Edo Furniture

An Aka-Raku Chawan (Red-Raku tea bowl) by Raku Tannyu (1795-1854), the tenth-generation head of the Raku kiln. The Raku family established one of the longe...

Description A very nice blue and white dish with unusual design. Edo period, 17th century. Condition crackle lines in body, of which one at the back is a bit dirty. Size: 18.5x3CM ...

From our recent Japanese acquisitions, a rare find Antique Original Japanese temple "blossoming lotus" flower bud stem including its original red lacquer display base. This finely hand carved wood and lacquered gold flower stem was made for a Buddhist 19th century temple altar. Its flower blossoms and leaves symbolize the stages of the path toward enlightenment. The individual parts of each lotus is carved separately then joined in an arrangement and inserted in altar vessels. Also called "Jyôka" , it is placed on or next to an altar in a Buddhist temple. Made with meticulous techniques. In Buddhism, the lotus is an important symbol of divine enlightenment because it blooms into beautiful flowers while growing in mud. Tsunehana means "a flower that continues to bloom forever" and "a flower that does not wither." For this reason, the flowers represented are in different stages of their life, unfolded lotus leaves, buds and full flowers, thus symbolizing the journey towards Buddhist enlightenment. This lovely Japanese antique gilt Lotus flower is an early survivor, circa 1840, and a hard to find treasure that was originally placed on or around a temple altar. This ensemble consists of a single stem, the top most flower, and the bottom leaf- all mounted in the original square red lacquer display base. A gold gilt 3.5 inch long tortoise "minogame" is affixed to the base as seen in the photo. Its attractive original old patina coupled with much of the original gilding remaining present is just the way we like to find them. Dimensions: With original red lacquer display stand Height, 17 inches height and 9 inches in width. The lotus flower stem alone measures 16 inches in height. Provenance: acquired from a Kyoto Japanse monk and collector History of the Japanese turtle "minogame" One of the most famous is the mythological giant turtle...

A wonderful, beautifully aged Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship during the Heian ...

A wonderful, beautifully aged, relatively large Mokko Gata shaped Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese s...

Name: OBAKE UN Contemporary style Japanese Washi Japanese traditional paper shade floor lamp. Washi shade is famous as Isamu Noguchi Akari lightings. Base is made of brass. Limited pattern painted model. Edition of 3+1AP E26,27 light bulb. Available to work with 100-250V. Artist statement In Japan, there is an animist belief that the soul dwells in old tools that have passed a long time and turns into spirits such as "Youkai" or "OBAKE." Its existence lurks in the darkness of everyday life, sometimes causing fear and sometimes entertaining. This lantern is not an old tool, but it is made by the historic "Kojima Shoten", where the 10th generation are craftsmen in Kyoto. It's rare nowadays, and it's a style in which lanterns are made from bamboo bones to assembling papers and painting in one workshop and go. So, I decided to transform the polite crafted Japanese lanterns, which have been run through a traditional history, into a modern and pop style. It's not just OBAKE lurking in the darkness, but an existence who snuggles up to us as a more sophisticated being. These one-eyed OBAKE have a meaningful look that originated in ancient Sanskrit culture. The red-eye "A [a]" is the facial expression that is the first pronunciation to make a sound in Sanskrit, which means "truth" and "spirit of inquiry" at the same time. The blue-eyed "UN [hu?]" expresses the pronunciation to close the sound, and at the same time means "wisdom" and "nirvana." There is also the idea that describing the beginning and end of the universe is represented by considering the "A" and "UN" as a pair. In Asia, it is a common sight to see a pair of guardian statues...

A very nice blockprint 30-5-18-pm-3341 Condition / Overall Condition Perfect. Size frame: 242x 274mm. Period 19th century Meiji Periode (1867-1912)

A beautiful standing Edo Period wood carved antique Japanese Kannon Bodhisattva Buddha Amida sculpture/statue. This Buddha is one of four we acquired that were rescued from an abando...

