Modern Art

A Fine 1930s, Modern Academic Figure Study Drawing of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930...

A Large, Compelling Mid-Century Modern Figurative Painting by New York Artist, Gerrit Hondius, Titled "Equestrienne & Clown". Artwork size: 30 x 24 inches (Oil on Masonite); Frame...

J. Blot (France, 20th Century). This gouache painting features a still-life execution of exotic fishes in a very typical Mid-Century-Modern 1950s design style., Bursting with vintage...

Work on canvas without frame Painter, illustrator born in 1875 in Geneva - Died in 1937

Marc Chagall, After, Russian (1887 - 1985) - Lovers Over Paris, Medium: Giclee, fascimille signed and numbered in pencil, Edition: 375, Image Size: 13 x 17 inches, Size: 16 x 24 ...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper stuck on card size: 18 x 25 inches condition: very good and ready t...

Figurative male nude drawing on Arches paper by Mark Beard graphite, conte crayon and charcoal on Arches paper 22 x 15 inches unframed Contemporary figurative life study drawing of ...

'Fern Forest II' is an Archival Inkjet Print by photographer Morgan Silk. It is available in this size of 17" x 24" in a limited edition of 25. 'Fern Forest II' is the second prin...

'Sicilian Farmhouse', oil on canvas, by Yves Brayer (circa 1950s). A dedicated lover of Mediterranean countries and their varied landscapes, this charming and diminutive work by the ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

This exquisite lithograph by Andre Dunoyer de Segonzac (1884–1974), titled Paris le Pont Neuf (Paris, the Pont Neuf), from Regards Sur Paris (Views of Paris), originates from the Jan...

David Bowie Aladdin Sane Eyes Open 40 x 40 inches / 101 x 101 cm paper size Archival Pigment Print Hand signed by David Bowie Edition 23/25 Duffy Archive stamp to margin Taken b...

Female Portrait by Irina Hale (British 1932-2022) pencil sketch on brown artist tracing paper , unframed painting: 3.75 x 4.5 inches provenance: private collection, Cotswolds condit...

Original museum grade exhibition prints on acid-free archival photographic luster paper. These are the highest quality NASA prints ever produced. Edition of 250 Taken aboard Apollo...

Mid-Century Mediterranean Harbor Charcoal Drawing Sitges Fishing Boats Artist: Francesc Ferrer Farreras “Bruno” (1921–2000) Title: Sitges Beach with Fishing Boats Medium: Charcoal o...

This exquisite lithograph by Alexander Calder (1898–1976), titled Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. This work captures Calder’s mastery of motion, balance, and vibrant color through the spontaneous energy of his abstract forms, embodying the rhythmic harmony and visual poetry that defined his art. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 69–70, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Soleil...

Bob Dylan, Mondo Scripto - Set of 6 Framed Artworks, 2020 Somerset 300gsm paper and framed in charcoal pine and spruce wood 102.9 x 74.9 cm (40.5 x 29....

Work on paper Frame in wood moldings and gilded plaster with glass pane 65 x 85 x 3 cm

"Peek-A-Boo Beatles" by R. McPhedran 14th June 1965: The British rock group The Beatles stand in a window at Twickenham Film Studios, Middlesex. L-R: Georg...

Horizontal photo-realist still life painting on canvas of green lotus leaves on a light grey background 'Lotus Number Fifteen' by Frank Depietro, made i...

This exquisite engraving after Marie Laurencin (1883-1956), titled Sans titre (Untitled), from the folio Dialogue sur la Danse (Dialogue on the Dance), originates from the 1949 editi...

Gazing at Lebanese American artist Sally K.'s floral artworks is consuming and empowering. Inspired by the endless variety of beautiful flowers, she creates pop-realistic paintings t...

White is an contemporary artwork realized by Mario Padovan in 1976. Mixed colored acrylic painting on canvas. Signature, title, date and technique on the back.

A Compelling, 1951 Mid-Century Modern Portrait of a Young Man by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Artwork size: 12 x 9 1/2 inches. Artwork is unframed, matted/...

