Edo Furniture

This lacquered box is a Japanese tabako-bon, or 'tobacco tray,' used to store tobacco and smoking accessories. Believed to have evolved from the tradition...

A wonderful, beautifully aged, relatively large Mokko Gata shaped Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese s...

Mid-19th century woodblock print of Onoe Kikugoro V signed Kagawa Toyoshige Kitsu. The famed Kabuki actor is playing the role of Banzuinin Chobei (or similar), a legendary street her...

Japan, Edo period (1603–1868) Size: 49 × 30 cm A magnificent double-sided Japanese folding fan (ōgi), hand-painted on paper richly decorated with gold and silver leaf. One side depi...

とても良い修正です。 内容に忠実に、余計な脚色をせず翻訳いたします。 --- This work is a seated stone statue of Nyoirin Kannon, believed to have been created during the mid to late Edo period (18th–19th century). It...

Suzuribako (writing box) in black lacquer, rectangular in shape, with a gold lacquer (maki-e) decoration of a pavilion by the edge of a waterfall and a mountain river surrounded by v...

The 19th Century Six-Panel Japanese folding screen "Byōbu" usually used in the most important Japanese house to stop wind and also to separate different space of the same big room de...

A fine, professionally framed original Japanese woodblock print attributed to the master Utagawa Kunisada (1786 – 1865), also known as Utagaw...

Description A very nice Kenjo Imari Doucai style plate. Its 18th century. Sometimes called Kenjo Imari. The Masayuki Yamamoto Collection has several of these. There is also one in t...

A six-fold Japanese screen by Tosa Mitsusuke (1675-1710), Japan 17th-18th century, Edo period. The signature reads Shoroku-i ge Tosa sa Konoe Shogen Mit...

Description Nice & Beautiful Arita Japanese Porcelain. This antique Japanese Imari porcelain sake bottle features a sleek and elegant design, with hand-painted floral patterns cr...

A beautiful and exceptionally 19 inches tall classic traditional Kokeshi doll from Northern Japan. Handcrafted of wood and hand-painted in the early 20th century, covered with a layer of wax. Signed by the artist on its underneath. In good condition with charming patina. A classic traditional doll with a simple but lovely design, a decorative piece. In Japan these dolls symbolize love, friendship and believed to be a lucky charm. We offer more large Kokeshi...

Japanese 19th century Edo-Meiji Period Satsuma stoneware incense burner (Koro) with small wooden support table By: unknown Material: ceramic, stoneware, wood, enamel, paint Techniqu...

Description Sharing with you this very nice edo period, 1660-1680, example. With a central scene of flowers. The rim beautifully painted. Unmarked at base Arita ware, also known as...

A rather wonderful and quite unique large, hand carved wood (likely cypress) antique standing portrait sculpture/statue of Japanese Zen Buddhist monk or master priest figure. The pi...

A wonderfully designed and beautifully hand painted tea ceremony tray/plate by esteemed Japanese artist and master potter Ogata Kenzan (1663-1743). Kenzan is widely considered to be...

An Aka-Raku Chawan (Red-Raku tea bowl) by Raku Tannyu (1795-1854), the tenth-generation head of the Raku kiln. The Raku family established one of the longe...

A fine lacquered and gold leaf Nagamochi dating from the late 18th century or early 19th century. The exterior of the trunk and its gilded metal fittings are decorated with a folia...

Banko-yaki is a type of pottery that began in the northern part of Mie Prefecture in the middle of the Edo period. (The places marked with red circles on the map are the kilns of Banko ware...

Early Japanese Lacquer Incense Box (Kogo) Late 17thc. Of rectangular form with soft corners, decorated with a diaper pattern in gold lacquer on a brownish black ground, with pewter r...

Japanese bronze okimono from the Edo period in its old patina and good condition, Beautiful quality and expression Height 30 cm, not signed

This is a ``Rising Sun and Pine Tree'' drawn by Kano Baisho. It is an item with a solemn taste and presence, and I think it would be a good idea to display it at New Year's, the fir...

This is a rough sketch of a Japanese painting drawn around the late Edo period to the early Meiji period (1800-1900) in Japan. A picture is drawn by sticking and connecting short pi...

