de...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...

THOMAS HART BENTON (1890- 1975) HYMN SINGER / THE MINSTREL (Portrait of Burl Ives) 1950 (Fath 74) Lithograph signed with full signature “Thomas H. Benton” A large image, 15 ¾ x 12 i...

Lithograph and Silkscreen with grease crayon, lithographic tusche, lead pencil, and charcoal on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition;...

ARTIST: Salvador Dali TITLE: Autumn MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 89/150 The total tirage is 1,150, only 150 of the pieces have color added and signed MEASUREMENTS: 15.75" x 12.25" YEAR: 1970 FRAMED: Yes, museum quality gold frame...

A scene from a vanishing Japan. Two Women Playing Sugoroku from "Comparison of the Customs of Beauties."; The Customs and Manners of Women Japan: Matsuki Heikichi, 1891. Woodblock ...

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

This 2000 original poster by Raymond Savignac was created to promote the Vin de Suresnes, a unique urban vineyard located just outside Paris. Known for his witty, colorful, and insta...

Medium: lithograph (after the painting). Printed in Paris in 1954 at the atelier of Mourlot Frères in an edition of 2000. Sheet size: 12 1/4 x 9 1/2 inches (315 x 245 mm). Not signed.

Medium: original etching and drypoint. Printed in 1928 and published in Paris in a limited edition of 1100 for Abel Hermant's "Bigarrure". Plate size: 5 1/4 x 3 1/2 inches (130 x 88 ...

Original vintage exhibition poster: HENRI MATISSE EXHIBITION. Linen baked in excellent condition, ready to frame. The background is a flat...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Michael Knigin, American (1942 - 2011) - Art Deco 1925, Year: 1980, Medium: Screenprint, signed. numbered, dated, and titled in pencil, Edition: AP, Image Size: 30 x 17 inches, S...

Frame is handmade by artist Gail Potocki. WEAG-Matejko, Printer, Vienna "In 1919, artist Theo Matejko created this lithograph for Robert Reinert's silent film Opium (starring Conra...

Medium: Mezzotint Year: 2004 Edition: 100 Image Size: 15.5 x 11 inches Art Werger’s prints show a keen observation of quiet and normally unnoticed moments. Pedestrians passing each ...

Paper Size: 39.25 x 27.5 inches ( 99.695 x 69.85 cm ) Image Size: 32.75 x 20.75 inches ( 83.185 x 52.705 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...

This artwork titled "Soaking Up" c.1970 is an original lithograph on Wove paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 68/100 in pencil by the artist. The artwork (image) size is 12.25 x 17.35 inches, sheet size is 17.5 x 21.65 inches. It is in excellent condition About the artist: Tom Ryan was born Jan. 12, 1922, in Springfield, Ill., to William Martin Ryan — whose family immigrated to Illinois from Ireland in the 1880s — and Sarah Helen Behrens, whose ancestry predates the Revolutionary War. They had nine children — six boys and three girls. He began drawing before he went to school. "I was 4 years old and drawing airplanes, and an older brother was helping me," Ryan told the Reporter-Telegram in a 2002 interview at the Haley Library's going away party held in his honor. "Those were my first art lessons." He did not decide to be an artist until after his service in World War II. While in the U.S. Navy during the war, he "made quite a bit of money" drawing portraits of his shipmates and other servicemen. After being discharged in 1945, he picked up a Life magazine that carried an article about N.C. Wyeth. "I read the article, and I liked what I read, and I loved the pictures reproduced from his paintings in the article," Ryan said in 2002. "I decided then and there to be an artist." Following his graduation from the American Academy of Art, an education made possible through the GI Bill, he returned to Springfield where he married Jacqueline "Jacquie" Harvey, daughter of a local doctor. She died in 1998. The Ryans moved to New York City where he continued his studies at the Art Students League. During his second year at the Art Students League, he won a contest. His winning painting became the cover for Western writer Ernest Haycox's novel The Outlaw. "Every month after that I also received an assignment from this publisher, and they would be Western novels," Ryan said in 2002. "So that's what I did for the next six or seven years. Then I started exhibiting at the Latendorf Gallery on Madison Avenue. What I sold mainly were the book covers. They would be published and I would get paid by the publisher, and I'd take them to the gallery, and I'd get paid again." Ryan began making trips west in the late 1950s. He would stay three or four months painting, sketching and photographing scenes he'd need later. At that time, his works centered around historical events and places. "I particularly liked to do some of the trail drive things that I did, like the old longhorns," Ryan said in 2002. In the early 1960s, a work by Norman Rockwell and one by Ryan appeared in the same catalog. Rockwell, who was doing the Boy Scouts calendars for Brown and Bigelow, the premiere calendar publishing company in the United States, told the calendar company about Ryan. "The art director gave me a call and asked if I'd like to do a contemporary cowboy...

