Edo Furniture

Product of late Edo period (estimate 1860s-1870s) in Aomori prefecture, Japan. Originally made as tool chest or medicine chest, made of thick, fine grade reddish Sugi cedar. The rus...

Amazing 19th century Japanese Edo period six panel folding byobu screen depicting Chinese children at play. The screen alludes to the 100 children theme. ...

A fantastic and exceptionally rare wood carved Japanese Kyogen Noh theatre Mujina mask of either a mythical badger (anaguma) or raccoon-dog (tanuki) - both creatures are known in Jap...

Late Edo period 19th century Japanese six-panel landscape screen featuring a cypress tree over a flowering hibiscus with a pair of hototogisu birds. Kano school painted with ink and ...

Spectacular 19th century Japanese late Edo period six-panel byobu screen depicting Yoshitsune and Benkei, two heroes of Japanese folklore. Crafted in ink and natural color pigments on mulberry paper with thick gold leaf borders on each panel. The character Yoshitsune is seated under a blossoming cherry tree in full armor holding a fan. The warrior priest or monk Benkei is depicted kneeling on a leopard skin...

A beautiful and very engaging Edo Period (1603-1868) Japanese Tosa school original painting featuring two officials from the Imperial Court. The Tosa school (土佐派,) of Japanese pai...

The two stacking units in a reddish-brown stain with black metal mounts. The top chest with two long drawers on the left. The right side with a drawer over two more smaller drawers...

A superb 18th–19th century Japanese lacquered paper box (kobako) of exceptional quality, distinguished by its richly detailed and highly unusual avian composition. The lid is master...

Japanese antique mid size Tansu (chest of drawers), product of circa 1870s - 1900s, late Edo to Meiji era, estimate from the style & conditions. Remaining original paint gives a ...

This wooden Buddhist statue (made from cypress wood) is thought to have been made in the Edo period, probably around the 18th or 19th century. It is one of the types of statues known...

From Tohoku area, Japan. This mid-size, black Urushi lacquered Tansu chest of drawers is a product of late Edo to early Meiji era (circa 1860s-1880s) , estimate from the style & con...

Shioka Sorin (1781-1850) Flowers & Birds of the Four Seasons Pair of six-panel Japanese Screens. Ink, gofun and pigments on silk. Dimensions (each screen): H. 91.5cm x W. 285cm (3...

Antique Japanese 6 panel screen from the early Edo period (C1650). One of a pair (both available). This magnificent golden screen shows...

This Japanese apothecary chest (tansu) dates to the first year of Kaei (1848), late Edo period. The date is recorded internally in brush-written ink, providing direct historical evid...

Fantastic diminutive Japanese Edo period table top screen depicting a lively water landscape with flora and fauna. The screen is beautifully painted o...

This is a small Jizo Bodhisattva statue believed to have been made in the late Edo period (19th century). It is believed to be made of granite. Its rough texture exudes a gentle aura...

This is a slightly different Buddhist painting believed to have been created by a Japanese temple monk during the Edo period (late 17th to 19th century). Rendered in ink on paper, th...

Available from Shogun's Gallery in Portland, Oregon for over 40 years specializing in Asian Arts & Antiques. Japanese Sugi Wood Chobadansu Merchant Chest Late Edo Period Tansu ...

A small stone statue of Jizo Bosatsu. This piece is believed to have been created in the late Edo period (18th–19th century). Standing approximately 17 cm in height, it is small eno...

It is a work that is said to have been drawn by Kano Soyu as you can see. It is a picture of the light-colored Sansui map carefully drawn to the smallest detail, and the towering m...

This antique Buddhist shrine box was crafted in the Edo Period (1603-1868). Known in Japan as a “Zushi,” it served as a small sanctuary to enshrine Buddhist figures, scriptures, or ...

Description A very nice unusually shaped polychrome bowl. Overglaze enamels. Visible is a figurale village landscape scene on the inside. The scene has a narrative, almost Chinese-in...

