Hans J. Wegner 'Papa Bear' Armchair, A.P. Stolen, Denmark, 1963

The wingback Papa Bear chair, also known as the Teddy Bear chair, has two outstretched arms with wood detailing once described by a critic as “great bear paws embracing you from behind” — hence the name. The piece was designed by Hans Wegner (1914–2007), a pioneer of Danish modernism who crafted nearly 500 chairs over the course of his long career. Not many of them, however, have the anthropomorphic qualities that this one does.

Wegner was raised in the south of Denmark, where he served as an apprentice to a cabinetmaker as a child. Inspired to study architecture and design, he enrolled at the Royal Danish Academy of Fine Arts in Copenhagen, then opened his own studio in 1943, working closely with peers like Arne Jacobsen, Erik Møller and more. Wegner was a leading figure of the Scandinavian modern movement, which championed quality craftsmanship, elegant design and efficient functionality.

The Papa Bear chair was Wegner’s first project with manufacturer A.P. Stolen, which enjoyed numerous collaborations with the designer over time. Originally produced with a solid beechwood frame, Wegner’s chair, with its high backrest, lengthy back legs and comfortable cotton-upholstered cushioning, was designed in 1951 and had its first manufacturing run from 1953 to 1969. Its current production is managed by Danish joinery workshop PP Møbler, and the Papa Bear chair and ottoman are now available in a variety of wood and textile finishes.

Best known for his chairs and other seating pieces — though a master of many furniture types like sofas and tables — Hans Wegner was a prolific designer whose elegant, often ebullient, forms and devotion to the finest methods in joinery made "Danish Modern" a popular byword for stylish, well-made furniture in the mid-20th century.

Wegner considered himself a carpenter first and a furniture designer second. Like his peers Arne Jacobsen and Finn Juhl, Wegner believed that striking aesthetics in furniture were based on a foundation of practicality: a chair must be comfortable and sturdy before it is chic.

In keeping with that tenet, several of Hans Wegner’s best chair designs have their roots in traditional seating forms. The Peacock chair (designed in 1947) is a throne-like adaptation of the Windsor chair; pieces from the China chair series (begun in 1944) as well as the 1949 Wishbone chair, with its distinctive Y-shaped back splat, are derived from 17th-century Ming seating pieces, as is the upholstered Ox chair (1960). Wegner’s comfy Papa Bear chair (1951) is an almost surreally re-scaled English wingback chair.

Wegner’s most representative piece, the Round chair (1949), gained a footnote in political history when it was used on the TV stage of the first Kennedy-Nixon debate of 1960. That chair, along with Wegner’s more bravura designs — for example, the 1963 Shell chair, with its curved surfboard-shaped seat — bring a quietly sculptural presence to a room.

Wegner was a designer who revered his primary material — wood — and it shows. His wood gathers patina and character with age; every Hans Wegner piece testifies to the life it has led.

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