Don't Stop Dreaming by Alessio-B, Contemporary Street Art Print. Dimensions 70 x 50 cm with release in 2015. Comes from an edition of 15 pieces. Beautiful piece perfect for families,...

WILLY POGANY (1882 - 1955) TAMAS THE POWER OF BAD, c. 1940. Etching, signed and titled and numbered 50 in pencil. Image 12 x 9 inches. Sheet 14 7/8 x 10 3/4 inches. Generally goo...

Tom Huck Goat Roper Rodeo Year: 2003 1 Color Lithograph Edition: 41 Paper: Arches Cover, White Paper Size: 33.5 x 23 inches Image Size: 29 x 21 inches Signed and numbered by hand COA...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Dans l'Atelier de Picass...

"Cabaret" Liza Minnelli Joel Grey Broadway Film Academy Tony Award Musical Signed and numbered 12/150 in pencil, lower margin. Etching with aquatint, 15” x 10 1/2”. Framed 22” x 1...

Barefoot In The Park - Original 1967 Lobby Card #1 Vintage 1967 Lobby Card: Paul, a conservative young lawyer, marries the vivacious Corie. Their highly passionate relationship desc...

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000...

Paper Size: 20.75 x 15.75 inches ( 52.705 x 40.005 cm ) Image Size: 19.75 x 14.75 inches ( 50.165 x 37.465 cm ) Framed: Yes Condition: A: Mint Additional Details: Published and prin...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, Hesiode, Théogonie, Eaux-fortes de Georges Braque, N° 71-7...

Sandra Ramos (Cuba, 1969) 'Avistamiento I', 2005 silkscreen, collage on canvas 22.9 x 27.2 in. (58 x 69 cm.) Edition of 99 Unframed ID: RAM1508-001-106 Hand-signed by author

SECOND GENERATION is an original hand drawn limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for her depictions of the African-American experience. SECOND GENERATION portrays a double portrait of a boy and girl in profile, bordered by bright yellow, orange and red flames with a row of turquoise blue silhouette figures marching in protest across the lower portion of this striking composition by Elizabeth Catlett. From the FOR MY PEOPLE suite of prints, a set of 6 lithographs illustrating the well known 1942 poem by Margaret Walker. "Let a new earth rise. Let another world be born. Let a bloody peace be written in the sky. Let a second generation full of courage issue forth; let a people loving freedom come to growth. Let a beauty full of healing and a strength of final clenching be the pulsing in our spirits and our blood. Let the martial songs be written, let the dirges disappear. Let a race of men now rise and take control." stanza from the poem FOR MY PEOPLE by Margaret Walker...

Screen print and spray paint on hand torn archival art paper. Hand signed and numbered on front, Inscribed 'Life is Beautiful' with signature, edition, date and thumb print on verso...

Original Cycles Omnium antique vintage French bicycle poster from the late 1880s-1890s. Printer: N. Weill, Paris, France. Archival linen backed and ready to frame. There was an area in the right-hand sky (creamish yellow) top area that had had some restoration. Touched up the border in the upper right corner. The poster was folded in half, with the fold mark restored during linen backing. Artist is: F. Capelli. Printer: Imp. N. Weill, Paris The image of a couple with their child on a bicycle ride out in the countryside of France, all in art nouveau clothing...

