Modern Art

Green Landscape Oil on canvas, 2023 Unframed: 38 x 61 cm (15 x 24 in) Framed: approximately 45 x 68 cm (17.7 x 26.8 in) Black floater frame included. Ready to hang. This expressive...

Slim Aarons Port Life 1977 C-Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A man stops to watch a ...

Seductive Woman is a China ink Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16...

Marina Piccola by Toni Frissell Limited Signature Stamped Edition Bathers at a beachside swimming pool, Capri, Italy, 1959. 40 x 30" inches / 101 x 76 cm paper size Archival pig...

'I'll Be What I Choose: Vanity of Ambition', color lithograph, 1949, edition 40, Fine and Looney 281. Signed, titled, and numbered '23/40' in pencil. Initialed in the stone, lower ri...

Mid Century South Lake Tahoe in Winter Landscape Original Oil Painting Snow-capped stone pillars with split-rail fence framing iconic South Lake Tahoe valley in winter. A crisp blue...

- lithograph in four colours on transparent transfer paper, composition reprinted on stone - 1000 copies for the cover of the brochure published on the occasion of the Picasso exhibi...

Portrait of a Nude Lady French School, circa 1960's chalk and pastel on artists paper, unframed size: 19 x 11.5 inches condition: very good and ready to be enjoyed provenance: priva...

Etching on paper realized by an unknown italian master in the early 16th century after Battista Franco. Not signed. Full margins, very good condition.

Mère et enfant au fichu (Mother and Child with Headscarf) exists as an "après"—a French art term meaning "after"—referring to a print or reproduction made after an original painting ...

COTTAGE AMONG GREEN HILLS Size: 34.5 x 43 cm (including frame) Oil on canvas An expressive and dynamic mid-century landscape painting scene of houses nestled in rolling green hills,...

La Coquille Club, Florida 1954 Guests by the swimming pool of the La Coquille Club, Florida in December 1954 by Toni Frissell Giant 60 x 40" inches / 152 x 101 cm paper size Arch...

'Waves' is an Archival Inkjet Print by contemporary photographer Morgan Silk. Waves by Morgan Silk is available in this size of 16" x 20" in a limited edition of 25. Another drama...

Very pretty modern watercolor by a Bresilien artist, framed.

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Lovers is an ink and pencil drawing on paper realized in the early 20th Century by Louis Anquetin (1861-1932). Hand-signed on the lower. Good condition. Louis Émile Anquetin (26 J...

Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...

Artist/ School: French School, mid 20th century Title: Interior scene French Modernist interior still life scene. Medium: oil painting on canvas, unframed canvas: 28.5 x 21.2...

Midcentury oil on canvas , Wharf scene, possibly Fishermans Wharf in San Francisco. Signed lower right. Mel Fowler (1921-1987) was a listed Italian-American painter known for his cub...

A Large, Dynamic WPA Era Modern Industrial Scene by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). Depicting a gritty view of a steel railroad bridge, boat house and soaring ...

The 18th at Pebble Beach Leroy Neiman (American, 1921-2012) Signed in pencil lower right Edition 176/400 lower left 26 x 43 inches 37.25 x 54.5 inches with frame Known for his bright, colorful paintings and screen prints of famous sports stars...

Cheetah by Ben George Powell, British contemporary artist signed and dated 2014 acrylic on canvas unframed canvas: 16 x 20 inches provenance: private collection of this artists work...