Extraordinary 19th Century hand carved wood mask believed to have once been a dramatic Noh Drama piece likely representing a giant or demon. The mask with expressive grimacing face ...

This is a complete set consisting of a wooden Daikokuten statue and its zushi shrine, made in Japan. According to the inscription on the accompanying plaque, it was made in Kyoho 13,...

A pair of six-fold Japanese screens from the 17th century depicting a flock of cranes arriving at their wintering grounds. The expansive scene is heavily atmospheric. The cranes are...

A six-panel folding screen with a narrative painting showing from a bird’s-eye view a spring landscape with cherry blossoms and cryptomeria trees by a river with a bridge. Groups of ...

New finds from the old-established family house in Ibaraki pref, Kanto area, Japan. Had been kept with care at the 2nd floor to avoid the humidity , even it was used as the exterior ...

We have a unique Japanese aesthetic sense. And only we can introduce unique items through our purchasing channels in Japan and the experience we have gained so far, in such a way that no one else can imitate. It is speculated that this pottery was fired in the Shodai kiln in Kumamoto Prefecture during the Edo period, around the 18th century to the first half of the 19th century. It is characterized by the use of iron-rich clay and the appearance of a white glaze that looks like falling snow. As a feature, using clay with a lot of iron, It is characterized by a white glaze that looks like snow. This vessel is made with two types of glaze. One is straw ash glaze and the other is rice husk ash glaze. This rice husk ash glaze changes to a white glaze. This pot is very beautiful with a petal-like rim. However, there is one spot where the crack has been repaired. The part marked with a red arrow has been broken once, but it seems to have been glued later. Therefore, it will not leak even if you put water in it. It's not very noticeable so I wouldn't worry about it. This Shodai ware was made in Kumamoto Prefecture and was used there, so there are not many items in Japan. It is a rare item. Also, a wooden box is included, but it says "Karatsu ware...

An early antique beauty with all original pieces. Please view our video. Japan, a tall and stone lantern with fence like engraved designs on its firebox , carefully crafted in six ...

This is Hagi ware made in the middle of the Edo period. Hagi ware is a type of pottery that began in Hagi City, Yamaguchi Prefecture in the early Edo period...

An antique Japanese table with inlaid mother-of-pearl (Raden) and gold maki-e over brown lacquer. Japan, late Edo period, possibly earlier. Raden (螺鈿) is a traditional Japanese dec...

Bathed in radiant gold, Melody of Magnolia Blossoms captures the fleeting harmony of nature in bloom. A graceful magnolia branch arcs across the shimmering surface, its petals unfold...

It is an old Japanese drawer. It is an item from the Edo period (1800s-1860s). It has a keyed door so that it can also be used as a safe. Both metal fittings are attached with very ...

Seasons Flowing in Gold is a masterful expression of depth and rhythm, painted with a subtle three-dimensional effect that brings the landscape to life. From the snow-laden willow a...

A 17th Century Japanese Blue and White Porcelain Dish in the Kraak Style, Arita Kilns 1670 – 1690. Painted in dense rich tones of cobalt oxide it depicts a grasshopper on a rock ove...

Beautiful, most likely originates in Japan: large round ceramic vase in an eggshell blue to turquoise glaze. The general style is inspired by the marvellous brush painting style of t...

A beautiful Tamba (Tanba) ware (or Sigaraki ware) Japanese pottery vase/jar/pot - produced sometime during the Edo Period (1603-1867). Tamba-yaki ware is a type of Japanese pottery a...

Japanese antique large cabinet, tansu chest of drawers in the vein of Kusuri dansu (Medicine / apothecary chest). Product of late Edo to early Meiji era (1850s-1890s), estimate from ...

