Edo Furniture

This is an antique Edo period decorative planter. A Japanese, bronze jardiniere bowl, dating to the Victorian era, circa 1850. Graced with dashing relief and great tonality Displays...

Poppies & Butterflies Ink, pigment and gofun on silk Igarashi Chikusa (1774-1844) Signature: Chikusa Ran Zen Upper Seal: Ran Shuzen Lower Seal: Kyoho Dimensions: Scroll: H. 68” x W. 18” (172cm x 45cm) Image: H. 38.5’’ x W. 12.5’’ (98cm x 32cm) This composition shows elegant images of poppies and the butterflies that are inevitably drawn to them. It captures a momentary glimpse into a world both visually dazzling and startlingly realistic. The painting is infused with sensitivity and attention to seasonal change and weather conditions. The thin and fragile poppies are beautifully depicted with brilliant colors and the butterflies are similarly infused with life. The painting is on silk which requires extremely precise painting skills as no element once painted can be removed. Poppies were a favorite subject of Rinpa school artists through the ages. Originally they were somewhat abstracted but by the age of Sakai Hoitsu...

It is used in Japan. It seems to be in the Edo period (1700s-1800s). But details are unknown. The unique distorted shape is beautiful. The color and balance of the glaze are al...

A wonderful, beautifully aged Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship during the Heian ...

Description Very happy with this new arrival. Arita/Kakiemon plate unusual and very nice design! Fuku mark at the base. Condition Perfect condition. Size: 15x2.5CM DiameterxHeight...

Early 19th Century Rimpa School Floral Screen Period: Early 19th Century Dimensions: 367x171 cm (144.5x67.3 inches) SKU: RJ118/2 This 6-panel gold-leafed screen is a splendid repre...

A beautiful image by renowned Japanese artist/printmaker Utagawa Kuniyoshi (1797 - 1861 ) titled "Saigyo-Hoshi (no. 86) 西行法師 (The Monk Saigyo) (The Monk Saigyo)" from his famous series "Series: Hyakunin isshu no uchi 百人一首之内 (One Hundred Poems by One Hundred Poets)." This work features the Buddhist monk Saigyo under a radiant blue willow tree on a river bank showing a group of curious children a golden cat...

Superb embroidered silk Fukusa, wedding gift wrapping silk cloth decorated with auspicious motive. Condition : Fine original condition with only minor abrasions and very ...

Description A very nicely decorated bowl Condition report: 1 hairline from the rim. Size: 25x6.8CM Diameter x Height Period 18th century

Edo Period Kyoto Screen Period: Edo period Size: 343 x 176 cm (134.6 x 69 inches) SKU: RJ69 This stunning Edo period screen depicts typical scenes of d...

Name: OBAKE UN Contemporary style Japanese Washi Japanese traditional paper shade floor lamp. Washi shade is famous as Isamu Noguchi Akari lightings. Base is made of brass. Limited pattern painted model. Edition of 3+1AP E26,27 light bulb. Available to work with 100-250V. Artist statement In Japan, there is an animist belief that the soul dwells in old tools that have passed a long time and turns into spirits such as "Youkai" or "OBAKE." Its existence lurks in the darkness of everyday life, sometimes causing fear and sometimes entertaining. This lantern is not an old tool, but it is made by the historic "Kojima Shoten", where the 10th generation are craftsmen in Kyoto. It's rare nowadays, and it's a style in which lanterns are made from bamboo bones to assembling papers and painting in one workshop and go. So, I decided to transform the polite crafted Japanese lanterns, which have been run through a traditional history, into a modern and pop style. It's not just OBAKE lurking in the darkness, but an existence who snuggles up to us as a more sophisticated being. These one-eyed OBAKE have a meaningful look that originated in ancient Sanskrit culture. The red-eye "A [a]" is the facial expression that is the first pronunciation to make a sound in Sanskrit, which means "truth" and "spirit of inquiry" at the same time. The blue-eyed "UN [hu?]" expresses the pronunciation to close the sound, and at the same time means "wisdom" and "nirvana." There is also the idea that describing the beginning and end of the universe is represented by considering the "A" and "UN" as a pair. In Asia, it is a common sight to see a pair of guardian statues...

The 19th Century Six-Panel Japanese folding screen "Byōbu" usually used in the most important Japanese house to stop wind and also to separate different space of the same big room de...

Birds & Flowers of the Seasons Pheasants & Plum in Snow Unframed painting. Ink, pigment and gofun on silk Kano Chikanobu 1819-1888 Signature...

A Large and Impressive Eboshi nari kawari kabuto With A Hon Kozane Shikoro, Edo Period The eboshi is a tall hat dating from the Heian period and was worn originally by high ranking...