Lunch on Fifth Avenue, 1960 - Audrey Hepburn Black and White Portrait Iconic Belgian-born actress Audrey Hepburn pauses and poses for the photographer. She is situated outside the e...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. Slim Aarons Porto Erocole, 1973 C print Estate stamped and numbered edit...

Mother and Child signed initials by Irina Hale (British 1932-2022) oil painting on thin card , unframed double sided painting: 5 x 4 inches provenance: private collection, Cotswold...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1964 album Recettes pour un ami, illustrations de Jean Cocteau (Recipes for a...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's active wear by Hattie Carnegie. Inscription reads: Left - White jersey slack suit Red gaberdine jacke...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

"Cafe Culture" by Bert Hardy A waiter serving clients on the terrace of a cafe on the Champs-Elysees, Paris, June 1951. Original publication: Picture Po...

Garden Party. An elegant garden party in Miami, Florida, 1970. Huge oversize 60 x 60" inches / 152 x 152 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aaro...

This striking reproduction of Wassily Kandinsky's "Murnau" captures the vivid color palette, bold geometry, and dynamic composition that define the artist’s most celebrated expressio...

This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Zwei Reiter vor Rot (Two Riders Against Red), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Dire...

Blue Flowers by Y. Blanchon, French 1950's Impressionist artist signed oil on board, framed board: 12.5 x 10.5 inches framed: 11 x 9 inches provenance: from a large private collectio...

Hunt Slonem (b1951) Antique American butterfly oil painting titled "Viceroy". Oil on board. Signed verso. Framed. Measuring: 37 by 33 inches overall, and 29 by 24.5 painting alone. ...

Pablo PICASSO Carmen, The Sleeping Woman, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catal...

Titled 'Polo' and signed 'Louis Claude' in pencil below the image. Printed in Paris for the Paris Etching Society, New York. 465mm by 595mm (pla...

'Fern Forest III' is an Archival Inkjet Print by photographer Morgan Silk. It is available in this size of 17" x 24" in a limited edition of 25. 'Fern Forest III' is the second pr...

Figurative nude drawing on Arches paper graphite, conte crayon and charcoal on Arches paper 22 x 15 inches unframed Contemporary figurative life study drawing of a reclining male nu...

This mid-century oil on canvas by Catalan painter Simó Busom i Grau presents a vibrant Mediterranean landscape with river and house, painted in an expressive postwar Spanish style associated with the Barcelona school. Artist: Simó Busom i Grau (Barcelona, 1927–2020) Title: Mediterranean Landscape with River and House Date: Mid-20th Century (circa 1950s–1960s) Medium: Oil on canvas Canvas size: 46 x 55 cm (18.1 x 21.6 in) Framed size: 59 x 68 cm (23.2 x 26.8 in) Signature: Signed lower right Condition: Good overall condition. Stable paint layer. Frame: Decorative frame included, ready to hang Location: Sitges, Spain Style: Spanish Postwar Landscape / Mediterranean Modern A refined example of postwar Catalan landscape painting, this original oil by Simó Busom i Grau captures the Mediterranean atmosphere through confident brushwork and luminous color transitions. The composition centers around a warm yellow house set against rolling terrain and flowing water. Gestural trees structure the foreground, creating depth and movement while framing the landscape. The artist’s handling of paint is energetic yet controlled, with visible impasto and layered color planes that enhance texture and spatial presence. The palette moves between cool river blues and sunlit earth tones, reflecting the light and tonal vibration characteristic of mid-20th century Spanish painting. The result is a work that balances decorative appeal with painterly authenticity. Compact in size yet visually dynamic, it functions beautifully in residential interiors or curated collections of European mid-century art. The painting is signed and offered with decorative frame, ready to hang. Simó Busom i Grau (Barcelona, 1927–2020) was a Catalan painter trained at the Acadèmia Baixas in Barcelona. He developed a career closely linked to the city’s artistic circuit, exhibiting regularly in Barcelona and Madrid and maintaining connections with the historic Sala Parés. His work focused primarily on Mediterranean and urban landscapes, characterized by expressive brushwork, structural clarity and a luminous color palette rooted in modern Catalan tradition. Catalan landscape painting Spanish mid century oil Mediterranean river landscape Barcelona school painting Simó Busom signed oil Postwar Spanish art European mid century painting...

