Men Prints and Multiples

Rare exhibition poster from the series Collection of European Masters, published for the Kunstsammlung Nordrhein-Westfalen by Achenbach Editions. The museum features temporary and p...

The 1941 original poster, "Trois couleurs, un drapeau, un empire" by Eric, edited by the Secrétariat aux Colonies, is a striking piece of wartime propaganda that encapsulates France’...

This original Palestinian poster, produced by the General Union of Palestinian Students (GUPS), is a powerful example of the political messaging and artistic expression that characte...

A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor. London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...

Jules CHADEL (1870-1941) Mythology : Fight with a Centaur, 1929 Original woodcut Handsigned in pencil Numbered /160 On Perrigot vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 52–53 (Plates 52–53), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originate...

PORTRAIT OF JOHN ROTHSCHILD is an original hand drawn, limited edition lithograph by the American woman painter Alice Neel printed on archival Arches paper, 100% acid free, using tra...

Eugène DELACROIX (1798-1863) Tasso in the Madhouse Engraving after a drawing Signed on the plate On vellum 38 x 50 cm INFORMATION: In 1839, Delacroix painted his famous painting "T...

This is an original 1967 Soviet propaganda poster by V. Karakashev, a powerful example of Cold War-era graphic art and geopolitical messaging. Created during a period of heightened t...

Colorful figurative drypoint print by Polish artist Czeslaw Tumielewicz. Artwork depicts two people kissingDon Kichote on a horse, attacking a surreal windmill. They are shown in rat...

Title: C. L. Drouet, Sculptor Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London) Sitter: Charles L. Drouet (French, 1836–1908) Date: 1859 Medium: Etchi...

Colour aquatint after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...

Superman shadowbox over 4 comic book strips pub. 1974 by the National Periodical Publications w/ original chrome frame Image Sz: 18 1/4"H x 14 1/4"W

Two Nude Men is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions with central folding. The artwork is depicted through confident strokes.

Medium: original lithograph. Printed in Paris in 1963 by the Mourlot Freres atelier. Size: 12 1/2 x 9 1/2 inches (320 x 240 mm). Not signed.

Original Groceries and Fruits vintage chromolithograph poster. Antique Cromo lithograph of your early fruit and grocery store. What service! Printed in Germany. This printing st...

This original lithographic cover was created in 1961 by master printer Charles Sorlier at Mourlot, serving as the dust jacket for the Affiches de Toulouse-Lautrec catalogue raisonné....

Medium: original etching. This impression on japon paper was printed in 1880 by Francois Lienard (before letters were added) and published in Paris for a deluxe edition of L'Art. Pla...

This striking image of model Ken Moody was captured by renowned photographer Robert Mapplethorpe and is drawn from a 1994 box set published by teNeues Publishing Company and printed ...

Visconti is a rare and highly sought-after mixed media print by the late Brooklyn-based street artist Bäst, presented here in mint condition. This limited edition work was released i...

Etching on paper realized by Alberto Gallerati. Artist proof. Hand signed in pencil. Excellent condition.

Vintage Framed Lithograph by Honore Daumier Signed in the plate Numbered - Possibly estate signed Vintage framed lithograph Dimensions 9" x 12" Th...

Roland Ayers (1932-2014). The Split Second After, ca. 1959 Lithograph on paper, image measuring 14 × 18 inches. Sheet measuring 18 × 23 inches. Unframed. Minor staining of sheet...

Suzanne VALADON (1865-1938) Grandmother and Child, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, this etc...

Paper Size: 23.5 x 31.5 inches ( 59.69 x 80.01 cm ) Image Size: 19 x 23.5 inches ( 48.26 x 59.69 cm ) Framed: No Condition: A: Mint Additional Details: This out-of-print poster...

Adolf Dehn, The Artist and The Bull, is from Dehn's period of teaching in Colorado at both the Broadmoor Art Academy and the Colorado Springs Fine Arts Center. In this humous self-p...

Beautiful poster with the effigy of Ernesto Che Guevarra, a symbol of struggle, hope, internationalism and social justice for Latin America. On October 8, 1967, Ernesto Guevara and a...

The Japanese film poster for Star Wars Return of the Jedi, featuring very cool artwork by acclaimed Tokyo born illustrator Kazuhiko Sano. Actual poster size is 20 1/4 x 28 3/4 inch...

Sir Alfred J Munnings (England, 1878-1959) "Humorist" and Donoghue Going out for the Derby, 1921 First State Impression Frost & Reed London 1924 Pencil sig...

