Edo Furniture

An exquisite Japanese carved hinoki and gilt lacquered standing figure of Amida Nyorai, Amitabha Buddha, Edo Period, 18th century, Japan. The spectacular fully gold gilt figure of A...

Tokoname is a region located in Aichi Prefecture. It is a pottery production center with a very old history in Japan (around the 12th century). These jars were probably fired during...

TheItem below was painted approximately 300 years ago by Kano Chikanobu. In the center is a depiction of a deer hermit, on the right is a landscape of a tower that gives a sense of ...

Four-panel folding screen depicting the famous legend of Hikaru Genji, a nobleman of extraordinary grace and beauty, and his gallant adventures at court. The novel Genji Monogatari, ...

Large 19th century Japanese Edo period six panel folding byobu screen made in the Kano school style. Beautifully crafted with signature after Kano Tan'yu. Ink and natural color pigme...

Edo Period Seasonal Transition Screen Period: Edo Size: 368 x 153 cm SKU: PTA148 This exquisite six-panel screen, adorned with golden flakes, beautifully portrays the seamles...

A two-fold Japanese screen by the Rimpa school artist Sakai Hoitsu (1761-1828), Japan, 19th century, Edo period. This small Japanese folding screen pai...

Horses Kano Tanshin Morimasa (1653-1718) Two-panel tea-ceremony Japanese screen or furosaki Ink on gold leaf, late 17th-early 18th century Measures: H 55 cm x W 182 cm The Kano school was closely aligned with the warrior class in Japan. The samurai, who lived in a closed and rigid hierarchical society established by the Shogunate, were drawn to the energy and freedom horses symbolize; Kano school artists commonly depicted the equine creatures as they are here, in unfettered and carefree family groups. China originally introduced horse paintings to Japan; the works typically focused on capturing the essence of horses in their various environments and often involved integrating human figures into the images. Kano Tanshin Morimasa (1653-1718) was the son of Kano Tanyu...

This stone Buddha sculpture, believed to date back to the early Edo period or earlier, depicts Jizo Bosatsu in a seated pose. Crafted from granite, it showcases the natural effects ...

This 19th century Japanese sculpture likely portrays an accomplished teacher of Japanese Zen Buddhism. Developed from wood with a polychrome finish, this monk is expertly carved with...

Product of late Edo period (estimate 1860s-1870s) in Aomori prefecture, Japan. Originally made as tool chest or medicine chest, made of thick, fine grade reddish Sugi cedar. The rus...

Cranes and Peonies Anonymous, Kano School. Edo period, second half of the 17th century. Six-panel Japanese screen. Ink, pigment gofun and gold leaf on paper. This Japanese screen...

Japanese dolls called Kokeshi of the early 20th century. Provenance from the northern Japan. Set of 4. Measures: 30 x 9.5 cm 30.5 x 8.5 cm 30.5 x 9.5 cm 30.5 x 8.5 cm ...

Japanese Takeda Ningyo, depicting a kabuki actor on the stage, dressed in kinran dragon & cloud brocade coat with sleeves thrown back, chirimen silk crepe sleeves of inner coat embr...

Monumental pair of late 18th century Japanese Edo/Tokugawa period byobu screens depicting the battles between Taira and Minamoto. The screens have six panels each with individual sce...

Utagawa Ando Hiroshige, Japanese, 1797 to 1858, woodblock prints on paper, Flowers and Bird signed and inscribed in Hieroglyphs and red ink stam...

A fine lacquered and gold leaf Nagamochi dating from the late 18th century or early 19th century. The exterior of the trunk and its gilded metal fittings are decorated with a folia...

A spectacular Japanese maki-e lacquer lidded box, possibly a writing box, suzuribako, decorated with images of folding fans, ogi, Edo Period, earl...

This is a beautiful Geisha girl draped in a beautiful kimono. Her face is made of porcelain. She is wonderfully painted and comes in a lucite display case...

Nice Edo period bowl with lotus flowers and old cramm restorarion. very cool! Additional information: Material: Porcelain & Pottery Category: Imari Re...

Sharing with you this very nice edo period, 1680-1700, example. With a central scene of a landscape. The rim beautifully painted. Unmarked at base Arita ware, also known as Arita-y...