An absolutely stunning Bizen ware stoneware vase/jar/vessel - produced sometime during the late Momoyama period (1568-1600) / Early Edo Period (1603-1867). Bizen yaki...

It is a work drawn by Yusen Okajima known as a Japanese painter of the Shijo school as you can see. It is a waterfall map that makes you feel momentum from the top to the bottom, a...

Obata Tosho (1812-1886) Snail, Wasp & Hollyhock Late Edo period, mid 19th Century Framed Japanese Painting. Ink and color on paper. Individually framed 19th century bird and ...

This is a rough sketch of a Japanese painting drawn around the late Edo period to the early Meiji period (1800-1900) in Japan. A picture is drawn by sticking and connecting short pi...

A six-fold paper screen painted in ink and colour on a gold ground with grape vines hanging from a pergola and woven fence amongst golden clouds, the details in gin-sunago (cut silver leaf) and moriage (raised design). The metal mounts are decorated with cloisonné enamel, a special detail rarely seen on screen mounts. Japan, 17th/18th century, Edo period. Grapes represent the autumn season and have been regarded as an auspicious symbol of fertility and prosperity since ancient times. Also the Japanese word of grape ‘budō’ is the same word for martial arts. Often paired with squirrels (‘risu’ in Japanese meaning, to follow discipline), the subject was a favourite of the samurai class. Designs incorporating grape vines have been used for ceramic and lacquer works as well as paintings from early times and screens depicting this subject matter seem to have been particularly popular in the early Edo period, however only a few examples are known today. These known examples depicting grape vines are rendered in a similar manner using gold leaf and moriage (raised design): A pair of screens from the Kano School housed in the Tokyo Fuji Art Museum (17th century, Momoyama period) A pair in the Gardner collection (17th century, accession no. P14e3) There are another comparable pair of 17th-century screens housed in the Okura Museum of Art, Tokyo and there are a pair of sugido (cedar wood doors) with the same subject housed in the Nagoya Castle, Aichi prefecture. Paravent à six volets peint à l'encre et à la couleur sur fond doré, représentant des vignes suspendues à une pergola et une clôture tressée parmi des nuages dorés, avec des détails en gin-sunago (feuille d'argent découpée) et moriage (motifs en relief). Les montures métalliques sont décorées d'émail cloisonné...

A wonderful, beautifully aged sukashi (openwork) Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanshi...

Antique Japanese Wood Miniature Mask Netsuke, an unsigned work depicting Hannya, the female horned demon popular in Noh performance plays, a solid hardwood piece carved in high relie...

A set of five Japanese ceramic dishes in an inscribed tomobako box. These dishes were made in the types of Ko-Oribe (Old-Oribe) and dated in the early to middle 19th century (end of Edo period) serving as Mukozuke dished for multiple-course kaiseki cuisine. Ko-Oribe ware were made during Momoyama period (15-16th century) as a subtype of Mino ware and favored by tea master for their irregular and organic spirit. In slightly irregular oval shape and average 7.5" by 6.5", one edge of these dishes is covered in a pleasant irregular sliver of deep green glaze (therefore these are also known as Ao-Oribe, Green-Oribe). The main surface is covered in a white glaze with fine crackles and decorated in the center with a motif of fern branch in a grey-black glaze. The glaze has a sheen indicating a high concentration of magnesium. The five dishes vary subtly in shape, color and hand-applied glazing and paint pattern, The foot supports were cut short and remain unglazed revealing a whitish buff-ware like clay underneath. The set of Mukozuke dishes retains its original tomobako. On the lid, ink kanji inscription reads: Ko (old)-Seto, Mukozuke for Five, Shotoken (presumably the name of a high-end dining or tea house establishment where the dishes were collected and belonged). For a comparable Mukuzuke Oribe dish...

This exquisite Tetsusabiji Uchidashi Gomai Dou Gusoku (Five-Plate Russet Iron Embossed Cuirass Armor), crafted in the 18th century, exemplifies the pinnacle of Edo-period samurai arm...

from Tohoku area, Japan. Japanese antique small box tansu chest of drawers, Kohikidashi, made of Sugi Cedar. Product of circa 1850s-1870s (late Edo to early Meiji era), estimate from...

A rare and evocative pair of antique Japanese samurai abumi (horse-riding stirrups) dating to the Edo period (1603–1868). Expertly forged in iron, with a silver inlay decorative desi...

