Modern Art

This is a framed reproduction of "Woman's Portrait", published in 1999 by LEM with the approval of the Succession Matisse. The piece, part of the permanent collection at the Hermitag...

Marc CHAGALL (1887-1985) Spring : Goat playing Violin and Woman with Bouquet 1938 Lithograph (Mourlot workshop) Engraved by Sorlier under Marc Chagall supervision Other lithograph...

Marc Chagall, After, Russian (1887 - 1985) - Lovers Over Paris, Medium: Giclee, fascimille signed and numbered in pencil, Edition: 375, Image Size: 13 x 17 inches, Size: 16 x 24 ...

Mercedes Matter Reclining Nude, circa 1920 Signed "Mercedes Matter" on the overlap Oil on canvas 32 x 51 inches Known for his use of expressive and uninhibited color, Arthur B. Car...

Fly Fishing, Saranac Lake. 1889. Etching, aquatint and burnishing. Goodrich 104. 14 1/4 x 20 5/8; sheet 18 1/2 x 24 1/2. Edition unknown but quite possibl...

"Purple Desert Mirage" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, a...

MARC CHAGALL (1887 – 1985) MATERNITE, 1926. Motherhood I: Honte / Disgrace (Kornfeld 65, Cramer 5, Sorlier, p. 20-21 Etching, Frontispiece from Maternite Au Sans Pareil, Paris, 1926. Marcel Arland, illustrated by Marc Chagall with five original etchings this being one of the five. Image size: 5 5/8 x 4 1/8. 1130 unsigned impressions on various papers. The story begins with a young woman being shunned by the whole village because she had given birth to a child and left its dead body...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

SADAO WATANABE (Japanese 1913-1996) GIRLS WITH LOTS OF QUAILS, 1965 鶉と少女 Hand colored stencil print on momigami textured paper. Signed and numbered in white. Edition 50, Image 17 x 2...

View of Riva degli Schiavoni is an original old master artwork realized in the late 18th century by a follower of the School of the italian painter Canaletto. Oil on canvas. An imp...

Marbella Club The swimming pool of the Marbella Club in Andalucia looks out over the sea, 1976 16 × 16 inches - paper size Estate Stamped Collection Edition to 150 Photo by Sl...

Alexander Mikhailovich Kishchenko (1933–1997) was an outstanding Belarusian monumentalist artist whose work significantly influenced the development of visual arts in Belarus during ...

Contemporay English School signed oil painting on copper panel in impressive gilt frame framed: 13 x 14.5 inches panel: 8 x 10 inches provenance: private collection, England conditi...

Alexander Mikhailovich Kishchenko (1933–1997) was an outstanding Belarusian monumentalist artist whose work significantly influenced the development of visual arts in Belarus during ...

The Group Portrait by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1991 oil painting on canvas, framed canvas: 42 x 52 inches framed: 33 x 43 inches Very good condition. Provenance: from the artists estate, France Maria Tort Xirau ( Figueres , 26 May 1924 – 6 June 2018) was a painter and photographic and cinematographic editor from Emporda. She developed a long professional career in leading photographic studios, in films for The Walt Disney Company and also in advertising claims for companies such as Educa Borràs . The second half of her life was dedicated to painting, exercising a luminous, varied and nostalgic chromatic style in the techniques of oil and watercolor and with exhibitions of her work in Barcelona and Figueres. The Biographical Dictionary of Art Empordà defined Tort Xirau's work as "a painting that is characterized by the strength of the strokes, the vividness and brightness of the chromatic range and exudes mastery of the photographic technique. A mixture of nostalgia and tenderness is evident.". Tort Xirau's paintings were exhibited in the two towns where she spent her life: in 1992 she exhibited his work at the Caixa de Figueres Exhibition Hall. Two years later, she did it at Sala Conex in Barcelona and in 2007 and 2013 the Consortium of Sant Ferran Castle and the Figueres Town Council organized tribute exhibitions. In 2013, she ceded to the council of the city of Figueres her work Mercat de la plaça de l'Ajuntament , watercolored on paper around 1991, which is exhibited in the rest room of the building. On June 6, 2018, she died in Figueres at the age of 94, receiving the apostolic blessing . Two years after her death, part of her paintings were included in the exhibition Paint, create, live. Women artists in the Alt...

