Edo Furniture

A Chinese porcelain dish from the first half of the 18th century. Lotus and pommegranate Condition Rimfritting and Chips. Size 21cm Period 18th century

Late Edo period 19th century Japanese six-panel landscape screen featuring a cypress tree over a flowering hibiscus with a pair of hototogisu birds. Kano school painted with ink and ...

Kishi Renzan (1804-1859) Tigers Pair of six-panel Japanese screens. Ink and gold-leaf on paper. In this monochromatic pair of six-fold Japanese screens painted on gold-leaf, Kishi Renzan has created a breathtaking composition of a family of tigers. The screens are filled with a sense of drama which is conveyed by both the subject matter and the wet, expressive brushwork. The running mountain stream and the towering waterfall allude to refreshment during the summer months and we feel the tiger families familiarity and security within their environment. Renzan’s master, Kishi Ganku...

Refined work by a painter from the first half of the 19th century, from the landscape of the "Rinpa" school by a painter from the end of the 18th century, the Rinpa school. Six panels painted in ink on gold leaf and "gofun" on vegetable paper. The flowers are made with the "gofun" technique, natural or pigmented white oyster powder. Rinpa is one of the major historical schools of Japanese painting. The style was consolidated by the brothers Ogata Korin (1658–1716) and Ogata Kenzan (1663–1743). This folding screen has a very clean design that leaves plenty of room for the beautiful golden landscape. It comes flat and you can easily hang it with our hooks. Lucio Morini...

"Japanese Boxwood Netsuke – Monk In Ecstasy, Edo Period" Japanese Boxwood Netsuke – Chanting Monk Figure, Late Edo to Early Meiji Period (ca. 1800–1880) Unsigned (mumei), finely carv...

Folding screen depicting a landscape by a painter of the Rinpa school, early 19th century. Six panels painted in ink on gold leaf and "gofun" on vegetable paper. Rinpa is one of the ...

Banko-yaki is a type of pottery that began in the northern part of Mie Prefecture in the middle of the Edo period. (The places marked with red circles on the map are the kilns of Banko ware...

Name: OBAKE A Contemporary style Japanese Washi Japanese traditional paper shade floor lamp. Washi shade is famous as Isamu Noguchi Akari lightings. Base is made of brass. Limited pattern painted model. Edition of 3+1AP E26,27 light bulb. Available to work with 100-250V. Artist statement In Japan, there is an animist belief that the soul dwells in old tools that have passed a long time and turns into spirits such as "Youkai" or "OBAKE." Its existence lurks in the darkness of everyday life, sometimes causing fear and sometimes entertaining. This lantern is not an old tool, but it is made by the historic "Kojima Shoten", where the 10th generation are craftsmen in Kyoto. It's rare nowadays, and it's a style in which lanterns are made from bamboo bones to assembling papers and painting in one workshop and go. So, I decided to transform the polite crafted Japanese lanterns, which have been run through a traditional history, into a modern and pop style. It's not just OBAKE lurking in the darkness, but an existence who snuggles up to us as a more sophisticated being. These one-eyed OBAKE have a meaningful look that originated in ancient Sanskrit culture. The red-eye "A [a]" is the facial expression that is the first pronunciation to make a sound in Sanskrit, which means "truth" and "spirit of inquiry" at the same time. The blue-eyed "UN [hu?]" expresses the pronunciation to close the sound, and at the same time means "wisdom" and "nirvana." There is also the idea that describing the beginning and end of the universe is represented by considering the "A" and "UN" as a pair. In Asia, it is a common sight to see a pair of guardian statues...

An exquisite Japanese carved hinoki and gilt lacquered standing figure of Amida Nyorai, Amitabha Buddha, Edo Period, 18th century, Japan. The spectacular fully gold gilt figure of A...

Antique Japanese epic novel book Edo period, circa 1827 Woodblock print book Book dimensions: 228 mm x 159 mm. There are damages because it is antique item as we show on the p...

From Kanto or Tohoku area, Japan. This mid-size, black Urushi lacquered Tansu chest of drawers is a product of late Edo to early Meiji era (circa 1860s-1880s) , estimate from the st...

A gorgeous Japanese bronze temple shrine Buddha. The small piece has a beautiful aged patina and a wonderful, surprisingly hefty feel to it when held in...

