Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Andreas Paul Weber
WHAT DOES ART MEAN HERE? - WAS HEISST HIER KUNST?

c. 1953

$1,500
£1,113.67
€1,297.73
CA$2,082.48
A$2,329.39
CHF 1,212.23
MX$28,675.58
NOK 15,422.05
SEK 14,468.93
DKK 9,682.38
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

ANDREAS PAUL WEBER (German 1893-1980) WAS HEISST HIER KUNST? (WHAT DOES ART MEAN HERE?) c 1953 Lithograph, signed in pencil and with the artist's Clan Press Stamp lower left corner. Image including the light PRINTED BORDER AROUND THE IMAGE is 15 1/2 x 18 3/4 inches. The full sheet 19 3/4 x 24 1/2 inches with deckle edges.. IN VERY GOOD CONDITION. SHEET FRESH AND EVEN - PHOTO IS TOO DARK!! An image of EDVARD MUNCH''S "THE SCREAM" is below a satirical image of a man eating a sausage sitting on top of other works of art including - GOYA"S "SLEEP OF REASON" at the lower right corner The A. Paul Weber Museum was inaugurated in Ratzeburg in 1973. Andreas Paul Weber died on 9 November 1980. This important German lithographer, draughtsman and painter bequeathed a comprehensive œuvre, in which critical satirical works figure prominently. THE WEBER MUSEUM HAS ADDITIONAL INFORMATION AND A BIOGRAPHY The following is a biography taken from the prominent German auction house KETTERER / KUNST: "Andreas Paul Weber attended secondary modern school in Arnstadt between 1903 and 1910 before briefly attending the School for the Decorative and Applied Arts in Erfurt. In 1908 Weber joined the 'Jungwandervogel', a movement which sought to develop a new, modern lifestyle based on walking and living close to nature. At the same time Andreas Paul Weber began experimenting with lithography and worked as a commercial artist. When the first world war broke out, Weber served as a railway engineer on the Eastern Front, where he worked for the army as a draughtsman from 1916. After the war Andreas Paul Weber illustrated numerous books, including Till Eulenspiegel, Reineke Fuchs and the critical contemporary work Der Zeitgenosse by Hjalmar Kutzleb, which were Weber's first successes. In 1925 Weber founded the 'Clan-Presse' ['Clan Press'], where he and his son Christian printed seals, ex libris labels and commercial graphics. In 1928 Weber joined the 'resistance circle' against the growing threat posed by National Socialism. Between 1931 and 1936 Weber and Ernst Niekisch published the journal 'Widerstand' ['Resistance'] and Weber also did satirical political illustrations and book illustrations for the 'Widerstands-Verlag' publishing house. Weber settled at Schretstaken near Mölln and became acquainted with Johannes Böse, who was head of the 'Griffelkunst-Vereinigung' in Hamburg. However, Weber was arrested by the Gestapo in connection with general persecution of the 'Resistance Circle' and sent to Hamburg-Fuhlsbüttel concentration camp. He was later imprisoned in Berlin and Nuremberg. There he permitted to draw, provided his work was apolitical, and he did his first 'Schachspieler' ['Chess Players']. After a trip to Florida in winter 1938/39, Weber became a regular contributor of lithographs to the 'Griffelkunst-Vereinigung', for which he had done one hundred and fifty lithographs by 1980. In 1939-41 Weber did the 'Leviathan' and 'Reichtum aus Tränen' ['A Richness of Tears'] cycles, which were published by the Nibelungen Verlag in Berlin as 'Britische Bilder' ['British Pictures']. Weber was called up to serve in the second world war. After the war he again did critical lithographs dealing with contemporary themes and also worked at the satirical magazine 'Simplicissimus' from 1954 to 1967. Increasing recognition came to Weber's work: in 1951 the 'Griffelkunst-Vereinigung' founded an 'A.-Paul-Weber Circle', which also made him financially secure; in 1955 Weber was awarded the Schleswig-Holstein Art Prize and, in 1963, the Hans Thoma Medal. In 1971 he was officially designated professor and decorated with the Grand Federal Service Cross. Weber showed his work at numerous large international exhibitions."
  • Creator:
    Andreas Paul Weber (1893 - 1980, German)
  • Creation Year:
    c. 1953
  • Dimensions:
    Height: 18.25 in (46.36 cm)Width: 23.25 in (59.06 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Santa Monica, CA
  • Reference Number:
    1stDibs: LU41139341272

More From This Seller

View All
THE LAST PRIVATE PERSON - DER LETZIE PRIVATIER
By Andreas Paul Weber
Located in Santa Monica, CA
ANDREAS PAUL WEBER (German 1893-1980) THE LAST PRIVATE PERSON - DER LETZIE PRIVATIER Lithograph signed in pencil and with the artist's Clan Press Stamp l...
Category