A six-panel Japanese folding screen from the leading Maruyama-Shijo artist Okamoto Toyohiko (1773-1845). Simply featuring three deer and a few sprigs of foliage on a sumptuous gold-leaf background this work emphasizes naturalistic expression and a masterful use of negative space. Reduced to its most basic elements, the blank spaces inspire imagination and evoke the smells, sounds and even the weather of the scene. Whilst deer are traditionally depicted in association with autumn, here the green growth on the tops of the foliage indicates the season of spring. The work references Maruyama Okyo’s two-panel deer screen...

Very happy with this new arrival. Hexagonal Arita kakiemon bowl of unusual shape and design and size. Landscape scene with birds, trees, flowers and pomegranates. Period; 17/18C S...

A wonderful, beautifully aged Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship during the Heian ...

Three Friends of Winter Nakajima Raisho (1796-1871) Late Edo period, circa 1850 Ink and gold leaf on paper. This is a double-sided Japanese Furosaki or tea-ceremony screen from the mid 19th century; bamboo and plum on the front, young pines the back. It by Nakajima Raisho, a master painter of the Maruyama school in the late Edo and early Meiji periods. In this work Raisho combines exquisite ink brushwork with large open spaces of brilliant gold-leaf to inspire the viewers imagination. Rather than naturalism, he is searching for the phycological impression of the motifs, resulting in abstraction and stylization. His simplification of the motifs the result of looking to capture the inner nature of the objects. This art motif is known as Sho Chiku Bai, or the Three Friends of Winter. Evergreen pine connotes steadfastness, bamboo suggests both strength and flexibility, while plum blossoms unfurling on snow-laden branches imply hardiness. Combined, this trio is emblematic of Japanese new year. Chinese literati were the first to group the three plants together due to their noble characteristics. Like these resilient plants flowering so beautifully in winter, it was expected of the scholar-gentleman to cultivate a strong character with which he would be able to show the same degree of perseverance and steadfastness even during times of adverse conditions. The screen would have been placed near the hearth of a room used for the Japanese tea ceremony, shielding the fire from draughts and also forming a stimulating and decorative backdrop behind the tea utensils. It would have been used in the Hatsugama, or first tea-ceremony of the new year. Nakajima Raisho (1796-1871) originally studied under Watanabe Nangaku before entering the school of Maruyama Ozui. He was the highest ranking Maruyama school painter at the end of the Edo period and was known as one of the ‘Four Heian Families’ along with Kishi...

For sale is a vintage set of five traditional Japanese wooden 'Naruko' and 'Togatta' style "Kokeshi" dolls, dating from circa the mid-20th century. Consisting of five different-siz...

A wonderful, highly erotic Japanese Shunga woodblock print. This work is likely by the renowned Ukiyo-e artist Utagawa Kunisada 1786-1865 (also known as Utagawa Toyokuni III) and created during the Edo period (1603–1867). Shunga is a type of Japanese erotic art...

An Aka-Raku Chawan (Red-Raku tea bowl) by Raku Tannyu (1795-1854), the tenth-generation head of the Raku kiln. The Raku family established one of the longe...

Japanese Kano School Edo period two-panel screen depicting flowering prunus and bamboo on a rock formation, with colorful birds next to a body of water. ...

Description A lovely piece with beautiful scene in underglaze blue. For food serving. Condition Perfect condition. Size: 22x15.5CM heightxdiameter Period 19th century Meiji Periode...

This is a wooden standing statue of Kannon Bosatsu (Avalokiteśvara) produced in Japan during the mid to late Edo period (18th to 19th century). With a height of 36.5 cm, it possesses...

A fine lacquered and gold leaf Nagamochi dating from the late 18th century or early 19th century. The exterior of the trunk and its gilded metal fittings are decorated with a folia...

A gorgeous, strangely beautiful, unusually engaging, and alluring hand-painted large six-panel Japanese/Asian Byobu folding screen depicting an almost magical/ mythical nature scene ...