Camille Hilaire Normandy : Reflection on a River, c. 1960 Original oil on canvas Signed bottom right Signed and Titled on the back On canvas 60 x 73 cm (c . 24 x 29 in) Presented in...

View of Riva degli Schiavoni is an original old master artwork realized in the late 18th century by a follower of the School of the italian painter Canaletto. Oil on canvas. An imp...

Initialed lower left, 'A.S.' for Anton Schroder (Danish, 1893-1965) and dated 1953. A substantial, modernist oil painting of a young woman, shown seated and gazing to her left with ...

Attached is a certificate from the Carmen Tatche Gallery and press clippings from the exhibition held in 2000 in Spain.

A charming, vibrant, early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a quiet, picturesque view of the rooftops and cathedral...

The Gentleman’s Park Bench Modernist Figurative Landscape by Laure Noetzin-Azam (French, 1929–2024) pupil of André Lhote oil on canvas, unframed Canvas: 13 x 18 inches Provenance: a...

Contemporay English School signed oil painting on copper panel in impressive gilt frame framed: 13 x 14.5 inches panel: 8 x 10 inches provenance: private collection, England conditi...

Pablo Picasso (after) "Femme Couchee" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 296/500 lower left From the estate of Pablo Pica...

'Williamsburg Window, Brooklyn NY' is a black and white archival inkjet print by Morgan Silk. It is available in this size of 14.5" x 14.5" in a limited edition of 20. A surreal s...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

A Fine 1930s, Art Deco Modern Academic Figure Study Drawing of a Seated Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed earl...

Henri MATISSE Teeny Original linocut Printed signature in the plate On light wove paper 31 x 24 cm (c. 12.5 x 10 in) REFRENCES : Catalogue raisonne Duthuit #723 From the unsigned, ...

'Still Life' by Albert Bertalan, 1929. Paris, Académie Julian, Salon des Indépendants, Salon d'Automne ---- Signed lower right, 'Bertalan' for Albert Bertalan (Hungarian, 1899-1956)...

Black and white Print by Erich Andres, ca 1960. The image captures an iconic view of the New York City skyline in the 1960s, presented in black and white, taken from an elevated road...

Impressionist Mediterranean Harbor Painting Port de la Selva Costa Brava Fishing Boats Oil Canvas Artist: Lazarotti Title: Port de la Selva Medium: Oil on canvas Dimensions: 60 × 73 cm (23.6 × 28.7 in) Signature: Signed lower right Inscription: Titled on reverse Frame: Unframed Condition: Very good condition. Stable paint surface with original impasto visible Origin: Spain Atmospheric Mediterranean harbor scene depicting Port de la Selva on the Costa Brava, one of the most picturesque fishing villages in northeastern Spain near Cap de Creus. The composition presents a lively shoreline animated by traditional fishing boats resting along the beach and floating gently across reflective harbor waters. Whitewashed architecture rises against the mountainous backdrop, creating a luminous contrast with the turquoise sea and expansive sky. Executed with confident impressionist brushwork, the painting captures shifting reflections and coastal light through layered strokes of blue, rose, ochre and soft green tonal transitions. The surface retains visible impasto that enhances depth and movement across the water. Mediterranean harbor paintings of this type are especially sought after for their decorative clarity, collector accessibility and strong interior presence, particularly within coastal and modern European painting collections. The inscription “Port de la Selva” on the reverse confirms the exact Catalan location represented. This work belongs to the Mediterranean impressionist...

This exquisite lithograph after Alberto Magnelli (1888–1971), titled Hommage a San Lazzaro (Homage to San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la...

A Colorful, Picturesque 1930s American Scene Country Mountain Landscape Painting of a Summer Pasture in Vermont by Famed Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A vib...

Edgar Degas Mary Cassatt at the Louvre Original etching, softground, aquatint and drypoint Probably an impression from the cancelled plate edited by Ambroise Vollard c. 1880 Unsign...