Edo Furniture

Using Japanese “Urushi” lacquer in a beautifully untouched and sleepy condition, on later stand, This Japanese lacquer cabinet on the stand has...

This is a wonderful pair of 19th century Octagonal Choshi or Sake Ewers that was created during the late Edo or Meiji Period. The Choshi are composed of an Octagonal finely cast iron kettle with and open end spout which differentiates them from the traditional Japanese tea kettle...

Nicely made Tsuba. The piece is unmarked. Dating to the Edo period Provenance: Collected in the 1920’s. Thence by decent A Tsuba is a Japanese sword mountings are the various housi...

Artist: Utagawa Hiroshige (1797 - 1858) Series: Pictures of Famous Places in the Sixty-odd Provinces Number: 5: Settsu Province: Sumiyoshi, Idemi Beach Medium: Woodblock Print Date: 1853 (Kaei 6), 7th month Number of Prints: 70/70 (inc. Title Page) Format: Vertical Oban Size (H x W): 14" x 9.25" print only. Publisher: Koshimuraya Heisuke (Koshihei) Block Cutter: Yokokawa Takejirô (Hori Take) Signature: Hiroshige hitsu Additional marks: Censors' seals: Mera, Watanabe, Ox 7 Displayed with mat and gilt wood frame. Reference: For an identical print, see the collection of MFA Boston...

Early Japanese Takeda Ningyo, depicting an actor on stage in the role of an emperor, standing, costumed in silk and kinran brocades holding a paper scepter (shaku), the head carved o...

The Plovers over the Sea Shores Screen Period: 18th century (Edo period) Size: 360 x 170 cm (141.7 x 66.9 inches) SKU: PA39 Travel back in time with this classic Edo period screen,...

Japanese dolls called Kokeshi of the early 20th century. Provenance from the northern Japan. Set of 2. Measures: 37 x 10.5 cm 36 x 11 cm Handmade by Japanese artisants from wood...

This is an upper part of a an unusual 19th century Japanese cabinet using bamboo and burled wood as design accents on the two sliding do...

This Japanese lantern is rare and spectacular in its size and ornamental design. A true one of a kind piece. It can be used as a hanging fixture, as seen in the photos or a magnifice...

A Japanese 18th Century Tsukinami-e 6 Panel Floor Screen depicts the Activities of the Twelve Months of the Year, mineral pigments on gold leaf, mounted on wood panels with 6 frames...

An antique Japanese Edo period diptych woodblock print from the early to mid 19th century, signed by Utagawa Kuniyoshi. Immerse yourself in the Japanese Edo period artistry with this antique 19th-century diptych woodblock print. Signed by the artist, this captivating piece is a striking depiction of a tranquil interior scene, rendered in a soothing color palette of blue, pink, and black tones. This print comprises two panels, assembled under glass in a custom frame to form a cohesive narrative. The scene captures a specific moment in time, presenting a man surrounded by four women and a child, beautifully adorned in traditional Japanese garments. The intricate details of their clothing are a testament to the artisan's skill, bringing an element of authenticity and depth to the scene. On the left, three women sit in a state of relaxed conversation, while another stands, graciously offering a tray. Adding intrigue, two additional women can be spotted peeking through a slightly open window, one cleverly concealing her face behind a fan. A child, smaller in stature, sits attentively in front of the man, further enhancing the scene's narrative quality. A signature from the artist adds an additional layer of authenticity, making this piece a must-have for collectors of antique Japanese art...

A fine antique handleless cup and saucer. In Japanese Arita porcelain. With blue underglaze and cold-painted iron red decoration. Embellish...

Nicely made Tsuba. The piece is unmarked. Dating to the Edo period Provenance: Collected in the 1920's. Thence by decent A Tsuba is a Japanese sword mountings are the various housi...

Antique Japanese Wood Miniature Mask Netsuke, an unsigned work depicting Hannya, the female horned demon popular in Noh performance plays, a solid hardwood piece carved in high relie...

This exceptional Moegi Odoshi Nimai-Dou Gusoku (Green Laced Armour), crafted in the 17th century, exemplifies the pinnacle of Edo-period samurai armor design and craftsmanship. Made ...

Introducing a stone Buddha of Nyoirin Kannon, created in the mid to late Edo period (circa 1750-1850). The material used is granite or andesite, and the natural weathering of the sto...

