Modern Art

Sunbathing in Venice, 1954 - Venetian Sunbathing in Vintage Italian Fashion by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. A...

A captivating, 1930s portrait painting of a young woman by famed Chicago artist, Francis Chapin (Am. 1899-1965). A sensitive, skilled portrait of a young female model, most likely h...

Westin Excelsior, Lido in Venice, 1957 - Venetian Gondolas in Canals in Italy by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. We...

This is a framed reproduction of "Woman's Portrait", published in 1999 by LEM with the approval of the Succession Matisse. The piece, part of the permanent collection at the Hermitag...

This finely molded ceramic figure is an excellent representation of mid-century Japanese export pottery, a booming industry in the post-WWII era where factories in regions like Seto ...

This original poster was created for a Georges Braque exhibition at the Maeght Gallery in Zurich. The artwork prominently features two birds in flight, with one outlined in white and...

Glass Sculpture, Art for Modern Interior, Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subjec...

Marc Chagall (1887-1985) - Poèmes, Planche IX Woodcut print from 1968. An unnumbered and unsigned impression from the total edition of 238; this impression is on Japon paper, one o...

The Group Portrait by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1991 oil painting on canvas, framed canvas: 42 x 52 inches framed: 33 x 43 inches Very good condition. Provenance: from the artists estate, France Maria Tort Xirau ( Figueres , 26 May 1924 – 6 June 2018) was a painter and photographic and cinematographic editor from Emporda. She developed a long professional career in leading photographic studios, in films for The Walt Disney Company and also in advertising claims for companies such as Educa Borràs . The second half of her life was dedicated to painting, exercising a luminous, varied and nostalgic chromatic style in the techniques of oil and watercolor and with exhibitions of her work in Barcelona and Figueres. The Biographical Dictionary of Art Empordà defined Tort Xirau's work as "a painting that is characterized by the strength of the strokes, the vividness and brightness of the chromatic range and exudes mastery of the photographic technique. A mixture of nostalgia and tenderness is evident.". Tort Xirau's paintings were exhibited in the two towns where she spent her life: in 1992 she exhibited his work at the Caixa de Figueres Exhibition Hall. Two years later, she did it at Sala Conex in Barcelona and in 2007 and 2013 the Consortium of Sant Ferran Castle and the Figueres Town Council organized tribute exhibitions. In 2013, she ceded to the council of the city of Figueres her work Mercat de la plaça de l'Ajuntament , watercolored on paper around 1991, which is exhibited in the rest room of the building. On June 6, 2018, she died in Figueres at the age of 94, receiving the apostolic blessing . Two years after her death, part of her paintings were included in the exhibition Paint, create, live. Women artists in the Alt...

Seascape Painting of Waves Crashing against the Rocks at Pacific Grove, Monterey in California by 20th Century Post War Irish Artist, Tobias Everet Spence A...

Palm Beach Pastels 1959 by Slim Aarons Slim Aarons Limited Estate Edition Socialite Alice Topping relaxing by a swimming pool in Palm Beach, Florida, 1959. unframed c type pr...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Cosmos, Size: 19" x 24" x 4'' inch, 46x61x10...

An original still life from my Studio Flower series. Yellow orchids in a Moroccan inspired bowl, created in Oxfordshire. Each flower is hand crafted from Japanese paper and the back ...

This limited edition print by Marc Chagall, titled La Chevauchée (The Horse Ride), was published by Pace Columbus for an exhibition held at the gallery in 1979. The print is signed i...

