Art Nouveau Vases

Large pair of French Majolica Iris vase signed Delphin Massier, circa 1880.

This Art Nouveau vase features an extraordinary crystalline glaze that enhances its elegant, flowing form. The vase’s surface is adorned with unique, intricate patterns created by th...

A magnificent piece of sculptural ceramic art, this vintage vase is a beautiful example of the Italian majolica tradition. The vessel boasts a tall, elegant form, finished in a rich,...

Remarkable rare Art Nouveau Majolica vase by Gerbing & Stephan from the early period in Bohemia around 1910. The beautiful shaped grey blue c...

A fine and early art nouveau acid etched glass vase with pansies by Legras & Cie. Made in Saint Denis near Paris in ca. 1895. The piece is a very nice example of the times when Legra...

Tiffany Studios By Louis Comfort Tiffany Art Nouveau Blue Favrile Floriform Glass Vase. A classic and must for the most discerning Tiffany glass collector. This vase has the rarer sh...

WMF vases Germany, 1900-1910 Silver metal Jugenstil Vases Excellent condition. WMF mark under the base

Vase in the form of a baluster: Flush foot, high, bulbous body with set off, short neck on gently sloping shoulders. Colorless glass with light blue color powder inclusions, burgundy...

René Lalique, France. Rare Domremy art glass vase in emerald green with thistles in relief. Approx. 1926. Marcillac n. 979. In excellent condition. Signed. Dimensions: H 22.8 x...

Although unmarked, this rare and important, grand but at the same exquisite patinated bronze vase has just a very few little details, defying the shape of the handles, as well as the...

Superb and extremely rare Daum # Nancy vase designed after a drawing by Edmond Lachenal, France late 1800s. Signed, etched and gilt "Daum # Nancy, d'après E. Lachenal". Decorations o...

A fine, very large scale antique French art glass vase. In green tones. With acid-cut back cameo grapes, grape leaves, & vines. Signe...

An exceptional quality Art Nouveau miniature iridescent glass vase, possibly Loetz and dating from the early 20th century. This heavily made amethyst glass vase is exquisitely decora...

Rare Majolica Lily vase Jerome Massier, circa 1900. The Massier family are known for the quality of their unique enamels and paintings. They produced an ...

Galle cameo glass allium vase, circa early 1900s. The cameo glass is present in a least three colors over the light background. The vase signed in cameo, and was made in 1900s. It is...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

A vase, Johann Lötz Witwe, Klostermühle, c. 1900 Decoration: Crete chiné (1896/97); green underlaid glass; pre-blown into a multi-piece ribbed mold; ...

Gorgeous patinated bronze art nouveau vase with maiden & floral design by Francesco Flora, circa 1910s. The vase has wonderful detail and is in very go...

Keller & Guerin-Luneville pair of vases signed Handwritten signature: KG Luneville France Ne Art Nouveau shape Lys hand-painted Decor iris amid Umbelliferae...

A stunning late 19th Century French cameo glass vase decorated with deep green conifer and mountainous backdrop in an attractive green and turquoise colour against a variegating yell...

Beautiful, graceful, Art Nouveau Period, sterling silver vase, having a trefoil-shaped base, Sheffield, England, year- hallmarked for 1903, William Mammatt and Son - makers. Measures...

A very stylish and unusual Art Nouveau Doulton Lambeth Art Pottery vase decorated with abstract leaf and raised fruiting berries by renowned modeler, designer and decorator Mark V Ma...

