18th Century and Earlier Wall Decorations

French School, 18th century. Oil on Canvas painting set in an antique giltwood frame. Unsigned. An 18th century portrait painting of a young Philip V or at this time Duke of Anjou....

ITALIAN SCHOOL "TOBIAS AND THE ARCHANGEL RAFAEL" 18TH CENTURY Oil on canvas made in the 18th century, It represents the moment in which the archangel Raphael instructs a young Tobit...

A monumental and captivating 18th-century Spanish Colonial oil on canvas depicting Saint Raphael the Archangel, rendered in grand scale with overall dimensions of 167 cm height by 11...

Antique portrait titled 'Ludovicus Galliae Delphinus'. Portrait of Louis of France. He was the eldest son and heir of Louis XIV, King of France, and ...

Antique print titled 'Dooping des Konings van Kongo'. Print of the baptism of the King of Congo. This print originates from Prévost's 'Histoire générale des Voyages'. Artists and En...

Giuseppe Bonito (Italian, 1707-1789) A Large 18th Century Portrait of a Gentleman. Oil on canvas, in original gilt-wood rococo frame. Canvas: 45″ high x 34″ wide Frame: 52″ high x ...

The image depicts Fingal's Cave, a famous sea cave located on the uninhabited island of Staffa, part of the Inner Hebrides in Scotland. This colored engraving is from the "Bilderbuch...

Antique print titled 'Coupe sur la longueur d'une partie de la Galerie des Antiques dans les jardins de Kew'. Copper engraving showing a section of the Royal Botanic...

Title: "Ritual Dance in Brazil" Description: This original copper engraving from Arnoldus Montanus' "Die Unbekannte Neue Welt oder Beschreibung des Welt-teils Amerika und des Sud-La...