Feu de Joie 1970 hand signed and dated. Measurements: 25.75 X 25.75 Framed. Image is 23.75 X 23.75 Emilcar Similien, known as Simil was born in 1944 in St. Marc. He finished elementary school in St. Marc and high school in Port-au-Prince. From 1965 until 1971 he studied at the Academy of Beaux-Arts in Port-au-Prince, where he took courses in painting, sculpture, and art history. Simil uses his images of women only as means for displaying patterns, color, and the sparkle of gold jewelry on black skin. He paints with acrylics on Masonite of any size. His surfaces are smooth and polished. Simil delights in beauty, elegance, and grace. This is done in a silhouette style reminiscent of Kara Walker. Emilcar Simil (Similcar) is known for Acrylic painting in high colors of black skinned female figures. He is of the generation of Haitian artists that include Bernard Sejourne, Prospere Pierre-Louis, Levoy Exil, Louisiane Saint Fleurant, Henri Calixte, Paul Dieuseul, Laurent Casimir, Frantz Zephirin, Denis Smith, Philton Latortue, Philome Obin, Préfète Duffaut, Fernand Pierre, Dieudonne L Cedor. Since 1971 he has taught art history and aesthetics at the Academy of Beaux-Arts. He is also an honorary teacher at the private school Juan Vasquez. In 1974, he traveled to the United States to meet American artists and visit major museums. Simil was influenced by Art nouveau and his favorite artist, Gustav Klimt. These influences are most obvious in his paintings of women. Like Bernard Sejourne, Simil delights in beauty, elegance, and grace. But instead of concentrating on pose, he uses his images of women only as vehicles for displaying pattern, color, and the sparkle of gold jewelry on black skin. Only recognizable as females by their contours, their features are not distinguished. There is a playfulness of line that is very different from Sejourne's emphasis on monumentality. Emilcar Similien uses his images of women only as means for displaying patterns, color, and the sparkle of gold jewelry on black skin. He paints with acrylics on Masonite of any size. His surfaces are smooth and polished. Simil delights in beauty, elegance, and grace. He has been exhibiting since 1969 namely in Haiti, USA, Denmark. As Art Critic, Gerald Alexis states in his book Peintres Haitiens "well trained by masters who taught him to excel in his forms, Similien’s works also contain discrete messages” . EXHIBITIONS 1969- Academie des Beaux Arts 1970- Haitian-American Institute 1971- Salon Dante Alighieri, Amb. d'Italie, Port-au-Prince 1972- Christ, Saut-d'Eau 1973- Anderson and Hopkins Gallery, Washington, D.C. 1974- Galerie Mehu, Petion-Ville 1974- Musee d'Art Haitien, Port-au-Prince 1976- Galerie Monnin, One Man Show, Port-au-Prince 1977- Martello Museum, Key West, Florida 1978- Galleriet, Copenhagen, Denmark 1978-1979 - Haitian Art - Brooklyn Museum, New York, Milwaukee Art Center, Wisconsin, Kunst aus Haiti, Berlin, Germany, New Orleans Museum of Art, Louisiana 1978- Brooklyn College, New York 1978- Musee d'Art Haitien, Port-au-Prince 1979 - Haiti, Musee d'Art (Third Generation Artists) 1979- Kunst aus Haiti, West Berlin, Germany 1980- Curacao Museum, Willemstad, Curacao 1981- Sotheby Parke Bernet Auction, New York, NY 1982- Galerie Monnin Third Generation Artists 1982- Exhibit Vorpal Gallery, San Francisco 1982- Centre de Arte Cultural, Italy 1982- International Art Expo, New York, NY 1983- Musee International d'Art Naif, Nice, France 1983- Galerie Bukowskis, Zurich, Switzerland 1984- Exhibit Metropolitan Museum of Art 1985- Galerie Bukowskis, Zurich, Switzerland 1985- Cafe de la Paix Exposition, Paris, France 1986- Three Man Show, Port-au-Prince 1988- Galerie 93, Paris, France 1989- IFA Galerie und Kontaktstelle, Bonn, Germany 1990- Exposition du Palais du Rhin, Strasbourg, France 1992- La Rencontre Des Deux Mondes Vue Par Les Peintres D'Haiti - Martinique, Seville, Rome, Paris, Nantes, Angouleme, Laval, Toulouse, Japan, Montreal, United States, Mexico Haitian art is a complex tradition, reflecting African roots with strong Indigenous, American and European aesthetic and religious influences. Many artists cluster in "schools" of painting, such as the Cap-Haïtien school, which features depictions of daily life in the city, the Jacmel School, which reflects the steep mountains and bays of that coastal town, or the Saint-Soleil School. Centre d’Art, located in Port-au-Prince, Haiti, was founded in 1944 by American watercolorist DeWitt Peters and several prominent Haitians from the intellectual and cultural circles including: Maurice Borno, Andrée Malebranche, Albert Mangonès, Lucien Price, and Georges Remponeau. Popular artists of this movement include: André Pierre, Hector Hippolyte, Castera Bazile...

Marc Chagall, After, Russian (1887 - 1985) - Lovers Over Paris, Medium: Giclee, fascimille signed and numbered in pencil, Edition: 375, Image Size: 13 x 17 inches, Size: 16 x 24 ...

J. Blot (France, 20th Century). This gouache painting features a still-life execution of exotic fishes in a very typical Mid-Century-Modern 1950s design style., Bursting with vintage...