1950s Surrealist Figurative Prints

Materials

Lithograph

WE’RE OVER THR MOUNTAIN (Wir sind überm Berg)
By Andreas Paul Weber
Located in Santa Monica, CA
ANDREAS PAUL WEBER (German 1893 – 1980) WE’RE OVER THR MOUNTAIN (Wir sind überm Berg) (A68, D2718) Lithograph over tinted ground, signed in pencil and in monogram in the stone. Image, 14 ½ x 19 1/4. Large full sheet with watermark and deckle edge, 24 ½ x 19 ¼. In very good condition. The A. Paul Weber Museum was inaugurated in Ratzeburg in 1973. Andreas Paul Weber died on 9 November 1980. This important German lithographer, draughtsman and painter bequeathed a comprehensive œuvre, in which critical satirical works figure prominently. THE WEBER MUSEUM HAS ADDITIONAL INFORMATION AND A BIOGRAPHY The following is a biography taken from the prominent German auction house KETTERER /KUNST: Andreas Paul Weber attended secondary modern school in Arnstadt between 1903 and 1910 before briefly attending the School for the Decorative and Applied Arts in Erfurt. In 1908 Weber joined the 'Jungwandervogel', a movement which sought to develop a new, modern lifestyle based on walking and living close to nature. At the same time Andreas Paul Weber began experimenting with lithography and worked as a commercial artist. When the first world war broke out, Weber served as a railway engineer on the Eastern Front, where he worked for the army as a draughtsman from 1916. After the war Andreas Paul Weber illustrated numerous books, including Till Eulenspiegel, Reineke Fuchs and the critical contemporary work Der Zeitgenosse by Hjalmar Kutzleb, which were Weber's first successes. In 1925 Weber founded the 'Clan-Presse' ['Clan Press'], where he and his son Christian printed...
Category

1940s Modern Figurative Prints

Materials

Lithograph

Phantasy
By Carl Hoeckner
Located in Santa Monica, CA
CARL HOECKNER (1883 – 1972) PHANTASY c 1935 Lithograph edition unknown, but rare. Slight glue stain upper margin. 10 ½” x 15 ¾” ...
Category

1930s Surrealist Figurative Prints

Materials

Lithograph

Phantasy
$750 Sale Price
23% Off
LA SORCIERE - (The Witch)
By Kurt Seligmann
Located in Santa Monica, CA
KURT SELIGMANN (1900–1962 American, born in Switzerland,) LA SORCIERE - (The Witch) 1934 Etching and aquatint, unsigned ? possibly a proof aside from The ...
Category

1930s Surrealist Figurative Prints

Materials

Etching, Aquatint

COMPOSITION - Lovely design portraying a future Abstract Expressionist.
Located in Santa Monica, CA
JAMES CHAPIN (1887 – 1975) COMPOSITION c. 1940 Lithograph signed in pencil, Image 11 7/8 x 7 ¾ inches, sheet 13 5/8 x 10 5/8 inches. Just a hint of mat line in the margins and on the verso. Some remnants of old tape prImarily at the left & right sheet edges. Rather scarce print but possibly published by Associated American Artists. WONDERFUL PORTRAYAL OF AN UP AND COMING ARTIST...
Category

1940s American Modern Figurative Prints

Materials

Lithograph

THE FIT YOURSELF SHOP
By Kyra Markham
Located in Santa Monica, CA
KYRA MARKHAM (1891 – 1967) THE FIT YOURSELF SHOP, 1935 Lithograph, signed, titled, dedicated, dated and no 24/50 in pencil. 12 5/8 x 9 5/8”. Signed in ...
Category

1930s Modern Figurative Prints

Materials

Lithograph

You May Also Like

Seligmann, Composition, XXe Siècle (after)
By Kurt Seligmann
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°5-6, 1938. Published and printed under the dire...
Category

1930s Surrealist Figurative Prints

Materials

Engraving

Seligmann, Composition, XXe Siècle (after)
$716 Sale Price
20% Off
Free Shipping
(after) Kurt Seligmann - pochoir
By Kurt Seligmann
Located in Henderson, NV
Medium: pochoir (after the painting). This exquisitely rich impression on black wove paper was published in 1941 by the Nierendorf Gallery, of New York, for the cover of a now quite ...
Category

1940s Surrealist Figurative Prints

Materials

Lithograph

Sanft bis zur letzten Rasur (II. Fassung)
Located in Kansas City, MO
Bele Bachem Sanft bis zur letzten Rasur (II. Fassung) Lithograph on Velum Year: 1968 Size: 30x25.1 inches Signed, dated and inscribed by hand Dry Stamp low...
Category

1960s Modern Figurative Prints

Materials

Vellum, Lithograph

Vorfuehrung
By Hans Juergen Diehl
Located in Kansas City, MO
Hans-Jürgen Diehl Vorfuehrung Year: 1971 Medium: Color Etching Edition: 20 Size: 33.5 x 25.5 in. Publisher: Ketterer, Germany Signed, numbered and/or titled Hans-Jürgen Diehl was bo...
Category

1970s Contemporary Prints and Multiples

Materials

Etching

DIFFICULT / Print / Limited Edition /Collage
Located in Slovak Republic, SK
The original is paper on cartoon, probably from the early 60'ies ( he hated to learn to play viola ) therefore maybe the subject of the picture. The original is in a museum. Limited ...
Category

1960s Figurative Prints

Materials

Paper, Archival Paper

Sutherland, Composition, XXe Siècle (after)
By Graham Sutherland
Located in Auburn Hills, MI
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°38, 1972. Published and printed under the direction of Gualt...
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Sutherland, Composition, XXe Siècle (after)
$716 Sale Price
20% Off
Free Shipping