Paired Studies of Lions in Profile 1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawings on brown artist paper stuck on A4 artist paper, unframed ove...

Marc Chagall (1887-1985) - Poèmes, Planche IX Woodcut print from 1968. An unnumbered and unsigned impression from the total edition of 238; this impression is on Japon paper, one o...

This original poster was created for a Georges Braque exhibition at the Maeght Gallery in Zurich. The artwork prominently features two birds in flight, with one outlined in white and...

Hand-crafted by world-renowned large format film photographer Bob Kolbrener. This image is available in the following sizes: 10x20 ($2,500) - 15x30 ($3,200) - 20x40 ($6,500). Please ...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Author: Bernard Leemker (Groningen, 1899 – 1990) Title: Portrait of a Boy with Teddy Bear Date: 1984 Technique: Oil on canvas Dimensions: 55 × 45 cm — 21.7 × 17.7 in Support / Mounti...

A classic David Hockney portrait, this lithograph depicts the artist's friend Brooke Hopper. Brooke Hopper, one of the Hollywood elite, is the daughter of the producer Leland Hayward...

Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...

Georges Rouault Crucifixion Woodcut and embossing (Raymond Jacquet workshop) Printed signature in the plate On Arches vellum 15 x 11" (38 x 28 cm) INFORMATION : Woodcut published i...

An original still life from my Studio Flower series. Yellow orchids in a Moroccan inspired bowl, created in Oxfordshire. Each flower is hand crafted from Japanese paper and the back ...

THÉO TOBIASSE (1927–2012) – “THOU ART FAIR, MY LOVE” Lithograph on Japon Paper ⚜ Hand Signed and Numbered ⚜ Gilt Wood Frame A SENSUOUS HYMN TO BEAUTY, BELOVEDNESS, AND THE POETRY O...

Thomas Hart Benton (American, 1889 - 1975) was a painter, muralist, and printmaker whose sinuous, rhythmic style came to define the Regionalist movement. His paintings and lithograph...

This exquisite lithograph by Alexander Calder (1898–1976), titled Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. This work captures Calder’s mastery of motion, balance, and vibrant color through the spontaneous energy of his abstract forms, embodying the rhythmic harmony and visual poetry that defined his art. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 69–70, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Soleil...

An Exceptional Mid-Century Modern Oil Painting of a Reclining Nude Female Model by Noted Chicago Artist, Rudolph T. Pen. This alluring studio scene, painted in the 1960s, exemplifi...

Watercolor on paper realized by Mino Maccari in 1960 ca.  Hand signed in pencil lower right. Very good condition.

French Landscape by Bernard Labbe (French mid 20th century) original watercolour with biro on artist paper, unframed stamped verso size: 10 x 8.5 inches condition: very good and read...

