Edo Furniture

An Aka-Raku Chawan (red-glazed tea bowl) by Raku Tannyu (1795-1854), the tenth-generation head of the Raku kiln. The Raku family established one of the lon...

From our recent Japanese acquisitions A rare couple. These Japanese Tachibina dolls represent the simplest essential form of the imperial couple. Their beautiful faces were crafted from crushed shell called gofun coated over carved wood and their dress feature period Edo (1840) textile kimono dress. Used as the display for the Girl’s day celebration, more specifically they are constructed of kinran brocade fabric covered paper, the heads carved of wood and covered in gofun with painted features and inset hair, the male form with outstretched arms and conical legs, the female has a cylindrical form. They come in an original kiri wood storage box. Dimensions: Large doll 12 inches tall and 6 inches wide Small doll...

An absolutely gorgeous, wonderfully composed six-panel Japanese Byobu folding screen/room divider depicting a family of playful monkeys among the blooming trees and mountainous lands...

Late 17th century Kano school peony landscape screens. Both screens signed: Hogan Josen Fujiwara Chikanobu Hitsu - Kano Chikanobu (Shushin) (1660 - 1728...

Japanese bronze okimono from the Edo period in its old patina and good condition, Beautiful quality and expression Height 30 cm, not signed

A Japanese ink stone box (known as Suzuribako) with exquisite maki-e decoration from Edo period (circa mid-18th century). The box features a rectang...

Poppies & Butterflies Ink, pigment and gofun on silk Igarashi Chikusa (1774-1844) Signature: Chikusa Ran Zen Upper Seal: Ran Shuzen Lower Seal: Kyoho Dimensions: Scroll: H. 68” x W. 18” (172cm x 45cm) Image: H. 38.5’’ x W. 12.5’’ (98cm x 32cm) This composition shows elegant images of poppies and the butterflies that are inevitably drawn to them. It captures a momentary glimpse into a world both visually dazzling and startlingly realistic. The painting is infused with sensitivity and attention to seasonal change and weather conditions. The thin and fragile poppies are beautifully depicted with brilliant colors and the butterflies are similarly infused with life. The painting is on silk which requires extremely precise painting skills as no element once painted can be removed. Poppies were a favorite subject of Rinpa school artists through the ages. Originally they were somewhat abstracted but by the age of Sakai Hoitsu...

19th century Japanese Edo period six-panel screen painted in Haboku (splashed ink) style. Depicts Four Seasons landscape scenes with two portraits of Chinese sages. One sage is trave...

A sublime Japanese parcel gilt copper hand warmer, hibachi, with chrysanthemum design, Edo Period, 18th century, Japan. The hand warmer, called a...

Step into the world of Mid Edo Japan with our six-panel Hawk screen, each depicting a different hawk. In this period, hawks were revered not only for their majestic beauty but also f...

An extraordinary Buddhist temple incense burner from Japan, dating to the late Edo period (18th–19th century). Finely cast in bronze, this ceremonial piece features intricate openwor...

Phoenix and Peacocks. A pair of six-panel Japanese folding screens by Tsunetake Yotei (n.d.) First half of the 18th century. The signature reads 67 year old Tsunetake. The seals read: -Tsunetake no in, -Yotei, -Seishin Dimensions: Each screen – H. 69” x W. 149” (176 cm x 378 cm) A pair of Kano Grand Picture (Waga) screens depicting phoenix and peacocks rich with symbolic meaning. Dating to the first half of the 18th century, from the Kobikicho Kano school in Edo, this pair of folding...

This rare samurai hishaku (water dipper) dates to the mid Edo period, circa 17th–18th century, and represents an unusual and highly refined example of mounted samurai equipment. Such...

An exceptionally fine and unusual Japanese lacquer writing implements box, suzuribako, in the form of a zither, koto, Edo Period, 18th century, Japan. With a modern wood storage box,...

This is a wooden Buddha statue made around the Edo period in Japan. Although it is a small Buddha statue, it has a strong presence and is beautiful. Originally, there was a wooden pe...

Interesting 19th century Japanese Edo period six-panel byobu screen depicting the thirty six immortals of poetry (Sanjurokkasen). Each portrait is accompanied by their poems. The poe...

This elegant Japanese lacquer bowl dates to the late Edo period (19th century) and is distinguished by its refined arabesque (karakusa) design. The flowing vegetal scrollwork, execut...

A beautiful and exceptionally 18 inches tall Sosaku Kindai Kokeshi doll from Japan. Handcrafted of wood and hand-painted in the the early 20th century. In good condition with charmin...

A fine, professionally framed original Japanese woodblock print attributed to the master Utagawa Kunisada (1786 – 1865), also known as Utagaw...