"Church in Murnau" is a high-quality reproduction of an original painting by Wassily Kandinsky, one of the pioneers of abstract art. This reproduction is part of a limited edition of...

Contemporay English School signed oil painting on copper panel in impressive gilt frame framed: 13 x 14.5 inches panel: 8 x 10 inches provenance: private collection, England conditi...

THÉO TOBIASSE (1927–2012) – “THOU ART FAIR, MY LOVE” Lithograph on Japon Paper ⚜ Hand Signed and Numbered ⚜ Gilt Wood Frame A SENSUOUS HYMN TO BEAUTY, BELOVEDNESS, AND THE POETRY O...

Hand-crafted by world-renowned large format film photographer Bob Kolbrener. This image is available in the following sizes: 10x20 ($2,500) - 15x30 ($3,200) - 20x40 ($6,500). Please ...

View of Riva degli Schiavoni is an original old master artwork realized in the late 18th century by a follower of the School of the italian painter Canaletto. Oil on canvas. An imp...

Mokuchu URUSHIBARA White-billed Pie, c. 1930 Woodcut after on an ink drawing Signed with the artist's stamp On paper 32 x 26.5 cm (c. 12.59 x 10.23 in) INFORMATION : Engraving pub...

Figurative nude drawing on Arches paper graphite, conte crayon and charcoal on Arches paper 22 x 15 inches unframed Contemporary figurative life study drawing of a reclining male nu...

Children’s Theater, 1934, watercolor on paper, signed and dated lower right, 10 ¾ x 12 5/8 inches (image) Children’s Theater is a fine example of Berlandina’s modernist approach to ...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Scene XII, La Machine Infernale (Scene XII, The Infernal Machine), originates from the 1957 album Jean Cocteau de l'Acad...

Titled 'Polo' and signed 'Louis Claude' in pencil below the image. Printed in Paris for the Paris Etching Society, New York. 465mm by 595mm (pla...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Greenery and Country House singed initials by Irina Hale (British 1932-2022) oil paintings on artist paper mounted in a frame Glass covering overall framed: 16.5 x 12.5 inches Top pa...

TWA (Trans World Airlines) was formed in 1924 as Transcontinental & Western Air. The airline's first route was from New York to Los Angeles, followed by multiple National routes. The airline expanded to serve Europe, the Middle East, and Asia after WWII when the company was under Howard Hughes's owner's control from 1939 until 1961. Hughes was a dominant force in expanding and promoting his company's routes. The economy was vastly improving, and travel by air for business and pleasure increased, too. Posters were a crucial element in promoting this form of travel and TWA. The airline started a decline in the 1970s, ending in a third bankruptcy that caused its acquisition by American Airlines in 2001. The airline operated in 132 destinations worldwide and had a fleet size of 190. The Boston FLY TWA shows a three-masted schooner in the background, a large colonial drum in the center with an American Eagle...

Calder’s use of curvilinear forms and asymmetrical balance mimics the natural, evolving movement of a snail, underscoring his fascination with motion and transformation. ‘Escargot’ e...

Alekos FASSIANOS Thinker with a Watch (FIAC 1978), 1978 Original lithograph Printed signature in the plate On heavy paper 92 x 60 cm (c. 37 x 24 ...

David HOCKNEY Pool Diver, 1972 Original lithograph Signature printed in the plate On paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Games in Munich, 1972 REFERENCES : Bri...

Cafe Terrace In Nice 1957 by Slim Aarons Slim Aarons Limited Estate Edition Holidaymakers on a cafe terrace in Nice on the French Riviera, 1957. unfra...

Black and white Print by Erich Andres, ca 1960. The image captures an iconic view of the New York City skyline in the 1960s, presented in black and white, taken from an elevated road...

Georges Rouault Crucifixion Woodcut and embossing (Raymond Jacquet workshop) Printed signature in the plate On Arches vellum 15 x 11" (38 x 28 cm) INFORMATION : Woodcut published i...

Betsy Podlach (American, born 1964.) Still life with Tin Cup, 1996 17.5 X 16.5 inches. Framed it measures 18.25 X 17.25 Betsy Podlach graduated from Harvard, cum laude, (she studied...

Vintage American still life painting. Oil on canvas. Framed in a period wood frame. Measuring: 23 by 17 inches overall and 19 by 13 inches painting alone. Excellent condition, ready...

Winter in the Village by Ben George Powell, British contemporary artist signed oil on canvas, unframed canvas: 32 x 40 inches provenance: private collection of this artists work, UK ...