An exceptionally fine and unusual Japanese lacquer writing implements box, suzuribako, in the form of a zither, koto, Edo Period, 18th century, Japan. With a modern wood storage box,...

A Gold Lacquer Kōbako (Incense Box) Edo Period (1615–1868), Circa 1850 This exquisite gold lacquer kōbako (incense box) exemplifies the refined craftsmans...

A spectacularly designed and beautifully made Chawan tea bowl dating back to the Edo period. This work is attributed to Ogata Kenzan (1663-1743) who is wi...

Tokoname is a region located in Aichi Prefecture. It is a pottery production center with a very old history in Japan (around the 12th century). These jars were probably fired during...

An extremely fine, elegant and rare late 17th Century Japanese lacquer cabinet, from the Eco period, on later lacquered black stand. Japanese circa 1690 Provenance A private Scottish collection This outstanding cabinet is a fascinating fusion of east and west. The cabinet itself would have been made in Japan, c.1690, and is decorated to the outside with hiramaki-e lacquer. This technique involves the use of sprinkled gold powder which adheres to the lacquer surface. On the best pieces, as with this example, many layers are added in order to create areas of high relief and give depth to the surface decoration. The taste of the Japanese workshops in this period was often for quite restrained pieces with plenty of the black background visible, unlike some of the busier Chinese lacquer or European japanned examples produced around the same time. The Japanese makers seemed content to rely on the outstanding quality of the lacquer itself, regarded by most experts as the finest lacquer ever produced, and did not see the need to cover every surface believing that less was more in this respect. The lacquer here is used to produce a mountainous scene with buildings on the bank of a river, the other side of the river with more buildings and a contrasting flatter and forested landscape. The fine perspective achieved is the result of the clever use of raised and flatter areas in the lacquer itself in combination with the drawing of the design itself. Another remarkable aspect of this piece is the fine metalware throughout, but particularly the lockplate / hasp, hinges and foot mounts to the front. This is all beautifully cast and engraved contrasting against the black background. Interestingly another cabinet on stand with near identical metalwork was advertised in the Burlington Magazine, November 1913, with the dealer W. Williamson and Sons of Guildford. The lacquer on that piece is similarly refined and it seems likely that both pieces came from the same workshop. The European influence in our piece can be seen in both the later ebonised stand and in the japanned decoration which has been applied to the inside of the doors and is also very fine indeed. This consists of two panels with birds of prey perched on branches in colours set against a golden background. The cabinet has a recent Scottish provenance and so it is likely that the ebonised stand was made in Britain though such pieces were made throughout Europe as a way of quite literally elevating these imported pieces of eastern lacquer as in Japan these would have been used on the floor. Inside the cabinet there is a combination of more Japanese lacquer and lock plates and European drawer handles. Most of the lacquer drawer fronts incorporate mountainous scenes and birds in combination, with a few purely one or the other of the two subjects. Again the lacquer is in excellent condition and is of exceptional quality with multiple layers of relief used in one single scene in many cases. As mentioned above, Japanese lacquer is the most technically brilliant of the eastern lacquers and, as such, was highly prized by collectors and connoisseurs throughout Europe when this piece was made. The acquisition of such pieces would only have been possible for a small group of incredibly wealthy individuals, largely royal or high ranking courtiers or merchants connected with the East India trade...

A wonderful Japanese woodblock print by famed Japanese artist Utagawa Hiroshige (Ando Hiroshige) (1797-1858) tilted "Yoroi Ferry at Koami-cho (Yoroi no ...

An unusual Japanese carved wood, lacquer, and gilt decorated portrait sculpture of a shogun, Edo Period, early 19th century, Japan. The unidentified shogun (possibly Tokugawa Iey...

Anonymous Late 17th century Puppy & Kittens A six-panel Japanese screen. Ink, color, gofun, gold-leaf and gold-fleck on paper. A medium sized late 17th century Japanese screen fe...

A wonderfully hand crafted and beautifully glazed Hagi Yaki Ware Chawan tea bowl by the 10th Shinbei Sakakura (X). This piece has quite a special feel to it. The Chawan radiates i...

Late 17th century Kano school peony landscape screens. Both screens signed: Hogan Josen Fujiwara Chikanobu Hitsu - Kano Chikanobu (Shushin) (1660 - 1728...