Peonies, marigolds and pinks next to a garden stone with soft mountain peaks in the background. Late Edo (1603 - 1868) period painting in mineral pigmen...

Large 19th century Japanese Edo period six panel folding byobu screen made in the Kano school style. Beautifully crafted with signature after Kano Tan'yu. Ink and natural color pigme...

This is a ``Rising Sun and Pine Tree'' drawn by Kano Baisho. It is an item with a solemn taste and presence, and I think it would be a good idea to display it at New Year's, the fir...

This is a pottery called Seto-yaki, which was fired in Seto, Aichi Prefecture, Japan. Seto is a kiln with a long history in Aichi Prefecture, Japan. (Seto kilns are marked with red c...

Description A very nicely decorated bowl Condition report: 1 hairline from the rim. Size: 25x6.8CM Diameter x Height Period 18th century

This is a very interesting old copper vase, believed to have been made in Japan or China. Its distinctive shape and high level of decoration make it a gem that stands out among the many copper vessels I have seen. The body is cylindrical, with a tightened shape at the top and bottom. The legs are slender and tapered, giving the overall design a beautiful sense of tension. This “tapered hem” design lends a special elegance to the vase's appearance. In terms of decoration, the intricate patterns encircling the upper and lower bands are particularly striking. These patterns are geometric abstractions of clouds and dragons. On both sides, small designs resembling animal or dragon faces are attached, adding to the elegant decorative beauty of the design. The copper surface has a deep amber luster from years of use, and the patina from aging captivates the viewer's heart. There are some dents and signs of use on the surface, but these are also charming elements that testify to the fact that this vase has been cherished and used for a long time. When half-filled with water and left for 24 hours, no leaks were detected. It is practical and can be used as a flower vase. Whether filled with fresh flowers, branches, or dried flowers, it will add a sense of sophistication to any space and make a statement wherever it is placed. The accompanying paulownia box is inscribed with “Tang Dynasty Ming Dynasty Antique Copper Vase...

Sharing with you this very nice edo period example with carved fish design. Storage Box included Unmarked at base Arita ware, also known as Arita-yaki, has its origins in 1616, whe...

The simple exterior of black lacquer encasing this 19th-century Japanese traveling shrine (zushi) belies the splendor within. The hinged doors open to reveal a lustrous gold interior...

A beautiful and exceptionally 18 inches tall Classic traditional Kokeshi doll from Northern Japan. Handcrafted of wood and hand-painted in the the early 20th century. In good conditi...

A ceramic chawan (tea bowl) circa 17-18th century fired in the Busan kiln in Korean specifically for the Japanese market. The kilns were run by the So c...

Fascinating Japanese 19th century Edo period two-panel screen depicting two perched birds of prey. Painted in the manner of Chokuan Soga (17th century). Large size byobu screen with ...

A rare and evocative pair of antique Japanese samurai abumi (horse-riding stirrups) dating to the Edo period (1603–1868). Expertly forged in iron, with a silver inlay decorative desi...

Obata Tosho (1812-1886) Snail, Wasp & Hollyhock Late Edo period, mid 19th Century Framed Japanese Painting. Ink and color on paper. Individually framed 19th century bird and ...

Japanese bronze image of Tanjo no Shaka, the infant Buddha (Shakyamuni), a standing figure with the right hand pointing towards heaven and the left hand pointing toward earth, costum...

Large Lacquered hexagonal box on stand depicting Dragon flying amidst the clouds. Unique , appliqués like lacquer technique created amazing effect of almost 3d effect. Multilayered ...

Monumental pair of late 18th century Japanese Edo/Tokugawa period byobu screens depicting the battles between Taira and Minamoto. The screens have six panels each with individual sce...

Kokuho Shimei (1789–1859) Tigers Pair of framed paintings; ink on paper Kokuho Shimei was active during the late Edo period as a Nagasaki School artist, working at a cultural cross...

This Tsubo, pottery Jar is a product of, at least late Edo era (estimate 1840s-1860) estimate from the style & condition. Especially, The lid is made from wood, has a good amount...

Description A very nice blue and white dish with unusual design. Edo period, 17th century. Condition crackle lines in body, of which one at the back is a bit dirty. Size: 18.5x3CM ...

17th to 18th century Iga ware from Fushinan, Kyoto. Iga embodies the essence of tea ceremony's requirements for wabi-sabi, which appreciates the beauty in imp...

Obata Tosho (1812-1886) Longhorn Beetle & Poppies. Late Edo period, mid 19th Century Framed Japanese Painting. Ink and color on paper. Individually framed 19th century bird a...

