Edo Furniture

An exquisite Japanese carved hinoki and gilt lacquered standing figure of Amida Nyorai, Amitabha Buddha, Edo Period, 18th century, Japan. The spectacular fully gold gilt figure of A...

Antique Japanese Samurai Manga book Edo period, circa 1840 Woodblack print book Book dimensions: 224mm x 156 mm There are damages because it is antique item as we show on the ...

Kano Naonobu (1607-1650) Plum Tree and Birds Six-fold Japanese Screen. Ink and slight color on paper. In this evocative ink work spread over a six-panel folding screen, we see the consummation of the elegance and refinement of the Edo Kano school. This 17th century screen is a rare surviving example of a large-scale bird and flower painting by Kano Naonobu, the younger brother of Kano Tanyu...

Name: OBAKE UN Contemporary style Japanese Washi Japanese traditional paper shade floor lamp. Washi shade is famous as Isamu Noguchi Akari lightings. Base is made of brass. Limited pattern painted model. Edition of 3+1AP E26,27 light bulb. Available to work with 100-250V. Artist statement In Japan, there is an animist belief that the soul dwells in old tools that have passed a long time and turns into spirits such as "Youkai" or "OBAKE." Its existence lurks in the darkness of everyday life, sometimes causing fear and sometimes entertaining. This lantern is not an old tool, but it is made by the historic "Kojima Shoten", where the 10th generation are craftsmen in Kyoto. It's rare nowadays, and it's a style in which lanterns are made from bamboo bones to assembling papers and painting in one workshop and go. So, I decided to transform the polite crafted Japanese lanterns, which have been run through a traditional history, into a modern and pop style. It's not just OBAKE lurking in the darkness, but an existence who snuggles up to us as a more sophisticated being. These one-eyed OBAKE have a meaningful look that originated in ancient Sanskrit culture. The red-eye "A [a]" is the facial expression that is the first pronunciation to make a sound in Sanskrit, which means "truth" and "spirit of inquiry" at the same time. The blue-eyed "UN [hu?]" expresses the pronunciation to close the sound, and at the same time means "wisdom" and "nirvana." There is also the idea that describing the beginning and end of the universe is represented by considering the "A" and "UN" as a pair. In Asia, it is a common sight to see a pair of guardian statues...

Edo-Period Lacquerware Chest 19th-century This exquisite chest, inspired by Hasami-Bako travel trunks, is a striking example of Japanese lacquerware. The hiramaki-e technique—applie...

This is a beautiful Geisha girl draped in a beautiful kimono. Her face is made of porcelain. She is wonderfully painted and comes in a lucite display case...

Tokoname is a region located in Aichi Prefecture. It is a pottery production center with a very old history in Japan (around the 12th century). These jars were probably fired during...

This stone Buddha sculpture, believed to date back to the early Edo period or earlier, depicts Jizo Bosatsu in a seated pose. Crafted from granite, it showcases the natural effects ...

Early 19th century late Edo period Japanese four-panel screen depicting examples from the 24 paragons of filial piety. Painted in the Kano School style featuring figures in colorful,...

Sharing with you this very nice edo period, 1680-1700, example. With a central scene of a landscape. The rim beautifully painted. Unmarked at base Arita ware, also known as Arita-y...

Kaiho Yusetsu (1598-1677) Tiger and Dragon Early Edo Period, Circa 1650 A Pair of Six-fold Japanese Screens. Ink and slight color on paper. Dimensions: Each screen: H. 171 cm x W. 380 cm (67.5’’ x 149.5’’) In this pair of early Edo period Japanese screens a group of tigers prowl in a bamboo grove whipped with fierce wind, while a dragon claws through clouds and mist. The dragon embodies elemental qualities - looming out of the mist, the coils of its body disappearing in the clouds. The dragon is calling for rain, symbolizing spring which is considered the fountain of life. On the other side, the tigers calls for the wind, symbolizing autumn which is considered the end of life. Tigers were familiar motifs within Japanese art from ancient times though the animals were imaginary to the people in the 17th century. While dragons and tigers are usually associated as sacred and ferocious, in this painting, both animals have rather amusing expressions. The tigers appear to glare at the dragon with cat-like eyes, and the look on the swirling dragon’s face appears almost affectionate - lending a playful flair to an otherwise magnificent theme. The tiger and dragon are cosmological symbols of the balancing forces in the world. Screens such as this were originally meant to express the fluctuating nature of the world. For Japanese in the early Edo period, they likely suggested the powers of the cosmos. In Japan the tiger and dragon motif was originally absorbed into the circles of Zen monasteries before spreading into the secular world. The theme especially appealed to the military classes with the Kano school, the official painters to the Shogun and the samurai, being the leading contributors. The painter of this pair of screens, Kaiho Yusetsu (1598-1677), was closely patronized by the third Shogun Tokugawa Iemitsu. In his later years he worked with Kano school artists...

