Modern Art

Lee Bontecou First Stone, 1962 Signed, dated, and numbered lower right Lithograph from one stone in black ink on cream laid paper Image 12 3/16 x 15 11/16 inches Sheet 19 1/2 x 25 13...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

Ira Moskowitz, 'The Three Gods of Healing (Navajo Medicine Ceremony of the Night Chant)', lithograph, 1945, edition 30, Czestochowski 148. Signed and titled in pencil. Signed and dat...

Umbrella Man Peter Max (German, b. 1937) Signed Upper Right 19.75 x 20 inches 36 x 36 inches with frame Peter Max, born Peter Max Finkelstein, is a multi-dimensional artist focused...

A Stunning, Finely Drawn 1940s Modern Female Nude Figure Study by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). The drawing is ink on sepia toned paper and dates from 1946....

Gorgeous Joan (1931) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) A woman in white two-piece bathing suit water skiing cir...

Vintage 1960s Chile Travel Poster – Mid-Century Modern Wall Art Print Showcasing Historic Architecture and a Fountain Scene. Archival linen backed and in Grade A condition, ready to frame. Transport yourself to the scenic beauty of Chile with this authentic 1960s travel poster...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Antique American modernist cityscape oil painting. Oil on canvas. Framed. Signed. Measuring: 29 by 25 inches overall, and 20 by 24 painting alone. In excellent original condition. ...

Somnath Hore - Untitled Pen & Ink on Paper, 5 x 7.5 inches (Unframed Size) ( Unframed & Delivered ) Inclusive of shipment mounted not framed, Should you wish to receive the same fra...

An Acrylic on canvas titled " Memories of an Old Man" C. 1960's, signed lower right. Provenance: Milch Galleries NY, label affixed. Canvas measures 28 x 36 inches. Framed size is app...

A handsome 1930s Rockwell Kent lithograph on paper, titled "Canterbury Tales". Nicely matted and framed in a gold-toned frame. Image size: ...

PABLO PICASSO (1881-1973) Visage (A.R. 288) stamped and marked 'Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura' (underneath) white earthenware ceramic pitcher with c...

The Labourers French School, mid 20th century oil on canvas, unframed canvas: 24 x 29 inches provenance: private collection, Marseille condition: very good and sound condition

Artist/ School: Jill Jackson (British, contemporary) Title: Vibrant Pastoral Landscape Medium: oil on un stretched canvas, unframed Painting : 26 x 18 inches Provenance: all th...

This exquisite lithograph by Pablo Palazuelo (1916–2007), titled Sans titre (Untitled), from the folio Derriere le miroir, Tendance, No. 50, originates from the 1952 edition publishe...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu VIII (Blue Nude VIII), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1...

This vintage silver gelatin print is signed and dated in pencil mount recto, and again mount verso. Printed in 1961 for inclusion in "Fifteen Photographs" (edition of 50). Mounted to...

This original stone lithograph poster was created for an exhibition at the American Cultural Center in Paris in 1960 and printed by the renowned Mourlot studio in Paris. The American...

A Finely Drawn, 1930s Modern Figure Study of a Seated Female Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An early charcoal drawing by Haydon demonstrating ...

Eugene Savage was born in Covington, Indiana. He began his art education at the Art Institute of Chicago, where he won a Prix de Rome scholarship to study at the American Academy in ...

Nativity Scene with Blessed Mary, Kneeling Joseph, Angel, One Shepherd, One King, Manger, Baby Jesus, and Two Animals. The figures range in height from 18.5" to 12"; animals are 3" ...

Behold the original lithographic Petty Pin-up, a unique vertical-format piece. The see-through bathing suit she wears seems to make her glow, especially with her red hair peeking fro...

Hurricane in the Afternoon original Oil Modernist look at a Hurricane coming by Pennsylvania artist John R. Fell (American/English, 1917-2009) Image 18"H x 48"W Frame 19"H x 49"L x ...

With a socially critical eye and Berlin humor, the prints by Heinrich Zille (1858 - 1929) capture the milieu of the "little people" around 1900. The fact that the famous artist was a...

