Prototype George Nelson Rosewood Round Dining or Conference Table, One of a Kind For Sale
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Prototype George Nelson Rosewood Round Dining or Conference Table, One of a Kind

About

This unique prototype table was designed by George Nelson and features a 1.5 inch thick Brazilian rosewood top made from lumber Nelson selected on a trip to Brasilia and meeting with Oscar Niemeyer. It never went into production due to the high cost of materials, but was utilized as a conference table in the George Nelson & Company office for many years. Eventually given to one of the designers, it served as a dining table for the past forty-five years. provenance: George Nelson Associates, New York Private Collection.

Details

  • Materials and techniques
  • Condition
    Good. Table top with minor restoration to edge. Some scratches (see photos). Points of contact to base. Fine vintage condition overall.
  • Dimensions

    H 29.25 in. x Dm 69 in.

    H 74.3 cm x Dm 175.26 cm

  • Diameter
    69 in. (175.26 cm)
  • Seller location
    Kansas City, MO
  • Reference number
    LU1057010998751

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About Herman Miller (Manufacturer)

No other business of its kind did more than the Herman Miller Furniture Company to introduce modern design into American homes. Working with legendary designers such as Charles and Ray Eames, George Nelson and Alexander Girard, the Zeeland, Michigan-based firm fostered some of the boldest expressions of what we now call Mid-Century Modern style. In doing so, Herman Miller produced some of the most beautiful, iconic and, one can even say, noblest furniture of the past seven decades.


     Founded in 1923, Herman Miller was originally known for grand historicist bedroom suites: heavily ornamented wood furniture that appealed to a high-minded, wealthier clientele. The company—named for its chief financial backer—began to suffer in the early 1930s as the Great Depression hit, and D. J. De Pree, the company’s CEO, feared bankruptcy. In 1932, aid came in the form of Gilbert Rohde, a self-taught furniture designer who had traveled widely in Europe, absorbing details of the Art Deco movement and other modernist influences. After persuading De Pree that the growing middle-class required smaller, lighter household furnishings, Rohde set a new course for Herman Miller, creating sleek chairs, tables and cabinetry that were the essence of the Streamline Moderne style.


     Rohde died suddenly in 1944. The following year, De Pree turned to George Nelson, an architect who had written widely about modern furniture design. Under Nelson’s leadership, Herman Miller would embrace new technologies and materials and audacious biomorphic forms. Some of the pieces the company produced are now emblems of 20th century American design, including the Eames lounge chair and ottoman and Nelson’s Marshmallow sofa and Coconut chair. As you can see on these pages, such instantly recognizable furnishings have become timeless—staples of a modernist décor; striking, offbeat notes in traditional environments.

About the Seller

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