Edo Furniture

A pair of six-fold Japanese screens depicting white and bluish-purple clematis on trellises behind woven fences and beside a stream, against an abundance of golden clouds. Ink, colo...

Description Sharing with you this very nice edo period, 1660-1680, example. With a central scene of flowers. The rim beautifully painted. Unmarked at base Arita ware, also known a...

This is a stone guardian deity statue created in Japan during the mid to late Edo period (18th–19th century). It is carved from a single piece of natural stone. With a height of 38.5...

A huge early 19th C. Japanese Kura door in cedar. Beautifully patinated bleached-out wood with hand forged wrought iron plaque/lock. Can either be used as ...

A rather wonderful and quite unique large, hand carved wood (likely cypress) antique standing portrait sculpture/statue of Japanese Zen Buddhist monk or master priest figure. The pi...

A Japanese four-case inro stringed together with a silk cord of a carved wood Ojime and a carved ivory netsuke circa 19th century of Edo period. This fine piece was made in collabora...

A rare and spiritually significant Japanese Buddhist ritual sword known as Kurikara Ken—the Dragon Sword associated with Fudō Myōō. This sacred object sy...

New finds from the old-established family house in Ibaraki pref, Kanto area, Japan. Had been kept with care at the 2nd floor to avoid the humidity , even it was used as the exterior ...

A wonderful, highly erotic Japanese Shunga woodblock print. This work is likely by the renowned Ukiyo-e artist Utagawa Kunisada 1786-1865 (also known as Utagawa Toyokuni III) and created during the Edo period (1603–1867). Shunga is a type of Japanese erotic art...

Utagawa Ando Hiroshige, Japanese, 1797 to 1858, woodblock prints on paper, Flowers and Bird signed and inscribed in Hieroglyphs and red ink stam...

A truly beautiful, wonderfully aged, alluring mask made for Japanese Noh theater. The naturally faded beauty and unique character drew us to this mask immediately. The mask is hand...

A wonderful Japanese woodblock print by famed Japanese artist Utagawa Hiroshige (Ando Hiroshige) (1797-1858) titled "Kinryuzan Temple, Asakusa" was initially conceived in 1856. It i...

Fantastic 19th century Japanese Edo/Tokugawa period two-panel byobu screen featuring Chinese children frolicking on a garden terrace with a pavilion and large pine tree. Made in the ...

Antique Japanese Suibokuga Landscape by Kano Tokinobu, 17th century. A sumi-e ink on paper painting illustrating a rocky seaside landscape containing buildings, vegetation and ship masts. The painting with 3 vermillion seals of the artist in the lower left corner. Japanese dry mount paper on a wood frame with thin brocade border silver leafed surround and lacquered wood outer frame. Condition: Lighter discoloration near the bottom of the painting, various paper restorations, other minor signs of age, wear, stains, otherwise fine condition. Age: Painting Edo Period, circa 1670. Mounting circa 1985. Image: 51-1/2 in. x 20-1/2 in. (131cm x 52cm) Frame: 59-1/4 in. x 25-1/4 in. (150cm x 64cm) Weight: 6 lbs. Provenance: with Honeychurch Antiques...

Large 19th century Japanese Edo period six panel folding byobu screen made in the Kano school style. Beautifully crafted with signature after Kano Tan'yu. Ink and natural color pigme...

A truly beautiful, wonderfully aged, alluring mask made for Japanese Noh theater. The naturally faded beauty and unique character drew us to this mask immediately. The mask is hand...

An antique Japanese Edo period diptych woodblock print from the early to mid 19th century, signed by Utagawa Kuniyoshi. Immerse yourself in the Japanese Edo period artistry with this antique 19th-century diptych woodblock print. Signed by the artist, this captivating piece is a striking depiction of a tranquil interior scene, rendered in a soothing color palette of blue, pink, and black tones. This print comprises two panels, assembled under glass in a custom frame to form a cohesive narrative. The scene captures a specific moment in time, presenting a man surrounded by four women and a child, beautifully adorned in traditional Japanese garments. The intricate details of their clothing are a testament to the artisan's skill, bringing an element of authenticity and depth to the scene. On the left, three women sit in a state of relaxed conversation, while another stands, graciously offering a tray. Adding intrigue, two additional women can be spotted peeking through a slightly open window, one cleverly concealing her face behind a fan. A child, smaller in stature, sits attentively in front of the man, further enhancing the scene's narrative quality. A signature from the artist adds an additional layer of authenticity, making this piece a must-have for collectors of antique Japanese art...