Mid Century Blue Green Modern Painting Hand Embellished Giclee on Canvas ORL-6863 Vibrant Colorful Abstract-0-37 State-of-the-art HAND EMBELLISH...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Punk ‘ Signed by Ian Sanderson lower...

This exquisite lithograph by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies Chillida’s mastery of spatial balance and sculptural abstraction. In Sans titre, Chillida translates his distinctive exploration of mass and void into two dimensions, creating an interplay of dense form and open space that mirrors the structural poetry of his sculpture and a heartfelt tribute to Braque, “Learning to fly down here — to Braque, master, friend, inventor of birds.” The composition conveys a sense of weight and stillness, embodying the meditative precision for which Chillida is renowned. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition captures Chillida’s unique sensitivity to form and rhythm within a printed medium, reflecting the same architectural strength that defines his sculptural practice. Artwork Details: Artist: Eduardo Chillida (1924–2002) Title: Sans titre (Untitled), from Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque), 1964 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1964 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio Derriere le Miroir, Nos. 144–145–146, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original edition of L’Hommage a Georges Braque. These deluxe examples also included an etching based on Trois oiseaux sur fond violet. The lithographs for this issue were printed in the ateliers of Maeght Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing May 13, 1964. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Eduardo Chillida (1924–2002) was a Spanish Basque sculptor and printmaker internationally celebrated for his monumental abstract works that explore the interplay between form, space, and material. Renowned for his mastery of iron, steel, stone, and concrete, Chillida created sculptural compositions that evoke both architectural strength and poetic balance, reflecting his lifelong dialogue between the physical and the spiritual. Emerging in postwar Europe, his art stands alongside that of the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose revolutionary approaches to form and perception shaped 20th-century art. Chillida’s work embodies a profound sense of harmony, rooted in the landscapes and philosophies of his native Basque Country, while maintaining a universal resonance. Exhibited internationally and collected by major institutions including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, his sculptures and works on paper continue to command global acclaim. The highest price ever paid for an Eduardo Chillida artwork is approximately $4.1 million USD, achieved in 2022 at Christie’s Paris for Buscando la Luz IV (2001). Eduardo Chillida Sans titre, Chillida Derriere le Miroir, Chillida Maeght...

MOUNTAIN MONASTERY Size: 74 x 52.5 cm (including frame) Oil on canvas A large and captivating mid-century modernist geometric abstract painting, executed in oil onto canvas. The co...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Paysage a Cagnes (Landscape at Cagnes), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the sweeping emotional vigor and expressive distortions that define Soutines landscape vision, capturing in lithographic form the turbulent rhythm, chromatic intensity, and psychological tension characteristic of his mature periods in Cagnes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Paysage a Cagnes (Landscape at Cagnes), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a moment of renewed international interest in his oeuvre. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural dynamism of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

Urbino con la neve is an original artwork realized by an artist of the 17th century. Beautiful etching on ivory paper. Image Dimensions: 20...

Fernando Botero (Colombian, 1932–2023) Una Famiglia I – Original Exhibition Poster, 1991 This original exhibition poster, published in Italy in 1991 on the occasion of Fernando Bote...

Adelaide Lawson Gaylor Restaurant Signed lower right Oil on canvas 24 1/4 x 30 inches Modernist artist Adelaide Jaffrey Lawson Gaylor was born in New York City and studied at the A...

Title: Abstract Interior with Womens Shoes Colourful French Modernist Gouache Painting Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 19.5 x 24 inches (heigh...

Born in Cologne in 1922, died in Hamburg in 2004. Apprenticeship as a machinist from 1937, then studied engineering (not completed due to the war). Served in the war and imprisoned....

Wooden boat building in a village on the Mosquito Coast, Honduras, Central America 1980s. (photograph Alain Le Garsmeur) A gorgeously evocative s...

Frida by the Lamp by Lucienne Bloch is a black and white portrait of Mexican painter Frida Kahlo sitting in an armchair with a tall lamp behind her. Signed in pen by artist on prin...

Made for an exhibition of artist Pierre Soulages works at the Musee Des Arts Decoratifs (museum of decorative arts and design) at the Palais du Louvre in Paris, 1960. The original im...

Vintage American modernist framed still life painting. Oil on canvas. Framed. Signed. Image size, 16 by 20 inches.