Hazel Guggenheim King-Farlow McKinley (American, London, New Orleans, 1903-1995), "Paris Rooftops" c. 1930 Oil paint on wood panel Attributed, dated and titled verso (I am not sure in whose hand not signed by the artist herself). Dimensions H.- 18 in., W.- 15 in., Framed- H.- 26 1/2 in., W.- 23 in. Provenance: From an estate New Orleans, Louisiana. Hazel Guggenheim King-Farlow McKinley (born Barbara Hazel Guggenheim; April 30, 1903 – June 10, 1995) was an American painter, art collector, and art benefactor. Hazel Guggenheim was born in New York City to Benjamin Guggenheim and Fleurette (Seligman) Guggenheim. The marriage united two wealthy German-Jewish families. Born into the well-known Guggenheim family, a niece of Solomon Guggenheim who founded the Guggenheim Museum, she grew up in New York, alongside her sisters Benita Guggenheim and Marguerite Peggy Guggenheim who would become the influential gallery proprietor, art collector, museum founder, and midwife to the Abstract Expressionism art movement. Her father Benjamin gave up much of his financial interest in the family's mining business to start his own business in Paris. With his business failing, in 1912 he set out to return to the United States in time for McKinley's ninth birthday on the Titanic. Following the shipwreck, he drowned aged 46; his body was not recovered. McKinley inherited $450,000. She later inherited money on the deaths of her mother, and of her older sister, Benita, who died in childbirth. The loss of her father haunted McKinley for the rest of her life, and in 1969 she recorded "In Memoriam, Titanic Lifeboat Blues." McKinley began painting as a teenager and was a prolific artist throughout her life. When she fled New York for Paris at age 19 she studied at the Sorbonne and became part of 1920's bohemian Paris, France, where she was taught by key modernism artists of the time. Her primary mediums were ink, water color, tempera, and crayon. Some of her work is hand signed and some is not. In 1928 her sister Peggy moved to London and mar­ried the British writer John Holmes. In 1931, McKinley married the Englishman Denys King-Farlow. They settled in Sussex, UK, and had two children, John King-Farlow, who became a philosopher and poet, and Barbara Benita King-Farlow, who became an artist in her own right. In 1938 Peggy opened Guggenheim Jeune, a London gallery of mod­ern art, starring Wassily Kandinsky, Henry Moore, Salvador dali, Constantin Brancusi, Max Ernst, Pablo Pic­asso and Jean Miro with whom they socialized. Whilst living in the south of England with Denys King-Farlow in the 1930s, McKinley was influenced by a group of avant-garde artists, and had her first solo exhibition in London in April 1937 at the Coolings Gallery. She received instruction from British artists Rowland Suddaby, Raymond Coxon, and Edna Ginesi, becoming associated with the London Group and the Euston Road School. She painted primarily in watercolor. Her work included still-life, portraits, townscapes and landscapes. Although her first work was done in a "slightly plain palette," her later work in the 1930s brightened, sometimes falling within the realm of fauvism. "Under the influence of the Surrealist artists, Hazel's paintings after the 1930's became freer, though her work was far more whimsical and humorous than many artists more closely associated with the surrealism movement." In 1939 McKinley fled Europe due to the impending war and returned to the US, living mostly in California. She took brief art lessons from her sister Peggy's one-time husband Max Ernst and much later attended several summer schools taught by muralist and renowned teacher Xavier Gonzalez. In her life in the United States and abroad, McKinley met many prominent artists of the Paris, London, and New York art scenes including Jackson Pollock. McKinley continued to paint, and ran a small gallery of her own in the late 1950s and early 1960s in West Cornwall, Connecticut. One show at her gallery featured the works of British and Irish painters including Rowland Suddaby, Frank Beteson, Tom Nisbett, and Patrick Swift. McKinley showed two of her own works in the same exhibit, a watercolor painted at Positano, Italy and one painted at the Tuileries, Paris. Another featured work was a surrealistic water color portrait of McKinley by London artist Mervyn Peake. McKinley exhibited her work both in Europe and the United States throughout her long career, mostly at smaller venues. An incomplete listing of her exhibits and museum acquisitions of her work include: Berkshire Museum, the Galerie Raymond Duncan in Paris, Stendahl Galleries, the Jake Zeitlin Gallery, the Montgomery Museum of Fine Art, the Artists' Own Gallery in London, the Manchester City Art Gallery, and Santa Fe Art Museum. McKinley's work was only once included in a show by her sister Peggy. In 1943 McKinley was selected to exhibit a painting in Peggy's infamous show Exhibition by 31 Women in her New York gallery Art of This Century. The exhibition was radical at the time for being one of the first all-woman exhibitions, as well as showing only abstract or Surrealist works. The Exhibition by 31 Women was conceived by Peggy Guggenheim in collaboration with Marcel Duchamp, who is usually credited with suggesting the idea. The participating artists were selected by a jury that included André Breton, Max Ernst Duchamp, and Guggenheim. Advice was sought from Alfred H. Barr Jr., first director of the Museum of Modern Art in New York, who provided Guggenheim with five names, of which three were included in the exhibition, Suzy Frelinghuysen, Irene Rice Pereira, and Esphyr Slobodkina. Those already known to Guggenheim through their partners included Xenia Cage, wife of the composer John Cage, Frida Kahlo, wife of Diego Rivera, who was noted for his frescoes, Sophie Taeuber-Arp, wife of the sculptor, Hans Jean Arp, and Jacqueline Lamba, ex-wife of the surrealist André Breton. Guggenheim’s sister, Hazel Guggenheim McKinley and her daughter, Pegeen Vail Guggenheim exhibited. Also in the exhibition was the burlesque dancer, Gypsy Rose Lee, another friend of Guggenheim, who was possibly included more to help publicise the event than for her artistic skills. Other artists were friends of Guggenheim or of Max Ernst. One, Dorothea Tanning, was Ernst's lover, leading Guggenheim to say: "I realized that I should have only had thirty women in the show". Only one artist is known to have refused the invitation to submit works, Georgia O'Keeffe, who reportedly responded that she wished to be identified as a painter, and not singled out because of her gender. In the late 1950s, McKinley moved back to Europe for a while, before returning to the United States in 1969. She lived in New Orleans until her death in 1995. On her death, her only living son, John King-Farlow, wrote a poem in his mother's honor, entitled "Eulogy For My Mother (Hazel Guggenheim McKinley, Artist)." A short obituary distributed by the Associated Press noted she was a member of the illustrious New York Guggenheim family, that she was determined to make a name for herself as an artist, that her art works were shown in museums in the United States and Europe, and were in the collections of such celebrities as Greer Garson, Benny Goodman, and Jason Robards. In 1998 after her death, one of her paintings was exhibited in Peggy Guggenheim's Venice home museum the Palazzo Venier dei Leoni. Guggenheim’s work in various media and her connections to influential artists and collectors provide glimpses into the complex tapestry of the art world in the first half of the 20th century. In her later life she settled in New Orleans, where she continued painting, exhibiting, and studying art into her eighties at Newcomb College, New Orleans. She was part of a regional art scene that included Ida Kohlmeyer, George Rodrigue, Noel Rockmore and Hunt Slonem. Towards the end of her life while confined to bed, her last works were colored pen drawings and sketches. McKinley collected major contemporary artworks and she donated many of these works to public institutions. She donated over 15 works to Wakefield Art Gallery, UK, in the 1930s, and in 1938 presented the painting Cossacks...