This wooden statue possesses a quiet presence yet somehow conveys a familiar, populist charm. The work depicts a figure seated atop a lion, a composition reminiscent of **Manjushri ...

This anodized 6-panel screen captures the serene and minimalistic beauty of a bamboo grove, embodying the aesthetic principles of the Edo period. The screen features subtle and delic...

An exceptionally fine and unusual Japanese lacquer writing implements box, suzuribako, in the form of a zither, koto, Edo Period, 18th century, Japan. With a modern wood storage box,...

A wonderful, beautifully aged Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship during the Heian ...

An extremely fine, elegant and rare late 17th Century Japanese lacquer cabinet, from the Eco period, on later lacquered black stand. Japanese circa 1690 Provenance A private Scottish collection This outstanding cabinet is a fascinating fusion of east and west. The cabinet itself would have been made in Japan, c.1690, and is decorated to the outside with hiramaki-e lacquer. This technique involves the use of sprinkled gold powder which adheres to the lacquer surface. On the best pieces, as with this example, many layers are added in order to create areas of high relief and give depth to the surface decoration. The taste of the Japanese workshops in this period was often for quite restrained pieces with plenty of the black background visible, unlike some of the busier Chinese lacquer or European japanned examples produced around the same time. The Japanese makers seemed content to rely on the outstanding quality of the lacquer itself, regarded by most experts as the finest lacquer ever produced, and did not see the need to cover every surface believing that less was more in this respect. The lacquer here is used to produce a mountainous scene with buildings on the bank of a river, the other side of the river with more buildings and a contrasting flatter and forested landscape. The fine perspective achieved is the result of the clever use of raised and flatter areas in the lacquer itself in combination with the drawing of the design itself. Another remarkable aspect of this piece is the fine metalware throughout, but particularly the lockplate / hasp, hinges and foot mounts to the front. This is all beautifully cast and engraved contrasting against the black background. Interestingly another cabinet on stand with near identical metalwork was advertised in the Burlington Magazine, November 1913, with the dealer W. Williamson and Sons of Guildford. The lacquer on that piece is similarly refined and it seems likely that both pieces came from the same workshop. The European influence in our piece can be seen in both the later ebonised stand and in the japanned decoration which has been applied to the inside of the doors and is also very fine indeed. This consists of two panels with birds of prey perched on branches in colours set against a golden background. The cabinet has a recent Scottish provenance and so it is likely that the ebonised stand was made in Britain though such pieces were made throughout Europe as a way of quite literally elevating these imported pieces of eastern lacquer as in Japan these would have been used on the floor. Inside the cabinet there is a combination of more Japanese lacquer and lock plates and European drawer handles. Most of the lacquer drawer fronts incorporate mountainous scenes and birds in combination, with a few purely one or the other of the two subjects. Again the lacquer is in excellent condition and is of exceptional quality with multiple layers of relief used in one single scene in many cases. As mentioned above, Japanese lacquer is the most technically brilliant of the eastern lacquers and, as such, was highly prized by collectors and connoisseurs throughout Europe when this piece was made. The acquisition of such pieces would only have been possible for a small group of incredibly wealthy individuals, largely royal or high ranking courtiers or merchants connected with the East India trade...

Phoenix and Peacocks. A pair of six-panel Japanese folding screens by Tsunetake Yotei (n.d.) First half of the 18th century. The signature reads 67 year old Tsunetake. The seals read: -Tsunetake no in, -Yotei, -Seishin Dimensions: Each screen – H. 69” x W. 149” (176 cm x 378 cm) A pair of Kano Grand Picture (Waga) screens depicting phoenix and peacocks rich with symbolic meaning. Dating to the first half of the 18th century, from the Kobikicho Kano school in Edo, this pair of folding...

A beautiful standing Edo Period wood carved antique Japanese Kannon Bodhisattva Buddha Amida sculpture/statue. This Buddha is one of four we acquired that were rescued from an abando...

A six-panel Japanese folding screen from the leading Maruyama-Shijo artist Okamoto Toyohiko (1773-1845). Simply featuring three deer and a few sprigs of foliage on a sumptuous gold-leaf background this work emphasizes naturalistic expression and a masterful use of negative space. Reduced to its most basic elements, the blank spaces inspire imagination and evoke the smells, sounds and even the weather of the scene. Whilst deer are traditionally depicted in association with autumn, here the green growth on the tops of the foliage indicates the season of spring. The work references Maruyama Okyo’s two-panel deer screen...