Anonymous Late 17th Century Battle of Ichi-no-tani & Yashima Dimensions: Each Screen: H. 175 cm x W. 385 cm (69” x 151.5”) This pair of Japanese screens depict two significant battles from the Genpei War (1180–85), as recounted in the Tale of the Heike, a semi-historical epic chronicling the conflict between rival clans for control of Japan, written in the early 1200s. Each screen portrays a single battle through a series of small episodes, framed by gold clouds, landscape elements, and architectural features. True to the style of many screens inspired by The Tale of the Heike, the scenes are rendered in lavish colors and gold, downplaying the brutality of the warfare. Although based on real events, these narratives often glorified and romanticized the heroic feats of the warriors. Viewers at the time would have been familiar with the story’s details, leading to a proliferation of paintings on folding screens inspired by this theme from the late Muromachi to the early Edo periods. On the right screen, we see the Minamoto’s attack on the Taira, who have retreated from the capital, Kyoto, toward the sea. The central building represents the temporary Taira headquarters, where Taira soldiers are holding the young Emperor Antoku. The Minamoto plan to launch a surprise attack from the rear after descending the steep cliff known as Ichi-no-tani, depicted at the top center. This scene highlights the tactical brilliance of Minamoto commander Yoshitsune and the courage of his men. The left screen captures moments from the Battle of Yashima...

Kokuho Shimei (1789–1859) Tigers Pair of framed paintings; ink on paper Kokuho Shimei was active during the late Edo period as a Nagasaki School artist, working at a cultural cross...

This truly a magnificent piece. Stunning. Beautiful. Supremely serene. Meticulously hand carved in such fine and amazing detail (see hands and flowing robes). Gilded throughout. Sea...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

A Japanese lacquered wood fubako (a box used to store document or small scroll painting), circa second half of 19th century late Edo period. The rectangular box features an unusually deep lipped lid with slightly rounded corners, a conforming lower box that is almost entirely covered by the lid which has two bronze medallion rings with tasseled...

Edo period (c. 1800) screen, beautifully painted with excellent details. Kano School painting at its best. An exuberant Audobon landscape being observed by a cat and her kitten. A...

Small rectangular Japanese chest with gold lacquer decoration in the form of leaf tendrils. The chest is decorated with cut-out and ornamentally engraved fittings on the corners and ...

From our recent Japan acquisitions An important black lacquer treasure dated 1852 with its original box tomobako Superb antique Ohibachi (over sized hibachi) from late Edo era use...

A wonderful, beautifully aged Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship during the Heian ...

A finely cast bronze mirror from the Edo period, featuring an exceptionally rare motif: a powerful tiger set against elegant plum blossoms. The contrasting imagery embodies strength ...

On offer is a Japanese ceramic tea bowl (chawan) used in the traditional chado ceremony. The bowl was potted in clog form with a ring foot shaved extremely low. Its size and harmonious proportion make it perfect to be held in both hands during chado. Classified as shino ware...

A pair of 17th Century (Late 1600s) Japanese Edo screens made of 12-panels. This folding silk screen is painted on a gold leaf background. It has a...

Kutani ware is a color-painted porcelain produced around Kanazawa City in the southern part of Ishikawa Prefecture, starting in 1655. It features a colorfu...

It is an old jar baked in Japan. It seems to be in the Edo period (1700s-1800s). The unique distorted shape is beautiful. The color and balance of the gla...

Japanese Monk Meditation Fish Gong, Edo Period (Zen fish shaped drum, Gyoban) In the Zen Buddhist temples of Japan, suspended in front of the entrance to the refectory, you will not...

Description A lovely piece Condition Lid with 2 chips to inside rim. Size: 25x13.5CM heightxdiameter Period 19th century Meiji Periode (1867-1912)

Japanese six-panel screen: Late winter into early spring, Rimpa style painting of a garden scene with doves on a bamboo fence. Flowers in bloom including ...

This mid 19th century Japanese Meiji Period Kyo Satsuma Vase Lamp is a truly phenomenal piece of art. With multiple scenes that include Japanese figures in ceremonial costumes in var...

A fine and unusual Japanese black lacquer and mother of pearl inlaid box, Momoyama Period, 16th century, Japan. The large box and cover featu...

A beautiful standing Edo Period wood carved antique Japanese Kannon Bodhisattva Buddha Amida sculpture/statue. This Buddha is one of four we acquired that were rescued from an abando...

A great dish dating to most probably the second half of the 17th century, delicate painting and shape. Very interesting small size. We have found a similar Japanese dishes in the sh...

Unique Bronze Bell One of a kind find bronze bonsho temple bell- with an unusual scalloped crest, side panel markings, rare bottom band pattern castings, and early patron signatures - a rare Buddhist temple...

A very fine Japanese maki-e lacquer decorated tabako bon, or smoking box, late Edo Period, mid-19th century, Japan. The elegant smoking box of black lacquer decorated with a wonderful gold lacquer takamaki-e design of a gnarled and elegantly twisted plum tree with branches in full bloom. A border of golden cranes in flight to the top. The smoking box, called a tabako bon, is comprised of an open section at the top with inset with two cylindrical metal canisters...