Feu de Joie 1970 hand signed and dated. Measurements: 25.75 X 25.75 Framed. Image is 23.75 X 23.75 Emilcar Similien, known as Simil was born in 1944 in St. Marc. He finished elementary school in St. Marc and high school in Port-au-Prince. From 1965 until 1971 he studied at the Academy of Beaux-Arts in Port-au-Prince, where he took courses in painting, sculpture, and art history. Simil uses his images of women only as means for displaying patterns, color, and the sparkle of gold jewelry on black skin. He paints with acrylics on Masonite of any size. His surfaces are smooth and polished. Simil delights in beauty, elegance, and grace. This is done in a silhouette style reminiscent of Kara Walker. Emilcar Simil (Similcar) is known for Acrylic painting in high colors of black skinned female figures. He is of the generation of Haitian artists that include Bernard Sejourne, Prospere Pierre-Louis, Levoy Exil, Louisiane Saint Fleurant, Henri Calixte, Paul Dieuseul, Laurent Casimir, Frantz Zephirin, Denis Smith, Philton Latortue, Philome Obin, Préfète Duffaut, Fernand Pierre, Dieudonne L Cedor. Since 1971 he has taught art history and aesthetics at the Academy of Beaux-Arts. He is also an honorary teacher at the private school Juan Vasquez. In 1974, he traveled to the United States to meet American artists and visit major museums. Simil was influenced by Art nouveau and his favorite artist, Gustav Klimt. These influences are most obvious in his paintings of women. Like Bernard Sejourne, Simil delights in beauty, elegance, and grace. But instead of concentrating on pose, he uses his images of women only as vehicles for displaying pattern, color, and the sparkle of gold jewelry on black skin. Only recognizable as females by their contours, their features are not distinguished. There is a playfulness of line that is very different from Sejourne's emphasis on monumentality. Emilcar Similien uses his images of women only as means for displaying patterns, color, and the sparkle of gold jewelry on black skin. He paints with acrylics on Masonite of any size. His surfaces are smooth and polished. Simil delights in beauty, elegance, and grace. He has been exhibiting since 1969 namely in Haiti, USA, Denmark. As Art Critic, Gerald Alexis states in his book Peintres Haitiens "well trained by masters who taught him to excel in his forms, Similien’s works also contain discrete messages” . EXHIBITIONS 1969- Academie des Beaux Arts 1970- Haitian-American Institute 1971- Salon Dante Alighieri, Amb. d'Italie, Port-au-Prince 1972- Christ, Saut-d'Eau 1973- Anderson and Hopkins Gallery, Washington, D.C. 1974- Galerie Mehu, Petion-Ville 1974- Musee d'Art Haitien, Port-au-Prince 1976- Galerie Monnin, One Man Show, Port-au-Prince 1977- Martello Museum, Key West, Florida 1978- Galleriet, Copenhagen, Denmark 1978-1979 - Haitian Art - Brooklyn Museum, New York, Milwaukee Art Center, Wisconsin, Kunst aus Haiti, Berlin, Germany, New Orleans Museum of Art, Louisiana 1978- Brooklyn College, New York 1978- Musee d'Art Haitien, Port-au-Prince 1979 - Haiti, Musee d'Art (Third Generation Artists) 1979- Kunst aus Haiti, West Berlin, Germany 1980- Curacao Museum, Willemstad, Curacao 1981- Sotheby Parke Bernet Auction, New York, NY 1982- Galerie Monnin Third Generation Artists 1982- Exhibit Vorpal Gallery, San Francisco 1982- Centre de Arte Cultural, Italy 1982- International Art Expo, New York, NY 1983- Musee International d'Art Naif, Nice, France 1983- Galerie Bukowskis, Zurich, Switzerland 1984- Exhibit Metropolitan Museum of Art 1985- Galerie Bukowskis, Zurich, Switzerland 1985- Cafe de la Paix Exposition, Paris, France 1986- Three Man Show, Port-au-Prince 1988- Galerie 93, Paris, France 1989- IFA Galerie und Kontaktstelle, Bonn, Germany 1990- Exposition du Palais du Rhin, Strasbourg, France 1992- La Rencontre Des Deux Mondes Vue Par Les Peintres D'Haiti - Martinique, Seville, Rome, Paris, Nantes, Angouleme, Laval, Toulouse, Japan, Montreal, United States, Mexico Haitian art is a complex tradition, reflecting African roots with strong Indigenous, American and European aesthetic and religious influences. Many artists cluster in "schools" of painting, such as the Cap-Haïtien school, which features depictions of daily life in the city, the Jacmel School, which reflects the steep mountains and bays of that coastal town, or the Saint-Soleil School. Centre d’Art, located in Port-au-Prince, Haiti, was founded in 1944 by American watercolorist DeWitt Peters and several prominent Haitians from the intellectual and cultural circles including: Maurice Borno, Andrée Malebranche, Albert Mangonès, Lucien Price, and Georges Remponeau. Popular artists of this movement include: André Pierre, Hector Hippolyte, Castera Bazile...

Lord Fauntleroy Nash (Americana, Rusty, Classic Cruiser, Retro, Timeless) 2024 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 24 x 24 in...

