Modern Art

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

Zigzag Ovals is a cyanotype monotype diptych that explores the interplay between fluid forms and structured repetition. Organic white shapes drift across rich blue tonal fields, crea...

Raoul DUFY Bunch of Flowers, 1953 Original Lithograph with stencil watercolor With printed signature in the plate On Arches vellum 28 x 37.5 cm (c. 11 x 14.8 inch) Very good condition

Sailing Boats French School, 20th century oil on board, framed inscribed verso framed: 20 x 24.5 inches board: 17 x 21 inches provenance: private collection, France condition: very g...

John Taylor Arms, 'Downtown, New York', etching with aquatint, 1921, edition 75, Fletcher 108. Signed, dated, and numbered 14/75 in pencil. A superb, finely nuanced impression, in d...

Oil pastel still life of wine and coffee on striped outdoor table Oil pastel drawing on paper One of a kind artwork Size: 50 × 70 × 0,1 cm It is original hand drawing on 250 gsm acid-free paper The artwork is titled and signed on the front and also comes with a certificate of authenticity. Artworks are shipped rolled in a secure tube. This is a safe and reliable packaging method that ensures your artwork arrives in perfect condition while keeping shipping costs affordable. Bring the warmth of the French Riviera into your space with this vibrant oil pastel still life inspired by Mediterranean summer living. This artwork captures a joyful outdoor table scene featuring coffee, wine, lemons, and palm leaves arranged across bold blue and white stripes. Created in the expressive style reminiscent of Raoul Dufy, this pastel drawing celebrates color, movement, and relaxed coastal elegance. A close-up perspective from above shows hands holding glasses of red and white wine alongside heart-shaped plates filled with fresh orange slices and a dark green olive oil bottle...

Spectator Tennis (1938) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) 1st December 1938. Spectators watching a tennis match at a country club. Addi...

Mokuchu URUSHIBARA White-billed Pie, c. 1930 Woodcut after on an ink drawing Signed with the artist's stamp On paper 32 x 26.5 cm (c. 12.59 x 10.23 in) INFORMATION : Engraving pub...

Mokuchu URUSHIBARA Horse bowing, c. 1930 Woodcut after on an ink drawing Signed with the artist's stamp On paper 26 x 35 cm (c. 10.2 x 13.7 in) INFORMATION : Engraving published by...

Dining is a drawing realized by Paul Emile Colin in 1924. Carbon Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expressive ...

Early work was impressionistic and hard abstract. Carola later developed a more mature way of working in a colourful exploration of the subject. Colour was her main interest and she...

"Mercedes Inspection" by Joseph McKeown 4th July 1954: Mechanics examine Juan Manuel Fangio's W196 Mercedes Benz in the pits at the French Grand Prix in Reim...

Alexander Mikhailovich Kishchenko (1933–1997) was an outstanding Belarusian monumentalist artist whose work significantly influenced the development of visual arts in Belarus during ...

B.J.O. NORDFELDT (Swedish/American 1878 – 1955) (WINDMILL AND WORKERS). c.1900. Color pastel on colored paper, unsigned. 22 ¼ x 15”. Sheet: 24 ½ x 18 ¼”. In 1900 Nordfeldt studied ...

Andre Masson, French (1896 - 1987) - Cathedral, Medium: Lithograph and Chine Colle, signed, numbered and dedicated in pencil, Edition: 7/25 HC, Image Size: 13 x 4 inches, Size: 1...

Ink Abstract by Jacqueline Boisselot, French late 20th century size: 19.75 x 26 inches ink painting on thin paper, unframed condition: very good and ready to enjoy provenance: from...

Antique American school modernist watermelon still life pastel painting. Pastel on paper. Signed. Framed. Measuring 18 by 22 inches overall and 16 by 20 painting alone.

Jack Mitchell vintage mid-20th Century photograph of modern dancer Louis Falco in his classic work "Timewright". Copyright stamped and dated 1969 and personally signed by Jack Mitche...

This sculpture is made with 316L stainless steel by Lutfi Romhein. A 2 mm-thick stainless steel sheet was cut, folded, welded at some joint points, with a polished and sanded finish...

'Hidden Portraits XXII', acrylic on artist's board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing art prof...

Vincent HADDELSEY (1934-2010) Horse : Training at Maison Laffite, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent...

Original title: Il Ciclista Cyclist is an original etching realized by Giuseppe Viviani in 1955. Hand signed and dated in pencil on lower right margin "G. Viviani 955", edition of 200 prints. It represents a cyclist who is riding along a tree-lined road. Very good conditions except for foxings and faded paper. - Published on “Giuseppe Viviani Catalogo Generale” cured by Silvio Guarasci Pisa, Editore Saletta d’Arte Viviani s.a.s. Pisa, p.216. Giuseppe Viviani (1898-1965) is a popular Italian artist and engraver. His figures are characterized by stylized silhouettes, big and sad eyes...

