Art Nouveau Vases

A fine, very large scale antique French art glass vase. In green tones. With acid-cut back cameo grapes, grape leaves, & vines. Signe...

19th Century Majolica Vase with Floral and Foliage Motifs Description: This is a majolica vase dating from the 19th century, made in glazed ceramic with a rich and earthy brown tone...

A fine quality Art Nouveau art glass vase, by Loetz the historic glass maker from the municipality of Austria featuring engraved Alvin Sterling Silver overlay. Overlay in form of op...

Early 20th-century French Art Nouveau glass compote vase, designed in a sculptural palm tree form with finely etched detailing and a rich rusty orange hue. This piece reflects the ...

Émile Gallé (1846-1904), Art Nouveau Cameo Glass Vase « Gladioli Flowers » Large piriform vase on heel with long collar in dark blue and blue multi-layered glass Cased glass, opales...

Liberty vase in transparent glass and pewter carved with ladies, made in the early 20th century Ø cm 16 h cm 28 Art Nouveau is an international style of art, architecture, and appl...

A Tiffany Studios New York Art Nouveau ‘paperweight’ glass vase. White blossoms with pink millefiori florets sprinkled throughout a green pulled-leaf motif, all featured on a clear b...

Galle cameo glass soliflore vase. Yellow base with brown leaf decoration.

Daum Pate de Verre Amaryllis Vase in pinks and greens. This piece is signed Daum, France and numbered 94. This piece has been retired and is no longer in production. Since 1878,...

Striking large ceramic vase features the organic, rounded shape with 3 curved, free-flowing decorative handles. It is decorated in characteristic Belgian Art Nouveau style with the u...

This exquisite art glass vase was produced by the renowned Harrach Glassworks, one of the oldest and most esteemed glass manufacturers in Bohemia, known for their exceptional craftsm...

This Tiffany Studios New York flower form Favrile glass vase is uniquely shaped roughly in the silhouette of a curled flower not yet in bloom, with a rounded, rippled rim. The vase features a green pulled-feather decoration on a cream ground, each feather-pull elegantly mimicking the natural veining and variation of hues that would be found on a young leaf or stem. The vase has an opalescent pink goblet...

Beautiful antique Murano hand blown cobalt and sky blue, orange, and white Italian art glass decorative double handle cabinet vase. Documented to the Fratelli Toso company, circa 190...

The son of Edmond Lachenal, Raoul Lachenal worked in his father's studio until 1911, when he established a new workshop at Boulogne-sur-Seine. While some of Raoul Lachenal's Art Nouv...

A stylish Austrian Art Nouveau twin handled art pottery vase hand painted with floral designs and made at Old Moravian Pottery around 1906. The squat ...

Elegant and rare Majolica stork with a bamboo vase signed Delphin Massier, circa 1890. The Massier are known for the quality of their unique enamels an...

Austrian Loetz iridescent art glass vase in papillon finish with sterling silver applied overlay. Art Nouveau style in a dimpled form shades of green ...

Spectacular vase, Vienna Secession by Julius Dressler, made between 1900 and 1905 in Austria. This vase is an outstanding piece of history—made during the exciting era of the Secess...

Fabulous Art Nouveau Emile Galle Cameo early landscape vase, depicting a classic landscape scene with large trees leaning over a quiet pond in the early eerie morning light. Rendere...

Danish art nouveau white and bright blue crackle glaze porcelain vase with intricate golden, burgundy, black and blue decorative band around the belly. Produced by Dahl Jensen in th...

This evocative Japonist vase was designed by Sándor Apáti Abt for the Hungarian ceramic factory Zsolnay. The vase features a radiant background of gold, green, and orange, and is ado...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

This stunning Art Nouveau ceramic vase, attributed to Moorcroft, features an exquisite hand-painted tulip decor. The deep, glossy glaze accentuates the vibrant yellows and purples of...

Brilliant handmade hand-glazed Art Nouveau Soliflore Vase, 1930. Handmade and hand-glazed in brilliant colored details. Made in Belgium Art Nouveau period 1930 fine quality. The pi...

A very rare organic ribbed Louis Comfort Tiffany blue Favrile miniature vase in the Jugendstil style. Beautifully signed 'L. C. Tiffany Inc Favrile' Then (indistinctly) '7168 U' and ...

Le pichet canard de Saint Clément, en faïence barbotine, modèle 7492, est un véritable chef-d'œuvre qui illustre l'élégance et le savoir-faire des artistes Émile et Charles Gallé. Ce...