Porcelain decorated with Imari palette in Japan, Saucer dish. Additional information: Material: Porcelain & Pottery Decoration Type / Colour: Imari Region of Origin: Japan Period: 1...

This is a white porcelain sake bottle made at the end of the Edo period. The name of this pottery is Iwayaki. The Yako was built in Hikino-cho, Fukuyama City, Hiroshima Prefecture. (The location marked with a red circle on the map is the pottery.) The kiln is currently abandoned. The kiln was opened in 1818 and continued until around 1900. Until this time, many sake bottles of this type were made and shipped with various decorations. (Please take a look at the document images of Iwatani Sake Tokkuri with various designs) This item is a pure white sake bottle and has the simplest design. containing a Chinese herbal...

Obata Tosho (1812-1886) Spider & Morning Glory Late Edo period, mid 19th Century Framed Japanese Painting. Ink and color on paper. Individually framed 19th century bird and f...

A pair of Japanese six-fold screens depicting the maritime routes of the Seto Inland Sea and of the north of Kyushu Island, detailing the coastline and shipping routes from Osaka to ...

Description Sharing with you this very nice edo period, 1680-1700, example. With a garden floral scene with birds in the style of Chinese Wanli period pieces. Unmarked at base Arit...

Birds & flowers of the seasons Pheasants & plum in snow Unframed painting. Ink, pigment and gofun on silk Kano Chikanobu 1819-1888 Signature...

Hawks on plum and pine Soga Nichokuan (active circa 1625-1660) Pair of six-fold screens. Ink, mineral pigments, gofun, gold and speckled gold l...

Japanese Inro from the Edo period (1615-1868) created by Kajikawa. Beautiful Inro, created in Japan by one of the Kajikawa family during the Edo period (1615-1868), circa 1810. Has been carefully crafted in carved precious wood with applications of gilding maki-e and decorated with Japonism patterns. All dan trays are attached together with a himo cord. The detailed craftsmanship was a true pleasure to behold. Period: Edo period (1615-1868). Shogunate. Approximate Date: 1790-1810 Motif: A family of birds consisting of a cockerel, the hen and three chicks. Drawers: Five. Shape: Rectangular navette. Technique: Carved wood, lacquer and decorated in iroe-hiramaki-e on a gold ground. Ojime: 15mm 20mm, oval carved from natural translucent agate. Netsuke: None Weight: 47.70 Grams. Measurements: Inro is 78 mm by 55 mm by 18 mm (3.07 x 2.17 x 0.71 Inches). Signatures: Kajikawa Saku, in the underside with the signature KAJIKAWA. By a member of the Kajikawa family, signed Kajikawa 梶川 Japan, late 18th century to early 19th century, Edo period (1615-1868). The Kajikawa family Kajikawa family, flourished in the 19th century, they was Japanese lacquerware artists whose school in Edo (now Tokyo) flourished for more than 200 years. This family is perhaps the most famous of all the dynasties of Japanese lacquer artists, and certainly the name most often found on inro. The family is said to have been founded by Hikobei at Edo in the early 17th century, although some claim that the family’s great reputation really stemmed from his son and pupil Kyujiro. In any event, Hikobei worked for the shogunate, as did his successors until well into the 19th century. Kijirō excelled in designing particularly delicate lacquer inrō, portable medicine cases...

Illustration to an unidentified chapter of the Tale of Genji (Genji Monogatari) Tosa School (second half of the 17th Century) Ink, pigment, gofun and...

Extraordinary 19th Century hand carved wood mask believed to have once been a dramatic Noh Drama piece likely representing a giant or demon. The mask with expressive grimacing face ...

Beautiful, most likely originates in Japan: large round ceramic vase in an eggshell blue to turquoise glaze. The general style is inspired by the marvellous brush painting style of t...

A simple exterior of black lacquer belies the splendor within this late 19th-century Japanese traveling shrine (zushi). The hinged doors open to reveal a lustrous gold interior and a...

A fine Japanese small lacquer box for precious incense, kogo, Edo period, mid 19th century, Japan. The small box of gold lacquer and wonderfully dec...