A remarkable Japanese maki-e lacquer box for incense accessories, kobako, with interior fitted tray, kakego, designed with a temple complex scene, late Edo Period, mid 19th century, ...

A magnificent and highly rare pair of large Japanese hibachi (charcoal braziers), crafted from kiri wood (paulownia) and lavishly decorated with gold makie lacquer depicting scenes o...

Hanging scroll with such unstrained and refined calligraphy of ‘Kyoka’ (lit. ‘Mad poetry’ – Humorous style of Japanese tanka poetry with joke or irony or satire) by a late Edo-period...

This wooden statue is a relic from Japan's Edo period, and within it lies a deep history that transcends time. Originally, it was part of a more intricate statue, likely adorned with...

Kano School painting of horses in stabile, with a monkey. Mineral pigments on mulberry paper with silk brocade border.

Lovely set from the edo period. Additional information: Primary Material: Porcelain & Pottery Region of Origin: Japan Period: 18th century Japan Dynasty Period: Edo Period (1603–186...

A very nice blue and white vase. Unusual painting. Early Edo period. Dating to 1660-1680 Similar objects in the book Porcelain fro Palaces and Fine and Curious Condition Both lid...

Antique Japanese Samurai Manga book Edo period, circa 1840 Woodblack print book Book dimensions: 224mm x 156 mm There are damages because it is antique item as we show on the ...

Poppies & Butterflies Ink, pigment and gofun on silk Igarashi Chikusa (1774-1844) Signature: Chikusa Ran Zen Upper Seal: Ran Shuzen Lower Seal: Kyoho Dimensions: Scroll: H. 68” x W. 18” (172cm x 45cm) Image: H. 38.5’’ x W. 12.5’’ (98cm x 32cm) This composition shows elegant images of poppies and the butterflies that are inevitably drawn to them. It captures a momentary glimpse into a world both visually dazzling and startlingly realistic. The painting is infused with sensitivity and attention to seasonal change and weather conditions. The thin and fragile poppies are beautifully depicted with brilliant colors and the butterflies are similarly infused with life. The painting is on silk which requires extremely precise painting skills as no element once painted can be removed. Poppies were a favorite subject of Rinpa school artists through the ages. Originally they were somewhat abstracted but by the age of Sakai Hoitsu...

Amazing 19th century Japanese Edo period six panel folding byobu screen depicting Chinese children at play. The screen alludes to the 100 children theme. ...

Japanese dolls called Kokeshi of the early 20th century. Provenance from the northern Japan. Set of 2. Measures: 24.5 x 7 cm 25 x 6.5 cm Handmade by Japanese artisants...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

A Japanese solid bronze Mimikuchi handled vase with crisply detailed spiral design on a beautifully rounded body. This rare piece dates from the early to mid 1800's. A very fine example of Japanese Edo period...

This exquisite Tetsusabiji Uchidashi Gomai Dou Gusoku (Five-Plate Russet Iron Embossed Cuirass Armor), crafted in the 18th century, exemplifies the pinnacle of Edo-period samurai arm...

A gorgeous six-panel Japanese Byobu folding screen depicting a nature lake/landscape scene with a water walkway/angular bridge and blossoming iris flowers - perhaps an homage to the famed Irises screens...

This antique small chest of drawers was crafted in the Keio Era (1867). Made from Japanese cedar and finished with traditional Japanese lacquer (urushi), the surface has developed a...

A huge early 19th C. Japanese Kura door in cedar. Beautifully patinated bleached-out wood with hand forged wrought iron plaque/lock. Can either be used as ...

Anonymous Kano school artist 17th century "Karako Asobi: Chinese Children at Play" A two-panel Japanese Furosaki screen. Ink, pigment, gofun and gold-leaf on paper. This small Japanese Karako folding screen vividly depicts various games played by children wearing wearing elaborate Chinese T'ang dynasty costumes. They are dressed in plumed and tasseled hats, ornate jackets, baggy pants, and cloth slippers typical of T'ang period Chinese court dress. The children are depicted pulling a younger child along in a cart, carrying another child as if an important official, riding a wooden horse, leading a puppy and carrying a tethered bird. Executed in fine-quality pigments on gold leaf, the detail, variety and size of the figures is noteworthy. Also notable is the size of this screen itself, which denotes it as a Furosaki screen. A Furosaki screen is part of the equipment used for the Japanese tea-ceremony. It is traditionally placed on tatami mats behind the brazier highlighting the utensils and providing a focal point. Karako is a Japanese term used in art with the depiction of Chinese children playing...