The photographer Wolfgang Kühn photographed Alberto Giacometti in November 1963 in his studio in Paris in the 14th arrondissement at the address rue Hippolyte-Maindron. The appointment was arranged by the gallery owner Aimé Maeght. 17 photographs were made. In 1990 copies of them were deposited in the Museum of Modern Art in New York. In 2010, the Center of International Sculpture of the Wilhelm...

This painting is part of our exhibition American Coast to Coast: Artists of the 1930s Subway Construction, c. 1928, oil on board, 19 x 15 ¾ inches, signed upper left, artist and title verso; exhibited: 1) 12th Annual Exhibition of the Society of Independent Artists, The Waldorf Astoria, New York NY, from March 9 to April 1, 1928, no. 864 (original price $250) (see Death Prevailing Theme of Artists in Weird Exhibits, The Gazette (Montreal, Quebec, Canada), March 8, 1928); 2) Boston Tercentenary Exhibition Fine Arts and Crafts Exhibition, Horticultural Hall, Boston MA, July, 1930, no. 108 (honorable mention - noted verso); 3) 38th Annual Exhibition of American Art, Cincinnati Art Museum, Cincinnati, OH, June, 1931 (see Alexander, Mary, The Week in Art Circles, The Cincinnati Enquirer, June 7, 1931); and 4) National Art Week Exhibition [Group Show], Montross Gallery, New York, New York, December, 1940 (see Devree, Howard, Brief Comment on Some Recently Opened Exhibitions in the Galleries, The New York Times, December 1, 1940) About the Painting Ernest Stock’s Subway Construction depicts the excavation of New York’s 8th Avenue line, which was the first completed section of the city-operated Independent Subway System (IND). The groundbreaking ceremony was in 1925, but the line did not open until 1932, placing Stock’s painting in the middle of the construction effort. The 8th Avenue line was primarily constructed using the “cut and cover” method in which the streets above the line were dug up, infrastructure was built from the surface level down, the resulting holes were filled, and the streets reconstructed. While many artists of the 1920s were fascinated with the upward thrust of New York’s exploding skyline as architects and developers sought to erect ever higher buildings, Stock turned his attention to the engineering marvels which were taking place below ground. In Subway Construction, Stock depicts workers removing the earth beneath the street and building scaffolding and other support structures to allow concrete to be poured. Light and shadow fall across the x-shaped grid pattern formed by the wooden beams and planks. It is no surprise that critics reviewing the painting commented on Stock’s use of an “interesting pattern” to form a painting that is “clever and well designed.” About the Artist Ernest Richard Stock was an award-winning painter, print maker, muralist, and commercial artist. He was born in Bristol, England and was educated at the prestigious Bristol Grammar School. During World War I, Stock joined the British Royal Air Flying Corps in Canada and served in France as a pilot where he was wounded. After the war, he immigrated to the United States and joined the firm of Mack, Jenny, and Tyler, where he further honed his architectural and decorative painting skills. During the 1920s, Stock often traveled back and forth between the US and Europe. He was twice married, including to the American author, Katherine Anne Porter. Starting in the mid-1920s, Stock began to exhibit his artwork professionally, including at London’s Beaux Arts Gallery, the Society of Independent Artists, the Salons of America, the Cincinnati Art Museum, the Whitney Studio and various locations in the Northeast. Critics often praised the strong design sensibility in Stock’s paintings. Stock was a commercial illustrator for a handful of published books and during World War II, he worked in the Stratford Connecticut...

Very rare and well painted Formula Two racing painting. Oil on canvas. Unsigned. Nicely framed.

Palm Beach Pastels 1959 by Slim Aarons Slim Aarons Limited Estate Edition Socialite Alice Topping relaxing by a swimming pool in Palm Beach, Florida, 1959. unframed c type pr...

Indulge in a journey to the vibrant and nostalgic era of the 1970s with our vintage original oil painting—a mesmerizing modernist beach interior scene, capturing the essence of sandy...

Poster produced for David Hockney’s 1981 exhibition at The Ashmolean Museum, Oxford, which displayed the sets and costumes he designed for the Glyndebourne Festival Opera’s 1975 prod...

Watercolor on paper realized by Mino Maccari in 1960 ca.  Hand signed in pencil lower right. Very good condition.

Antique American modernist oil painting. Oil on board, circa 1950. Housed in a vintage frame. Image size, 16L x 11H. Signed.

Garden Party. An elegant garden party in Miami, Florida, 1970. Huge oversize 60 x 60" inches / 152 x 152 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aaro...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie H, var. 4 (Series H, Variation 4), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Mon ami Léger par ...

André Cottavoz (1922-2012) Still Life with Basket of Fruits, 1960 Original oil painting Signed in the bottom right corner Signed and dated on the back On wood panel 19 x 35 cm (c. ...