From our recent Japanese acquisitions, a rare find Antique Original Japanese temple "blossoming lotus" flower bud stem including its original red lacquer display base. This finely hand carved wood and lacquered gold flower stem was made for a Buddhist 19th century temple altar. Its flower blossoms and leaves symbolize the stages of the path toward enlightenment. The individual parts of each lotus is carved separately then joined in an arrangement and inserted in altar vessels. Also called "Jyôka" , it is placed on or next to an altar in a Buddhist temple. Made with meticulous techniques. In Buddhism, the lotus is an important symbol of divine enlightenment because it blooms into beautiful flowers while growing in mud. Tsunehana means "a flower that continues to bloom forever" and "a flower that does not wither." For this reason, the flowers represented are in different stages of their life, unfolded lotus leaves, buds and full flowers, thus symbolizing the journey towards Buddhist enlightenment. This lovely Japanese antique gilt Lotus flower is an early survivor, circa 1840, and a hard to find treasure that was originally placed on or around a temple altar. This ensemble consists of a single stem, the top most flower, and the bottom leaf- all mounted in the original square red lacquer display base. A gold gilt 3.5 inch long tortoise "minogame" is affixed to the base as seen in the photo. Its attractive original old patina coupled with much of the original gilding remaining present is just the way we like to find them. Dimensions: With original red lacquer display stand Height, 17 inches height and 9 inches in width. The lotus flower stem alone measures 16 inches in height. Provenance: acquired from a Kyoto Japanse monk and collector History of the Japanese turtle "minogame" One of the most famous is the mythological giant turtle...

One of a kind and very refined Japanese screen or byôbu 屏風 with six folding panels depicting chrysanthemums on a gold background. Fine lacquered wooden frame with metal fittings that protects and supports the work. Dating from the 19th century, between the late Edo period (1603-1868) and the early Meiji period (1868-1912), The main motif of this beautiful byôbu is a serene Rinpa School painting on a gold background depicting a peaceful flower garden filled with white chrysanthemums. The painting reflects the gentle elegance characteristic of the Rinpa school, known for its refined depiction of nature. In Japanese culture, chrysanthemums symbolize happiness, love, longevity and joy. Rinpa or Rimpa is the name of one of the most important schools of Japanese painting. It emerged in the 17th century with the artists Honami Kōetsu...

Spring landscape by an unknown painter of the Rinpa school, 19th century, six-panel ink painted on gold leaf on rice paper. The flowers are made with the "gofun" technique, natural or pigmented white oyster powder. Rinpa (? ?, Rinpa) is one of the major historical schools of Japanese painting. the style was consolidated by the brothers Ogata Korin (1658–1716) and Ogata Kenzan...

TheItem below was painted approximately 300 years ago by Kano Chikanobu. In the center is a depiction of a deer hermit, on the right is a landscape of a tower that gives a sense of ...

A stunning and unique antique Japanese tansu chest with two interior drawers that sits on a custom made contemporary black metal stand. Th...

Hawks on plum and pine Soga Nichokuan (active circa 1625-1660) Pair of six-fold screens. Ink, mineral pigments, gofun, gold and speckled gold l...

An unusual Japanese carved wood, lacquer, and gilt decorated portrait sculpture of a shogun, Edo Period, early 19th century, Japan. The unidentified shogun (possibly Tokugawa Iey...