This screen print, “A Cracked Icon,” is a reference to one of my favorite musicians, David Bowie, and his song “Cracked Actor.” I’m fascinated by how we process fragmentation and mut...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a ferry sailing across Lake Hamana. Signed in Kanji lower right, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (Japane...

Etching on cream wove paper. 6 5/16 x 3 3/4 inches (159 x 94 mm), full margin. Signed in pencil lower center margin, from the edition of 111. A well inked impression with a minor cre...

Original vintage poster: Patriotic League . Original Howard Chandler Christy's 1918 "Patriotic League" authentic World War 1 lithographic poster. Linen-backed and in excellent condition. This Christy girl...

Black and white portrait of a Cuban musician called Dagoberto. Dagoberto began playing his guitar in the Casa de la Trova in Holguin, Cuba, in 1944. Sixty years later in 2004 I had ...

Lithograph on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Taureaux, Lithographies de Jean Cocteau, 1965. ...

Max Klinger, 'Erinnerung' (Remembrance), original etching with aquatint, 1896. A fine, richly inked impression on off-white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in...

This piece is artist signed and numbered. Jacques Despierre was born in St. Etienne France, 1912-1995. He studied at the Academie Colarrossi and also at the Ecole des Beaux arts in P...

Edition 5 Portrait of Basquiat. JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine Briti...

"Labor in a Diesel Plant" Machine Age American Scene Industrial Mid 20th Century Letterio Calapai (American 1902-1993) ''Labor in A Diesel Plant'' Wood engraving, 1940 17 x 10 1/2...

The 1965 original Soviet propaganda poster titled "Gloire au peuple soviétique pionnier de l'espace ! Aux étoiles ! Au soleil !" ("Glory to the Soviet people, pioneers of space! To the stars! To the sun!") is a vivid celebration of the Soviet Union's monumental achievements in space exploration. This poster is a quintessential example of how visual art was used as a powerful tool for political messaging and national pride during the Cold War era. This poster heralds the Soviet people as pioneers in space exploration, a theme that resonates with the intense national pride and optimism of the time. The slogan "Gloire au peuple soviétique pionnier de l'espace !" underscores the collective effort and the unity of the Soviet citizens in achieving these remarkable milestones. The phrases "Aux étoiles ! Au soleil !" reflect the ambitious spirit of the Soviet space program, aiming not just for the stars but for the sun itself, symbolizing limitless aspiration and the pursuit of knowledge. The visual elements of this poster, characteristic of Soviet propaganda art, likely include dynamic images of rockets soaring into space, cosmonauts in action, and celestial bodies like stars and the sun. These images are designed to evoke a sense of awe and inspiration. The use of bold, contrasting colors, especially the iconic red associated with Soviet iconography, would convey strength, vigor, and revolutionary zeal. The historical context of this poster is rooted in the space race between the Soviet Union and the United States during the Cold War. By 1965, the Soviet Union had already achieved several significant milestones in space exploration, including launching the first artificial satellite, Sputnik, in 1957, and sending the first human, Yuri Gagarin, into space in 1961. These achievements were not only scientific triumphs but also powerful symbols of the Soviet system's superiority. This poster serves to reinforce the ideological message that the successes in space were a direct result of the socialist system. By linking space exploration to socialism, the poster suggests that the collective, organized, and state-supported efforts of the Soviet people were crucial to these achievements. This narrative was intended to instill a sense of pride and confidence in Soviet citizens and to project an image of Soviet supremacy to the international community. The message of the poster is clear: the advancements in space exploration are a testament to the strength and capability of the Soviet people under socialism. The call "Aux étoiles ! Au soleil !" embodies the forward-looking vision and boundless optimism of the Soviet Union, aiming for ever greater heights and new frontiers. In summary, the 1965 original Soviet propaganda poster "Gloire au peuple soviétique pionnier de l'espace ! Aux étoiles ! Au soleil !" is a powerful piece of art that encapsulates the pride, ambition, and ideological fervor of the Soviet space program. It celebrates the Soviet people as pioneers of space, linking their achievements to the virtues of socialism. This poster not only commemorates significant scientific milestones but also serves as a motivational tool, promoting national unity and ideological commitment during a critical period in history. Espace - USSR - Cold War - Russia...