This exquisite lithograph by Andre Beaudin (1895–1979), titled Cheval (Horse), from Regards Sur Paris (Views of Paris), originates from the January 22, 1963 issue published by Andre ...

An Exceptional Mid-Century Modern Oil Painting of a Reclining Nude Female Model by Noted Chicago Artist, Rudolph T. Pen. This alluring studio scene, painted in the 1960s, exemplifi...

Play Ball! No. 27 unleashes a mighty swing at the ball. Both umpire and catcher are in their huddled crouch. "Swing" is an exclusive publication of Stone and Press Gallery by Art We...

Arwork sold with frame (81.5 x 60.5 x 7.5 cm) Konstantin Stoitzner (1863–1933) was an Austrian painter renowned for his landscapes, genre scenes, portraits, and still lifes. Born ...

Marc CHAGALL (1887-1985) Spring : Goat playing Violin and Woman with Bouquet 1938 Lithograph (Mourlot workshop) Engraved by Sorlier under Marc Chagall supervision Other lithograph...

This exquisite lithograph by Alexander Calder (1898–1976), titled Anneaux sur noir (Rings on Black), originates from the historic 1973 folio Derriere le Miroir, No. 201. Published by...

Row of Garden Houses by Irina Hale (British 1932-2022) oil painting on artist paper, unframed painting: 7 x 7.75 inches provenance: private collection, Cotswolds condition: very good...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1964 album Recettes pour un ami, illustrations de Jean Cocteau (Recipes for a...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Cosmos, Size: 17" x 37" x 4'' inch, 43x94x10...

Lithograph on vélin paper. Stamp-signed and unnumbered, as issued. Good condition. Notes: From the album, Picasso 1930-1935, 1936. Published and printed by Éditions des Cahiers d'Art...

This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Zwei Reiter vor Rot (Two Riders Against Red), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Dire...

Edward Ben Avram Hand signed lower right Jerusalem Israeli Old City walls landscape cityscape. Home of the Har Habayit, The Western Wall, Temple mount. Size includes frame 23 X 28, paper is 14 X 20 inches Edward Ben Avram (born 1941) is an Indian - Israeli artist who was born in Bombay, India and immigrated to Israel as a teenager. He graduated from the Bezalel School of Art and Design in 1965 and continues to call Jerusalem his home. Most of Ben Avraham oil painting and watercolors portrays Israeli cities, particularly the old city of Jerusalem with its architecture and orientalist domes and arches, religious festivals, and Bible stories. He paints in creamy sensual tones incorporating symbols such as doves, a menorah, and Shabbat candles. With his penchant for filigreed designs and bright colors, Edouard Ben Avram betrays some influences of his Indian boyhood. But the subjects that he paints so gracefully with a touch of Oriental lyricism are scenes of Jerusalem, his home for over 20 years. Exhibitions 1964 Group exhibitions in the United States and Canada 1977 Safrai Gallery, Jerusalem (a prestigious gallery that shows Abel Pann, Mordecai Ardon, Samuel Bak, Abraham Binder...

This exquisite lithograph by Marino Marini (1901–1980), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 5 (double), Juin 1955, originates from the 1955 e...

This exquisite lithograph by Alexander Calder (1898–1976), titled Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. This work captures Calder’s mastery of motion, balance, and vibrant color through the spontaneous energy of his abstract forms, embodying the rhythmic harmony and visual poetry that defined his art. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 69–70, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Soleil...

Poster for Jackson Pollock's "Number 28" which was published by The Metropolitan Museum of Art in New York City. Paper Size: 27 x 35 inches ( 68.58 x 88.9 cm ) Image Size: 21.25 x 3...

Konstanty Swewczenko (1910-1991), signed oil Judaica Oil Painting, Polish. Konstantin Shevchenko studied at the Institute of Fine Arts in Warsaw in the years 1927 - 1928. Then, in 19...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

Paired Studies of Lions in Profile 1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawings on brown artist paper stuck on A4 artsit paper, unframed ove...

This exquisite lithograph after Laurence Stephen Lowry (1887–1976), titled Punch and Judy, S.P.21., originates from the School Prints Ltd. serie...

SADAO WATANABE (Japanese 1913-1996) GIRLS WITH LOTS OF QUAILS, 1965 鶉と少女 Hand colored stencil print on momigami textured paper. Signed and numbered in white. Edition 50, Image 17 x 2...

A classic David Hockney portrait, this lithograph depicts the artist's friend Brooke Hopper. Brooke Hopper, one of the Hollywood elite, is the daughter of the producer Leland Hayward...