An extremely fine, elegant and rare late 17th Century Japanese lacquer cabinet, from the Eco period, on later lacquered black stand. Japanese circa 1690 Provenance A private Scottish collection This outstanding cabinet is a fascinating fusion of east and west. The cabinet itself would have been made in Japan, c.1690, and is decorated to the outside with hiramaki-e lacquer. This technique involves the use of sprinkled gold powder which adheres to the lacquer surface. On the best pieces, as with this example, many layers are added in order to create areas of high relief and give depth to the surface decoration. The taste of the Japanese workshops in this period was often for quite restrained pieces with plenty of the black background visible, unlike some of the busier Chinese lacquer or European japanned examples produced around the same time. The Japanese makers seemed content to rely on the outstanding quality of the lacquer itself, regarded by most experts as the finest lacquer ever produced, and did not see the need to cover every surface believing that less was more in this respect. The lacquer here is used to produce a mountainous scene with buildings on the bank of a river, the other side of the river with more buildings and a contrasting flatter and forested landscape. The fine perspective achieved is the result of the clever use of raised and flatter areas in the lacquer itself in combination with the drawing of the design itself. Another remarkable aspect of this piece is the fine metalware throughout, but particularly the lockplate / hasp, hinges and foot mounts to the front. This is all beautifully cast and engraved contrasting against the black background. Interestingly another cabinet on stand with near identical metalwork was advertised in the Burlington Magazine, November 1913, with the dealer W. Williamson and Sons of Guildford. The lacquer on that piece is similarly refined and it seems likely that both pieces came from the same workshop. The European influence in our piece can be seen in both the later ebonised stand and in the japanned decoration which has been applied to the inside of the doors and is also very fine indeed. This consists of two panels with birds of prey perched on branches in colours set against a golden background. The cabinet has a recent Scottish provenance and so it is likely that the ebonised stand was made in Britain though such pieces were made throughout Europe as a way of quite literally elevating these imported pieces of eastern lacquer as in Japan these would have been used on the floor. Inside the cabinet there is a combination of more Japanese lacquer and lock plates and European drawer handles. Most of the lacquer drawer fronts incorporate mountainous scenes and birds in combination, with a few purely one or the other of the two subjects. Again the lacquer is in excellent condition and is of exceptional quality with multiple layers of relief used in one single scene in many cases. As mentioned above, Japanese lacquer is the most technically brilliant of the eastern lacquers and, as such, was highly prized by collectors and connoisseurs throughout Europe when this piece was made. The acquisition of such pieces would only have been possible for a small group of incredibly wealthy individuals, largely royal or high ranking courtiers or merchants connected with the East India trade...

Two exquisite Japanese musha ningyo dolls, crafted as courtiers, Edo Period, early 19th century, Japan. The older man can be identified as the h...

Six-panel screen of Rinpa school, painted with mineral pigments and gofun on vegetable paper and silver leaf.

We have an aesthetic sense peculiar to Japanese people. And we introduce the unique items that only we can do, the route of purchasing in Japan, the experience value so far, and the way that no one can imitate. Japanese antique black chest "staircase chest...

Utagawa Ando Hiroshige, Japanese, 1797 to 1858, woodblock prints on paper, Flowers and Bird signed and inscribed in Hieroglyphs and red ink stam...

A very nice blue and white dish, in the style of similar Ming period early 17th century pieces. Beautiful decoration. Edo period. Condition Perfect condition. Size: 36CM Diameter ...

Late 17th century Kano school peony landscape screens. Both screens signed: Hogan Josen Fujiwara Chikanobu Hitsu - Kano Chikanobu (Shushin) (1660 - 1728...

Books and Scholars’ Accouterments; Chaekgeori Second half of the 19th century Korean framed panel. Ink and color on paper. This Korean Chaekgeori...

An exceptionally fine and unusual Japanese lacquer writing implements box, suzuribako, in the form of a zither, koto, Edo Period, 18th century, Japan. With a modern wood storage box,...

