Edo Wall Decorations

This piece is a fragment of an old Japanese painting, cut out and mounted in a frame. It is thought to have originally been part of a folding screen or hanging scroll, and depicts a ...

This is an old Japanese BORO textile, dating back to the Edo period (1800s–1860s). It is a rare cloth that has survived through a long span of time. The interplay of indigo and natur...

Antique Japanese Oraimono book Edo period, circa 1833 Woodblock print book Book dimensions: 260 mm x 180 mm There are damages because it is antique item as we show on the photos.

A wonderful Japanese woodblock print by famed Japanese artist Utagawa Hiroshige (Ando Hiroshige) (1797-1858) tilted "Yoroi Ferry at Koami-cho (Yoroi no ...

Spectacular 19th century Japanese late Edo period six-panel byobu screen depicting Yoshitsune and Benkei, two heroes of Japanese folklore. Crafted in ink and natural color pigments on mulberry paper with thick gold leaf borders on each panel. The character Yoshitsune is seated under a blossoming cherry tree in full armor holding a fan. The warrior priest or monk Benkei is depicted kneeling on a leopard skin...

Antique Japanese Ehon Book Meiji Era, but details are unknown Woodblack print book Book dimensions 266 mm x 190 mm There are small damages because it is antique item as we show on ...

Kano Naonobu (1607-1650) Plum Tree and Birds Six-fold Japanese Screen. Ink and slight color on paper. In this evocative ink work spread over a six-panel folding screen, we see the consummation of the elegance and refinement of the Edo Kano school. This 17th century screen is a rare surviving example of a large-scale bird and flower painting by Kano Naonobu, the younger brother of Kano Tanyu...

This is a wooden woodblock produced in Japan from the late Edo period to the Taisho period (about 1800s to 1920s). The material used is something like beech wood, and the wood is dec...

A refined 19th-century Japanese six-panel Byōbu folding screen depicting a richly composed autumn garden in full bloom. The composition is dominated by chrysanthemums in a wide varie...

Artist: Utagawa Hiroshige (1797 - 1858) Series: Pictures of Famous Places in the Sixty-odd Provinces Number: 44 Oki Province: Takuhi Shrine Medium: Woodblock Print Date: 1853 (Kaei 6), 12th month Number of Prints: 70/70 (inc. Title Page) Format: Vertical Oban Size (H x W): 14" x 9.25" print only. Publisher: Koshimuraya Heisuke (Koshihei) Blockcutter's mark: Hori Ko-Sen Signature: Hiroshige hitsu Additional marks: Censor's seals: aratame, Ox 12 Displayed with mat and gilt wood frame. Reference: For an identical print, see the collection of MIA (Minneapolis Institute of Art) Accession Number P.75.51.398; MFA...

Three Friends of Winter Nakajima Raisho (1796-1871) Late Edo period, circa 1850 Ink and gold leaf on paper. This is a double-sided Japanese Furosaki or tea-ceremony screen from the mid 19th century; bamboo and plum on the front, young pines the back. It by Nakajima Raisho, a master painter of the Maruyama school in the late Edo and early Meiji periods. In this work Raisho combines exquisite ink brushwork with large open spaces of brilliant gold-leaf to inspire the viewers imagination. Rather than naturalism, he is searching for the phycological impression of the motifs, resulting in abstraction and stylization. His simplification of the motifs the result of looking to capture the inner nature of the objects. This art motif is known as Sho Chiku Bai, or the Three Friends of Winter. Evergreen pine connotes steadfastness, bamboo suggests both strength and flexibility, while plum blossoms unfurling on snow-laden branches imply hardiness. Combined, this trio is emblematic of Japanese new year. Chinese literati were the first to group the three plants together due to their noble characteristics. Like these resilient plants flowering so beautifully in winter, it was expected of the scholar-gentleman to cultivate a strong character with which he would be able to show the same degree of perseverance and steadfastness even during times of adverse conditions. The screen would have been placed near the hearth of a room used for the Japanese tea ceremony, shielding the fire from draughts and also forming a stimulating and decorative backdrop behind the tea utensils. It would have been used in the Hatsugama, or first tea-ceremony of the new year. Nakajima Raisho (1796-1871) originally studied under Watanabe Nangaku before entering the school of Maruyama Ozui. He was the highest ranking Maruyama school painter at the end of the Edo period and was known as one of the ‘Four Heian Families’ along with Kishi...

[Authentic Artwork] ◆ Nagamachi Chikuseki ◆ Landscape ◆ Edo Period ◆ Mitsuishi Origin ◆ Kagawa Prefecture ◆ Handwritten ◆ Paperback ◆ Hanging Scroll ◆ k891 ◆ Nagamachi Chikuseki Explore the artistry of Chikuseki Nagamachi...

A six-fold Japanese screen by Tosa Mitsusuke (1675-1710), Japan 17th-18th century, Edo period. The signature reads Shoroku-i ge Tosa sa Konoe Shogen Mit...

Description Unknown Condition Period 19th century

Mori Tetsuzan (1775-1841) Pheasants and Cherry Blossoms Two-fold Japanese screen. Ink, color, gofun, gold and silver on paper. A two-fold Japanese bir...

Fantastic pair of 19th century Japanese late Edo/early Meiji period six-panel screens titled The seven sages of the bamboo grove. The Kano school screens...

Iwase Hirotaka (1808-1877) Koi and Water Plants Hanging scroll, ink, color, gold wash and gold flecks on silk Inscription: Hirotaka Seal: Ille...

A rare pair of antique Japanese Karashishi paintings in a landscape of rocks and peony flowers on gold leaf ground in fine handmade frames, Edo period, early 18th century. The Karash...

The following is a work of art depicting the ``Horai Landscape,'' a land of peach, created by the master artist [Rosetsu Nagasawa] A painter from the late Edo period. There are conf...

UTAGAWA KUNIYOSHI (1797-1861) - Antique woodblock print - from the actor series - third print only (part of a triptych) - contained in a vintag...

Set of four 19th century stunning, intricate lattice panels from Japan. Wood with naturally worn patina; traces of crackled finish. Each panel measures 35.5 inches wide and placed to...

Mother’s Breast (Chichi) 1844 Hanging scroll. Ink, pigments and gofun on silk. Inscription: Kouka era, dragon year, late winter, painted by Shozan Yashou Artist’ seals: ...

　"Early Summer Colored Waterfall" is a work drawn by Sekiran Okumura as you can see. 　　The brilliance of the fresh greenery and the cool, powerful presence of the waterfall are overw...

Poppies & Butterflies Ink, pigment and gofun on silk Igarashi Chikusa (1774-1844) Signature: Chikusa Ran Zen Upper Seal: Ran Shuzen Lower Seal: Kyoho Dimensions: Scroll: H. 68” x W. 18” (172cm x 45cm) Image: H. 38.5’’ x W. 12.5’’ (98cm x 32cm) This composition shows elegant images of poppies and the butterflies that are inevitably drawn to them. It captures a momentary glimpse into a world both visually dazzling and startlingly realistic. The painting is infused with sensitivity and attention to seasonal change and weather conditions. The thin and fragile poppies are beautifully depicted with brilliant colors and the butterflies are similarly infused with life. The painting is on silk which requires extremely precise painting skills as no element once painted can be removed. Poppies were a favorite subject of Rinpa school artists through the ages. Originally they were somewhat abstracted but by the age of Sakai Hoitsu...

These magnificent lacquered wood panels have been mounted together on a lucite panel. Each panel has its original hanging handle. The panels are hanging on antique railroad...

This is a slightly different Buddhist painting believed to have been created by a Japanese temple monk during the Edo period (late 17th to 19th century). Rendered in ink on paper, th...

A two-fold Japanese screen by the Rimpa school artist Sakai Hoitsu (1761-1828), Japan, 19th century, Edo period. This small Japanese folding screen pai...

Illustration to an unidentified chapter of the Tale of Genji (Genji Monogatari) Tosa School (second half of the 17th Century) Ink, pigment, gofun and...

Pair of antique Japanese Nagasaki School paintings by Yanagisawa Kien (1704-1758), depicting classical ikebana flower arrangements. Each painted on silk in mineral pigments and beari...

In Japan, cranes symbolize fidelity as they mate for life and turtles symbolize longevity. Additionally, this screen also has the Japanese motif of sho-chiku-bai, or the three friends of winter (pine, plum, and bamboo). So called the three friends of winter because all three flourish during the cold months. This screen was originally fusuma doors...

A fantastic framed Japanese woodblock triptych by Utagawa Kunisada II (Toyokuni IV) entitled "Twilight Snow at Mount HIra" from the series "Eight Views of Omi", Edo period, circa 185...

Edo period (c. 1800) screen, beautifully painted with excellent details. Kano School painting at its best. An exuberant Audobon landscape being observed by a cat and her kitten. A...

Antique Japanese Woodblock – Utagawa Toyokuni l – 1816 (Honjo, Edo Period 1786-1865 Edo), Diptych, Actors Bandô Mitsugorô (R) and Ichikawa Danjûrô (L) Date: Japanese, Edo period Pro...

Birds & Flowers of the Seasons Pheasants & Plum in Snow Unframed painting. Ink, pigment and gofun on silk Kano Chikanobu 1819-1888 Signature...

Mitani Toshuku (1577-1654) “Falcon” Wall panel, ink and light color on paper. Upper Seal: Mitani Lower Seal: Toshuku Dimensions: Each 118.5 cm x 51 cm x 2 cm (46.5” x 20” x .75”) Individual falcon paintings by Mitani Toshuku (1577-1654), an early artist of the Unkoku School. Founded by Unkoku Togan (1547–1618), a master of the Momoyama period, the Unkoku school enjoyed long lasting patronage in southern Japan. Togan was a retainer of the Mori family in present day Yamaguchi prefecture. Members of the school considered themselves to be in the artistic lineage of Sesshu Toyo...

Painting - Jose Maria Pereira Cão - Oil on wood (signed). Oil on wood. Signed and dated October 29, 1912. The coat of arms shows in the first and fourth quarters the arms of the Sous...

Remarkable pair of early 19th century Japanese late Edo period screens depicting summer chrysanthemums growing along a brushwood fence. Ink and...

This elegant Japanese woodblock print is inspired by Ura Fuji (“Hidden Fuji”) from the celebrated series Thirty-Six Views of Mount Fuji by Katsushika Hokusai, one of the most iconic ...

Japanese two-panel screen: Peony and Cherry, Edo period (circa 1800) painting, formerly fusuma (Japanese sliding doors), executed in the Kano school style, featuring a cherry tree in...

Japanese six-panel screen: Late winter into early spring, Rimpa style painting of a garden scene with doves on a bamboo fence. Flowers in bloom including ...

Artist: Utagawa Hiroshige (1797 - 1858) Series: Pictures of Famous Places in the Sixty-odd Provinces Number: 5: Settsu Province: Sumiyoshi, Idemi Beach Medium: Woodblock Print Date: 1853 (Kaei 6), 7th month Number of Prints: 70/70 (inc. Title Page) Format: Vertical Oban Size (H x W): 14" x 9.25" print only. Publisher: Koshimuraya Heisuke (Koshihei) Block Cutter: Yokokawa Takejirô (Hori Take) Signature: Hiroshige hitsu Additional marks: Censors' seals: Mera, Watanabe, Ox 7 Displayed with mat and gilt wood frame. Reference: For an identical print, see the collection of MFA Boston...

19th century Japanese Edo period six-panel screen painted in Haboku (splashed ink) style. Depicts Four Seasons landscape scenes with two portraits of Chinese sages. One sage is trave...

Whimsical Japanese late Edo period two-panel screen circa 1800 by Yokoyama Kazan (Japanese 1784-1837). The screen depicts four of the seven Gods or deities ...

Utagawa Kuniyoshi (Japan, 1798-1861), a set of nine Japanese woodblock prints (ukiyo-e) from the series 'Taiheiki Eiyuden', or 'Heroes of the Great Peace' published between 1846-1847...

This 18th century folding screen is a stunning example of Japanese artistry. Beautifully painted with delicate brushwork, the evocative sc...

◆ Ukiyo-e ◆ Beautiful woman painting ◆ Japanese painting ◆ Hand-painted painting ◆ Silk ◆ Hanging scroll ◆ This work is drawn by hand and on...

Mitani Toshuku (1577-1654) “Falcon” Wall panel, ink and light color on paper. Upper seal: Mitani Lower seal: Toshuku Dimensions: Each 118.5 cm x 51 cm x 2 cm (46.5” x 20” x .75”) Individual falcon paintings by Mitani Toshuku (1577-1654), an early artist of the Unkoku School. Founded by Unkoku Togan (1547–1618), a master of the Momoyama period, the Unkoku school enjoyed long lasting patronage in southern Japan. Togan was a retainer of the Mori family in present day Yamaguchi prefecture. Members of the school considered themselves to be in the artistic lineage of Sesshu Toyo...

A Japanese silk Suijaku hanging scroll beautifully presented in a custom wood shadow box frame from Edo period (circa 18-19th century). The scroll, surmounted on golden brocade was painted in fine details with gouache, ink and gold powder highlight, served as a Suijaku mandala for the worshippers. Honji Suijaku is a complicated religious concept uniquely developed in Japan. It mixed and hybrid the Buddism deities with native shinto spirits (known as Kami), which were seen as local manifestations (the suijaku, literally means a "trace") of Buddhist deities (the honji literally the original ground). The original idea may lie with the synergetic strategy to spread Buddism by making it more relatable to the local population who had already worshiped Shinto gods. The paradigm, adopted in the 10th century from an orignal Chinese concept, remained a defining feature of Japanese religious life up to the end of the Edo period (1868). Instead of being confined to deities, its application was often extended to historical figures as shown on this scroll. This long hanging scroll depicts an arrangement of 21 figures including Buddhism and Shinto deities as well as two historical figures on the bottom. Each figure was name-tagged in Kanji for easy identification by the worshippers. It was used in the temple or shrine so that when the worshipper prayed in front the mandala, they prayed simultaneously to all the deities. On the very top, sits Nyorai-Kojin, a hybrid deity of Nyorai Buddha and Kojin, the kaki for fire, stove and kitchen. From the top to bottom and left to right, here is the list of the deities: Kanon with Thousand Hands, Kanon with Willow Branch, Monju Bosatsu...

A Japanese Kesa (Monk's Vestment) made from thirteen columns of patchworks of brocades set within a border of the same material. The brocade was woven from a subtle color palette of ...

TheItem below was painted approximately 300 years ago by Kano Chikanobu. In the center is a depiction of a deer hermit, on the right is a landscape of a tower that gives a sense of ...

Japanese two-panel screen: Gibbons of Folklore, Edo period (17th century) Kano School painting of gibbons in Japanese fables. The left panel represents a Japanese fable of a monkey a...

Japanese Six Panel Screen: Snow Scene at Water's Edge with Flowers and Waterfowl. Edo period painting (mid 19th century) of plum, bamboo, white camellias, cranes and mandarin ducks ...

Stunning and rare, this beautiful and panoramic Japanese woodblock triptych print was produced in the 1850s in a now famed collaboration between renowned artists Utagawa (Ando) Hiroshige and Utagawa (Toyokuni III) Kunisada. Hiroshige was the leading landscape print artist and Kunisada the leading actor and figure print artists of their era. The print has all the correct artist's (Hiroshige's red rectangular seal), publisher and date seals and stamps. It was originally purchased from the Franell Gallery which was located in the Okura Hotel in Tokyo in the late 1960s and 1970s and owned by American artist and writer Frances Blakemore...

Japanese Two Panel Screen: Mandarin Ducks and Geese Among Bamboo and Flowers, Edo period painting (c. 1850) of mandarin ducks and geese on a grassy sh...

Kesa, known as "Jiasha" in Chinese and "Kasaya" in Sanskrit, is an out layer garment worn by the ordained Buddhist monks. Bearing a basic rectangular form, it developed originally in...

Birds and flowers of the four seasons Early to mid-19th century Ink, pigment and gofun on silk Unidentified artist Signature: S...

Antique Japanese epic novel book Edo period, circa 1827 Woodblack print book Book dimensions: 225 mm x 157 mm There are damages because it is antique item as we show on the ph...

Japanese Two Panel Screen: Mountain Landscape with Calligraphy. Late Edo (c. 1850) painting of a dramatic mountainside carved by a waterfall with a crane flying in the foreground an...

Birds & flowers of the seasons Pheasants & plum in snow Unframed painting. Ink, pigment and gofun on silk Kano Chikanobu 1819-1888 Signature...

This is a ``Rising Sun and Pine Tree'' drawn by Kano Baisho. It is an item with a solemn taste and presence, and I think it would be a good idea to display it at New Year's, the fir...