Children is a modern artwork realized by Giuseppe Migneco in the mid-20th Century. Mixed colored lithograph. Hand signed and numbered on the lower margin Edition 60/150 Includes ...

Image dimension cm 29.7x19.9. Printed in the lower margin, center: «Max Klinger / Der Philisoph / (Aus «Vom Tode, II») / Pan I 2». Engraving from the art periodical Pan, vol. I, no...

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

In this poster by fashion illustrator, Rene Gruau, a couple is observed walking into the forefront of the image wearing elegant and beautifully illustrated coats in the typical Gruau...

The present artwork is an original etching by American artist Leonard Baskin. Here, he presents a portrait of the Flemish Renaissance artist Peter Breughel the Elder in profile, executed after the engraving by Johannes Wierix published in 1572 by Volcxken Diericx and Hieronymus Cock. In the portrait, Baskin displays a love of line and texture, using the etching technique to exaggerate and draw attention to the wrinkles of the face, while leaving the hair and clothing like a study or sketch. Like in the work of contemporary artist Claude Weisbuch, the result for Baskin is an image that recalls the old masters and displays the mastery of contemporary printmakers, but that also places mid-century formal concerns at the forefront of portraiture and figuration. etching in black in on Rives paper 17.5 x 17.5 inches, plate 29.75 x 22 inches, sheet 33.5 x 25.88 inches, frame Entitled "Breughel" in pencil, lower left Edition 9/50 in pencil, lower center Signed in pencil, lower right "PB" in the plate, upper left "PB" in the plate, upper right (faint) Label for Irving Galleries, Milwaukee on reverse Label for David Barnett Gallery on reverse Framed behind glass in a distressed cassetta-style moulding Artwork in overall good condition; general toning to the paper; some scattered foxing; frame in good condition with some losses to finished surface revealing white ground Born in 1922 in New Brunswick, New Jersey, Baskin was reared in Brooklyn, New York. The son of a Rabbi, Baskin was educated at a yeshiva (Jewish religious college), which had a profound effect on his aesthetic. Committed to art at an early age, Baskin had his first exhibition. of sculpture, at the Glickman Studio Gallery, New York, at the age of seventeen. He studied at Yale University from 1941 to 1943 and received his B.A. at the New School for Social Research in 1949. Baskin spent 1950 and 1951 abroad, studying in Paris and Florence. In 1953 he began teaching printmaking and sculpture at Smith College in Northampton, Massachusetts, where he remained until 1974. It was while he was at Smith College that he founded Gehenna Press, a small private press specializing in fine book production. He moved to England in 1974 and stayed till 1983 when he returned to America.. These nine years were enormously productive and besides sculptures he created a fine selection of prints and paintings. Baskin became intrigued by Greek history, philosophy and mythology at an early age and this study inspired many of his sculptures and paintings. Other influences were early 20th century sculptors, notably Ernst Barlach Leonard Baskin was one of the universal artists of the 20th century. He was a sculptor of renown. He was a writer and illustrator of books ranging from the bible to children's' stories and natural history. He was a talented water-colourist and a superb, prolific print-maker. His prints ranged from woodcuts through lithography and etching; his subjects covered portraits...

Medium: original lithograph. This lithograph is from the rare 1957 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spr...

This is a signed and numbered serigraph by Leroy neiman. Condition is good. Measures 38x33

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Etching after Bocklin, realized in the early 20th Century. Titled in the plate in bottom center. Published by Druck & Verlag. Very good condition.

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...