This is a serving bowl which was made around 1800s in Edo period. It is made with porcelain and it's all hand painted. This bowl was made with Koimari style (Koimari-ware). The motif...

Impressive pair of Japanese two-panel byobu screens featuring late 18th-century edo period applied vignettes, poems, and paintings in various formats over a dramatic gold leaf square...

From our recent Japanese Acquisitions An early and hard to find Japanese large 30" tall scale hand carved stone Jizo holding his staff of compassion. Signed on both sides in kanj...

This stone statue of Nyoirin Kannon was created between the end of the Edo period and the Taisho period (late 19th century to early 20th century). The Nyoirin Kannon is a Buddha imag...

A rare and authentic Edo period (1603–1868) horagai—a conch shell trumpet traditionally used in Japanese Buddhist rituals, Shugendō mountain ascetic practices, and by yamabushi (moun...

For samurai warriors, the functionality of their armor was as vital as its striking beauty—both elements held equal importance. This orange-laced armor is one of the rarest and most stunning complete Edo-period samurai suits ever crafted, designed for a military leader to convey the gravity of his power and warrior spirit at a single glance. This particularly rare armor...

It is used in Japan. It seems to be in the Edo period (1700s-1800s). But details are unknown. The unique distorted shape is beautiful. The color and balance of the glaze are al...

Utagawa Ando Hiroshige, Japanese, 1797 to 1858, woodblock prints on paper, Flowers and Bird signed and inscribed in Hieroglyphs and red ink stam...

Description Sharing with you this very nicely decorated dish of beautiful shape. Condition 1 hairline from the rim. Size: 22x3.3CM DiameterxHeight Period 19th century

Poppies & Butterflies Ink, pigment and gofun on silk Igarashi Chikusa (1774-1844) Signature: Chikusa Ran Zen Upper Seal: Ran Shuzen Lower Seal: Kyoho Dimensions: Scroll: H. 68” x W. 18” (172cm x 45cm) Image: H. 38.5’’ x W. 12.5’’ (98cm x 32cm) This composition shows elegant images of poppies and the butterflies that are inevitably drawn to them. It captures a momentary glimpse into a world both visually dazzling and startlingly realistic. The painting is infused with sensitivity and attention to seasonal change and weather conditions. The thin and fragile poppies are beautifully depicted with brilliant colors and the butterflies are similarly infused with life. The painting is on silk which requires extremely precise painting skills as no element once painted can be removed. Poppies were a favorite subject of Rinpa school artists through the ages. Originally they were somewhat abstracted but by the age of Sakai Hoitsu...

Peonies, marigolds and pinks next to a garden stone with soft mountain peaks in the background. Late Edo (1603 - 1868) period painting in mineral pigmen...

A heavy and finely cast Japanese bronze mirror with longevity symbols, Edo Period, 18th century, Japan. The small, round mirror with high walls...

This is an old drawer for storing Japanese swords originally called "Katanatansu". It is thought to be from around the Edo period. Cedar is used for the material, and a large numbe...

A Japanese ink stone box (known as Suzuribako) with exquisite maki-e decoration from Edo period (circa mid-18th century). The box features a rectang...

Ancient Japanese Ceramic Vessel: A Primordial Dialogue with Earth and Fire This monumental Japanese jar radiates an overwhelming presence that can only be cultivated by the passage ...

Description Sharing with you this lovely and large Food container in blue and white. Pieces like this were uses in the tea ceremony to serve food. Similar pieces can be found in the ...