A rare and finely cast Japanese Buddhist ritual ghanta handbell, featuring a five-pronged vajra handle, dating to the early to mid Edo period. Used in esoteric Buddhist ceremonies, ...

Description A large Japanese Imari porcelain charger, centrally depicting stylised flowers surrounded by six panels with dragons alternated by phoenixes, the flat everted rim with fo...

A beautiful Tamba (Tanba) ware (or Sigaraki ware) Japanese pottery vase/jar/pot - produced sometime during the Edo Period (1603-1867). Tamba-yaki ware is a type of Japanese pottery a...

Very fine asymmetric handled Burl Dish stamped "Nippon" on the base. Artistic presentation has a wavy attached handle, very smooth to hold feel and having a desirable rich deep honey...

Large Shigaraki Tsubo Vessel or Planter , Edo period . Its melon-shape body resting on three lions' head feet, its exterior glaze with a typical drip of 'Sudare' green and white s...

This antique small chest of drawers was crafted in the Edo Era (Tenpō 1830-1844). The aged urushi (Japanese lacquer), worn away in places, enhances the piece’s unique character and ...

This wooden Buddhist statue (made from cypress wood) is thought to have been made in the Edo period, probably around the 18th or 19th century. It is one of the types of statues known...

An uncommon Edo-period samurai jingasa, distinguished by its applied gilded crest decorations and rare gilded interior finish. Jingasa of this type were worn by samurai and retainers...

An absolutely gorgeous, wonderfully composed six-panel Japanese Byobu folding screen/room divider depicting a family of playful monkeys among the blooming trees and mountainous lands...

A rare and authentic Edo period (1603–1868) horagai—a conch shell trumpet traditionally used in Japanese Buddhist rituals, Shugendō mountain ascetic practices, and by yamabushi (moun...

A beautiful standing Edo Period antique wood carved Japanese Kannon Bodhisattva Buddha Amida sculpture/statue. This Buddha is one of four we acquired that were rescued from an aband...

Description Sharing with you this very nice edo period, 1680-1700, example. With a garden floral scene with birds in the style of Chinese Wanli period pieces. Unmarked at base Arit...

An exquisite Japanese carved hinoki and gilt lacquered standing figure of Amida Nyorai, Amitabha Buddha, Edo Period, 18th century, Japan. The spectacular fully gold gilt figure of A...

A Large Pair of Japanese Cast Bronze Edo Style Cranes Provenance: Private Australian Collection. Dimensions: Height: 215cm. Width: 60cm. Depth: 60cm.

This stone Buddha sculpture, believed to date back to the early Edo period or earlier, depicts Jizo Bosatsu in a seated pose. Crafted from granite, it showcases the natural effects ...

Antique Japanese Suibokuga Landscape by Kano Tokinobu. 17th century. A sumi-e ink on paper painting illustrating an ethereal mountainous landscape at the seashore containing buildings, trees, birds and ship masts. 3 vermillion seals of the artist in the lower right hand corner. Japanese dry mount paper on a wood frame with thin brocade border silver leafed surround and lacquered wood outer frame. Condition: Minor signs of age, wear, otherwise fine condition. Age: Painting Edo Period, circa 1670. Mounting circa 1985. Image: 51-1/2 in. x 20-1/2 in. (131cm x 52cm) Frame: 59-1/4 in. x 25-1/4 in. (150cm x 64cm) Weight: 6 lbs. Provenance: with Honeychurch Antiques...

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...

Name: Under the Hazy Moon Contemporary style Japanese Washi Japanese traditional paper shade floor lamp. Washi shade is famous as Isamu Noguchi Akari lightings. Base is made of brass...

Samurai Helmet "Zunari kabuto" with 3 black lacquered iron plates. Japan, early EDO period, circa 1610. Neck protector (shikoro), 5-strip hineno, laced brown, beige and green. Central ornament (maedate) in gold and silver lacquered wood. Triple tomo with 2 maple leaves. 2 rounded horn-shaped side ornaments (wakidate) in black and gold lacquered wood. Black-lacquered iron mask...