Vintage 1971 New York Rangers Linen-Backed Hockey Poster – Original NHL Collectible. Excellent condition. Score big for your collection—order now and r...

Original Poster Politics - Photography - Photomontage - Germany - Anti-Semitism John Heartfield’s Die Lehre des Wolfes (The Teaching of the Wolf) is a striking example of his mastery of political photomontage, a technique he pioneered to expose the dangers of fascism and authoritarianism. This powerful composition presents a grotesque anthropomorphic wolf, dressed in military regalia, addressing a group of farm animals. The image serves as a biting satirical critique, likely targeting the deceptive rhetoric of totalitarian leaders who manipulate the masses for their own gain. Heartfield, a German artist closely associated with the anti-fascist Dada movement and a fierce critic of the Nazi regime, frequently used visual irony to challenge propaganda. In this work, the wolf—traditionally a symbol of cunning and predation—is portrayed as a figure of authority, dictating to an audience of sheep, goats, chickens, and other livestock. The accompanying text reinforces the theme, suggesting that the idea of "animals" as a unified group is an illusion—each species exists only to be consumed by the wolf, mirroring the ways oppressive regimes divide and exploit society. Created in the context of the 1930s and 1940s, Heartfield’s work was a direct challenge to the growing influence of fascist ideology in Europe. His photomontages, published in leftist magazines and posters, were acts of visual resistance, exposing the hypocrisy and brutality of political leaders. Die Lehre des Wolfes remains a timeless warning against manipulation, dictatorship, and the dangers of blindly following authority. Today, this piece is celebrated not only as an artwork but also as a historical document of resistance, reminding viewers of the enduring power of visual satire in the fight for truth and justice.The "working session of the Reich professional group of higher education professors of the League of National Socialist German Lawyers", which met under the chairmanship of Professor Carl Schmitt...

Framed 25.38 x 31.38 in Color lithograph after the 1964 oil on canvas by René Magritte, plate-signed by Magritte and numbered from the edition of 275. The lithograph features the ...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) si...

A perfect summer day. A young mother, little boy, and even smaller girl have their luncheon under a make shift 'fly' -- a stripped cloth canopy fixed up with poles. Although it is titled 'Seaside Nomads,' to me it has the look of a bay or inlet. It's relatively flat and there are all sorts of grasses, old...

Original 1922 Swedish Vintage Silent Movie Poster – “Döda Stadens Hemlighet: Guldådern” (Frank Mayo, Universal) – Very Fine Condition, archival linen-backed and ready to frame. This ...

Ecole de Peinture is a drawing in China Ink on paper realized by Adolphe Willette in the Late 19th Century . Good conditions. Hand-signed. The artwork is depicted through soft st...

Lithograph on laid paper realized in the mid-19th Century. Titled Le Mercredi des Cendres (“Ash Wednesday”), it depicts a lively and tumultuous street carnival scene, animated with ...

Fritz Eichenberg, 'The Pimp', wood engraving, 1980, artist's proof before the edition. Signed in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (2 3/16 to 3 1/2 inches), in excellent condition. Archivally sleeved, unmatted. Image size 12 x 9 3/4 inches (305 x 248 mm); sheet size 18 x 14 inches (457 x 356 mm). ABOUT THE ARTIST Fritz Eichenberg (1901–1990) was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice, and nonviolence. Eichenberg was born to a Jewish family in Cologne, Germany, where the destruction of World War I helped to shape his anti-war sentiments. He worked as a printer's apprentice and studied at the Municipal School of Applied Arts in Cologne and the Academy of Graphic Arts in Leipzig, where he studied under Hugo Steiner-Prag. In 1923 he moved to Berlin to begin his career as an artist, producing illustrations for books and newspapers. In his newspaper and magazine work, Eichenberg was politically outspoken and sometimes wrote and illustrated his reporting. In 1933, the rise of Adolf Hitler drove Eichenberg, who was a public critic of the Nazis, to emigrate with his wife and children to the United States. He settled in New York City, where he lived most of his life. He worked in the WPA Federal Arts Project and was a member of the Society of American Graphic Artists. In his prolific career as a book illustrator, Eichenberg portrayed many forms of literature but specialized in works with elements of extreme spiritual and emotional conflict, fantasy, or social satire. Over his long career, Eichenberg was commissioned to illustrate more than 100 classics by publishers in the United States and abroad, including works by renowned authors Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories. Eichenberg was a long-time contributor to the progressive magazine The Nation, his illustrations appearing between 1930 and 1980. Eichenberg’s work has been featured by such esteemed publishers as The Heritage Club, Random House, Book of the Month Club, The Limited Editions Club, Kingsport Press, Aquarius Press, and Doubleday. Raised in a non-religious family, Eichenberg had been attracted to Taoism as a child. Following his wife's unexpected death in 1937, he turned briefly to Zen Buddhist meditation, then joined the Religious Society of Friends in 1940. Though he remained a Quaker until his death, Eichenberg was also associated with Catholic charity work through his friendship with Dorothy Day...