Edo-Meiji Phoenix Birds Screen Period: Edo-Meiji Size: 360 x 152 cm (141.73 x 60 inches) This gorgeous silk screen from the Edo-Meiji period showcases mythical phoenix birds, a des...

A Japanese antique ceramic mizusashi, traditionally used as a water jar in the tea ceremony. The vessel carries a compelling balance between the raw presence of clay and a calm, time...

19th century Japanese Edo period six-panel screen painted in Haboku (splashed ink) style. Depicts Four Seasons landscape scenes with two portraits of Chinese sages. One sage is trave...

A six-fold paper screen painted in ink and colour on a gold ground with grape vines hanging from a pergola and woven fence amongst golden clouds, the details in gin-sunago (cut silver leaf) and moriage (raised design). The metal mounts are decorated with cloisonné enamel, a special detail rarely seen on screen mounts. Japan, 17th/18th century, Edo period. Grapes represent the autumn season and have been regarded as an auspicious symbol of fertility and prosperity since ancient times. Also the Japanese word of grape ‘budō’ is the same word for martial arts. Often paired with squirrels (‘risu’ in Japanese meaning, to follow discipline), the subject was a favourite of the samurai class. Designs incorporating grape vines have been used for ceramic and lacquer works as well as paintings from early times and screens depicting this subject matter seem to have been particularly popular in the early Edo period, however only a few examples are known today. These known examples depicting grape vines are rendered in a similar manner using gold leaf and moriage (raised design): A pair of screens from the Kano School housed in the Tokyo Fuji Art Museum (17th century, Momoyama period) A pair in the Gardner collection (17th century, accession no. P14e3) There are another comparable pair of 17th-century screens housed in the Okura Museum of Art, Tokyo and there are a pair of sugido (cedar wood doors) with the same subject housed in the Nagoya Castle, Aichi prefecture. Paravent à six volets peint à l'encre et à la couleur sur fond doré, représentant des vignes suspendues à une pergola et une clôture tressée parmi des nuages dorés, avec des détails en gin-sunago (feuille d'argent découpée) et moriage (motifs en relief). Les montures métalliques sont décorées d'émail cloisonné...

とても良い修正です。 内容に忠実に、余計な脚色をせず翻訳いたします。 --- This work is a seated stone statue of Nyoirin Kannon, believed to have been created during the mid to late Edo period (18th–19th century). It...

Antique 19th Century Japanese Four Panel folding Byobu Late Edo Period C.1800 Maruyama-Shijo School A high quality commissioned example, painted in ink and mineral pigments on paper...

17th to 18th century Iga ware from Fushinan, Kyoto. Iga embodies the essence of tea ceremony's requirements for wabi-sabi, which appreciates the beauty in imp...

Japan, a rare dated large bronze hand hammered temple bell rin, Edo period , incised and dated Tenpo era 13th (1842) around rim. Perfect meditation instrument. When struck emits a pleasing bold reverberating sound guaranteed to please you. Bell is in very good condition... Includes red lacquered display base as shown and a complimentary striker This hand-hammered and wrought bronze percussion instrument created by specialized Samurai craftsmen with dimpled construction and incised signature of maker along rim sets atop a round red lacquered footed wood display base with wooden striker and when struck creates a serene reverberating sound. Perfect for meditation gardens or interior spaces. Total Height of bronze bell with red lacquered stand...

A Japanese ceramic Chawan (tea bowl) of e-Shino (painted Shino) ware style circa mid-late 18th century Edo period. The classically shaped bowl features an abstract blue paint of blue grass and displays strong characters in the milky white glaze, with overall crawling and crackling effect. One of the most distinctive characteristics of Shino that is exemplified on this bowl is the small pinholes called suana, which tea masters favor (termed as yuzuhada, or citron skin). The milky-white feldspar...

Japanese bronze okimono from the Edo period in its old patina and good condition, Beautiful quality and expression Height 30 cm, not signed

Ancient Japanese Ceramic Vessel: A Primordial Dialogue with Earth and Fire This monumental Japanese jar radiates an overwhelming presence that can only be cultivated by the passage ...

Japan, a rare paper scroll hand painted by renown Rengetsu Otagaki (1791-1875). She was a very famous nun in old Japan and being familiar with poetry, her Waka poems on paper, and e...

A bold and dramatic Japanese Kutani porcelain square tokkuri (bottle for sake), decorated in the Yoshidaya style, and attributed to the Yoshidaya Kiln (1824 - 1831). The striking sa...

Description Sharing with you this very nice edo period, 1660-1680, example. With a central scene of flowers. The rim beautifully painted. Unmarked at base Arita ware, also known as...

A rare Shoki-Imari porcelain dish, Arita Kilns circa 1630-1640. This flat dish with everted rim and its thick rough foot-rim is typical of some of the earliest Japanese porcelain ever produced. The dish is thickly potted and the glaze crazed, both tyical of Japanese porcelain from this early period. The term Shoki-Imari is used to include the very first porcelain made in Japan...

A huge early 19th century Edo period Japanese door in charred cedar. Sliding panel in place to see who is knocking.. Exquisite Japanese joinery. ...

A truly beautiful, wonderfully aged, alluring mask made for Japanese Noh theater. The naturally faded beauty and unique character drew us to this mask immediately. The mask is hand...

A rather wonderful and quite unique large, hand carved wood (likely cypress) antique standing portrait sculpture/statue of Japanese Zen Buddhist monk or master priest figure. The pi...

A beautiful and exceptionally 19 inches tall classic traditional Kokeshi doll from Northern Japan. Handcrafted of wood and hand-painted in the early 20th century, covered with a layer of wax. Signed by the artist on its underneath. In good condition with charming patina. A classic traditional doll with a simple but lovely design, a decorative piece. In Japan these dolls symbolize love, friendship and believed to be a lucky charm. We offer more large Kokeshi...

A pair of six-fold Japanese screens with scattered fans, a waterwheel and jakago (rock-filled baskets) in flowing water beside a riverbank with a subtle golden mist in the distance. ...

Superb embroidered silk Fukusa, wedding gift wrapping silk cloth decorated with auspicious motive. Condition : Fine original condition with only minor abrasions and very minor ...

This is a very interesting old copper vase, believed to have been made in Japan or China. Its distinctive shape and high level of decoration make it a gem that stands out among the many copper vessels I have seen. The body is cylindrical, with a tightened shape at the top and bottom. The legs are slender and tapered, giving the overall design a beautiful sense of tension. This “tapered hem” design lends a special elegance to the vase's appearance. In terms of decoration, the intricate patterns encircling the upper and lower bands are particularly striking. These patterns are geometric abstractions of clouds and dragons. On both sides, small designs resembling animal or dragon faces are attached, adding to the elegant decorative beauty of the design. The copper surface has a deep amber luster from years of use, and the patina from aging captivates the viewer's heart. There are some dents and signs of use on the surface, but these are also charming elements that testify to the fact that this vase has been cherished and used for a long time. When half-filled with water and left for 24 hours, no leaks were detected. It is practical and can be used as a flower vase. Whether filled with fresh flowers, branches, or dried flowers, it will add a sense of sophistication to any space and make a statement wherever it is placed. The accompanying paulownia box is inscribed with “Tang Dynasty Ming Dynasty Antique Copper Vase...

Beautiful set of 6 large kakemonos from 19th century Japanese mythology. Paper support with a canvas pasted on the paper Wonderful set that is part of Japan's history and beliefs When not hung, the Kakemonos are rolled up. circa 1800 - Japan - Edo Period A kakemono translates as "object to hang". In Japan this refers to a painting or calligraphy, most often done on silk or paper framed in a scroll that was intended to be hung on walls or in public lighting. This particular form, which allows them to be in a roll, dates back to the Tang dynasty in China (this would be related to the copying and preservation of ancient Buddhist texts). A Kami is a deity or spirit worshipped in the Shinto religion. A Yokai is a spirit, ghost, demon, or strange apparition from the creatures of Japanese folklore. Each of these kakemonos represents a unique story: - A kami, a Japanese deity, is shown painting a rainbow. Indeed, he performs the action with his right hand while his left hand holds a kind of basket with three pots of paint. This kami has a rather closed attitude. He is standing in a dark and tormented sky. Below this figure, 8 villagers are dressed in traditional Japanese clothes. Their faces are softened. They are not afraid of the elements made by the kami above their heads. - A character with an unreal look is holding a kind of jar with his two hands, which he spills on human figures above. This being is floating in the air, probably a character from mythology, perhaps Susanoo. Underneath, villagers on umbrellas. They are trying to protect themselves as best they can from what is falling on them. One of them is carrying baskets with fish on her shoulders. A character in the background is thrown forward and falls. - On this kakemono, the god Raijin, dressed in a white and blue outfit, strikes the sky with his two drum hammers to create lightning and its thunderous sound. Surrounded by Tomoe and a long red scarf, Raijin, enraged and with dishevelled hair, creates a dark and violent storm. The villagers seem frightened by this meteorological phenomenon. One of the villagers can be seen fainting in the arms of a man. This scene may seem chaotic, but Japanese legend tells us that once a field is struck by lightning, the harvest is good. - On this kakemono, we see an unreal-looking figure holding a fan, as if he were sweeping away the bad weather, or simply producing gusts of wind. He is probably the kami of wind and air, Shina tsu-hiko. The figures below him seem surprised by so much wind. An umbrella flies away on the left, the women hold their hair and scarf, the clothes are caught in the power of the wind, there is even a woman on the ground on the bottom left. - This Kakemono represents a short moment. This Raiju is a yokai (ghost spirit...

Description Nice & Beautiful Arita Japanese Porcelain. This antique Japanese Imari porcelain sake bottle features a sleek and elegant design, with hand-painted floral patterns cr...

Poppies & Butterflies Ink, pigment and gofun on silk Igarashi Chikusa (1774-1844) Signature: Chikusa Ran Zen Upper Seal: Ran Shuzen Lower Seal: Kyoho Dimensions: Scroll: H. 68” x W. 18” (172cm x 45cm) Image: H. 38.5’’ x W. 12.5’’ (98cm x 32cm) This composition shows elegant images of poppies and the butterflies that are inevitably drawn to them. It captures a momentary glimpse into a world both visually dazzling and startlingly realistic. The painting is infused with sensitivity and attention to seasonal change and weather conditions. The thin and fragile poppies are beautifully depicted with brilliant colors and the butterflies are similarly infused with life. The painting is on silk which requires extremely precise painting skills as no element once painted can be removed. Poppies were a favorite subject of Rinpa school artists through the ages. Originally they were somewhat abstracted but by the age of Sakai Hoitsu...

The 19th Century Six-Panel Japanese folding screen "Byōbu" usually used in the most important Japanese house to stop wind and also to separate different space of the same big room de...

This gorgeous Japanese red lacquer traveling shrine (zushi) protects a miniature statue of Bishamonten, the Buddhist God of Warfare here depicted as an armor-clad warrior. A fearsome protector, he is thought to defend sacred places, punish evil-doers, expel demons and bestow wealth. In this example, Bishamonten stands atop a crouching demon, dressed in finely painted armor...

This Tsubo, pottery Jar is a product of, at least late Edo era (estimate 1840s-1860) estimate from the style & condition. Especially, The lid is made from wood, has a good amount...

This is a Seto ware tea bowl made in Japan from the late Edo period to the Meiji period (late 19th to early 20th century). Seto is a kiln with a long history in Aichi Prefecture, Jap...

Antique Japanese Wood Miniature Mask Netsuke, an unsigned work depicting Hannya, the female horned demon popular in Noh performance plays, a solid hardwood piece carved in high relie...

Set of 3 Porcelain Pillow Stands - Geisha Hair Protection Discover a captivating set of three porcelain pillow stands, each adorned with unique and intricate designs. These stands...

A rare and authentic Edo period (1603–1868) horagai—a conch shell trumpet traditionally used in Japanese Buddhist rituals, Shugendō mountain ascetic practices, and by yamabushi (moun...

This is an old drawer for storing Japanese swords originally called "Katanatansu". It is thought to be from around the Edo period. Cedar is used for the material, and a large numbe...

Iwase Hirotaka (1808-1877) Koi and Water Plants Hanging scroll, ink, color, gold wash and gold flecks on silk Inscription: Hirotaka Seal: Ille...

This stone Buddha sculpture, believed to date back to the early Edo period or earlier, depicts Jizo Bosatsu in a seated pose. Crafted from granite, it showcases the natural effects ...

Wonderfully large and bold tiger painted in ink and mineral pigments on silk mounted with silk brocade border. Seal reads: Miyaguchi (alternative reading: ...

are Japanese Negoro Lacquer Table with Curved Legs (Late 17th–18th Century) Japan, Edo period Dimensions: H 26.5 cm × W 43.1 cm × D 27 cm (Top surface: W 42.7 cm × D 25.7 cm) This e...

A rare six-panel Japanese folding floor screen (Byōbu) by Soga Shōhaku (1730-1781) from Edo period. The screen depicts six perched Hawk-eagles in various poses in a literary landscap...

This Muromachi period (14th-16th century) wooden Buddhist statue is a deeply spiritual masterpiece that embodies the Japanese concept of Wabi-Sabi in its purest, most literal form. W...

This exceptional, small-scale Japanese Tansu (chest of drawers), known as a Temoto-tansu (personal or keeper's chest), dates back to the late Edo period (early to mid-19th century)....

Japanese 19th century Edo-Meiji Period Satsuma stoneware incense burner (Koro) with small wooden support table By: unknown Material: ceramic, stoneware, wood, enamel, paint Techniqu...

Suzuribako (writing box) in black lacquer, rectangular in shape, with a gold lacquer (maki-e) decoration of a pavilion by the edge of a waterfall and a mountain river surrounded by v...

A Japanese lacquer coffer of long rectangular form with hinged semi- circular lid. The lacquer decoration depicting a landscape with deer and geese among blossoming trees and rocks i...

This is a white porcelain sake bottle made at the end of the Edo period. The name of this pottery is Iwayaki. The Yako was built in Hikino-cho, Fukuyama City, Hiroshima Prefecture. (The location marked with a red circle on the map is the pottery.) The kiln is currently abandoned. The kiln was opened in 1818 and continued until around 1900. Until this time, many sake bottles of this type were made and shipped with various decorations. (Please take a look at the document images of Iwatani Sake Tokkuri with various designs) This item is a pure white sake bottle and has the simplest design. containing a Chinese herbal...

Mid-19th century woodblock print of Onoe Kikugoro V signed Kagawa Toyoshige Kitsu. The famed Kabuki actor is playing the role of Banzuinin Chobei (or similar), a legendary street her...

Utagawa Ando Hiroshige, Japanese, 1797 to 1858, woodblock prints on paper, Flowers and Bird signed and inscribed in Hieroglyphs and red ink stam...

Japanese six-panel screen: Late winter into early spring, Rimpa style painting of a garden scene with doves on a bamboo fence. Flowers in bloom including ...

◆ Ukiyo-e ◆ Beautiful woman painting ◆ Japanese painting ◆ Hand-painted painting ◆ Silk ◆ Hanging scroll ◆ This work is drawn by hand and on...

A pair of four-fold Japanese screens painted in ink and colour on a gold ground with kuri (Japanese chestnut) flowers on a knoll. Japan, 17th/18th century, Edo period . Dimensions...

I bought a very nice vase with white porcelain and blue dye. This is a sake bottle called Imari ware in Japan. Imari ware is a kiln with a long history that began in the 17th cen...

A wonderfully designed and beautifully hand painted tea ceremony tray/plate by esteemed Japanese artist and master potter Ogata Kenzan (1663-1743). Kenzan is widely considered to be...

This is a ``Rising Sun and Pine Tree'' drawn by Kano Baisho. It is an item with a solemn taste and presence, and I think it would be a good idea to display it at New Year's, the fir...