A pair of antique Edo period (1603–1867) Japanese Samurai Abumis (stirrups for horseback-riding) expertly crafted out of cast iron with brass or bronze inlay in the form of a stylize...

An absolutely stunning Tokoname ware stoneware vase/jar/vessel - produced sometime during the late Muromachi period (1336-1573 to early Edo Period (1603-1867). Tokoname-yaki ware is ...

This is an old carved large wooden penis statue made in Japan. It was made during the Edo period (1800s-1860s) and is made of cedar. In the Tōhoku region of Japan, there has long be...

Refined work by a painter from the first half of the 19th century, from the landscape of the "Rinpa" school by a painter from the end of the 18th century, the Rinpa school. Six panels painted in ink on gold leaf and "gofun" on vegetable paper. The flowers are made with the "gofun" technique, natural or pigmented white oyster powder. Rinpa is one of the major historical schools of Japanese painting. The style was consolidated by the brothers Ogata Korin (1658–1716) and Ogata Kenzan (1663–1743). This folding screen has a very clean design that leaves plenty of room for the beautiful golden landscape. It comes flat and you can easily hang it with our hooks. Lucio Morini...

Japanese Kano School Edo period two-panel screen depicting flowering prunus and bamboo on a rock formation, with colorful birds next to a body of water. ...

Antique Japanese Suibokuga Sage Painting by Kano Tokinobu, 17th century. A sumi-e ink on paper painting illustrating an acolyte at a riverbank. The image of the standing Chinese figure with elongated earlobes (a symbol of enlightenment), hair tied back in a kerchief and long beard, holds a large fan in his left hand to his right shoulder. The long robes are windswept with water curls about the figures feet. The painting with 3 vermillion seals of the artist in the lower left corner. Japanese dry mount paper on a wood frame with thin brocade border silver leafed surround and lacquered wood outer frame. Condition: Paper restoration on center, a quarter of an inch of the left edge of the painting is added, other minor signs of age, wear, stains and repairs overall fine condition. Age: Painting Edo Period, circa 1670. Mounting circa 1985. Image: 51-1/2 in. x 20-1/2 in. (131cm x 52cm) Frame: 59-1/4 in. x 25-1/4 in. (150cm x 64cm) Weight: 6lbs. Provenance: with Honeychurch Antiques...

Mid-size medicine / apothecary chest - "Kusuri dansu" in Japanese - one of Tansu (storage) for the apothecary use. Product of late Edo era (estimate 1850s-1868), estimate from the st...

Edo Period Seasonal Transition Screen Period: Edo Size: 368 x 153 cm SKU: PTA148 This exquisite six-panel screen, adorned with golden flakes, beautifully portrays the seamles...

Nice Edo period bowl with lotus flowers and old cramm restorarion. very cool! Additional information: Material: Porcelain & Pottery Category: Imari Re...

Tokoname is a region in Aichi Prefecture, Japan, renowned as one of the country's oldest pottery centers, with a history dating back to the 12th century. This jar, despite cracking ...

Product of late Edo period (estimate 1860s-1870s) in Aomori prefecture, Japan. Originally made as tool chest or medicine chest, made of thick, fine grade reddish Sugi cedar. The rus...

Antique Edo period Echizen kilns tsubo jar, circa 17th/18th century. Coil built with reddish iron oxide clay and buff colored ash glaze. Large Echizen jars were famous in their time ...

Sharing with you this very rare Japanese Edo / Meiji vase. Most likely Hirado ⁠ Condition 1 Bodyline : Size 30.5cm Period 19th century Edo Period (1603–1867)

This is an introduction to a slightly unusual item. This is a wooden sword possessed by the Buddha statue. Only the sword remained. Gods such as Fudo Myo, who reign as Buddhist guardians...

Product of Mid to late Edo period (late 18th - early 19th), or older. New finds from Nikko Toshogu Shrine (UNESCO world heritage site) which is dedicated to Tokugawa Ieyasu - the real SHOGUN himself, the founder of Tokugawa Edo Shogunate. This low writing desk had been used at Nikko Toshogu's shrine office since Edo period, and was kept there with care till recently. Fully made of premium quality Keyaki Zelkova wood, the top board is still almost flat. The leg parts have engraved lines to flame the edge & around the hole, which is rare additional decoration for this type of writing desk. It means this piece is special. The drawer has antique iron ring...