This magnificent hibachi (charcoal brazier), likely custom-made to order, exemplifies the pinnacle of Japanese lacquer artistry of the 19th century. Carved from solid wood with a ric...

are Japanese Negoro Lacquer Table with Curved Legs (Late 17th–18th Century) Japan, Edo period Dimensions: H 26.5 cm × W 43.1 cm × D 27 cm (Top surface: W 42.7 cm × D 25.7 cm) This e...

This is a very rare carved wooden statue of a sacred horse that was dedicated to a Japanese shrine. It was produced during the Edo period (1800s-1860s), and the main material used is...

A wonderful Japanese woodblock print by famed Japanese artist Utagawa Hiroshige (Ando Hiroshige) (1797-1858) titled "Kinryuzan Temple, Asakusa" was initially conceived in 1856. It i...

This is a statue of Fudō Myōō (Acala), believed to have been created in Japan during the late Edo period, specifically in the year 1804. On the back, there is an ink inscription that...

A fine and unusual Japanese black lacquer and mother of pearl inlaid box, Momoyama Period, 16th century, Japan. The large box and cover featu...

This is a beautiful Geisha girl draped in a beautiful kimono. Her face is made of porcelain. She is wonderfully painted and comes in a lucite display case...

Edo Period Kyoto Screen Period: Edo period Size: 343 x 176 cm (134.6 x 69 inches) SKU: RJ69 This stunning Edo period screen depicts typical scenes of d...

Product of late Edo period (estimate 1860s-1870s) in Aomori prefecture, Japan. Originally made as tool chest or medicine chest, made of thick, fine grade reddish Sugi cedar. The rus...

Late 17th century Kano school peony landscape screens. Both screens signed: Hogan Josen Fujiwara Chikanobu Hitsu - Kano Chikanobu (Shushin) (1660 - 1728...

Large Antique 19th Japanese Arita Imari Bowl Edo Meiji Period Birds Flowers. A very nice bowl. Additional information: Material: Porcelain & Pottery Region of Origin: Japan Period:...

This anodized 6-panel screen captures the serene and minimalistic beauty of a bamboo grove, embodying the aesthetic principles of the Edo period. The screen features subtle and delic...

The first we have seen A spectacular and hard to find Inlaid mother of pearly - using the raden technique- and lacquered three-drawer Tansu complete with all original bronze accoutrement including a fine engraved antique long pipe and two removable covered bronze cylinders all executed by expert mid-19th century Edo samurai...

Books and Scholars’ Accouterments; Chaekgeori Second half of the 19th century Korean framed panel. Ink and color on paper. This Korean Chaekgeori...

This is an old Japanese "Kobo Daishi" wooden figure. "Kobo Daishi" means "Kukai". "Kukai" was a monk from the early Heian period. His posthumous name was "Kobo Daishi". He is the fou...

Nice & Beautiful Arita Japanese Porcelain Kendi. Floral and figural scene. This 17th Century Japanese Export Porcelain Jug or Ewer, Arita Kilns c.1670-1690 is painted in lovely blue...

This is a wooden Jizo Bodhisattva statue made in the late Edo period in Japan. It is thought that they were not carved by Buddhist sculptors living in central cities such as Kyoto or...

A fine and rare Japanese ao-oribe glazed minoyaki stoneware dish, late Momoyama or early Edo period, 17th century, Japan. The circular dish of wheel thrown ...

1960-1970s Hand painted silk. Rice paper backing. Made in Japan. Six colorful Geisha surrounded by bamboo trees. Little details, a shamisen, or Japanese guitar, a rice paper scroll...

I would like to introduce a rare Japanese stone Buddha, “Amida Nyorai,” created in the mid-Edo period (around 1700-1850). Amida Nyorai is the Buddha who governs the “Pure Land of Pa...

Japanese Kano School Edo period two-panel screen depicting flowering prunus and bamboo on a rock formation, with colorful birds next to a body of water. ...

A pair of antique Edo period (1603–1867) Japanese Samurai Abumis (stirrups for horseback-riding) expertly crafted out of cast iron with brass or bronze inlay in the form of a stylize...

Floral scene of a "Rimpa School" garden with polychrome chrysanthemum flowers. Six-panel screen painted with pigments on golden rice paper of good size and well preserved. Bold color...

Tokoname is a region located in Aichi Prefecture. It is a pottery production center with a very old history in Japan (around the 12th century). These jars were probably fired during...

A wonderfully hand crafted and beautifully glazed Hagi Yaki Ware Chawan tea bowl by the 10th Shinbei Sakakura (X). This piece has quite a special feel to it. The Chawan radiates i...