Sublime glazed ceramic mirror by French ceramist Mithé Espelt, 24.5 cm in diameter

Melanie Sherman Made-To-Order Tile (Hand-Painted, Gold Luster, Platinum Luster, Vintage Imagery) (Decal Example) Porcelain, Glaze, Decal Year: 2025 Size: 7.75 x 15.75 x 0.125 inches...

Figures Riding Horses Joyce Roybal, (1955) Oil on canvas, signed lower right Size: 30 x 40 in. (76.2 x 101.6 cm) Frame Size: 35.5 x 45.5 inches

Exuma Holiday 1964 - Slim Aarons Estate Stamped A yachting holiday on Exuma in the Bahamas, April 1964. 24 x 20" inches / 61 x 51 cm paper size Estate Stamped Collection Edition ...

Figure is an original print in lithograph on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes, ...

A passion for horses, equestrian pursuits, and painting define Brooke Major's life and career. A native of Atlanta, GA, Brooke Major has been living and working as a professional art...

Michel DELACROIX France : Traditional Village Lithograph Printed signature in the plate On wove paper 85 x 59 cm (c. 34 x 24 inch) Lithographic poster for the artist personal exhibi...

Joan Miró Lithographie Originale II Color Lithograph Year: 1981 Size: 12.5 × 9.6 inches Catalogue Raisonné: Cramer 177, Der Lithograph IV, 1969-1972 Publisher: Maeght Editeur, Paris,...