Beautiful set of 6 large kakemonos from 19th century Japanese mythology. Paper support with a canvas pasted on the paper Wonderful set that is part of Japan's history and beliefs When not hung, the Kakemonos are rolled up. circa 1800 - Japan - Edo Period A kakemono translates as "object to hang". In Japan this refers to a painting or calligraphy, most often done on silk or paper framed in a scroll that was intended to be hung on walls or in public lighting. This particular form, which allows them to be in a roll, dates back to the Tang dynasty in China (this would be related to the copying and preservation of ancient Buddhist texts). A Kami is a deity or spirit worshipped in the Shinto religion. A Yokai is a spirit, ghost, demon, or strange apparition from the creatures of Japanese folklore. Each of these kakemonos represents a unique story: - A kami, a Japanese deity, is shown painting a rainbow. Indeed, he performs the action with his right hand while his left hand holds a kind of basket with three pots of paint. This kami has a rather closed attitude. He is standing in a dark and tormented sky. Below this figure, 8 villagers are dressed in traditional Japanese clothes. Their faces are softened. They are not afraid of the elements made by the kami above their heads. - A character with an unreal look is holding a kind of jar with his two hands, which he spills on human figures above. This being is floating in the air, probably a character from mythology, perhaps Susanoo. Underneath, villagers on umbrellas. They are trying to protect themselves as best they can from what is falling on them. One of them is carrying baskets with fish on her shoulders. A character in the background is thrown forward and falls. - On this kakemono, the god Raijin, dressed in a white and blue outfit, strikes the sky with his two drum hammers to create lightning and its thunderous sound. Surrounded by Tomoe and a long red scarf, Raijin, enraged and with dishevelled hair, creates a dark and violent storm. The villagers seem frightened by this meteorological phenomenon. One of the villagers can be seen fainting in the arms of a man. This scene may seem chaotic, but Japanese legend tells us that once a field is struck by lightning, the harvest is good. - On this kakemono, we see an unreal-looking figure holding a fan, as if he were sweeping away the bad weather, or simply producing gusts of wind. He is probably the kami of wind and air, Shina tsu-hiko. The figures below him seem surprised by so much wind. An umbrella flies away on the left, the women hold their hair and scarf, the clothes are caught in the power of the wind, there is even a woman on the ground on the bottom left. - This Kakemono represents a short moment. This Raiju is a yokai (ghost spirit...

[Authentic work] ◆ Seiki Yokoyama ◆ Landscape ◆ Rural landscape ◆ Japanese painting ◆ Shijo school ◆ Hand-painted ◆ Paperback ◆ Hanging scroll ◆ Seiki Yokoyama [Art yearbook appra...

A simple exterior of black lacquer belies the splendor within this late 19th-century Japanese traveling shrine (zushi). The hinged doors open to reveal a lustrous gold interior and a...

Japanese antique wooden cabinet box manufactured circa 1840s-1860s (late Edo period) estimate from the style & conditions. Made with traditional wood joinery without metal faste...

Nice & Beautiful Arita Japanese Porcelain Kendi. FLoral Scene This 17th Century Japanese Export Porcelain Jug or Ewer, Arita Kilns c.1670-1690 is painted in lovely blue and white. T...

A pair of antique Edo period (1603–1867) Japanese Samurai Abumis (stirrups for horseback-riding) expertly crafted out of cast iron with brass or bronze inlay in the form of a stylize...

Katabori-type netsuke (fully three-dimensional) in carved boxwood, depicting a recumbent ox, its head harnessed and turned to the left, with its legs folded beneath its body. Apocryp...

A tall and impressive Japanese carved and black lacquered figure of Sho Kannon Bosatsu, Momoyama or Edo Period, mid 17th century, on a later mid 19th century carved, painted, and gilt wood lotus...

Birds and flowers of the four seasons Early to mid-19th century Ink, pigment and gofun on silk Unidentified artist Signature: S...

A lovely piece Condition Hairline in the base and Kintsugi repair to lid. Size. 20.5x13x13 Period 19th century Meiji Periode (1867-1912)

Mori Tetsuzan (1775-1841) Pheasants and Cherry Blossoms Two-fold Japanese screen. Ink, color, gofun, gold and silver on paper. A two-fold Japanese bir...