A beautifully executed and rare complementary pair of oil on canvas paintings depicting two of the moist famous and important counter reformation catholic saints St Francis Xavier and St Carlo Borromeo shown in scenes of what the respective saints are mostly famous for. St Francis Xavier for the conversion to Christianity of many S. E Asian countries notably India and St Carlo Borromeo shown asking the Virgin Mary to intercede for the cessation of the terrible plague of 1576. The paintings are presented in refreshed gilded carved wooden frames and are unsigned. St. Francis Xavier was born in Spanish Navarre in 1506 and in 1528, he met St. Ignatius of Loyola. He became one of the seven in 1534 who founded the Society of Jesus (Jesuit Order). In 1536, he left the University of Paris and joined St. Ignatius in Venice. He was ordained in 1537, and in 1540 after the Society was recognized by the Pope, he journeyed to the Far East. Francis Xavier first evangelized the Portuguese colony of Goa in India, then Travancore, Ceylon, Malacca, and the surrounding islands. From there he journeyed to Japan, where he gave Christianity such deep roots that it survived centuries of violent persecution. He died on Sancian Island in 1552, while he was seeking to penetrate into the great forbidden land of China. Despite language problems, lack of funds, resistance from the Europeans as well as the natives, he persevered. St. Francis converted more people in his life than anyone since the Apostle St. Paul. He baptized over 3 million people, converted the entire town of Goa in India, and he labored in India, Pakistan, Bangladesh, Sri Lanka, Malaysia, Indonesia, Singapore, and Japan. He was truly a missionary par excellence. St Carlo Borromeo (1538-1584), was a Cardinal of the Holy Roman Catholic Church and Archbishop of Milan from 1565 to 1583. He was described in the decree for his canonization, as “a man, even while the world smiles on him with the utmost flattery, he lives crucified to the world, spiritually, trampling earthly things, seeking continuously the things of heaven, emulating the life of the Angels on earth, in his thoughts and actions. The plague began in the month of August that year. Milan was celebrating joyfully the arrival of Don John of Austria, on his way to Flanders, where he had been appointed governor. The city authorities were abuzz with excitement in their desire to bestow the highest honours on the Spanish prince, but Charles, who had been Archbishop of the diocese for six years, was following with concern the news coming from Trento, Verona and Mantua, where the plague had begun claiming victims. The first cases exploded in Milan on August 11th, right at the moment when Don John of Austria arrived. The victor of Lepanto, followed by the governor, Antonio de Guzmán y Zuñiga, departed the city, while Carlo Borromeo, who was in Lodi for the Bishop’s funeral, returned in haste. Confusion and fear reigned in Milan and the Archbishop dedicated himself completely to assisting the sick and ordering public and private prayers. Dom Prosper Guéranger sums up his infinite charity in this way: “In the absence of local authorities, he organized the health service, founded or renewed hospitals, sought money and provisions, decreed preventive measures. Most importantly though, he took steps to ensure spiritual help, assistance to the sick and the burial of the dead. Unafraid of being infected, he paid in person, by visiting hospitals, leading penitential processions, being everything to everyone, like a father and true shepherd” St. Carlo was convinced that the epidemic was “a scourge sent by Heaven” as chastisement for the sins of the people and that recourse to spiritual measures was necessary to fight against it: prayer and penitence. He rebuked the civil authorities for having placed their trust in human measures rather than divine ones. “Hadn’t they prohibited all the pious gatherings and processions during the time of the Jubilee? For him, and he was convinced of it, these were the causes of the chastisement. The magistrates who governed the city continued to oppose public ceremonies, out of fear that the large gathering of people would spread contagion, but Charles “who was guided by the Divine Spirit” – recounts another biographer – convinced them by citing various examples, among which was the one regarding St. Gregory the Great who had halted the plague devastating Rome in 590. While the pestilence spread, the Archbishop then ordered three general processions to take place in Milan on the 3rd, 5th and 6th of October, “to placate the wrath of God”. On the first day, the Saint, despite it not being the Lenten season, placed ashes on the heads of the thousands gathered, exhorting them to penitence. Once the ceremony was over, the procession went to the Basilica of St. Ambrose. Charles put himself at the head of the people, dressed in a hooded purple robe, barefoot, penitential cord at his neck and large cross in his hand. The second procession led by the Cardinal headed towards the Basilica of San Lorenzo. The third day the procession from the Duomo headed for the Basilica of Santa Maria at San Celso. St. Carlo carried in his hands a relique of Our Lord’s Holy Nail, which had been given by the Emperor Theodosius to St. Ambrose in the 5th century. The plague didn’t show any signs of waning and Milan appeared depopulated, as a third of its citizens had lost their lives and the others were in quarantine or didn’t dare leave their homes. The Archbishop ordered about twenty stone columns with a cross at the top to be erected in the main squares and city crossroads, allowing the inhabitants from every quarter to take part in the Masses and public prayers - from the windows of their homes. One of Milan’s protectors was St. Sebastian, the martyr the Romans had recourse to during the plague in 672. St. Charles suggested that the magistrates of Milan reconstruct the sanctuary dedicated to him, which was falling into ruins, and to celebrate a solemn feast in his honour for ten years. Finally in July 1577, the plague ceased and in September the founding stone was laid in the civic temple of St. Sebastian, where on January 20th every year, even today a Mass is offered to recall the end of the scourge. St.Carlo Borromeo died on November 3rd 1584 and was buried in the Duomo of Milan. His heart was solemnly translated to Rome, in the Basilica of Saints Ambrose...

A striking and wonderfully detailed pair of Italian 17th century Oil on Canvas paintings, by Claude Lorrain. These wonderful paintings are set within rectangular Giltwood frames with an inner berried foliate band and mottled outer edges. Each painting depicts a classical landscape of ruins with the Athenian Acropolis in the background. The left painting displays an impressive altar to 'Athena of Velletri' with classical figures paying tribute aside a smoldering urn. Athena's companion Hermes can be seen flying above the crowds of people and overseeing the occasion. The painting to the right displays a classical ruin with the Acropolis in the distance. The Bill of Sale...

