Jean Kalisch Still-life Paintings

Alan Latter (born 1961) Varnish bottle Signed and dated 2021 Oil on board 13¾ x 10½ inches 14½ x 11¼ inches including the frame A charming still life capturing the artist's working...

Polly Thayer Starr (1904-2006) Oil Painting Still Life Fruit Bowl Dimensions: Frame: 12.5" X 15.5", Image: 8.5" X 11.5" Polly Thayer (Starr) (1...

"Dering Harbor Sunset" is a contemporary blue & purple seascape with sailboats. Kelly Carmody’s work has been widely exhibited and collected. One of her major figurative works was c...

YELLOW FLOWERS Size: 60.5 x 45 cm (including frame) Oil on board A mid century modernist floral composition, painted in oil onto board. This painting depicts a vibrant and expressi...

Modern warm toned Cubist style still life painting by Texas artist David Adickes. The work features a collection of bottles and fruit displayed on a pedestal against a deep maroon ba...

Mid Century Floral Still-Life in Oil on Canvas-Wrapped Illustration Board Classic mid century floral still-life with impasto in warm, autumn colors by Frances Christensen American, ...

Oil and Polyviny on board, signed on reverse Image size: 15 1/2 x 11 3/4 inches (39.5 x 30 cm) Original frame Exhibited Pictures for Scottish Schools, 1967 Elspeth Spottiswood Bo...

"The Lone Boat" is an oil painting by American artist, Kelly Carmody. A contemporary seascape of a single sailboat resting upon a still body of water at a special time of day, either...

Oil on board Image size: 15 3/4 x 11 1/2 inches (40 x 29 cm) Framed Provenance By descent from the estate of the artist Emma Fordyce MacRae Emma Fordyce MacRae was an American representational painter. She was a member of the Philadelphia Ten, a group of women artists who worked and exhibited together. Her work — including still lifes and paintings of women — shows the influence of Asian flower paintings and of Seurat. MacRae grew up in New York City, where she attended Miss Chapin's School and the Brearley School. She enrolled at the Art Students League in 1911, studying first with Frank DuMond and Kenneth Hayes Miller, and beginning in 1915, with Luis Mora, Ernest Blumenschein, and John French Sloan. She also attended one of Robert Reid's summer courses. MacRae's painting, "Green Jade," was shown at the Anderson Galleries in 1928, at an exhibit of artist members of the American Woman's Association. Many exhibitions and gallery showings followed. In 1937, MacRae's painting "A Persian Girl," was listed as deserving of special mention by The New York Times critic Edward Alden Jewell. In the 1940s, MacRae was chairman of the awards jury of the National Association of Women Artists. Galleries rediscovered MacRae's art in the 1980s; the Richard York Gallery in New York exhibited thirty of her paintings in December 1983. In 1987, her painting of a Venetian cafe was part of "American Women Artists, 1830-1930," an exhibition displayed at the National Museum of Women in the Arts in Washington, D.C. and in four other museums. MacRae had studios in New York City and in Gloucester, Massachusetts. Where MacRae painted her New England landscapes form the Cape Ann Landscapes...

Flowers & Checkers Oil on Board Size: 71 x 88 cm (including frame) A well executed and vividly coloured modernist still composition, painted in oil onto board. Reminiscent of the M...

Laimdots Murnieks had a significant influence on the development of Latvian painting at the end of the 20th century. His work 'Holiday' conveys the f...

Alan Latter (born 1961) Fashionable Buttons, a Trompe l'oeil Signed and dated ‘2021’ verso Oil on board 10½ x 7½ inches 11 x 7¾ inches Born in Islington in 1961, Alan Latter's work is influenced by Bloomsbury Group artists Vanessa Bell and Duncan Grant and Fauvists Henri Matisse and Jean Puy...