A very stylish and elegant Hungarian porcelain vase hand painted with Islamic influence floral designs by renowned maker Zsolnay and dating from...

Muller Frères vase is a decorative object realized in the 1920s by Muller Frères Made in France Body, narrow neck with flared muzzle, colorless gl...

Art Nouveau glass vase with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Baluster bowl on narrow cylindrical support flowing into raised foot. Vertical overla...

An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which inspires deep reflection and requires transparency. Clemen...

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

Eye-catching antique flower shaped Art Nouveau vase by Danish ceramic artist Herman C. Kähler. Dramatic speckled orange and brown uran glaze. Signed under base. Beautiful vintage c...

Antique Art Nouveau figural Nymph on gourd porcelain vase by Ernst Wahliss, circa early 1900s. This beautiful large piece made in Austria is in very good vintage condition with no ch...

Vase Sign: Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneid...

A stunning French Art Nouveau pair of large vases with female figures of the era, signed by the Parisian Sculptor F. Citti, Paris 1900-1910. Measures: Height 19 in (48 cm) Width...

Josef Strnact, Austria. Antique Art Nouveau vase with handles in glazed terracotta. Hand-painted gold decoration and cobweb. Approx. 1900. Measures: 3...

2 Vases WMF Signs: Page: 371 in the Book – Art Nouveau Domestic Metalwork from WMF Wurttembergische Metallwarenfabrik: The English Catalogue 1906 Hardcover. WMF G: Introduces on ...

Multilayered glass vase, in cameo technique. Cylindrical form in mottled orange, red, and brown, circa 1910. The decor of flowers and leaves is engraved in reserve and taken up on th...

A fine antique English lustreware porcelain cabinet vase. By Wedgwood. Pattern no. Z4829 Shape no. 2351 Designed by Daisy Makeig-Jones. With a ...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

A large and impressive Art Nouveau/Jugendstil Austrian Imperial Amphora art pottery twin handled vase with tube lined bird designs dating from the early 20th century. In addition...

The vase by Loetz from around 1910, features white glass with a red overlay and is intricately etched with a rose motif. The leafs of the rose stand out in light pinkish to deep purp...

This arresting Damascene Favrile Glass Vase bears a swirling pattern of blue and purple iridescence and ochre glass. The vase's pattern is based upon Damascus steel, whereby near eas...

Pair of wonderful figural patinated bronze vases by Louis Auguste Mathurin Moreau (1855-1919). Each "Love Vase" with two cupid figures in different poses surrounded by roses and vin...

Emille Galle (1846-1904). Émile Gallé was a French glass maker and furniture designer, who had his home in his native Nancy. His favourite topic, which he frequently used in his wor...

A fine antique cabinet-sized French art glass vase. By Gallé. With a bulbous base and a conical body. In light pink with acid-cut back cameo of flowers and foliage in green . Sig...

Art Nouveau Ceramic Planter or Vase circa 1910 Spectacular jardinière or centerpiece with relief flowers and leaves on the two sides

Antique 1904 Rookwood XIX arts and crafts / art nouveau period bud vase featuring a matte blue glaze with floral / peacock feather design. Dimensions: 3" x 6.25" (Diameter x Height)

DAUM Nancy, France. Large bowl of multilayered glass, decorated with trees in a lake landscape. Polilobed bowl with triple glass overlay in orange, red, and brown, featuring a finel...

Model #21008 Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an opt...

An enchanting mid-20th century Galle cameo glass vase, delicately etched and decorated with an exotic wildlife scene. The vase is adorned with a continuous procession of elephants mo...

This Jugendstil vase – made by Austrian Secessionist ceramic manufacturer Julius Dressler of Biela (Bohemia) - has a pale blue outside and a yellow/goldish inside. In very good condi...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Shown at Exposition Universelle de Bruxelles, 1910. PIERRE-ADRIEN DALPAYRAT (1844-1910) After working nearly half his life as an itinerant faience painter and directing production ...

Model #2047 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

A beautiful French enameled glass vase from the Art Nouveau period, circa 1930. Intricately detailed work is by François-Théodore Legras. T...

An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which inspires deep reflection and requires transparency. Clemen...

A beautiful cameo glass vase depicting perched owl birds in a forest with mountains in the distance.

French Art Nouveau vase by François-Théodore LEGRAS, France, Early 1900s. Square Diabolo soliflore vase with opaque base in och and red. Enameled winter decor. Height : 7.3"(18.5cm),...