A spectacular Japanese maki-e lacquer lidded box, possibly a writing box, suzuribako, decorated with images of folding fans, ogi, Edo Period, earl...

This remarkable screen from the early Edo period, circa the 17th century, showcases the influence of early Chinese art forms with its intricate ink work on a gold leafed surface. The...

This antique small chest of drawers was crafted in the Edo Era (Tenpō 1830-1844). The aged urushi (Japanese lacquer), worn away in places, enhances the piece’s unique character and ...

Anonymous Spotted Deer and Autumn Flowers Two-panel Japanese Screen; ink, color, gofun and gold fleck on paper. This two-panel Japanese screen, painted on paper and likely dating ...

19th century Japanese Edo period six-panel screen painted in Haboku (splashed ink) style. Depicts Four Seasons landscape scenes with two portraits of Chinese sages. One sage is trave...

A quite wonderful, intricately crafted, evocative Tsuba - Japanese Samurai sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship during the Heian period (794–1185). Initially crafted from iron or bronze, over time they became more decorative in nature and more for show as the waring Samurai clans disbanded and became part of Japan's past. The particular Tsuba features a traditional wave and plovers (birds) design - a classic motif made popular by renowned Japanese artist Katsushika Hokusai's famous image "The Great Wave off Kanagawa (Under the Wave off Kanagawa (Kanagawa oki nami ura))" The rare rolled edges, dark almost black patina, expert craftsmanship, and irregular shape makes this quite an appealing work. The piece is likely from the mid to later Edo Period (1603-1868). The Tsuba has a great feel to it. Would be a great addition to any Tsuba or Japanese Asian...

Signed Unkoku Toyu (1660-1716) Flowers & Birds of Winter and Early Spring A Six-panel Japanese Screen. Ink, color and gold leaf on paper. This later 17th century Japanese screen is signed Unkoku Tōyū (1660–1716), a leading figure of the Unkoku school in the early Edo period. Tōyū was the eldest son of Unkoku Tōji, and he carried forward a lineage that deliberately anchored itself in the authority of Sesshū Tōyō. The mood of the scene is observational and seasonal, not emblematic of power as were many screens from the more wide-spread Kano school. The composition is unified by wind and atmosphere. Everything — bamboo, plum, reeds, water, birds — participates in a single directional force moving from left to right. Unlike certain later screens that flatten elements across the surface, this composition preserves a sense of depth. Yet the recession is moderated by gold clouds and frontal placement of forms. The result is a balanced tension between depth and surface. The compositional structure — with its expansive sweep across the panels — reflects the decorative ambition of Momoyama screen...

This is an old copper tub made in Japan. It was made during the Edo period (1800s-1860s) and used as a tool to draw water from a well. This tool is one of the tools of daily life tha...

An antique Japanese Edo period diptych woodblock print from the early to mid 19th century, signed by Utagawa Kuniyoshi. Immerse yourself in the Japanese Edo period artistry with this antique 19th-century diptych woodblock print. Signed by the artist, this captivating piece is a striking depiction of a tranquil interior scene, rendered in a soothing color palette of blue, pink, and black tones. This print comprises two panels, assembled under glass in a custom frame to form a cohesive narrative. The scene captures a specific moment in time, presenting a man surrounded by four women and a child, beautifully adorned in traditional Japanese garments. The intricate details of their clothing are a testament to the artisan's skill, bringing an element of authenticity and depth to the scene. On the left, three women sit in a state of relaxed conversation, while another stands, graciously offering a tray. Adding intrigue, two additional women can be spotted peeking through a slightly open window, one cleverly concealing her face behind a fan. A child, smaller in stature, sits attentively in front of the man, further enhancing the scene's narrative quality. A signature from the artist adds an additional layer of authenticity, making this piece a must-have for collectors of antique Japanese art...

Kutani ware is a color-painted porcelain produced around Kanazawa City in the southern part of Ishikawa Prefecture, starting in 1655. It features a colorfu...