Japanese six-panel screen of the famous "Tosa school" made by an anonymous artist of the mid-18th century, work painted in the classic way with colored pigments and inks on vegetable...

From our recent Japanese acquisitions, a rare find Antique Original Japanese temple "blossoming lotus" flower bud stem including its original red lacquer display base. This finely hand carved wood and lacquered gold flower stem was made for a Buddhist 19th century temple altar. Its flower blossoms and leaves symbolize the stages of the path toward enlightenment. The individual parts of each lotus is carved separately then joined in an arrangement and inserted in altar vessels. Also called "Jyôka" , it is placed on or next to an altar in a Buddhist temple. Made with meticulous techniques. In Buddhism, the lotus is an important symbol of divine enlightenment because it blooms into beautiful flowers while growing in mud. Tsunehana means "a flower that continues to bloom forever" and "a flower that does not wither." For this reason, the flowers represented are in different stages of their life, unfolded lotus leaves, buds and full flowers, thus symbolizing the journey towards Buddhist enlightenment. This lovely Japanese antique gilt Lotus flower is an early survivor, circa 1840, and a hard to find treasure that was originally placed on or around a temple altar. This ensemble consists of a single stem, the top most flower, and the bottom leaf- all mounted in the original square red lacquer display base. A gold gilt 3.5 inch long tortoise "minogame" is affixed to the base as seen in the photo. Its attractive original old patina coupled with much of the original gilding remaining present is just the way we like to find them. Dimensions: With original red lacquer display stand Height, 17 inches height and 9 inches in width. The lotus flower stem alone measures 16 inches in height. Provenance: acquired from a Kyoto Japanse monk and collector History of the Japanese turtle "minogame" One of the most famous is the mythological giant turtle...

We have a rare stone Buddha in stock. This is a small twin-figure stone carving made in the early to middle Edo period (1600–1800). It features two standing monk-like deities side b...

Antique Japanese Samurai Manga book Edo period, circa 1840 Woodblack print book Book dimensions: 224mm x 156 mm There are damages because it is antique item as we show on the ...

A fine and unusual Japanese black lacquer and mother of pearl inlaid box, Momoyama Period, 16th century, Japan. The large box and cover featu...

Beautifully weathered late 17th/early 18th century Japanese edo period four panel byobu screen depicting hotei (fat monk) in a treed landscape with Chinese sages engaged in leisurely...

Iwase Hirotaka (1808-1877) Koi and Water Plants Hanging scroll, ink, color, gold wash and gold flecks on silk Inscription: Hirotaka Seal: Ille...

A striking Japanese late Muromachi Period (1333-1573) lacquered and giltwood figure of Yakushi Nyorai, the Medicine Buddha, seated upon an elaborate car...

Two exquisite Japanese musha ningyo dolls, crafted as courtiers, Edo Period, early 19th century, Japan. The older man can be identified as the h...

Dimensions (Each screen): H. 176 cm x W. 378 cm (69’’ x 149’’) This pair of Japanese folding screens depict blossoming plum trees amongst young pines. They are designed to capture t...

Serene Cranes: Late Edo Masterpiece Dimensions: 364x173 cm (143x68 inches) Period: Late Edo SKU: PTA154 Immerse yourself in a realm of timeless elegance with our latest addition—a ...

product of late Edo period, estimate 1850s- 1860s - about 160+ years-old medium sized tansu (chest of drawers) with 5 drawers. Finished with traditional Urushi lacquer remains well, and some old paper labels still remained, both giving a good wabi sabi touch to the item. Fine opening & closing operation for all drawers. drawer inner 1,2 & 3 (from the top) : w 20.87 in / d 10.63 in / h 2.95 in, 3.35 in, 4.33 in 4 & 5 : w 9.84 in / d 10.63 in / h 5.2 in actual item weight 27.31 lb (12.38 kg) *** We're eco-friendly, organic-oriented vintage wood furniture...

Sharing with you this lovely Edo Dish Condition Perfect condition. Size 24 cm Period 17th century 18th century Edo Period (1603–1867)

Japanese Kano School Edo period two-panel screen depicting flowering prunus and bamboo on a rock formation, with colorful birds next to a body of water. ...