This is a very interesting old copper vase, believed to have been made in Japan or China. Its distinctive shape and high level of decoration make it a gem that stands out among the many copper vessels I have seen. The body is cylindrical, with a tightened shape at the top and bottom. The legs are slender and tapered, giving the overall design a beautiful sense of tension. This “tapered hem” design lends a special elegance to the vase's appearance. In terms of decoration, the intricate patterns encircling the upper and lower bands are particularly striking. These patterns are geometric abstractions of clouds and dragons. On both sides, small designs resembling animal or dragon faces are attached, adding to the elegant decorative beauty of the design. The copper surface has a deep amber luster from years of use, and the patina from aging captivates the viewer's heart. There are some dents and signs of use on the surface, but these are also charming elements that testify to the fact that this vase has been cherished and used for a long time. When half-filled with water and left for 24 hours, no leaks were detected. It is practical and can be used as a flower vase. Whether filled with fresh flowers, branches, or dried flowers, it will add a sense of sophistication to any space and make a statement wherever it is placed. The accompanying paulownia box is inscribed with “Tang Dynasty Ming Dynasty Antique Copper Vase...

A wonderful Japanese woodblock print by famed Japanese artist Utagawa Hiroshige (Ando Hiroshige) (1797-1858) tilted "Yoroi Ferry at Koami-cho (Yoroi no ...

This is a Tamba ware jar produced in Japan during the early Edo period (circa 17th century). Tamba ware, along with Seto, Tokoname, Echizen, Shigaraki, and Bizen, is known as one of ...

A two-fold Japanese paper screen, painted in ink and colour on a buff and gold ground, with a mountainous river landscape. The scene depicts two nightingales in flight amongst hazy ...

A very good hand carved stone Buddha/Jizo Guardian sculpture set upon its own carved base Good display candidate for your favorite indoor or outdoor space In Japan, Kṣitigarbha, kn...

Description A lovely piece with beautiful scene in underglaze blue. For food serving. Condition some very minimal frits/small chips only. Mainly to lowest box. Size: 22x15CM Heightx...

Poppies & Butterflies Ink, pigment and gofun on silk Igarashi Chikusa (1774-1844) Signature: Chikusa Ran Zen Upper Seal: Ran Shuzen Lower Seal: Kyoho Dimensions: Scroll: H. 68” x W. 18” (172cm x 45cm) Image: H. 38.5’’ x W. 12.5’’ (98cm x 32cm) This composition shows elegant images of poppies and the butterflies that are inevitably drawn to them. It captures a momentary glimpse into a world both visually dazzling and startlingly realistic. The painting is infused with sensitivity and attention to seasonal change and weather conditions. The thin and fragile poppies are beautifully depicted with brilliant colors and the butterflies are similarly infused with life. The painting is on silk which requires extremely precise painting skills as no element once painted can be removed. Poppies were a favorite subject of Rinpa school artists through the ages. Originally they were somewhat abstracted but by the age of Sakai Hoitsu...

A very stylish antique Edo period Japanese blue and white painted porcelain rice dish and cover decorated with watery landscapes dating from around 1850. The bowl is of wide round fo...

Imari ware is a style of Japanese porcelain made in the town of Arita and exported from the port of Imari. It is characterized by its vibrant colours, typically including underglaze ...

This is an antique Edo period decorative planter. A Japanese, bronze jardiniere bowl, dating to the Victorian era, circa 1850. Graced with dashing relief and great tonality Displays...

Superb embroidered silk Fukusa, wedding gift wrapping silk cloth decorated with auspicious motive. Condition : Fine original condition with only minor abrasions and very ...

Early 19th Century Rimpa School Floral Screen Period: Early 19th Century Dimensions: 367x171 cm (144.5x67.3 inches) SKU: RJ118/2 This 6-panel gold-leafed screen is a splendid repre...

Hawks on plum and pine Soga Nichokuan (active circa 1625-1660) Pair of six-fold screens. Ink, mineral pigments, gofun, gold and speckled gold l...

Beautifully weathered late 17th/early 18th century Japanese edo period four panel byobu screen depicting hotei (fat monk) in a treed landscape with Chinese sages engaged in leisurely...

A four-tier Japanese Meiji period black lacquer Jubako box with stork and fir tree decoration. Box in four sections with lid.

A beautiful and exceptionally 18 inches tall Sosaku Kindai Kokeshi doll from Japan. Handcrafted of wood and hand-painted in the the early 20th century. In good condition with charmin...