Modern Art

Contemporay English School signed oil painting on copper panel framed: 13 x 14.5 inches panel: 8 x 10 inches provenance: private collection, England condition: overall very good

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Bernard Klein, éditeur, Paris, February 26, 1954. Notes: ...

Lorenzo Homar Casals Poster, 1966. Lithograph, 19 x 29 inches. Some wear as can be observed in detail photos.

Agusti Ferre Pino (1884-1960) - Children - Oil on burlap Oil measurements 100x97 cm. Frame measurements 107x104 cm. Painter trained at the La Lonja School of Fine Arts. He became kn...

Title: French Gouache Painting of Sioux Scalp Dance Ritual in South Dakota by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed paper,...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Mara Lane At The Sands Austrian actress Mara Lane lounging by the pool in a red and white striped bathing costume at the Sands Hotel, Las Vegas...

This painting is signed and dated by Barnabè in the lower right. Barnabè's still-lives of simple everyday objects such as water pitchers, coffee cups, vases and bowls are painted in ...

Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...

Lynd Ward, 'Wild Pilgrimage', No. 26, wood engraving, 1932, edition not stated but very small. Signed in pencil. A fine, black impression, with full margins (1 1/16 to 3 3/16 inches), on tissue-thin cream Japan paper, in very good condition. A scarce, artist-printed, hand-signed proof impression before the published edition. Matted to museum standards, unframed. Created by Lynd Ward for his narrative book of illustrations without words, 'Wild Pilgrimage', published by Harrison Smith...

Figurative drawing of male nudes made with graphite, charcoal, and conte crayon on Arches paper 30 x 22 inches, unframed One piece of 30 x 22 inch Arches. Two drawings, one on either...

The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Sophia Loren Pouring Champagne in Glasses by Globe Photos A classic 1962 image featuring legendary Italian film actress Sophia Loren pouring champagne into fancy glasses on New Yea...

North By North West (1959) Silver Gelatin Fibre Print - Oversized (Photo by Pictorial Press / Alamy Archives) 1959, Cary Grant in the film North...

Artist: Picasso, Pablo Title: Francoise (B. 401, M. 45) Date: 1946 Medium: Lithograph printed in black ink on wove paper bearing the Arches script watermark. Unframed Dimensions:...

Clinton Hill (1922-2003), created quintessential mid-century images, but figures are unusual in his work. This is from a very early period. In 1951 Hill studied at the Academie de la...

Rites of Winter, by 1939, oil on canvas, 32 x 40 inches, exhibited: 134th Annual Exhibition of the Pennsylvania Academy of Fine Arts, Philadelphia, PA, January 29 – March 5, 1939, no...

Joan Cardona Lladós (1877-1957) - Modernist Paris scene - Mixed media (charcoal and white wax). Drawing measurements 40x29 cm. Frame measurements 66x54 cm. He was born in Barcelona on June 30, 1877, he was registered with the name of Juan Bautista José Pedro. His parents Josep Cardona i Farré (Sant Salvador, 1852-Barcelona, ​​?) and Maria Lladós i Vidal (Isona, 1855-Barcelona, ​​1935) came from Sant Salvador de Toló and Isona, respectively, two towns very close to Tremp, in the Pallars Jussà region, close to the Lleida Pyrenees. The Cardona Lladós family was of humble origins, linked to the rural and peasant world. José Cardona and María Lladós married around 1876, when they were twenty-five and twenty-one years old respectively. The couple decided to improve their precarious situation by moving to live in Barcelona. In 1877 Joan Cardona was born in the family home, at 62 Mediana de San Pedro Street, in the Ribera neighborhood of Barcelona and very close to the Rec Comtal. Joan Cardona was the firstborn of three brothers. When he was six years old, his sister Consuelo was born (1883) and later his younger sister, María (1888), was born. Josep Cardona i Farré was a day laborer and lived at least until the birth of his third daughter, María, in 1888. Her death, for reasons unknown to us, would occur shortly after. After the death of Josep Cardona, León Farré i Duró (Isona, 1867-Barcelona, ​​1932) became part of the family nucleus with his mother María Lladós, who took care of the child Cardona and his sisters Consuelo and María. Farré learned to play the guitar and was the most extraordinary disciple of the composer and guitarist Francesc Tàrrega i Eixea (Vila-real, 1852-Barcelona, ​​1909). Joan Cardona had in her stepfather the man who instilled in her a special musical and artistic sensitivity. The young Cardona took classes at the Academia Baixas, inaugurated in 1892 by the painter Joan Baixas i Carreter and installed on Carrer del Pi, a private center where a good batch of leading Catalan Modernisme artists were trained. Cardona married Clemencia Parade Cazabat at the beginning of the century. Daughter of Carles Parade and Amara Cazabat, she was born in 1870 in Bagnères de Bigorre...

A superb large 1950's oil on board which we believe to depict the tenement buildings of the Milnes Court area in Edinburgh. Clothes hang from T shaped driers as a lady hangs her wash...

This black-and-white photograph offers a glimpse of the University of California, Berkeley, campus during the 1960s. The iconic Sather Tower, also known as the Campanile, stands prou...

Wonderful antique American modernist Sunflower still life painting. Oil on canvas. Framed.