SADAO WATANABE (Japanese 1913-1996) JONAH, 1959 Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...

Mid century Italian nautilus shell enhanced with silver plate overlay and presented on a silvered faux rock base. Signed Ruzzetti & Gow on the bottom.

Lithograph on paper. Hand Signed and numbered. Edition of 90. Very good condition.

Edition # 2/10 This is the framed price. The photograph is available unframed in the two additional paper sizes listed. “Naturae”, inspired by systema naturae; a classification o...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Nice American Modernist Oil Painting. with old label verso. not dated but estimating it to the 70s. Not sure which Doris turner this is. reminiscent to many of the French artists sho...

Vintage American modernist forest landscape oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely fr...

This silver gelatin print is initialed "AA" in felt-tip ink either by the artist or an unknown hand on the front of the mount. This print comes from the collection of the artist's da...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours On the reverse: another black and white original lithograph Year: 1960...

Beni E. Kosh/Charles Elmer Harris (American, 1917-1993) Meditation on African Sculpture, 1957 Oil on found wood panel Signed and dated lower left 20 x 15 inches Charles Elmer Harris...

Claude Gaveau Asleep Model, 1975 Original oil on canvas Signed in the lower right corner Signed again on the back On canvas 60 x 73 cm (c. 24 x 29 in) Very good condition

Paris Corner Kids from the Paris In Colour Series 1956-61 By Peter Cornelius large oversize 40 x 30 inches / 101 x 76 cm paper size Printed 2022 Archival pigment print Framing and...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

BB King in Vicksburg, Mississippi, 2007 Album shoot for One Kind Favor, BB King's Grammy-award winning 42nd and final studio album (photo Kevin Westenberg) NB All prints are signed and numbered by the artist. Unframed Signed and numbered by the artist. Edition limited to 25 only this size Printed 2020 This size image: 20 x 24" / 51 x 61 cm OTHER SIZES AVAILABLE : Size 1. 16 x 20" Signed and numbered edition of 25. cost $ 2,500 Size 2. 20 x 24" Signed and numbered edition of 25. cost $ 2,950 Size 3. 24 x 30" Signed and numbered edition of 25. cost $ 3,375 Size 4. 30 x 40" Signed and numbered edition of 10 (+2 a/p). cost $ 5,605 Size 5. 40 x 60" Signed and numbered edition of 3 (1 a/p). cost $ 18,500 About the artist : Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movie stars for over 25 years. His technique of lighting, colour and composition has helped to produce his own unique visual style. Shortly after receiving an Architecture degree he moved to London where he’s been based since 1983. Westenberg is self-taught and learned his trade working for the UK inkies “New Musical Express” and “Melody Maker” mainly throughout the late 80’s and 90’s documenting amongst others all the UK ‘Britpop’ bands. The breakthrough came in 1993-1994 with the release of Sting’s Ten Summoner’s Tales and Mary J Blige’s Share My World. These two album covers changed the perception of the work worldwide and thus began a run of 20 years of commissions and choice opportunities. For the last 25 years, his musical heritage includes portraits of Radiohead, Thom Yorke, Coldplay, White Stripes, Jane's Addiction, Sting, Bjork, Nirvana, Jeff Buckley, Luther Vandross, Nine Inch Nails, Stone Roses, The Pixies, Paul Weller, Rufus Wainwright, Michael Stipe, U2, Mary J. Blige, R.E.M., Black Sabbath, Massive Attack, BB King, The Rolling Stones, PJ Harvey, Marilyn Manson, Pete Doherty, Oasis, Soundgarden, Jake Bugg, and Bon Jovi among many others. Also included are 100’s of albums, singles, magazine & book covers from around the world. He’s also been chosen as official photographer for the LIVE 8 Hyde Park event in 2005 and for Led Zeppelin reunion concert at the 02 Arena, London. The work & interest also include a wide range of artists portraits beyond the music world. David Lynch, Paul Auster, The Coen Brothers, Rupert Friend, Sir Tom Stoppard, Orla Kiely, Vincent Cassel, Audrey Tautou, Billy Bob Thornton, Ethan Hawke, Alan Rickman, Daniel Bruhl, Sean Penn, Shirley Henderson, Aaron Eckhart, Robin Wright, Rhys Ifans, Frances McDormand, Jean-Luc Godard, Ray Winstone, Michel Gondry and Naomi Watts are amongst these portraits. “Rolling Stone”, “Spin”, “Q”, “Time Out”, “Les Inrockuptibles”, “Vogue”, “Rockin On Japan”, “Esquire”, “New York Times Magazine”, “Telegraph” and “Observer” Magazines, “Interview” and dozens of others around the world have commissioned him. The last 15 years he’s been a staff photographer at MOJO Magazine producing many covers and features. Most recently photographing Sir Paul McCartney for the cover story of the November 2013 issue. Westenberg’s biggest honour to date arrived in 2012 when he had his first major global museum show. The location was the ‘Kobe Fashion Museum’, one of Japan’s largest museums. The whole museum was dedicated to Westenberg’s works for a 3 month period. Over 70 images were included in a wide range of sizes, styles and presentation. The catalogue produced sold out during the exhibition’s run. The 20-year attendance record for the museum was also broken by the exhibition. blues soul guitar gibson...

