Art Deco More Carpets

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century. Measures: 10' 0" x 13' 6".

51582 Zeki Mu¨ren distressed vintage Turkish Sivas rug with Linear Abstract style. Reflecting artistic elements of abstract art with expressionism vibes, this hand knotted wool distressed vintage Turkish Sivas rug awakens the soul with elevated contemporary Art Deco style. The vintage Sivas rug...

72021 New Contemporary Modern Chinese Art Deco Rug 11'06 x 18'00. This hand knotted wool contemporary modern Chinese Palace size rug features an Art Deco style showcasing symmetry an...

78313 Distressed Antique Chinese peking rug, 09.02 x 15.01. With its rugged beauty and rustic sensibility, this hand knotted wool antique Chinese Peking rug will take on a curated li...

A vintage Persian Mashad Art Deco square accent rug handmade during the mid-20th century. Measures: 4' 11" x 5' 9".

Vintage Art Deco Rug, Country Of Origin: India, Circa date: Early 20th century. Size: 12 ft 7 in x 18 ft 7 in (3.84 m x 5.66 m)

76126 vintage Persian Hamadan rug, 05'04 X 07'09. With its timeless style, incredible detail and texture, this hand knotted wool vintage Pers...

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century. Measures: 9' 2" x 11' 7".

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century. Measures: 8' 10" x 11' 8".

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century. Measures: 9' 2" x 11' 9" Chinese Rugs & Carpet: The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

An antique Chinese Ningxia square throw rug handmade during the early 20th century. Measures: 2' 3" x 2' 4" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

Exclusive handmade rug made of high-quality materials and design, from a very high-end rug workshop. The background of this oversized medallion striped rug shows this multicolour rug...

Exclusive magnificent handmade rug made of high-quality materials and design from a very high-end rug workshop. The background of this floral rug shows this glittery gold rug as very...

A rare large knotted wool rectangular rug with black geometrical decoration on a green background. Signed with the monogram 'SB' in the weave.

Vintage French Art Deco Rug Designed by Jules Coudyser Size: 8'0" × 11'5" (243 × 347 cm) This striking vintage French Art Deco rug, attributed to Jules Coudyser and woven circa 1940,...

A vintage Chinese Art Deco room size carpet handmade during the Mid-20th Century. Measures: 8' 11" x 11' 7".

A vintage Persian Mashad Art Deco square scatter rug handmade during the mid-20th century with 2 paisley (boteh) motifs on inverse corners over an ivory Minimalist and borderless gro...

A vintage Turkish Sivas deco carpet from the mid-20th century. Measures: 6' 5" x 9' 7".

78129 Distressed Antique Chinese Peking rug with Art Deco Style 10'01 x 13'03. With its effortless beauty and rustic sensibility, this hand-knotted wool distressed antique Chinese Pe...

76305, vintage Persian Mashhad Area rug with Islamic Art Design. Elegant and captivating, this hand knotted wool vintage Persian Mashhad rug features an Islamic Quatrefoil Tile Artwork design composed of an all-over geometric pattern of interlocking motifs. Large-scale columns of stacked quatrefoil lobes are filled with navy blue four petal florals, serrated leaves while navy blue cruciform motifs are anchored by complementary colored palmettes. The quatrefoil medallions alternate with octofoil amulets composed of angular vines and Chinese cloud-collars made from trefoils. Crosses, eight-pointed stars, and lobed medallions of quatrefoil, trefoil and Chinese cloud-collars interlock and flow into one another, each replete with unique floral ornament. It is enclosed with an alternating quatrefoil and trefoil border flanked with meandering guard borders and thin diamond guard bands. Stately with a dazzling array of florals and undulating linear elements, this vintage Persian rug emanates grace and style. Invite the beauty of Persian weavings into your home with this beautiful vintage Mashhad rug...

Beautiful Edouard Benedictus French Art Deco Rug, Country of Origin / Rug Type: French Art Deco, Circa Date: 1930’s – Size: 10 ft 10 in x 13 ft 2 in (3.3 m x 4.01 m)

77226 Vintage Turkish Konya Taspinar rug with Venetian Renaissance style. With its rich detailing, vibrant colors, and symmetry, this hand-knotted wool vi...

A vintage Chinese Art Deco accent rug handmade during the mid-20th century. Measures: 4' 0" x 6' 8".

51953, distressed Sivas rug with Industrial Art Deco style, poly-chromatic checkered rug. This hand knotted wool distressed vintage Turkish Sivas rug wi...

78303 Antique Chinese Art Deco Rug, 08'02 x 09'05. This magnificent hand-knotted wool antique Chinese Art Deco rug transports viewers to a bygone era of exquisite artistry and vibran...

A vintage Persian Mashad Art Deco scatter rug handmade during the mid-20th century with 2 red paisley (boteh) motifs on inverse corners over a cream-white Minimalist and borderless g...

Characterized by a floppy handle and a relatively coarse weave, rugs such as these are referred by European scholars as 'travail domestique', meaning that they are home Craft product...

A vintage Chinese Art Deco throw rug handmade during the mid-20th century. Measures: 3' 1" x 4' 11".

A vintage Persian Art Deco style Mahal throw rug handmade during the mid-20th century. Measures: 2' 9" x 6' 4".