This is an old, large Shigaraki ware pot made in Japan. It is estimated to have been produced in the late Edo period, around the 18th century. Among traditional Japanese ceramics, Sh...

19th century extraordinary Japanese late Edo/early Meiji period four-panel byobu screen featuring flowering white chrysanthemums painted in a moriage (raised pigment) style. The pain...

Exquisite and rare Miniature Samurai sword. Made with great attention to every detail it was most likely meant for Musha Ningyo, Samurai Dolls set. Such exquisite pieces are rare. ...

Lovely Japanese Edo Period (1603-1867) Imari Porcelain Vase in a European form. Created with a vertical scalloped surface, hand painted and hand thrown . Decorated with a medallion i...

Japanese antique thick lattice sliding door, ara-koshido. Edo to Meiji period circa 1870s to early 1900s. Nowadays it's getting harder & more rare to find a sliding door with thick,...

Rare and Hard To Find Temple Pedestal, 19th Century From Japan , a hard to find solid inscribed and well carved round top temple pedestal - perfect for displaying your indoor or out...

This 19th century Japanese sculpture likely portrays an accomplished teacher of Japanese Zen Buddhism. Developed from wood with a polychrome finish, this monk is expertly carved with...

I bought a very nice vase with white porcelain and blue dye. This is a sake bottle called Imari ware in Japan. Imari ware is a kiln with a long history that began in the 17th cen...

Six-panel folding screen depicting the famous legend of Hikaru Genji, a nobleman of extraordinary grace and beauty, and his gallant adventures at court. The novel Genji Monogatari, w...

Iwase Hirotaka (1808-1877) Koi and Water Plants Hanging scroll, ink, color, gold wash and gold flecks on silk Inscription: Hirotaka Seal: Ille...

Nicely made Tsuba. The piece is unmarked. Dating to the Edo or Meiji period A Tsuba is a Japanese sword mountings are the various housings and associated fittings (tosogu) that hold...

Two exquisite Japanese musha ningyo dolls, crafted as courtiers, Edo Period, early 19th century, Japan. The older man can be identified as the h...

Horses Kano Tanshin Morimasa (1653-1718) Two-panel tea-ceremony Japanese screen or furosaki Ink on gold leaf, late 17th-early 18th century Measures: H 55 cm x W 182 cm The Kano school was closely aligned with the warrior class in Japan. The samurai, who lived in a closed and rigid hierarchical society established by the Shogunate, were drawn to the energy and freedom horses symbolize; Kano school artists commonly depicted the equine creatures as they are here, in unfettered and carefree family groups. China originally introduced horse paintings to Japan; the works typically focused on capturing the essence of horses in their various environments and often involved integrating human figures into the images. Kano Tanshin Morimasa (1653-1718) was the son of Kano Tanyu...

A Japanese ceramic Chawan (tea bowl) of e-Shino (painted Shino) ware style circa mid-late 18th century Edo period. The classically shaped bowl features an abstract blue paint of blue grass and displays strong characters in the milky white glaze, with overall crawling and crackling effect. One of the most distinctive characteristics of Shino that is exemplified on this bowl is the small pinholes called suana, which tea masters favor (termed as yuzuhada, or citron skin). The milky-white feldspar...

Rare find, Utagawa Ando Hiroshige, Japanese, 1797 to 1858, woodblock prints on paper, peach and swallows in moonlight. The first is signed and i...

A fine, professionally framed original Japanese woodblock print attributed to the master Utagawa Kunisada (1786 – 1865), also known as Utagaw...

Anonymous Late 17th century Puppy & Kittens A six-panel Japanese screen. Ink, color, gofun, gold-leaf and gold-fleck on paper. A medium sized late 17th century Japanese screen fe...

Spectacular 19th century Japanese late Edo period six-panel byobu screen depicting Yoshitsune and Benkei, two heroes of Japanese folklore. Crafted in ink and natural color pigments on mulberry paper with thick gold leaf borders on each panel. The character Yoshitsune is seated under a blossoming cherry tree in full armor holding a fan. The warrior priest or monk Benkei is depicted kneeling on a leopard skin...

This remarkable Buddhist temple bell is an authentic piece of spiritual history, cast in 1822, during the Bunsei era. Adorned with the august symb...

This late 19th century standing figure depicts the sacred form of the bodhisattva Guanyin, known in Japanese Buddhism as Sho Kannon, or Guze Kannon. ...