Henry Moore (1898-1986) Mother and Child: Petal Skirt conceived in 1955; cast in 1955 bronze; edition 4 of 6 plus 1 artist’s proof by the Fiorini foundry, London 19 x 9 x 15.5 cm (in...

French late 20th Century gouache on card of a colourful garden courtyard by Claude Gemy. The painting is signed bottom right and is annotated to the bottom edge. Provenance: Acquire...

Pristine decorative white porcelain 'Apart' coffee demitasse set from Hutschenreuther Selb, with 6 cups, 6 saucers, coffee pot, creamer/milk jug, sugar bowl (15 piece set). Germain porcelain maker Hutschenreuther (est.1814) commissioned sculptor Hans Achtziger...

"Audrey Hepburn" by Bert Hardy 1st May 1950: Belgian born actress Audrey Hepburn (1929 - 1993) leaning on an ornate urn in Kew Gardens. Original Publicatio...

Both of Arms' Lake Como images were mostly printed in color. is a rarer black and white impression, John Taylor Arms was born in Washington, DC. He studied architecture at the Massa...

A life drawing by a well known book illustrator and long-term resident of the Chelsea Hotel in the 1930s. Caswell, Edward Gin giving Doris a hair cut Black crayon on lightweight, br...

This finely molded ceramic figure is an excellent representation of mid-century Japanese export pottery, a booming industry in the post-WWII era where factories in regions like Seto ...

Farm Tragedy (Untitled), c. 1930s, mixed media on plaster on panel, unsigned, 22 1/8 x 32 inches; label verso reads: "New York Artists Equity Association, New York, NY," provenance i...

Agony, Motif is a contemporary artwork realized by Arshile Gorky in 1946. Ink, pen and wax crayon on paper. Incudes frame: 41.5 x 38.5 Good conditions (little tears and shading of...

Françoise GILOT (1921) Portrait of a woman, 1951 Original lithograph On Marais vellum 28 x 22.5 cm (c. 11 x 9 inches) REFERENCES : Catalog raisonne "Stone Echoes, Original Prints b...

Walking Up Cortina d'Ampezzo Skiers walk up a mountain in Cortina d’Ampezzo, a ski resort in northern Italy, 1962 (Photo by Slim Aarons). Gorgeous print measuring 40 x 40" inches ...

Vintage Photo of Painting - Rome, S. Cecilia Fresco by Pietro Cavallini is a vintage black and white photograph realized in the early 20th Century.  Good conditions.

'Caracalla Therme' 1990 Slim Aarons Limited Estate Edition Print A woman experiences the Caracalla Therme spa in Baden-Baden, September 1990. 60 x 40" inches / 152 x 102 cm pape...

Frank Nelson Wilcox (American, 1887–1964) High Pastures, Cattle Round Up, Wyoming, 1937 Watercolor on paper Signed and dated lower right, titled verso 15 x 20 inches 18.5 x 24 inche...

From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...