Lithograph on paper realized around the half of 19th Century in France. This dynamic lithograph by French artist Auguste Raffet depicts a triumphant French soldier standing defiantl...

The 1908 original poster by B. Capelle, created to promote the Exposition Franco-Anglaise, is a remarkable artifact of early 20th-century European cultural diplomacy. This exposition...

French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...

Image Size: 45" x 35.5" Unframed Artist Proof Giclee on Paper of 15 Hand Signed by Ronnie Wood

Size of sheet is ca. 29.5 x 21 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It com...

HC 7/150. Signed by the artist on the back. Image measures 8 x 10 inches. Canvas is Unstretched. Excellent Condition.

This print by R.B. Kitaj is part of an 8-piece portfolio published by The New York Graphic Society in 1983 and includes works from Red Grooms, Robert Indiana, Alex Katz, R.B. Kitaj, ...

An Epical Drama is an Etching by the Sicilian artist Renato Guttuso. Good conditions. Hand-Signed. Artist's Proof. Renato Guttuso (Bagheria, Palermo 1912 - Rome,1987) was a famous Italian painter of the 20th century. Guttuso, born in a small town in Sicily, started painting when he was only 13. In 1938, he had his first solo exhibition in Rome. He founded the artistic movement " Fronte nuovo delle Arti " in 1947. After the war, he continued painting in his most realistic style, referring to contemporary political themes...

Rufino Tamayo, Mexican (1899 - 1991) - Myth and Magic Exhibition Poster, Year: 1979, Medium: Poster, signed in pen, Size: 33 x 22 in. (83.82 x 55.88 cm), Printer: Guggenheim Foundati...

Shahn, Ben. IMMIGRANT FAMILY. Serigraph, 1941. Prescott 2. Edition size unknown; Prescott knew of only 3. This copy unsigned. 11 1/2 x 18 inches (image), 19 1/4 x 25 1/4 (sheet), framed to 23 x 28 1/4 inches. This was only the second print made by Shahn, and the first serigraph, a medium in which he continued to use for his prints throughout his career. Provenance: Kennedy Galleries, with its label, George Krevsky Gallery...

Since 1940, and throughout the war, many foreign volunteers chose to work in Germany, whether for ideological reasons or, more often, for wages or even the release of close prisoners. But from March 1942 onwards, the Nazi government launched a vast policy designed to bring about an influx of labor on its soil. Indeed, due to the ever-increasing need for men in the army, the mines, industry and agriculture lacked the manpower to support the war effort. As a prime target for this search, Vichy France...

Etching, entitled bottom left and signed bottom right Image size: 5 1/4 x 7 1/2 inches (13.25 x 19 cm) Contemporary frame with ArtGlass anti reflective Plate No.17 August 1937 Hol...

This piece is an original lithograph in five colors by Pablo Picasso, created in 1954. Each of the 5 colors of this lithograph was executed with litho crayon on transparent transfer...

Lawrence Beall Smith draws four men in a park, each with his back to a giant, strong tree. The year is 1938 and the country is coming out of the Depression but World War II is alread...

Medium: original etching and drypoint. Printed in 1928 and published in Paris in a limited edition of 1100 for Abel Hermant's "Bigarrure". Plate size: 5 5/8 x 4 1/8 inches (143 x 105...

Suzanne VALADON (1865-1938) Grandma and Little Boy, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, this et...

Glam art deco c1926 'Tres Parisien' fashion pochoir No.8. w/ gouache highlights depicting two chic ladies of the day Art Sz: 10 5/8"H x 6 7/8"W Fram...

Etching on laid paper realized by Fernand Desmoulin in the 1890s after the painter Théodule Ribot. Not signed, as issued. Image dimension: 14x11 cm. The print shows an elderly wom...

Lithograph on paper realized by Auguste Raffet in 1841. It is part of the suite "Crimée". Image dimension cm. 29x21. Signed and dated in the plate. Very good condition. Auguste ...

"Off to School" is a Limited Edition Etching, 3/77 by the artist J. LEWIS. It measures 17 x 11 inches and is unframed. The date of creation is 3-27-82. The print is covered in plasti...

French skiing fashion design published as a Supplement to 'L'Homme', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several series of designs, probab...