Japanese Wakizashi sword forged and signed by Kanefusa, a blacksmith from one of the great lineages of blacksmiths in the Mino region of Japan. The...

Intricately carved and finished with gilt black lacquer, this seated figure depicts the bodhisattva Guanyin, known in Japanese Buddhism as Kannon. Described as the "Buddha of Infinite Compassion," Kannon is the embodiment of mercy and makes himself available to all who call upon him with all their mind. Kannon is depicted here seated in diamond position upon a double lotus plinth, set above a stepped base. He is dressed in gracefully draped robes and wears a tall crown bearing a minuscule figure of Amida, the Buddha of Infinite Light. He has a serene expression of calm and holds his right hand in the abhaya mudra, a gesture of comfort, blessing, and protection. Backed by a magnificent leaf-form nimbus, this Kannon figure...

I would like to introduce a rare Japanese stone Buddha, “Amida Nyorai,” created in the mid-Edo period (around 1700-1850). Amida Nyorai is the Buddha who governs the “Pure Land of Pa...

Samurai on horseback and by boat from the famous battle of Menpei Japanese folding screen six-panel of "Tosa School" painted with mineral pigments on vegetable on golden silk , earl...

Large Antique 19th Japanese Arita Imari Bowl Edo Meiji Period Birds Flowers. A very nice bowl. Additional information: Material: Porcelain & Pottery Region of Origin: Japan Period:...

Product of Mid to late Edo period (late 18th - early 19th), or older. New finds from Nikko Toshogu Shrine (UNESCO world heritage site) which is dedicated to Tokugawa Ieyasu - the real SHOGUN himself, the founder of Tokugawa Edo Shogunate. This low writing desk had been used at Nikko Toshogu's shrine office since Edo period, and was kept there with care till recently. Fully made of premium quality Keyaki Zelkova wood, the top board is still almost flat. The leg parts have engraved lines to flame the edge & around the hole, which is rare additional decoration for this type of writing desk. It means this piece is special. The drawer has antique iron ring...

A very nice blue and white dish of moulded shape. Unusual shape and painting and mark. Early Edo period. Dating to 1680-1700 Similar object in Shibata collectie Part II - nr 261 ...

Introducing a stone Buddha of Nyoirin Kannon, created in the mid to late Edo period (circa 1750-1850). The material used is granite or andesite, and the natural weathering of the sto...

A delightful Japanese six panel painted paper screen featuring the beloved figure Hotei, Edo Period, early 19th century. Hotei, called Budai in China, and known as the Laughing Buddha or Fat Buddha in the West, is considered to be an emanation of Maitreya, the Buddha of the Future. In Japan, he also holds a special place as one of the Seven Lucky Gods, being the god of fortune, and protector of children. He is always portrayed as a mirthful and corpulent man, dressed in loose robes that show off his round belly. He carries a sack with him, said to be filled with treasure. As the protector of children, he is often portrayed with them playing on or around him, as he is here. The children portrayed in this screen are dressed in Chinese style clothing...

This is an old Japanese "Kobo Daishi" wooden figure. "Kobo Daishi" means "Kukai". "Kukai" was a monk from the early Heian period. His posthumous name was "Kobo Daishi". He is the fou...

This late 19th century standing figure depicts the sacred form of the bodhisattva Guanyin, known in Japanese Buddhism as Sho Kannon, or Guze Kannon. ...

This is an old, large, Japanese-made Kuruma-Tansu. Made in the Edo period (1800s-1860s), it is a powerful and dignified piece, the culmination of the skills and aesthetic sense of th...

This is a small stone statue believed to have been made in Japan during the Edo period. It was placed at crossroads, village entrances, or along mountain paths to pray for the safety...

A wonderful Japanese woodblock print by famed Japanese artist Utagawa Hiroshige (Ando Hiroshige) (1797-1858) titled "Kinryuzan Temple, Asakusa" was initially conceived in 1856. It i...

The first we have seen A spectacular and hard to find Inlaid mother of pearly - using the raden technique- and lacquered three-drawer Tansu complete with all original bronze accoutrement including a fine engraved antique long pipe and two removable covered bronze cylinders all executed by expert mid-19th century Edo samurai...