Japanese Wakizashi sword forged and signed by Kanefusa, a blacksmith from one of the great lineages of blacksmiths in the Mino region of Japan. The...

Phoenix and Peacocks. A pair of six-panel Japanese folding screens by Tsunetake Yotei (n.d.) First half of the 18th century. The signature reads 67 year old Tsunetake. The seals read: -Tsunetake no in, -Yotei, -Seishin Dimensions: Each screen – H. 69” x W. 149” (176 cm x 378 cm) A pair of Kano Grand Picture (Waga) screens depicting phoenix and peacocks rich with symbolic meaning. Dating to the first half of the 18th century, from the Kobikicho Kano school in Edo, this pair of folding...

An exquisite circa 1840 Japanese export tilt-top table or stand of Nagasaki manufacture having allover abalone inlay in black lacquer, the top with with male and female 'Japanese gre...

Intricately carved and finished with gilt black lacquer, this seated figure depicts the bodhisattva Guanyin, known in Japanese Buddhism as Kannon. Described as the "Buddha of Infinite Compassion," Kannon is the embodiment of mercy and makes himself available to all who call upon him with all their mind. Kannon is depicted here seated in diamond position upon a double lotus plinth, set above a stepped base. He is dressed in gracefully draped robes and wears a tall crown bearing a minuscule figure of Amida, the Buddha of Infinite Light. He has a serene expression of calm and holds his right hand in the abhaya mudra, a gesture of comfort, blessing, and protection. Backed by a magnificent leaf-form nimbus, this Kannon figure...

Iwase Hirotaka (1808-1877) Koi and Water Plants Hanging scroll, ink, color, gold wash and gold flecks on silk Inscription: Hirotaka Seal: Ille...

Big, Beautiful And Signed From our recent Japanese Acquisitions An early and hard to find Japanese hand carved stone Kanon in a mudra of contemplation. Nyoirin Kannon Bosatsu is b...

Omori Soun (b. 1704) Chrysanthemums - One Hundred Flowers A Pair of Six-fold Japanese Screens. Ink, color, gofun and gold leaf on paper. Dating ...

Very happy with this new arrival. Hexagonal Arita kakiemon bowl of unusual shape and design and size. Landscape scene with birds, trees, flowers and pomegranates. Period; 17/18C S...

A set of 5 Japanese floral paintings from the 18th century. Each painted with mineral pigments directly applied to gold leaf. They were originally designed to be mounted on the leave...

Spectacular 19th century Japanese late Edo period six-panel byobu screen depicting Yoshitsune and Benkei, two heroes of Japanese folklore. Crafted in ink and natural color pigments on mulberry paper with thick gold leaf borders on each panel. The character Yoshitsune is seated under a blossoming cherry tree in full armor holding a fan. The warrior priest or monk Benkei is depicted kneeling on a leopard skin...

A remarkable very fine quality late Edo Period (1603-1868) Japanese hand carved and painted gemstone mounted lacquered gilt wood Buddha figure. Japan, circa 1860, exceptionally car...

Obata Tosho (1812-1886) Longhorn Beetle & Poppies. Late Edo period, mid 19th Century Framed Japanese Painting. Ink and color on paper. Individually framed 19th century bird and f...

Dimensions (Each screen): H. 176 cm x W. 378 cm (69’’ x 149’’) This pair of Japanese folding screens depict blossoming plum trees amongst young pines. They are designed to capture t...

This 19th century Japanese sculpture likely portrays an accomplished teacher of Japanese Zen Buddhism. Developed from wood with a polychrome finish, this monk is expertly carved with...

Early Japanese Takeda Ningyo, depicting an actor on stage in the role of an emperor, standing, costumed in silk and kinran brocades holding a paper scepter (shaku), the head carved o...

Early 19th century Japanese Edo/Tokugawa period four panel folding byobu table screen featuring peony, prunus, and magnolia. Painted with ink and natural color pigments on silk with ...