ANTONIUCCI VOLTI "RECLINGING WOMAN" BRONZE, SIGNED, NUMBERED 2/6 VALSUANI FOUNDRY ITALiAN, WORKED IN PARIS, C.1960 6.5 X 18.5 X 10.5 INCHES Antoniucci Volti 1915-1989 Sculptor, painter, and printmaker Antoniucci Volti was born in Albano, Italy, in 1915. His family lived in Italy until 1920 when the family moved to France. Volti studied at the Ecole des Arts Décoratifs in Nice from 1928 to 1920. By 1932 the young artist had won a gold medal for two polychrome bas-reliefs before going to Paris, where he entered the studio of Jean Boucher at the Ecole Nationale des Beaux-Arts in Paris at the age of only fifteen. After serving in the Second World War, when he was interned as a prisoner of war in Bavaria, he returned in poor health to Paris, only to find his studio destroyed. From 1947 he showed work at various Paris Salons and, in 1954 and 1955 at the Brussels and Antwerp Biennales. In 1957 a retrospective of his work was organized at the Museum Rodin in Paris. He died in Paris in 1989 Works by Volti are in leading museums such as the Musée National d'Art Moderne, Paris. Antoniucci Volti is one of the most important Late Modern...

Contemporay English School signed oil painting on copper panel framed: 13 x 14.5 inches panel: 8 x 10 inches provenance: private collection, England condition: overall very good

Figure  is a drawing realized by François Guiget in the Early-20th Century. Charcoal white lead and watercolor. Good conditions with slight foxing. The artwork is realized through...

Naftali Bezem (Hebrew: נפתלי בזם‎‎; born November 27, 1924) is an Israeli painter, muralist, and sculptor. Bezem was born in Essen, Germany, in 1924. His early adolescence was spent...

Antique American modernist still life oil painting. Oil on canvas. Signed. Framed. Measuring: 27 by 31 inches overall, and 19 by 22.5 painting alone. Excellent condition, ready to h...

This rare original 1963 Earl Newman Monterey Jazz poster documents a pivotal moment in jazz concert promotion design. The Earl Newman Monterey Jazz poster captures Earl Newman’s sign...

"Two Rabbits" Colorful Mid Century Modern Painting Lively piece by Californian artist Ella Wharton Alluisi (b. 1912 d. 1996.) Two rabbits sit on top of a pile of leaves. The rabbits...

The Brooklyn Bridge (1959) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) The Brooklyn Bridge and Downtown Manhattan, New York, USA, circa 1959. Ad...

Untitled (Amish Farm) Watercolor, c. 1940 Signed by the artist lower right: Wm C Grauer (see photo) A masterpiece Modernist American watercolor. Condition: Excellent Sheet/Image size...

Pastel Landscape by Irina Hale (British 1932-2022) pastel on brown artist tracing paper , unframed painting: 3.75 x 4.5 inches provenance: private collection, Cotswolds condition: ve...

1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawing on light brown artist paper stuck on A4 artist paper, unframed overall size: 12.5 x 8.5 inches ...

This piece is an original linoleum cut in color by Pablo Picasso, 1962. It is hand signed and numbered 40/50 from the edition of 50; there were also 35 ar...

Antique American modernist portrait oil painting. Oil on canvas. Signed. Framed. Measuring: 19 by 17 inches overall, and 13 by 11 painting alone. Excellent condition, ready to hang ...

'Hidden Portraits XVII', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing...

Marc Chagall, After, Russian (1887 - 1985) - The Circus, Medium: Giclee, fascimille signed and numbered in pencil, Edition: 375, Image Size: 18 x 14 inches, Size: 24 x 16 in. (60...

Exceptionally well painted African landscape painting. Oil on board. Framed. Signed. Image size, 22L x 26H.

Isaac Monteiro (1938-2008) Apple, 1985 Oil on canvas 36 x 48 in. Framed: 37 1/2 x 49 x 1 1/4 in. Signed lower left: I Monteiro Inscribed verso: Apple I Monteir...

Very finely painted early 1900s American impressionist portrait painting by Alexander Oscar Levy (1881 - 1947). Oil on canvas, lain to board. In excellent original condition. Hand...

This exquisite lithograph after Laurence Stephen Lowry (1887–1976), titled Punch and Judy, S.P.21., originates from the School Prints Ltd. serie...

Crabbing In The Hamptons 1956 by Toni Frissell Family and friends enjoy crabbing a a beach in The Hamptons, Long Island's play spot. Oversize 30 x 20" inches / 76 x 51 cm paper si...

Lech Ice Bar 1960 By Slim Aarons The Ice Bar at the Hotel Krone in Lech, Austria, 1960. The mountain in the background is the Omershorn. (Photo by Slim Aarons) 16 x 16" inches / 4...

Tete de Femme after Modigliani, produced by Austin Productions in 1961. Austin Productions started in Brooklyn in 1952 and began manufacturing reprodu...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 247, 1981. Published by Aim...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Uomo e cavallo by Marino Marini (1901-1980) ...

Marc Chagall (1887-1985) The Bible, Adam and Eve in Paradise, 1960 Original lithograph (Mourlot Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second lithograph on the back, ...

Joan MIRO Composition with Stars Original lithograph (printed in Mourlot workshop) Printed signature in the plate On Arches vellum 25 x 19 cm (c. 10 x 8 inch) Edited by Mourlot in 1...