Capri Club by Toni Frissell Beachgoers relax on the Capri coast, 1959. (Toni Frissell) Limited signature stamped edition print 24 x 20" inches / 60 x 50 cm paper size Unframed (fra...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the album Lithographies et eaux-fortes originales, livres illustres originaux, affiches,...

"Church in Murnau" is a high-quality reproduction of an original painting by Wassily Kandinsky, one of the pioneers of abstract art. This reproduction is part of a limited edition of...

Impressionist Mediterranean Harbor Painting Port de la Selva Costa Brava Fishing Boats Oil Canvas Artist: Lazarotti Title: Port de la Selva Medium: Oil on canvas Dimensions: 60 × 73 cm (23.6 × 28.7 in) Signature: Signed lower right Inscription: Titled on reverse Frame: Unframed Condition: Very good condition. Stable paint surface with original impasto visible Origin: Spain Atmospheric Mediterranean harbor scene depicting Port de la Selva on the Costa Brava, one of the most picturesque fishing villages in northeastern Spain near Cap de Creus. The composition presents a lively shoreline animated by traditional fishing boats resting along the beach and floating gently across reflective harbor waters. Whitewashed architecture rises against the mountainous backdrop, creating a luminous contrast with the turquoise sea and expansive sky. Executed with confident impressionist brushwork, the painting captures shifting reflections and coastal light through layered strokes of blue, rose, ochre and soft green tonal transitions. The surface retains visible impasto that enhances depth and movement across the water. Mediterranean harbor paintings of this type are especially sought after for their decorative clarity, collector accessibility and strong interior presence, particularly within coastal and modern European painting collections. The inscription “Port de la Selva” on the reverse confirms the exact Catalan location represented. This work belongs to the Mediterranean impressionist...

A Stylized, 1950s Mid-Century Modern Studio Figure Study of a Reclining Female Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Executed in a Mannerist, Rubenesq...

Figurative male nude drawing made of graphite, charcoal, and conte crayon on Arches paper 30 x 20 inches, unframed This unique life study drawing of a standing male nude was made...

Arwork sold with frame (81.5 x 60.5 x 7.5 cm) Konstantin Stoitzner (1863–1933) was an Austrian painter renowned for his landscapes, genre scenes, portraits, and still lifes. Born ...

Mid Century Modern French oil on board landscape of Beauce in France. The painting is signed and dated bottom left and presented in a plain period wood frame with light gilding. A l...

A Large, Colorful, Modernist Art Deco Cubist Painting, "The Dancers" by Famed Chicago Painter and Printmaker, Charles Turzak (Am. 1899 - 1986). A large, vertical composition relating to the artist's notable 1930s woodcut of the same title. The painting is completed in a vividly textured Cubist style, with striking hues of rich greens and yellows, deep blues and rose pinks. The painting is oiI on canvas mounted to Masonite (artist's original mount), and offers a superb visual appeal. A perfect complement to any Mid-Century Modern home or collection. Artwork size: 38 x 24 inches (Framed size: 38 1/4 x 24 1/4 inches). Signed "Turzak" lower right. Provenance: Estate of the artist. Charles Turzak was one of Chicago’s greatest printmakers of the Art Deco-era. Son of a coal miner, Turzak was born in Streeter, IL in 1899. In 1920, Turzak won the first prize a cartoon contest sponsored by the Purina company and he used his prize money to enroll in the Art Institute of Chicago. Best known as a print maker, in the 1920s & 30s, he created woodcuts of many of Chicago’s most notable buildings, including the Merchandise Mart, Palmolive Building and the Old Water Tower, among others. In 1933, he was commissioned to create woodcuts of many of Chicago’s most iconic buildings to illustrate a guidebook called “All About Chicago” by John and Ruth Ashenhurst” that featured the upcoming Century of Progress Exhibition in Chicago. During the 1933 World’s Fair...

Betsy Podlach (American, born 1964.) Still life with Tin Cup, 1996 17.5 X 16.5 inches. Framed it measures 18.25 X 17.25 Betsy Podlach graduated from Harvard, cum laude, (she studied...

Marc Chagall (1887-1985) - Femme au bouquet (Woman with Bouquet) Lithograph from 1967. An unsigned proof, from the numbered edition of 150, on Arches paper. Dimensions of work: 73...