Zorn and His Wife. 1890. Etching. Hjert and Hjert catalog 31 state ii. 12 1/2 x 8 3/8 (sheet 23 1/2 x 18). Edition 40-50. A fine impression on simili-Japan paper. Signed in pencil. ...

"Florentine Expressions: A Portrait Series XX", oil on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an interm...

In "The Mexican Painter” lithograph Alvar recreates memories of a long and fruitful stay in that country by including many bright and traditional symb...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Oil on canvas realized in the mid-20th Century. Mounted on a stretcher. Good condition.

***Please note the glass will be removed for shipping*** For local and London deliveries the glass can be retained if agreed prior to purchase. George Large, R.I. (born 1936) Edible Fungi Signed and dated (19)91 Watercolour over traces of pencil 26¾ x 14¾ 37 x 24½ with frame ​​ George Large is a painter in watercolour and oil, born in Islington, London in 1936. He studied at Hornsey College of Art (1958-63), teachers including Maurice de Sausmarez, John Titchell and Alfred Daniels. Large spent some time in the display department of Simpson’s, Piccadilly, was part-time at Hornsey College of Art, then head of department at St Julian...

Original modernist oil painting Hawaiian symbolist sunset by Marguerite Louis Blasingame. Robert Azensky Fine art is pleased to offer this 1940s modern symbolist oil painting of sun...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 46-47, 1952. Published by Aimé Maeght, Éditeur, Paris; ...

"Fete" Mid Century Abstract Etching and Aquatint on Paper (Artist's Proof) Bold abstract composition by Renee Lubarow (French, 1923-2017). This piece is somewhat architectural or in...

R2DR - STAR WARS Exhibition Poster from series "The Toys" A retrospective on 80's and 90's pop culture by pop artists "Destro" Original offset lithograph poster printed on acid-free...

Erotic scene Work on paper Wooden frame with glass pane 44 x 38 x 1 cm

Five Debutantes (1951) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) Five members of the Debutante Cotillion rehearse for the Christmas Ball at the Waldorf Astoria Hot...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 23 by 38 inches overall and 15 by 30 painting alone. In excellent original condition. Hands...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

"La Tristesse du roi" is a reproduction of Henri Matisse’s 1952 gouache on paper, known for its distinctive cut and collage technique. Reproduced in 1990, this piece reflects Matisse...

William Lee-Hankey, R.E., R.W.S., R.O.I. 1869-1952. Chartres Cathedral. Oil on canvas. 27 x 25. Signed, lower left. Price on the strecther, verso: $1000000. Provenance: Woodrugg Brot...

A Charming 1940s Watercolor of Mexico with Cathedral and Rooftops by Noted Chicago Artist, Rudolph T. Pen. Most likely completed during the artist's trip to Mexico in 1944 after rec...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, A Los Toros Avec Picasso, 1961. Published by André Sauret, éditeur, Paris; prin...

Ernie BARNES (1938-2009) Sugar Shack (Marvin Gaye), 2002 Original screen print Printed signature in the plate On glossy paper 70 x 94 cm (c. 37 x 27.5 in) Excellent condition

Louis Lozowick, 'Angry Skies (Andante Cantabile)', lithograph, 1935; edition 10, AAA 250; Flint 123. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impressio...

David Bowie Aladdin Sane Eyes Open 40 x 40 inches / 101 x 101 cm paper size limited edition of 25 Archival Pigment Print Hand signed by David Bowie Edition 23/25 Taken by Duffy...

'Expressions in Bloom: Portraits from the 20th Century III', oil on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings thro...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper mounted on card size: 18.75 x 24 inches condition: very good and ready to be enjoyed provenance...

Abstract Art, Modern Original Glass and Metal Wall Sculpture Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporar...

Landscape is a modern artwork realized by in the Mid-20th century Charcoal. Good conditions 

Charles Quest, 'Still Life', 1947, wood engraving, edition 8. Signed, dated, and numbered '3/8' in pencil. Titled and annotated 'wood engraving' in the bottom left margin. A fine impression, on off-white wove paper, with full margins (1 to 2 inches), in excellent condition. Scarce. Matted to museum standards, unframed. ABOUT THE ARTIST Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...

In this delicate composition, the ethereal elegance of ballet is conveyed through the image of pointe shoes against a soft pink background. Pointe shoes, symbols of grace and dedica...

Woodcut print realized by Escher in 1948. Hand signed in pencil and annotated in pencil lower right "eigen druck". Monogrammed and dated in the plate "MCE/X-'48 upper right. One o...

A Hawaiian tropical painting features colorful chickens embedded, if not camouflaged in the verdant jungle.

Marc Chagall (1887-1985) - The Anointing of Saul Etching from 1952. Edition of 100 Enhanced with watercolour by the artist. Dimensions of work: 52 x 37 cm. Hand signed. Publish...

Wind Flowers in a Tzu Chow Vase, 1933, oil on canvas board, signed and dated lower right, 20 x 16 inches, label verso with title and original price ($185.00), exhibited 44th Annual E...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Coral, Size:...

Lithograph on vélin papel Guarro con filigrana paper. Unsigned and unnumbered, as issued. Good condition. Notes: published in 1970 to promote the folio, Tapís De Tarragona, il·lustra...

Provence Landscape by Huguette Ginet-Lasnier (French, 1927–2020) This stunning oil on canvas diptych presents an expansive and vibrant Provence landscape by renowned French artist H...