A classic David Hockney portrait, this lithograph depicts the artist's friend Brooke Hopper. Brooke Hopper, one of the Hollywood elite, is the daughter of the producer Leland Hayward...

'Cortina d'Ampezzo' 1988 Slim Aarons Limited Estate Edition Print Snowboarding in Cortina d'Ampezzo, March 1988. 40 x 60" inches / 102 x 152 cm paper size Estate Stamped Colle...

Edition of 261 copies. Copy on Hollande de Rives. Original editorial wrapper in violet paper. Near perfect conditions and uncut. Belonging to the Collection de l'Horologe. Une heure ...

'Portrait of Smiling Woman', pastel and crayon on art paper, by Raymond Debiève (circa 1970s). Is this a modern version of da Vinci's Mona Lisa? The simi...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

View from Main Reading Room, New York, 1959-60, oil on canvas, signed and dated in pencil verso, 20 x 20 inches, exhibited: Cincinnati Art Galleries, Cincinnati, OH, March 4 to 28, 2...

Milton Avery Fish, 1952 Signed and dated twice lower left Crayon on paper 3 1/2 x 10 inches Milton Clark Avery was born in 1885 in Altmar, New York. Largely self-taught, Avery is t...

American artist Ron Blumberg was classically trained at La Grande Academie Chaumiere in Paris, 1932, before moving to New York where he became a National Academy artist and a member of the Art Students League. "Maestro", is a rare pen...

Vintage American modernist coastal seascape painting. Mixed media on board. Framed. Measuring: 17 by 20 inches overall. Excellent condition, ready to hang and enjoy.

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2025 Style: Contemporary Art, Subject: Oceanic, Size: 30" x 72" x 4'' inch, (7...

Artist: Alfredo Zalce, Mexican (1908 - 2003) Title: Mercado de la Soledad Year: 1990 Medium: Etching, signed and numbered in pencil Edition: 100 Image Size: 8.25 x 25 inches Size: 16...

"War Is Over" by Frank Barrett John Lennon (1940 - 1980) and Yoko Ono pose on the steps of the Apple building in London, holding one of the posters that t...

"Italian Party" by Bert Hardy September 1949: A party given by the mayor of Positano for Mercy Haystead (right), an 18-year old London student, on holiday ...

Oil measures 70x50 cm. Frame measures 83x63 cm. Painter of landscapes and figures, in whose characterization he deepens psychologically capturing the character, Albert Roca has won...

Untitled Double Page Illustration for DLM Color lithograph, 1968 Unsigned as issued in DLM Published in Derriere le Miroir (Behind the Mirror), calle...

Wonderful mid century modern wood cut of wild Penguins by Israeli artist Hannah Yakin Hiyze (Dutch/Israeli, b. 1933), 1967. 13/33. Signed, number, dated and titled lower left edge. Condition: some waviness to paper. Presented under glass with vintage painted wood frame. Image size: 14"H x 37"W. Born Hannah van Hulst in Amsterdam, during World War II, Hannah developed her artistic talents, experiencing "happy times in which necessity bore creativity." After the war she went to high school and studied art at Academia Artibus, Utrecht, the Netherlands and in Paris with famous poster designer and graphic artist Paul Colin. In 1956 she emigrated to Israel where she met and married the artist Abraham Yakin...

Etching on paper Created during Dalí’s American period, New York City Plaza captures the energy and psychological intensity of mid-20th-century New York. Rendered in loose, ge...

2 Owls by Ben George Powell, British contemporary artist signed acrylic on canvas, unframed canvas: 16 x 20 inches provenance: private collection of this artists work, UK The paintin...

Beverly Hills Hotel (1952) Limited Edition Estate Stamped (Photo By Slim Aarons) Beverly Hills Hotel Los Angeles 1952 Additional Information: Unframed Paper Size: 20x20'' Imag...

* No US duty or taxes to pay on this item * A very quirky mid 20th century Modern British oil on canvas depicting the Royal Albert Hall in Kensington, London. Very nice quality and ...

"L 'arbre Mort" French School, circa 1960's signed lower corner, titled verso oil painting on canvas, framed canvas: 23.5 x 29 inches framed: 26 x 31 Wonderful fusion of colors blur...