Colorful French Art Deco carpet/modernist carpet with great geometric design and fantastic colors (cream, black, lavender, purple, blue, and green.) This great French Art Deco geometric rug...

A vintage Turkish Art Deco runner handmade during the mid-20th century.

77426 antique Tibetan wool tea cozy with dragon design, late 19th century tea cosy. With its exotic dragon pictorial design and vibrant colors, this hand knotted wool antique Tibetan Tea...

51952, distressed Sivas Accent rug with Industrial Art Deco style. This distressed vintage Turkish Sivas rug with modern Industrial Art Deco style can make an interior space feel bot...

A rare and unique modernist oriental rug, distinguished by an ivory open field partially embellished by groups of three stylized fish in a rich burgundy red. The arrangement of these...

51906 Zeki Muren Distressed Vintage Turkish Sivas Accent Rug with Rustic Arts & Crafts Style 02'09 x 05'07. This hand-knotted wool distressed vintage Sivas rug features a floral latt...

A vintage Persian Mashad room size carpet handmade during the mid-20th century with a Minimalist, yet geometric Art Deco inspired design. Measures: 9' 1" x 13' 7".

An antique Chinese Art Deco throw rug handmade during the early 20th century. Measures: 2' 0" x 3' 9".

With dramatic geometry and bold shapes, the decadent new Curvo evokes old-school midcentury glamour. The desert sunset inspired retro shrimp color recalls glamorous Palm Springs vintage...

Traditional Bakhtiari textiles dating back centuries actually provided the inspiration for this design, not the New York landmark from which it derives its name. The simple patternin...

A vintage Chinese Art Deco throw rug handmade during the mid-20th century. Measures: 2' 8" x 3' 9" The Craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often Stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

With dramatic geometry and bold shapes, the decadent new Curvo evokes old-school mid century glamour. Chic gold accents are inspired by the glamorous heyday of vintage Palm Spring...

With dramatic geometry and bold shapes, the decadent new Curvo evokes old-school mid century glamour. Chic gold accents are inspired by the glamorous heyday of vintage Palm Spring...

A vintage Chinese Art Deco rug handmade during the mid-20th century predominantly in red, green, and antique white, and with accent colors in silver, beige, pink, blue, and orange , ...

Make your space an oasis of calm, ocean-inspired serenity with Art Hide’s top-selling Nueva Raya in green. Crammed with alluring colors, this design inspires a relaxing and welcoming...

Reinvent your space with the bold graphic design of Art Hide’s Buenos Aires rug that’s a twist on the Classic monochrome. The Buenos Aires is created from premium Argentinian cowh...

With dramatic geometry and bold shapes, the decadent new Curvo evokes old-school midcentury glamour. The desert sunset inspired retro shrimp color r...

Contemporary geometric beige, white flat-weave wool rug by Doris Leslie Blau. Size: 4'0" x 5'8" (121 × 172 cm). Flat-woven rugs fit in rather well into even the smallest of flats and...

Modern Art Deco-Inspired Wool Rug by Doris Leslie Blau. Size: 9'0" × 12'0" (274 × 365 cm). This exceptional contemporary rug is a masterclass in refined geometry and tonal warmth, dr...

A terracotta, 1970s Palm Springs inspired update on our luscious Trilogia design. This rug is guaranteed to will reinvent and refresh your interior like nothing else. Out of this wor...

Modern Geometric Art Deco Hand-Knotted Rug by Doris Leslie Blau Size: 13'0" × 18'9" (396 × 571 cm) Color: Beige, Blue, Brown, Green, Orange, Pink, Purple. A striking celebration of c...

Exclusive magnificent handmade rug made of high-quality materials and designed by a very high-end rug workshop. The background of this floral rug shows this glittery navy blue and cr...

Exclusive magnificent handmade rug made of high-quality materials and designed from a very high-end rug workshop. The background of this floral rug shows this glittery blue rug as v...

Oversized Modern Art Deco-Inspired Rug by Doris Leslie Blau Size: 16'0" × 20'6" (487 × 624 cm). Embodying the elegance and clarity of Art Deco design, this contemporary oversized rug...

This beautifully hand woven area rug features a traditional medallion design woven on a rich red background with accents of gold, blue, yellow and rust that make up the beautiful geo...

Woven in different tones of brown over a camel background, this Art Deco rug embodies the aesthetic of the period, juxtaposing an all-over pattern of triangles, probably taken from c...

Laurel Green, Chinese Art Deco Inspired Peshawar, Vegetable Dyes, Hand Knotted, Pure Wool, Oriental Rug Primary materials: Wool Latex: No Pile height: 0.25 Inches Style: Transitiona...

Beautiful Antique French Art Deco Kilim Rug, Country of Origin / Rug Type: France, Circa Date: 1920 –Size: 7 ft 6 in x 8 ft 10 in (2.29 m x 2.69 m).

French Art Deco geometric design rug carpet with purple and beige colors signed with the initial "R" inside a "C" (5.5 x 7.5').

Introducing Toughies - your new high traffic, heavyweight home hero! These rugs are raring & ready for even the most rough & rowdy settings. Dirt, grime and hardcore wear & tear a...

Magnificent Antique Indian Shabby Chic Art Deco Rug, Country of Origin / Rug Type: India Rug, Circa Date: 1920’s. Size: 12 ft 4 in x 15 ft (3.76 m x 4....