Emile Galle scenic wheel carved and acid etched cameo vase. A beautiful and tall cameo vase by Galle. The 18 - 1/2” tall vase has a background of muted yellow glass near the base, which progresses to blue/gray at mid-vase, and then peach towards the top. Brown, cameo cut trees are generously displayed across the body of the vase, with the addition of a boat in the lake. Signed "Galle". Dimensions: 18 - 1/2” x 10” x 8”. Condition: Very good Émile Gallé (8 May 1846 in Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France. Gallé born on 4 March 1846 in the city of Nancy, France. His father, Charles Gallé, was a merchant of glassware and ceramics who had settled in Nancy in 1844, and his father-in-law owned a factory in Nancy which manufactured mirrors. His father took over the direction of his mother's family business, and began to manufacture glassware with a floral design. He also took over a struggling faience factory and began manufacturing new products. The young Gallé studied philosophy and natural science at the Lycée Imperial in Nancy. At the age of sixteen he went to work for the family business as an assistant to his father, making floral designs and emblems for both faience and glass. In his spare time he became an accomplished botanist, studying with D.A. Godron, the director of the Botanical Gardens of Nancy and author of the leading textbooks on French flora. He collected plants from the region and from as far away as Italy and Switzerland. He also took courses in painting and drawing, and made numerous drawings of plants, flowers, animals and insects, which became subjects of decoration. At the age of sixteen he finished the Lycée in Nancy and went to Weimar in Germany from 1862–1866 to continue his studies in philosophy, botany, sculpture and drawing. In 1866, to prepare himself to inherit the family business, he went to work as an apprentice at the glass factory of Burgun and Schwerer in Meisenthal, and made a serious study of the chemistry of glass production. Some of his early glass and faience works for the family factory at Saint-Clémont were displayed at the 1867 Paris Universal Exposition. In early 1870 he designed a complete set of dishware with a rustic animal designs for the family enterprise. During this time he became acquainted with the painter, sculptor and engraver Victor Prouvé, an artist of the romantic "troubadour" style, who became his future collaborator in the Nancy School. He enlisted for military service in the Franco-Prussian War in 1870, then was demobilised after the disastrous French defeat in 1871 and the French loss to Germany of much of the province of Lorraine, including Meisenthal where he had done his apprenticeship. Thereafter the Cross of Lorraine, the patriotic symbol of the region, became part of his signature on many of his works of art. After his demobilization Gallé went to London, where he represented his father at an exhibition of the arts of France, then to Paris, where he remained for several months, visiting the Louvre and Cluny Museum, studying examples of ancient Egyptian art, Roman glassware and ceramics, and especially early Islamic enamelled...

A rare, very large, and impressive antique Rookwood and Gorham mantel vase by Amelia Sprague. It features Art Nouveau style pinecone / pine tree theme with sterling silver overlaid ...

Muller Frères vase is a decorative object realized in the 1920s by Muller Frères Made in France Body, narrow neck with flared muzzle, colorless gl...

Just a lovely sample of acid french work by Daum Nancy and with Cross of Lorraine. on the side.

1940s Art Nouveau terracotta vase with hand-painted naturalistic organic and floral decorations with a colourful bird picking at berries on a branch. Manufactured by L. Hjorths Terra...

This resplendent Zsolnay bird ewer—resting on three feet and crowned with a blooming tulip handle—is a triumph of Art Nouveau design, created by Sándor Apáti-Abt for the Zsolnay manu...

Sculptural pitcher designed by Charles Théodore Perron (1862-1934). The beautiful antique art nouveau pewter jug pitcher. Made in France around the 1900 by the sculptor Charles Théodore Perron (1862-1934). Crafted in solid pewter and decorated with a reclined naked lady similar to a mermaid, a mask and art nouveau organic motifs, all in high relief. The pitcher is in perfect condition without any damages or repairs. The neck is the face of what looks like a captain of a ship. Period: Art Nouveau, Circa 1900. Material: Pewter Weight: 6 Pounds (2.73 Kg). Measurements: 241 mm by 179 mm by 153 mm (9.5 x 7 x 6 Inches). Hallmarks Stamped with the maker's mark and signed, "CH PERRON". Charles Théodore Perron He was a French sculptor that born in Paris in 1862. He was the pupil of Falguière, Roy Lequel and Louis-Auguste Hiolin...

Antique Art Nouveau chalice shaped art glass vase created by the Loetz glassworks company, which was active during the late 19th and early 20th centuries, this vase represents a prime example of their artistic mastery. The vase features a cobalt blue ground that adds depth and richness to its overall appearance. Its surface showcases a captivating iridescent wave pattern, which adds a mesmerizing shimmer and dynamic quality to the glass. This iridescence is a hallmark of Loetz glassware and is achieved through the application of special techniques during the glassblowing process. The chalice-form of the vase gives it an elegant and graceful silhouette. This design creates a harmonious balance between the visually striking upper portion and the sturdy base. Loetz glasswares are renowned for their exceptional artistry and their ability to capture and play with light. The Phaenomen Genre 6893 vase, with its dark blue color and iridescent wave pattern, is no exception. When light interacts with the glass, it reveals a captivating range of colors and reflections, making it a visually stunning and attention-grabbing piece. As an antique Loetz glass vase...

Vintage art glass bud vase features multicolored fused glass decor with iridescent finish. Strong, graphic abstract pattern flows along the lines of minimally shaped cylindrical vase...

Large ceramic planter from the Danish ceramic studio Lauritz Hjorth. Manufactured ca 1910s to 1920s. The planter is made from stoneware and features a hand painted abstract onrmenta...