An extremely fine, elegant and rare late 17th Century Japanese lacquer cabinet, from the Eco period, on later lacquered black stand. Japanese circa 1690 Provenance A private Scottish collection This outstanding cabinet is a fascinating fusion of east and west. The cabinet itself would have been made in Japan, c.1690, and is decorated to the outside with hiramaki-e lacquer. This technique involves the use of sprinkled gold powder which adheres to the lacquer surface. On the best pieces, as with this example, many layers are added in order to create areas of high relief and give depth to the surface decoration. The taste of the Japanese workshops in this period was often for quite restrained pieces with plenty of the black background visible, unlike some of the busier Chinese lacquer or European japanned examples produced around the same time. The Japanese makers seemed content to rely on the outstanding quality of the lacquer itself, regarded by most experts as the finest lacquer ever produced, and did not see the need to cover every surface believing that less was more in this respect. The lacquer here is used to produce a mountainous scene with buildings on the bank of a river, the other side of the river with more buildings and a contrasting flatter and forested landscape. The fine perspective achieved is the result of the clever use of raised and flatter areas in the lacquer itself in combination with the drawing of the design itself. Another remarkable aspect of this piece is the fine metalware throughout, but particularly the lockplate / hasp, hinges and foot mounts to the front. This is all beautifully cast and engraved contrasting against the black background. Interestingly another cabinet on stand with near identical metalwork was advertised in the Burlington Magazine, November 1913, with the dealer W. Williamson and Sons of Guildford. The lacquer on that piece is similarly refined and it seems likely that both pieces came from the same workshop. The European influence in our piece can be seen in both the later ebonised stand and in the japanned decoration which has been applied to the inside of the doors and is also very fine indeed. This consists of two panels with birds of prey perched on branches in colours set against a golden background. The cabinet has a recent Scottish provenance and so it is likely that the ebonised stand was made in Britain though such pieces were made throughout Europe as a way of quite literally elevating these imported pieces of eastern lacquer as in Japan these would have been used on the floor. Inside the cabinet there is a combination of more Japanese lacquer and lock plates and European drawer handles. Most of the lacquer drawer fronts incorporate mountainous scenes and birds in combination, with a few purely one or the other of the two subjects. Again the lacquer is in excellent condition and is of exceptional quality with multiple layers of relief used in one single scene in many cases. As mentioned above, Japanese lacquer is the most technically brilliant of the eastern lacquers and, as such, was highly prized by collectors and connoisseurs throughout Europe when this piece was made. The acquisition of such pieces would only have been possible for a small group of incredibly wealthy individuals, largely royal or high ranking courtiers or merchants connected with the East India trade...

Three Friends of Winter Nakajima Raisho (1796-1871) Late Edo period, circa 1850 Ink and gold leaf on paper. This is a double-sided Japanese Furosaki or tea-ceremony screen from the mid 19th century; bamboo and plum on the front, young pines the back. It by Nakajima Raisho, a master painter of the Maruyama school in the late Edo and early Meiji periods. In this work Raisho combines exquisite ink brushwork with large open spaces of brilliant gold-leaf to inspire the viewers imagination. Rather than naturalism, he is searching for the phycological impression of the motifs, resulting in abstraction and stylization. His simplification of the motifs the result of looking to capture the inner nature of the objects. This art motif is known as Sho Chiku Bai, or the Three Friends of Winter. Evergreen pine connotes steadfastness, bamboo suggests both strength and flexibility, while plum blossoms unfurling on snow-laden branches imply hardiness. Combined, this trio is emblematic of Japanese new year. Chinese literati were the first to group the three plants together due to their noble characteristics. Like these resilient plants flowering so beautifully in winter, it was expected of the scholar-gentleman to cultivate a strong character with which he would be able to show the same degree of perseverance and steadfastness even during times of adverse conditions. The screen would have been placed near the hearth of a room used for the Japanese tea ceremony, shielding the fire from draughts and also forming a stimulating and decorative backdrop behind the tea utensils. It would have been used in the Hatsugama, or first tea-ceremony of the new year. Nakajima Raisho (1796-1871) originally studied under Watanabe Nangaku before entering the school of Maruyama Ozui. He was the highest ranking Maruyama school painter at the end of the Edo period and was known as one of the ‘Four Heian Families’ along with Kishi...

Name: Under the Hazy Moon Contemporary style Japanese Washi Japanese traditional paper shade floor lamp. Washi shade is famous as Isamu Noguchi Akari lightings. Base is made of brass...