Lovely set from the edo and qing period. Marriage Additional information: Primary Material: Porcelain & Pottery Region of Origin: China Period: 18th century China Dynasty Period: Qi...

Name: OBAKE UN Contemporary style Japanese Washi Japanese traditional paper shade floor lamp. Washi shade is famous as Isamu Noguchi Akari lightings. Base is made of brass. Limited pattern painted model. Edition of 3+1AP E26,27 light bulb. Available to work with 100-250V. Artist statement In Japan, there is an animist belief that the soul dwells in old tools that have passed a long time and turns into spirits such as "Youkai" or "OBAKE." Its existence lurks in the darkness of everyday life, sometimes causing fear and sometimes entertaining. This lantern is not an old tool, but it is made by the historic "Kojima Shoten", where the 10th generation are craftsmen in Kyoto. It's rare nowadays, and it's a style in which lanterns are made from bamboo bones to assembling papers and painting in one workshop and go. So, I decided to transform the polite crafted Japanese lanterns, which have been run through a traditional history, into a modern and pop style. It's not just OBAKE lurking in the darkness, but an existence who snuggles up to us as a more sophisticated being. These one-eyed OBAKE have a meaningful look that originated in ancient Sanskrit culture. The red-eye "A [a]" is the facial expression that is the first pronunciation to make a sound in Sanskrit, which means "truth" and "spirit of inquiry" at the same time. The blue-eyed "UN [hu?]" expresses the pronunciation to close the sound, and at the same time means "wisdom" and "nirvana." There is also the idea that describing the beginning and end of the universe is represented by considering the "A" and "UN" as a pair. In Asia, it is a common sight to see a pair of guardian statues...

Sharing with you this very nice edo period example with carved fish design. Storage Box included Unmarked at base Arita ware, also known as Arita-yaki, has its origins in 1616, whe...

Japanese Buddhist teaching painting, set of four paintings with 24 Buddhist stories with Japanese written characters in each story on one screen. Provenance: Purchased from Christie's South Kensington...

A very nice blue and white vase. Unusual painting. Early Edo period. Dating to 1660-1680

Paravento giapponese a sei pannelli , opera di un pittore della prima metà del 19° secolo, di scuola Rinpa. Sei pannelli dipinti con inchiostro su foglia oro e "gofun" su carta veget...

Utagawa Ando Hiroshige, Japanese, 1797 to 1858, woodblock prints on paper, Flowers and Bird signed and inscribed in Hieroglyphs and red ink stam...

From Tohoku area, Japan. Mid-size, dark reddish brown Urushi lacquered Tansu chest of drawers. Manufactured in Kaei 5 (1852), late Edo period, fully made of quality Kiri (Paulownia)...

Historically important Ancient Work of Art. 300 Years Old. Massive example. Japan, a fine and massive surviving Gorinto or five-tiered Stupa sculpted in one piece from a gray stone. It dates to the 18th century or before, early to mid Edo period. It is an architectural gem for display in your finest garden place...

A Chinese Kangxi porcelain dish from the first half of the 18th century. Condition Hairline in base. Size: 20.1cm Period 18th century

Whimsical Japanese late Edo period two-panel screen circa 1800 by Yokoyama Kazan (Japanese 1784-1837). The screen depicts four of the seven Gods or deities ...

A Japanese high quality wooden dagger. The carving is made of the highest quality as often Japanese items are. There is a signature and a poem engraved on side. Comes from an old Swedish collection...

A very fine Japanese maki-e lacquer decorated tabako bon, or smoking box, late Edo Period, mid-19th century, Japan. The elegant smoking box of black lacquer decorated with a wonderful gold lacquer takamaki-e design of a gnarled and elegantly twisted plum tree with branches in full bloom. A border of golden cranes in flight to the top. The smoking box, called a tabako bon, is comprised of an open section at the top with inset with two cylindrical metal canisters...

Mitani Toshuku (1577-1654) “Falcon” Wall panel, ink and light color on paper. Upper seal: Mitani Lower seal: Toshuku Dimensions: Each 118.5 cm x 51 cm x 2 cm (46.5” x 20” x .75”) Individual falcon paintings by Mitani Toshuku (1577-1654), an early artist of the Unkoku School. Founded by Unkoku Togan (1547–1618), a master of the Momoyama period, the Unkoku school enjoyed long lasting patronage in southern Japan. Togan was a retainer of the Mori family in present day Yamaguchi prefecture. Members of the school considered themselves to be in the artistic lineage of Sesshu Toyo...

Obata Tosho (1812-1886) Grasshopper & Hibiscus. Late Edo period, mid 19th Century Framed Japanese Painting. Ink and color on paper. Individually framed 19th century bird and flow...

These trays were made after the late Edo period in Japan (after 1800). This particular type of tray is known as "Negoro-bon." Negoro lacquerware is a specific style of Japanese lacqu...

Japanese Inro from the Edo period (1615-1868) created by Kajikawa. Beautiful Inro, created in Japan by one of the Kajikawa family during the Edo period (1615-1868), circa 1810. Has been carefully crafted in carved precious wood with applications of gilding maki-e and decorated with Japonism patterns. All dan trays are attached together with a himo cord. The detailed craftsmanship was a true pleasure to behold. Period: Edo period (1615-1868). Shogunate. Approximate Date: 1790-1810 Motif: A family of birds consisting of a cockerel, the hen and three chicks. Drawers: Five. Shape: Rectangular navette. Technique: Carved wood, lacquer and decorated in iroe-hiramaki-e on a gold ground. Ojime: 15mm 20mm, oval carved from natural translucent agate. Netsuke: None Weight: 47.70 Grams. Measurements: Inro is 78 mm by 55 mm by 18 mm (3.07 x 2.17 x 0.71 Inches). Signatures: Kajikawa Saku, in the underside with the signature KAJIKAWA. By a member of the Kajikawa family, signed Kajikawa 梶川 Japan, late 18th century to early 19th century, Edo period (1615-1868). The Kajikawa family Kajikawa family, flourished in the 19th century, they was Japanese lacquerware artists whose school in Edo (now Tokyo) flourished for more than 200 years. This family is perhaps the most famous of all the dynasties of Japanese lacquer artists, and certainly the name most often found on inro. The family is said to have been founded by Hikobei at Edo in the early 17th century, although some claim that the family’s great reputation really stemmed from his son and pupil Kyujiro. In any event, Hikobei worked for the shogunate, as did his successors until well into the 19th century. Kijirō excelled in designing particularly delicate lacquer inrō, portable medicine cases...

An Arita dish in storage box. Edo Period ( 17th century) Decorated in overglaze enamel on underglaze blue. Flowers, landscape, Dragon and Phoenix. Color bursting from it. Period; 16...

Edo period Chain Mail Armor Jacket, Kusari or sometimes known as Karuta, Japan Japanese chain mail armor jacket is composed of brass metal plates linked together with metal wires an...

A striking Japanese late Muromachi Period (1333-1573) lacquered and giltwood figure of Yakushi Nyorai, the Medicine Buddha, seated upon an elaborate car...

Late Edo Silver-leafed Screen Period: Late Edo to Meiji Size: 186 x 176 cm (73.2 x 69.3 inches) SKU: PL42 Embracing the essence of the Late Edo to Meiji transition, this oxidized s...

Six-panel screen of Rinpa school, painted with mineral pigments and gofun on vegetable paper and silver leaf.

product of late Edo period, estimate 1850s- 1860s - about 160+ years-old medium sized tansu (chest of drawers) with 5 drawers. Finished with traditional Urushi lacquer remains well, and some old paper labels still remained, both giving a good wabi sabi touch to the item. Fine opening & closing operation for all drawers. drawer inner 1,2 & 3 (from the top) : w 20.87 in / d 10.63 in / h 2.95 in, 3.35 in, 4.33 in 4 & 5 : w 9.84 in / d 10.63 in / h 5.2 in actual item weight 27.31 lb (12.38 kg) *** We're eco-friendly, organic-oriented vintage wood furniture...

Antique Japanese late Edo / Tokugawa period Hibachi used for burning coal, as a portable heater, and as a heating device for a pot of tea. In modern times they work well as a planter...

A truly beautiful, wonderfully aged, alluring mask made for Japanese Noh theater. The naturally faded beauty and unique character drew us to this mask immediately. The mask is hand...

It is a work that is said to have been drawn by Kano Soyu as you can see. It is a picture of the light-colored Sansui map carefully drawn to the smallest detail, and the towering m...