Extremely Rare Tokugawa Clan Kimono Hanger with Makie Lacquer and Gilded Fittings Edo Period, 18th–19th Century Dimensions: H 166 cm × L 187 cm × W 41.5 cm Materials: Wood, Lacquer...

This Tsubo, pottery Jar is a product of, at least late Edo era (estimate 1840s-1860) estimate from the style & condition. Especially, The lid is made from wood, has a good amount...

The daimyo were the ruling class of land owners, subordinate to shogun, who formed around the 10th century and fell out of power in the 19th century. Daimyo families tended to be wealthy and could commission artwork or decorative pieces. This pair of 17th century hibachi are black and gold lacquer with designs of Uji Bridge...

A Japanese solid bronze Mimikuchi handled vase with crisply detailed spiral design on a beautifully rounded body. This rare piece dates from the early to mid 1800's. A very fine example of Japanese Edo period...

Iwase Hirotaka (1808-1877) Koi and Water Plants Hanging scroll, ink, color, gold wash and gold flecks on silk Inscription: Hirotaka Seal: Ille...

This antique wooden Buddhist figure was crafted in the Edo Period (1603–1868). Although the specific identity of the deity it represents is unknown, the figure has a gentle presence...

Artist: Utagawa Hiroshige (1797 - 1858) Series: Pictures of Famous Places in the Sixty-odd Provinces Number: 45 Harima: Maiko Beach Medium: Woodblock Print Date: 1853 (Kaei 6), 12th ...

A pair of four-fold Japanese screens painted in ink and colour on a gold ground with kuri (Japanese chestnut) flowers on a knoll. Japan, 17th/18th century, Edo period . Dimensions...

Beautiful set of 6 large kakemonos from 19th century Japanese mythology. Paper support with a canvas pasted on the paper Wonderful set that is part of Japan's history and beliefs When not hung, the Kakemonos are rolled up. circa 1800 - Japan - Edo Period A kakemono translates as "object to hang". In Japan this refers to a painting or calligraphy, most often done on silk or paper framed in a scroll that was intended to be hung on walls or in public lighting. This particular form, which allows them to be in a roll, dates back to the Tang dynasty in China (this would be related to the copying and preservation of ancient Buddhist texts). A Kami is a deity or spirit worshipped in the Shinto religion. A Yokai is a spirit, ghost, demon, or strange apparition from the creatures of Japanese folklore. Each of these kakemonos represents a unique story: - A kami, a Japanese deity, is shown painting a rainbow. Indeed, he performs the action with his right hand while his left hand holds a kind of basket with three pots of paint. This kami has a rather closed attitude. He is standing in a dark and tormented sky. Below this figure, 8 villagers are dressed in traditional Japanese clothes. Their faces are softened. They are not afraid of the elements made by the kami above their heads. - A character with an unreal look is holding a kind of jar with his two hands, which he spills on human figures above. This being is floating in the air, probably a character from mythology, perhaps Susanoo. Underneath, villagers on umbrellas. They are trying to protect themselves as best they can from what is falling on them. One of them is carrying baskets with fish on her shoulders. A character in the background is thrown forward and falls. - On this kakemono, the god Raijin, dressed in a white and blue outfit, strikes the sky with his two drum hammers to create lightning and its thunderous sound. Surrounded by Tomoe and a long red scarf, Raijin, enraged and with dishevelled hair, creates a dark and violent storm. The villagers seem frightened by this meteorological phenomenon. One of the villagers can be seen fainting in the arms of a man. This scene may seem chaotic, but Japanese legend tells us that once a field is struck by lightning, the harvest is good. - On this kakemono, we see an unreal-looking figure holding a fan, as if he were sweeping away the bad weather, or simply producing gusts of wind. He is probably the kami of wind and air, Shina tsu-hiko. The figures below him seem surprised by so much wind. An umbrella flies away on the left, the women hold their hair and scarf, the clothes are caught in the power of the wind, there is even a woman on the ground on the bottom left. - This Kakemono represents a short moment. This Raiju is a yokai (ghost spirit...

Very happy with this new arrival. Hexagonal Arita kakiemon bowl of unusual shape and design and size. Landscape scene with birds, trees, flowers and pomegranates. Period; 17/18C S...

This 18th century folding screen is a stunning example of Japanese artistry. Beautifully painted with delicate brushwork, the evocative sc...

An unusual Japanese carved wood, lacquer, and gilt decorated portrait sculpture of a shogun, Edo Period, early 19th century, Japan. The unidentified shogun (possibly Tokugawa Iey...