Jugendstil glass vase with holder by Argentor vienna around 1910 Polished and stove enameled Original cut glass.

A very stylish Art Nouveau Belgian twin handled art pottery vase decorated in flambe glazes and dating from around 1900. The lightly potted earthenware vase stands on a round partial...

Tiffany Studios By Louis Comfort Tiffany Gold Favrile Iridescent Art Nouveau Trumpet Vase. This is the one you want to have for your collection in the classic trumpet from in amazing...

A visually striking pair of vintage ceramic vases in the Jugendstil style, handcrafted in Germany circa 1960 by BB Hohenstein. These decorative vases feature a raised Chinese dragon ...

Vintage cased tango orange glass vase with black accent features elegant, minimal shape and eye-catching color palette. Deep, jewel-toned, coral orange color dominates the design; t...

A fine quality Art Nouveau art glass vase, by Loetz the historic glass maker from the municipality of Austria featuring engraved Alvin Sterling Silver overlay. Overlay in form of op...

Large, substantial, extraordinary -- and probably unique -- this Art Nouveau floor vase depicts a nude merman pulling at the whiskers of a playful dolphin, surrounded by the bounty o...

An exceptional pair English Art Nouveau opalescent yellow uranium glass vases by James Powell & Sons and dating from around 1890. The vases stand on a w...

A gorgeous antique Arts & Crafts or Art Nouveau period iridescent double gourd art glass bud vase By Josef Rindskopf Czech Republic, Circa 1890s Measures: 3.5"W x 3.5"D x 9"H. Ve...

Austrian Jugendstil glass goblet with etched decoration Opel black ca. 1915 designed by Hans Bolek manufactured by Johann Loetz Witwe Between 1912 and 1917, the architect Hans Bol...

A French Art Nouveau ceramic vase produced for Bing by George de Feure, Gérard, Dufraisseix and Abbott. The porcelain vase features floral decoration carried out in biscuit, blue enamel, pink and green, white zone. Signed "De Feure ANB Leuconoé." Circa 1901-1902. Pictured in: The Paris Salons 1895-1914, by Alastair Duncan, p. 15, 162. Art Nouveau, Symbolismus und Jugendstil in Franckreich, by Renate Ulmer, p. 141 cat. no. 127. Art and Decoration July 1907, p. 35. Le Modern style, by L.Dresser-Challié, p. 119. Art Nouveau Bing...

A fine antique Art Nouveau amphora vase. With matte & enamel peony flowers painted over a matte forest scene ground. Form no. 523. From th...

Colossal antique Emile Gallé vase in frosted and purple art glass carved in the form of foliage. Ca. 1920. Measures: 43.5 x 16 cm. In excellent condition. Signed.

Nancy, vase soliflore art glass in mixed colors in de style of André Delatte André Delatte (French, circa 1887-1953), an art glass vase, the mottled mixed colors body with long sl...

Antique American Art Nouveau Rookwood three handled vellum vase, Lorinda Epply, 1915. The blue vase of reversed bell shaped with three elongated handles, around the wide mouth of the...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Model #3791 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Baluster-shaped vase, on a round base offset by a nodus, with gently curved, slender walls, slight constriction at the neck with flared rim, colorless glass with flaky yellow-orange,...

Antique Art Nouveau Daum Nancy Cameo Glass Vase, France circa 1910. Multilayered glass cameo vase with exquisite detailed decor of flowers and leaves etched in purple glass against a...

Large, mold-blown, baluster-shaped body on a separate stand, bulbous after the constriction and slowly narrowing again, wide mouth rim with metal mount, drawn silver thread decoratio...

Cristallerie de Pantin Early Acid Cameo Vase with Silver Mounts, c1890 Additional information: Date : c1890 Origin : Paris, France Bowl Features : Tall, slender plants with four-pe...

Large funnel vase with three-sided wall on a round stand offset by a nodus, colourless glass with white and thread-like yellow powder meltings and meadow-green meltings in the lower ...

Vase Sign: Le Verre Francais France acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the S...

A stunning and monumental example of Kayserzinn pewter, an exceptional piece for the collector. This antique art nouveau Jugendstil pewter tankard is stamped "Kayserzinn 4010" and wa...

Very rare unique 19th century Majolica orchid cache pot signed Delphin Massier, the three sides have different colors. The Massier family are known for the quality of their unique e...

19th Century Large Austrian Parrots & Flowers Cache Pot. Height / 12 inches. Diameter / 12 inches.

An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which inspires deep reflection and requires transparency. Clemen...

Attributed to Lucien Levy Dhurmer for Clement Massier. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling....