Edo Furniture

Description Sharing with you this very nice edo period, 1680-1700, example. With a garden floral scene with birds in the style of Chinese Wanli period pieces. Unmarked at base Arit...

A wonderful, beautifully aged Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship during the Heian ...

Description A very nice Kenjo Imari Doucai style plate. Its 18th century. Sometimes called Kenjo Imari. The Masayuki Yamamoto Collection has several of these. There is also one in t...

A pair of four-fold Japanese screens painted in ink and colour on a gold ground with kuri (Japanese chestnut) flowers on a knoll. Japan, 17th/18th century, Edo period . Dimensions...

Description Very happy with this new arrival. Arita/Kakiemon plate unusual and very nice design! Fuku mark at the base. Condition Perfect condition. Size: 15x2.5CM DiameterxHeight...

Lovely Japanese Edo Period (1603-1867) Imari Porcelain Vase in a European form. Created with a vertical scalloped surface, hand painted and hand thrown . Decorated with a medallion i...

Phoenix and Peacocks. A pair of six-panel Japanese folding screens by Tsunetake Yotei (n.d.) First half of the 18th century. The signature reads 67 year old Tsunetake. The seals read: -Tsunetake no in, -Yotei, -Seishin Dimensions: Each screen – H. 69” x W. 149” (176 cm x 378 cm) A pair of Kano Grand Picture (Waga) screens depicting phoenix and peacocks rich with symbolic meaning. Dating to the first half of the 18th century, from the Kobikicho Kano school in Edo, this pair of folding...

A beautiful and exceptionally 18 inches tall Sosaku Kindai Kokeshi doll from Japan. Handcrafted of wood and hand-painted in the the early 20th century. In good condition with charmin...

Large 19th century Japanese Edo period six panel folding byobu screen made in the Kano school style. Beautifully crafted with signature after Kano Tan'yu. Ink and natural color pigme...

A six-fold paper screen painted in ink and colour on a gold ground with grape vines hanging from a pergola and woven fence amongst golden clouds, the details in gin-sunago (cut silver leaf) and moriage (raised design). The metal mounts are decorated with cloisonné enamel, a special detail rarely seen on screen mounts. Japan, 17th/18th century, Edo period. Grapes represent the autumn season and have been regarded as an auspicious symbol of fertility and prosperity since ancient times. Also the Japanese word of grape ‘budō’ is the same word for martial arts. Often paired with squirrels (‘risu’ in Japanese meaning, to follow discipline), the subject was a favourite of the samurai class. Designs incorporating grape vines have been used for ceramic and lacquer works as well as paintings from early times and screens depicting this subject matter seem to have been particularly popular in the early Edo period, however only a few examples are known today. These known examples depicting grape vines are rendered in a similar manner using gold leaf and moriage (raised design): A pair of screens from the Kano School housed in the Tokyo Fuji Art Museum (17th century, Momoyama period) A pair in the Gardner collection (17th century, accession no. P14e3) There are another comparable pair of 17th-century screens housed in the Okura Museum of Art, Tokyo and there are a pair of sugido (cedar wood doors) with the same subject housed in the Nagoya Castle, Aichi prefecture. Paravent à six volets peint à l'encre et à la couleur sur fond doré, représentant des vignes suspendues à une pergola et une clôture tressée parmi des nuages dorés, avec des détails en gin-sunago (feuille d'argent découpée) et moriage (motifs en relief). Les montures métalliques sont décorées d'émail cloisonné...

Imari ware is a style of Japanese porcelain made in the town of Arita and exported from the port of Imari. It is characterized by its vibrant colours, typically including underglaze ...

A beautiful image by renowned Japanese artist/printmaker Utagawa Kuniyoshi (1797 - 1861 ) titled "Saigyo-Hoshi (no. 86) 西行法師 (The Monk Saigyo) (The Monk Saigyo)" from his famous series "Series: Hyakunin isshu no uchi 百人一首之内 (One Hundred Poems by One Hundred Poets)." This work features the Buddhist monk Saigyo under a radiant blue willow tree on a river bank showing a group of curious children a golden cat...

An exquisite Japanese carved hinoki and gilt lacquered standing figure of Amida Nyorai, Amitabha Buddha, Edo Period, 18th century, Japan. The spectacular fully gold gilt figure of A...

Antique Japanese Suibokuga Landscape by Kano Tokinobu. 17th century. A sumi-e ink on paper painting illustrating an ethereal mountainous landscape at the seashore containing buildings, trees, birds and ship masts. 3 vermillion seals of the artist in the lower right hand corner. Japanese dry mount paper on a wood frame with thin brocade border silver leafed surround and lacquered wood outer frame. Condition: Minor signs of age, wear, otherwise fine condition. Age: Painting Edo Period, circa 1670. Mounting circa 1985. Image: 51-1/2 in. x 20-1/2 in. (131cm x 52cm) Frame: 59-1/4 in. x 25-1/4 in. (150cm x 64cm) Weight: 6 lbs. Provenance: with Honeychurch Antiques...

Description A very nicely decorated large charger in Imari palette with landscape scene. Condition report: 1 chip with hairline and crackle lines in body. Size: 34.5x6CM Diameter ...

Samurai Helmet "Zunari kabuto" with 3 black lacquered iron plates. Japan, early EDO period, circa 1610. Neck protector (shikoro), 5-strip hineno, laced brown, beige and green. Central ornament (maedate) in gold and silver lacquered wood. Triple tomo with 2 maple leaves. 2 rounded horn-shaped side ornaments (wakidate) in black and gold lacquered wood. Black-lacquered iron mask...

A very stylish antique Edo period Japanese blue and white painted porcelain rice dish and cover decorated with watery landscapes dating from around 1850. The bowl is of wide round fo...

A beautiful standing Edo Period antique wood carved Japanese Kannon Bodhisattva Buddha Amida sculpture/statue. This Buddha is one of four we acquired that were rescued from an aband...

Japanese Monk Meditation Fish Gong, Edo Period (Zen fish shaped drum, Gyoban) In the Zen Buddhist temples of Japan, suspended in front of the entrance to the refectory, you will not...

A scarce antique Japanese Noh theatre hand carved and painted wooden mask of Ko-Omote. Sculpted in Japan in the 19th century, Ko-omote (literally ...

This exquisite Tetsusabiji Uchidashi Gomai Dou Gusoku (Five-Plate Russet Iron Embossed Cuirass Armor), crafted in the 18th century, exemplifies the pinnacle of Edo-period samurai arm...

Mori Tetsuzan (1775-1841) Pheasants and Cherry Blossoms Two-fold Japanese screen. Ink, color, gofun, gold and silver on paper. A two-fold Japanese bir...

Late Edo Period Rinpa School Chrysanthemum Blossom Screen Period: late Edo, early 19th century Size: 364 x 172 cm (143 x 67 inches) This exquisite late Edo period Rinpa school scr...

Interesting 19th century Japanese Edo period six-panel byobu screen depicting the thirty six immortals of poetry (Sanjurokkasen). Each portrait is accompanied by their poems. The poe...

This is a rough sketch of a Japanese painting drawn around the late Edo period to the early Meiji period (1800-1900) in Japan. A picture is drawn by sticking and connecting short pi...

A Large Pair of Japanese Cast Bronze Edo Style Cranes Provenance: Private Australian Collection. Dimensions: Height: 215cm. Width: 60cm. Depth: 60cm.

Antique Japanese screen with Festival Cart design. Edo period painting (First half of the 19th century) of one brown lacquer cart and one bla...

A highly unusual Japanese crackle glazed koro (incense burner or censer), lacquered and inlaid with mother-of-pearl embellishment, signed Gyokusen, Ed...

A wonderful Japanese woodblock print by famed Japanese artist Utagawa Hiroshige (Ando Hiroshige) (1797-1858) tilted "Yoroi Ferry at Koami-cho (Yoroi no ...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

Description Sharing with you this very nice edo period, 1660-1680, example. With a central scene of flowers. The rim beautifully painted. Unmarked at base Arita ware, also known a...

This truly a magnificent piece. Stunning. Beautiful. Supremely serene. Meticulously hand carved in such fine and amazing detail (see hands and flowing robes). Gilded throughout. Sea...

Artist: Utagawa Hiroshige (1797 - 1858) Series: The Fifty-three Stations of the Tokaido (Upright) Number: 6 Totsuka: View of Fuji from the Mountain Road (Totsuka, Sando yori Fuji chobo) Medium: Woodblock Print Date: 1855 Format: Vertical Oban Size (H x W): 14" x 9.25" print only. Publisher: Tsutaya Kichizo Seals: Aratame and date Signature: Hiroshige hitsu...

Edo period (c. 1800) screen, beautifully painted with excellent details. Kano School painting at its best. An exuberant Audobon landscape being observed by a cat and her kitten. A...

Antique Japanese miniature model of a suit of armor made for the Boy’s day display. Constructed of a lacquered paper cuirass, upper arm guar...

Shioka Sorin (1781-1850) Flowers & Birds of the Four Seasons Pair of six-panel Japanese Screens. Ink, gofun and pigments on silk. Dimensions (each screen): H. 91.5cm x W. 285cm (3...

Edo Period Golden Screen - Summer Florals Period: Edo Size: 285 x 92.5 cm (112.2 x 36.4 inches) SKU: PTA141 This Edo period screen is a golden-framed window into the summer gardens...

A pair of antique Edo period (1603–1867) Japanese Samurai Abumis (stirrups for horseback-riding) expertly crafted out of cast iron with brass or bronze inlay in the form of a stylize...

This gorgeous Japanese red lacquer traveling shrine (zushi) protects a miniature statue of Bishamonten, the Buddhist God of Warfare here depicted as an armor-clad warrior. A fearsome protector, he is thought to defend sacred places, punish evil-doers, expel demons and bestow wealth. In this example, Bishamonten stands atop a crouching demon, dressed in finely painted armor...

A wonderfully designed and beautifully hand painted tea ceremony tray/plate by esteemed Japanese artist and master potter Ogata Kenzan (1663-1743). Kenzan is widely considered to be...

This mid 19th century Japanese Meiji Period Kyo Satsuma Vase Lamp is a truly phenomenal piece of art. With multiple scenes that include Japanese figures in ceremonial costumes in var...

An extremely fine, elegant and rare late 17th Century Japanese lacquer cabinet, from the Eco period, on later lacquered black stand. Japanese circa 1690 Provenance A private Scottish collection This outstanding cabinet is a fascinating fusion of east and west. The cabinet itself would have been made in Japan, c.1690, and is decorated to the outside with hiramaki-e lacquer. This technique involves the use of sprinkled gold powder which adheres to the lacquer surface. On the best pieces, as with this example, many layers are added in order to create areas of high relief and give depth to the surface decoration. The taste of the Japanese workshops in this period was often for quite restrained pieces with plenty of the black background visible, unlike some of the busier Chinese lacquer or European japanned examples produced around the same time. The Japanese makers seemed content to rely on the outstanding quality of the lacquer itself, regarded by most experts as the finest lacquer ever produced, and did not see the need to cover every surface believing that less was more in this respect. The lacquer here is used to produce a mountainous scene with buildings on the bank of a river, the other side of the river with more buildings and a contrasting flatter and forested landscape. The fine perspective achieved is the result of the clever use of raised and flatter areas in the lacquer itself in combination with the drawing of the design itself. Another remarkable aspect of this piece is the fine metalware throughout, but particularly the lockplate / hasp, hinges and foot mounts to the front. This is all beautifully cast and engraved contrasting against the black background. Interestingly another cabinet on stand with near identical metalwork was advertised in the Burlington Magazine, November 1913, with the dealer W. Williamson and Sons of Guildford. The lacquer on that piece is similarly refined and it seems likely that both pieces came from the same workshop. The European influence in our piece can be seen in both the later ebonised stand and in the japanned decoration which has been applied to the inside of the doors and is also very fine indeed. This consists of two panels with birds of prey perched on branches in colours set against a golden background. The cabinet has a recent Scottish provenance and so it is likely that the ebonised stand was made in Britain though such pieces were made throughout Europe as a way of quite literally elevating these imported pieces of eastern lacquer as in Japan these would have been used on the floor. Inside the cabinet there is a combination of more Japanese lacquer and lock plates and European drawer handles. Most of the lacquer drawer fronts incorporate mountainous scenes and birds in combination, with a few purely one or the other of the two subjects. Again the lacquer is in excellent condition and is of exceptional quality with multiple layers of relief used in one single scene in many cases. As mentioned above, Japanese lacquer is the most technically brilliant of the eastern lacquers and, as such, was highly prized by collectors and connoisseurs throughout Europe when this piece was made. The acquisition of such pieces would only have been possible for a small group of incredibly wealthy individuals, largely royal or high ranking courtiers or merchants connected with the East India trade...

This wooden Buddhist statue (made from cypress wood) is thought to have been made in the Edo period, probably around the 18th or 19th century. It is one of the types of statues known...

A wonderful, beautifully aged sukashi (openwork) Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanshi...

A Japanese four-case inro stringed together with a silk cord of a carved wood Ojime and a carved ivory netsuke circa 19th century of Edo period. This fine piece was made in collabora...

Fantastic Asian four panel folding byobu screen painting depicting the popular theme "One Hundred Children, or Boys". This theme was often painted by Kano School painters in the Edo ...

A rare and finely cast Japanese Buddhist ritual ghanta handbell, featuring a five-pronged vajra handle, dating to the early to mid Edo period. Used in esoteric Buddhist ceremonies, ...

This is an excellent example of a Japanese porcelain Charger or very large plate with a finely hand painted design, dating to the Edo period circa 1840 or possibly earlier. This cha...

A six-panel Japanese paper screen with poems, autumn flowers, bamboo fence and Mandarin ducks. Poems are believed to be earlier but were probably...

A beautiful Tamba (Tanba) ware (or Sigaraki ware) Japanese pottery vase/jar/pot - produced sometime during the Edo Period (1603-1867). Tamba-yaki ware is a type of Japanese pottery a...

This exceptional Edo-period sculpture depicts a seated monkey in an incredibly lifelike manner, with finely carved details and expressive features. Made using traditional Dojin-yaki ...

From our recent Japan acquisitions An important black lacquer treasure dated 1852 with its original box tomobako Superb antique Ohibachi (over sized hibachi) from late Edo era use...

A beautiful and exceptionally 18 inches tall Classic traditional Kokeshi doll from Northern Japan. Handcrafted of wood and hand-painted in the the early 20th century. In good conditi...

It is a work drawn by Yusen Okajima known as a Japanese painter of the Shijo school as you can see. It is a waterfall map that makes you feel momentum from the top to the bottom, a...

A rare and evocative pair of antique Japanese samurai abumi (horse-riding stirrups) dating to the Edo period (1603–1868). Expertly forged in iron, with a silver inlay decorative desi...

Description Nice & Beautiful Arita Japanese Porcelain Garniture consisting of 3 vases, 1 with a lid. The painting quality and shape are of really high quality. There is a similar gar...

Very fine asymmetric handled Burl Dish stamped "Nippon" on the base. Artistic presentation has a wavy attached handle, very smooth to hold feel and having a desirable rich deep honey...

A beautiful standing Edo Period wood carved antique Japanese Kannon Bodhisattva Buddha Amida sculpture/statue. This Buddha is one of four we acquired that were rescued from an abando...

Artist: Utagawa Hiroshige (1797 - 1858) Series: One Hundred Famous Views of Edo (1856-58) Number: 39 Distant View of Kinryuzan Temple and Azuma Bridge Publisher: Uoya Eikichi Format: Vertical Oban Number of Prints: 120/120 (inc. title page and a replacement print by Hiroshige II) Medium: Woodblock Print Date: 1857 (Ansei 4), 8th month Size (H x W): 14" x 9.25" print only. Signature: Hiroshige ga Censor's seals: aratame, Snake 8 No blockcutter's mark Reference: For a similar print, see the collection of Art Institution Chicago Accession Number 1938.536 and 1965.1062; MFA Boston...

A truly beautiful, wonderfully aged, alluring mask made for Japanese Noh theater. The naturally faded beauty and unique character drew us to this mask immediately. The mask is handcrafted and hand-carved from natural wood, clearly by a master of his trade. We believe this mask is of the Noh theatre character Otobide. This mask dates back to the Edo Period (1603-1868). It comes with a wooden storage box (which may have been added at a later date). A rare, unique, and exquisite mask. Finely carved and executed. Would be a great addition to any Japanese or Asian art/artifacts collection or an eye-catching stand-alone accent piece in about any setting. Mask dimensions: 7.7" high, 5.7" wide, 2.1" deep...