Glass Sculpture, Art for Modern Interior, Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subjec...

Titled 'Polo' and signed 'Louis Claude' in pencil below the image. Printed in Paris for the Paris Etching Society, New York. 465mm by 595mm (pla...

A Moody, Captivating 1920s Modern Paris Nocturne Scene of Notre Dame Cathedral by Notable Florida WPA Era Artist, George Snow Hill. Oil on panel, dating circa 1928. Artwork size: ...

This exquisite lithograph after Lucio Fontana (1899–1968), titled Concetto Spaziale (Spatial Concept), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe si...

Scenes of Las Ramblas in Barcelona remain among the most recognizable urban subjects in European painting and are highly sought after by collectors and interior designers worldwide. Artist Jordi Junyent Title Rambla de las Flores, Barcelona Date 1988 Medium Oil on canvas Dimensions 50 × 61 cm 19.7 × 24 in Signature Signed “Junyent” lower left and dated 1988. Frame Unframed Condition Very good condition. Canvas firm and well stretched. Stable paint layer with bright colors. No visible restorations. Atmospheric urban painting depicting Las Ramblas flower market in Barcelona, one of the most recognizable and vibrant locations in the city. The composition captures the scene after rainfall, with reflective pavement, flower stalls and strolling figures creating depth and movement. The wet street surface reflects light and silhouettes, enhancing the lively Mediterranean atmosphere. Executed with a confident and expressive brushstroke, the artist uses a palette dominated by cool greys, greens and blues contrasted with vivid reds from the flower displays. The simplified figures and loose handling of paint emphasize the mood of the place rather than strict detail, a characteristic approach of post-impressionist urban painting. Scenes of Barcelona’s Las Ramblas are particularly sought after in the international decorative art market due to their strong visual identity and association with one of Europe’s most iconic boulevards. An attractive and highly decorative cityscape, ideal for collectors of European urban painting or for interior design settings seeking a vibrant Mediterranean atmosphere. Jordi Junyent was a Spanish painter active in the late twentieth century whose work focused primarily on urban scenes and Mediterranean city views. His paintings often depict recognizable locations such as the streets of Barcelona, rendered with a loose brushstroke and an emphasis on atmosphere, light and color. Working within a post-impressionist tradition, Junyent developed compositions that balance figurative clarity with painterly spontaneity, making his works appealing within the European decorative art market. Barcelona Las Ramblas Barcelona street scene Flower market painting...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Lithograph on vélin paper. Stamp-signed and unnumbered, as issued. Good condition. Notes: From the album, Picasso 1930-1935, 1936. Published and printed by Éditions des Cahiers d'Art...

Fran Dinhofer Untitled, 20th century Oil on canvas board Sight: 19 1//2 x 15 1/2 in. Framed: 25 x 21 1/4 x 1 in. Signed lower right This painting was created by artist Fran Dinhofer...

This exquisite lithograph after Francis Bacon (1909–1992), titled Three Studies for Portrait of Lucian Freud, originates from the historic 1966 folio Derriere le Miroir, No. 162. Pub...

This exquisite lithograph by Marino Marini (1901–1980), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 5 (double), Juin 1955, originates from the 1955 e...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Cosmos, Size: 17" x 37" x 4'' inch, 43x94x10...

Star Wars 1977 Vintage Lobby Card #4 Size: 10×14″ inches / 25 x 35 cm Star Wars (retroactively titled Star Wars: Episode IV – A New Hope) is a...

This etching and aquatint in colours is hand signed in pencil by the artist "Miró" in the lower right margin. It is dated ‘1953’ beneath the signature. It is also hand numbered "20/7...

Work on canvas Golden wooden frame 66 x 78 x 4 cm

This exquisite lithograph by Joan Miro (1893–1983), titled La Melodie acide (The Acid Melody), from the folio 14 original lithographs by Joan Miro "La Melodie acide" (The Acid Melody...

Kate Moss London 1990 by Jake Chessum Portrait of a young 16 year old Kate Moss – before she shot to supermodel stardom and became the icon she is today. 40 x 30" inches / 101 x 7...