An extremely fine, elegant and rare late 17th Century Japanese lacquer cabinet, from the Eco period, on later lacquered black stand. Japanese circa 1690 Provenance A private Scottish collection This outstanding cabinet is a fascinating fusion of east and west. The cabinet itself would have been made in Japan, c.1690, and is decorated to the outside with hiramaki-e lacquer. This technique involves the use of sprinkled gold powder which adheres to the lacquer surface. On the best pieces, as with this example, many layers are added in order to create areas of high relief and give depth to the surface decoration. The taste of the Japanese workshops in this period was often for quite restrained pieces with plenty of the black background visible, unlike some of the busier Chinese lacquer or European japanned examples produced around the same time. The Japanese makers seemed content to rely on the outstanding quality of the lacquer itself, regarded by most experts as the finest lacquer ever produced, and did not see the need to cover every surface believing that less was more in this respect. The lacquer here is used to produce a mountainous scene with buildings on the bank of a river, the other side of the river with more buildings and a contrasting flatter and forested landscape. The fine perspective achieved is the result of the clever use of raised and flatter areas in the lacquer itself in combination with the drawing of the design itself. Another remarkable aspect of this piece is the fine metalware throughout, but particularly the lockplate / hasp, hinges and foot mounts to the front. This is all beautifully cast and engraved contrasting against the black background. Interestingly another cabinet on stand with near identical metalwork was advertised in the Burlington Magazine, November 1913, with the dealer W. Williamson and Sons of Guildford. The lacquer on that piece is similarly refined and it seems likely that both pieces came from the same workshop. The European influence in our piece can be seen in both the later ebonised stand and in the japanned decoration which has been applied to the inside of the doors and is also very fine indeed. This consists of two panels with birds of prey perched on branches in colours set against a golden background. The cabinet has a recent Scottish provenance and so it is likely that the ebonised stand was made in Britain though such pieces were made throughout Europe as a way of quite literally elevating these imported pieces of eastern lacquer as in Japan these would have been used on the floor. Inside the cabinet there is a combination of more Japanese lacquer and lock plates and European drawer handles. Most of the lacquer drawer fronts incorporate mountainous scenes and birds in combination, with a few purely one or the other of the two subjects. Again the lacquer is in excellent condition and is of exceptional quality with multiple layers of relief used in one single scene in many cases. As mentioned above, Japanese lacquer is the most technically brilliant of the eastern lacquers and, as such, was highly prized by collectors and connoisseurs throughout Europe when this piece was made. The acquisition of such pieces would only have been possible for a small group of incredibly wealthy individuals, largely royal or high ranking courtiers or merchants connected with the East India trade...

Description A Japanese Aoki Mokubei Jar. Edo Period. The inside base has a fish between the figures with gilt. A very powerfull piece and in our opinion most likely authentic by Aoki Mokubei (????) Mokubei AOKI (1767- July 2, 1833) was a painter and Kyo ware potter during the Edo Period . He was born in Kyoto . His childhood name was Yasoya. His Azana (alias) was Sahei. His pseudonyms included Seibei, Hyakurokusanjin, Kokikan, Teiunro, Kukurin, and Shubei. Biography Mokubei was born in 1767, in Kyoto . He studied calligraphy under Fuyo KO at a young age, showing great talent; however, when he found pottery, he opened a studio in Awataguchi, Kyoto at the age of 30 and won fame for his pottery. Five years later, he was invited by the Maeda Family of the Kaga clan, and he made efforts to revive Kaga Kutani ware. As a potter, he mainly produced green-tea sets. His pottery work is varied, including white porcelain, celadon, Akae ware (ceramic with red paintings) and dyed ceramics. As a result of his commitment to Chinese ceramics, he created a world of his own in making copies of Chinese ware...

A Japanese solid bronze Mimikuchi handled vase with crisply detailed spiral design on a beautifully rounded body. This rare piece dates from the early to mid 1800's. A very fine example of Japanese Edo period...

This is an old drawer for storing Japanese swords originally called "Katanatansu". It is thought to be from around the Edo period. Cedar is used for the material, and a large numbe...

Fantastic 19th century Japanese Edo/Tokugawa period two-panel byobu screen featuring Chinese children frolicking on a garden terrace with a pavilion and large pine tree. Made in the ...

Japanese antique mid size Tansu (chest of drawers), product of circa 1870s - 1900s, late Edo to Meiji era, estimate from the style & conditions. Remaining original paint gives a ...

This is an antique Edo period decorative planter. A Japanese, bronze jardiniere bowl, dating to the Victorian era, circa 1850. Graced with dashing relief and great tonality Displays...

A wonderfully designed and beautifully hand painted tea ceremony tray/plate by esteemed Japanese artist and master potter Ogata Kenzan (1663-1743). Kenzan is widely considered to be...

from Tohoku area, Japan. Japanese antique small box tansu chest of drawers, Kohikidashi, made of Sugi Cedar. Product of circa 1850s-1870s (late Edo to early Meiji era), estimate from...