From our recent Japanese acquisitions, a rare find Antique Original Japanese temple "blossoming lotus" flower bud stem including its original red lacquer display base. This finely hand carved wood and lacquered gold flower stem was made for a Buddhist 19th century temple altar. Its flower blossoms and leaves symbolize the stages of the path toward enlightenment. The individual parts of each lotus is carved separately then joined in an arrangement and inserted in altar vessels. Also called "Jyôka" , it is placed on or next to an altar in a Buddhist temple. Made with meticulous techniques. In Buddhism, the lotus is an important symbol of divine enlightenment because it blooms into beautiful flowers while growing in mud. Tsunehana means "a flower that continues to bloom forever" and "a flower that does not wither." For this reason, the flowers represented are in different stages of their life, unfolded lotus leaves, buds and full flowers, thus symbolizing the journey towards Buddhist enlightenment. This lovely Japanese antique gilt Lotus flower is an early survivor, circa 1840, and a hard to find treasure that was originally placed on or around a temple altar. This ensemble consists of a single stem, the top most flower, and the bottom leaf- all mounted in the original square red lacquer display base. A gold gilt 3.5 inch long tortoise "minogame" is affixed to the base as seen in the photo. Its attractive original old patina coupled with much of the original gilding remaining present is just the way we like to find them. Dimensions: With original red lacquer display stand Height, 17 inches height and 9 inches in width. The lotus flower stem alone measures 16 inches in height. Provenance: acquired from a Kyoto Japanse monk and collector History of the Japanese turtle "minogame" One of the most famous is the mythological giant turtle...

Kano Osanobu (狩野養信) Osanobu Kano (born August 18, 1796; died June 12, 1846) was the ninth painter of the Kobikicho Kano School in the Edo period. His common name was Shozaburo. His father was Naganobu KANO, and Tadanobu KANO was his son. His Go (pen name) was Osanobu Seisenin, Kaishinsai, and Gyokusen. Brief Personal History He was born the eldest son of Naganobu ISENIN during the Edo period. He was first sent to serve at Edo Castle at the age of 15, and it appears that he was apparently pushed by his father to perform various public tasks for the Kanon School. He kept a diary for 36 years, starting from the day before he first went into service at Edo Castle until the day before he died. The diary is entitles "Official Service Diary" (it consists of 52 volumes that are maintained at the Tokyo National Museum, and 4 volumes that are separately maintained at the different families), and have become the focus of a lot of attention in recent years for the detailed information they present on the daily life and work of a prestigious official painter. The reading of the characters of his name was originally "Takenobu"; however, with the birth of the first son of the Shongun Ieyoshi TOKUGAWA in 1813, whose name was Takechiyo, having a sylable with the same pronunciation of "Take"was deemed to be inappropriate, and was therefore changed to "Osanobu". Because Takenobu died the following year, after which he was referred to as Gyokujuin, Osanobu changed his pen name Gyokusen he had used until that point to Seisenin, in order to avoid using the same Chinese charcter pronounced alike. In 1819, he attained the second highest rank for a Buddhist priest, Hogen, and assumed the role of head of the family after his father passed away in 1828. In 1834 he attained the highest rank for a Buddhist priest, Hoin. He oversaw the rennovation of the wall paintings of Nishinomaru Palace of Edo Castle from 1838 to 1839, and Honmaru Palace of it from 1844 to 1846. It is thought that Osanobu later died due to the fatigue...

Kano Naonobu (1607-1650) Plum Tree and Birds Six-fold Japanese Screen. Ink and slight color on paper. In this evocative ink work spread over a six-panel folding screen, we see the consummation of the elegance and refinement of the Edo Kano school. This 17th century screen is a rare surviving example of a large-scale bird and flower painting by Kano Naonobu, the younger brother of Kano Tanyu...

A beautiful and exceptionally 18 inches tall Sosaku Kindai Kokeshi doll from Japan. Handcrafted of wood and hand-painted in the the early 20th century. In good condition with charmin...

Late 17th century Kano school peony landscape screens. Both screens signed: Hogan Josen Fujiwara Chikanobu Hitsu - Kano Chikanobu (Shushin) (1660 - 1728...

Description Sharing with you this very nice edo period, 1660-1680, example. With a central scene of figures. Beautifully painted. Unmarked at base Arita ware, also known as Arita-y...

Description Nice & Beautiful Arita Japanese Porcelain. This antique Japanese Imari porcelain sake bottle features a sleek and elegant design, with hand-painted floral patterns cr...

A beautiful and exceptionally 18 inches tall Classic traditional Kokeshi doll from Northern Japan. Handcrafted of wood and hand-painted in the the early 20th century. In good conditi...