Gottfried Helnwein Paintings

This watercolor is part of our exhibition America Coast to Coast: Artists of the 1930s Circus Wagons, 1927, watercolor on paper, signed and dated lower left, 10 x19 ¾ inches (sight), provenance includes Stary-Sheets Art Gallery (Gualala, CA); J. Ralph & Louis Stone Foundation; presented in a newer metal frame behind glazing About the Painting Millard Sheets was only twenty years old and in his third year of studies at the Chouinard Art Institute when he painted Circus Wagons. Despite his youth, Sheets was already an accomplished artist who had publicly exhibited his work and won prestigious prizes. Within several years, he would have his first solo exhibition at one of Los Angeles’ premiere galleries and become a painting instructor at his alma mater. In Circus Wagons we already see Sheets deft handling of the watercolor medium and his interest in the California Scene. In this case, Sheets captures a back lot view of a traveling circus, a subject he sometimes returned to, including in a color screen print in the collection of the National Gallery. Sheets made a career by painting what he knew and observed firsthand. This approach allowed Sheets to capture with authenticity the details of each narrative. Even with a narrowly limited palette and an economy of brushstrokes, Sheets effectively depicts the southern California scene with its strong and mysterious shadows, as well as the workers and circus animals. Seen through the hindsight of his six-decade long career, Circus Wagons offers a fascinating insight into the early development of California Scene painting which would by the mid-1930s become the best recognized style on the West Coast. About the Artist Millard Sheets was the dean of California watercolorists. His list of accomplishments is so extensive that his entry in Who was Who in American Art is over forty lines. Born in Pomona, California, Sheets became a painter at an early age, winning a prize at the Los Angeles County Fair in 1918. By the mid to late-1920s, Sheets became a regular at art exhibitions in the western part of the United States, winning several additional prizes before he reached the age of twenty-five. Sheets studied at the prestigious Chouinard Art Institute from 1925 through 1929 with Frank Tolles Chamberlin and Clarence Hinkle and had his first solo show with Los Angeles’ Dalzell Hatfield Gallery in 1929. During the 1930s, Sheets was invited to exhibit at almost every major American Museum and in many ways, his work came to represent the California watercolor school...

A beautiful watercolor painting by Israeli artist Reuven Rubin. Featuring a camel trainer and his camel. Signed and framed. In very good condition.

Flowers and pixel design. Sealed on the back with design studio name and number 268 We offer a small number of these original illustration designs by this design studio based in Alc...

Colonel Bates Leads the 30th Colored Infantry at the Battle of the Crater Watercolor on Paper Circa 1903 15 ½ x 21 ½ Inches 25 ½ x 33 ½ Inches Framed LR: Graves This rare portrait of African American troops serving in battle during the Civil War depicts the 30th United States Colored Infantry at the Battle of the Crater, at Petersburg, Virginia. The regiment was composed of African American enlisted men commanded by white officers and was authorized by the Bureau of Colored Troops which was created by the United States War Department on May 22, 1863. The Battle of the Crater, July 30th, 1864, was part of the Siege of Petersburg, fought between the Confederate Army of Northern Virginia, commanded by General Robert E. Lee and the Union Army of the Potomac, commanded by Maj. Gen. George G. Meade (under the direct supervision of the general-in-chief, Lt. Gen. Ulysses S. Grant). At the top of the painting, Colonel Delevan Bates raises his saber to lead the charge of the 30th United States Colored Infantry. Bates was promoted to this command just prior to this battle, having served with distinction in the 121st New York Infantry at the Battles of Fredericksburg, Chancellorsville and Gettysburg. Though the Battle of the Crater would eventually be won by the Confederacy, it was here that Bates and 23 other troops would be award the United States highest award for bravery during combat, the Medal of Honor. After weeks of preparation, on July 30, Union forces exploded a mine in Maj. Gen. Ambrose E. Burnside's IX Corps sector, blowing a gap in the Confederate defenses of Petersburg, Virginia. From this propitious beginning, everything deteriorated rapidly for the Union attackers. Unit after unit charged into and around the crater, where soldiers milled in confusion. Grant considered the assault "the saddest affair I have witnessed in this war." The Confederates quickly recovered and launched several counterattacks led by Brig. Gen. William Mahone. The breach was sealed off, and Union forces were repulsed with severe casualties. Brig. Gen. Edward Ferrero's division of black soldiers...

Bamboo design. Sealed on the back with design studio name and number 972 We offer a small number of these original illustration designs by this design studio based in Alcoy (Spain), ...

Gio Colucci (Italian 1892-1974) Untitled: Abstract Forms/Sky. Gouache on paper laid down on matt board. Archival framing under glass. Circa 1930's - 40's? Signed lower right. This...

Gio Colucci (Italian 1892-1974) Untitled: Abstract Figure and Leaves. Gouache on paper laid down on matt board. Archival framing under glass. Originally from the Con-Agra Corporat...

Arthur SEVERN (Rome, 1842 – London, 1931) Twilight over an Estuary Watercolour on paper mounted on canvas H. 69 cm; W. 101 cm Signed lower left Provenance: Galerie The Fine Art Soci...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

Birds design. Sealed on the back with the design studio name and number 98 We offer a small number of these original illustration designs by this design studio based in Alcoy (Spain)...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

Artist: Stephen Scott Young Title: Vienna Medium: Watercolor on Paper Year: 1983 Signed: Inscribed Bottom Left and Signed Back of Paper Dimensions: Unframed 13.5 x 7 Framed 18.5 x 17...