This is a English Antique Georgian bowfront cabinet, which has fixed shelfes inside and a locking door. The Chinoiserie decoration or Japanning as it is known in Europe, is beautifully decorated with Figures, Birds, Rocks and Tree's, and a Pagoda in the background. This is a lovely and useful piece of furniture when a quiet corner asks for some interest. The late Coco Chanel decorated her apparment with several pieces of Chinoiserie. Literature: English Furniture Of The Eighteenth Century, Herbert Cescinsky, George Routledge & Sons (1911) vol. I, p. 215, fig 224. Dated 1725-1730. Refs: The development of English black japanning...

Opulent set of four framed and matted Etruscan vase engravings after Giovanni Passeri (Italian) by Sir William Hamilton illustrated in the Picturea Etruscor in Vaculis. The set inclu...

A traditional Russian icon of St John; the Theologian in Silence, where he appears to be holding the Gospel. The scene's title derives from the saint's hand gesture in which his fing...

Huchtenburg, J. van (1647-1733). Impressive rare large etching of a 'War-" Horse-market. - This print has been professional doubled with Japanes...

17th Century Italian School Crucifixion Oil on Panel This exquisite 17th-century Italian School Crucifixion oil painting is a masterpiece of...

Antique print religion titled 'Serapis een vermaarde Godheyd der Egiptenaaren'. Antique print of Serapis, a Greek/Egyptian god. This print originates from 'M...

specialized in the Purchase, Sale, Traditional Cleaning, Restoration - Conservation, Expertise - Estimation of Old and also Contemporary Tapestries, Carpets, Kilims and Textiles. We ...

Stunning early antique Italian wall mirror with pen-hole connections. Most antique collectors and enthusiasts buy their antiques, because ...

This original antique print is an intricate engraving from the early 18th century, titled "India Occidentalis," also known as the West Indies. Created by Romeyn de Hooghe, a distingu...

Alberto Carlieri (Rome 1672-1720) "Architectural capriccio with the preaching of Saint Paul in the Areopagus of Athens" Oil on canvas, measures with...

Superb map of Manchester and Salford Folding map. Printed on paper laid on to the original canvas Unframed. Published by C. Laurent, 1793. Free shippi...

This original engraving titled "'t Huys van Niel" (also known as "Praetorium de Niele") depicts a historic building located in the province of Antwerp, Belgium. This copperplate engr...

18th-Century Miniature Oil Portrait Fine miniature portrait depicting a gentleman from the late 17th century, dressed in period attire. Medium...

Drinks in East India; Lacquerwork and Paper from China. Tea, Cha and Palms / Plants and Trees of the East Indies // Lacquer Works / Wax Works, etc. in China (title on object). The East and West Indies and Other Places (series title) Description: Presentation in two parts. On the left, the preparation of coconut drink, coffee, and chocolate. A man plucks coconuts from a tree. In the background, a tea plantation. On the right, lacquer work from China featuring a lacquer tree and lacquer workers...

A mid 17th century large scale oil on canvas depicting a Leopardess, a Lioness and a Wolf toying with a Dead Hare in an Arcadian landscape; in the style of the Dutch Golden Age ‘Anim...

Pair of Large Framed 18th Century Italian Oil on Canvas Paintings of Classical Scenes

Antique portrait titled 'Willem van Haren'. Oval portrait of poet Willem van Haren standing in front of a book cabinet. Published by Isaac van der Kloot. Artists and Engravers: Pi...

Period: 18th century - 1780 Condition: Perfect condition Material: Wool & Silk Width: 185cm Height: 85cm Depth: 1cm

Neoclassical Etching of three ancient Roman candelabra by Giovanni Battista Piranesi (1720-1778) originally published in 1778 as Vasi, candelabri...

"Justice and Diversity in the Early Modern World" Description: This detailed engraving presents a vivid tableau in two distinct parts, each illustrating significant cultural and hi...

Map 2: 'Carte des parties nord et est de L'Asie'. (Map of the Northern parts and East Asia.) Five maps on one sheet, showing California, Alaska and Siberia, Korea and Japan. South to...

Antique Botanical Engraving of Yellow Loosestrife (Lysimachia) - Rare 1796 Floral Print by William Curtis Description: This engraving is ...

Antique print titled 'Henry VIII'. Portrait of King Henry VIII of England. This print originates from 'A New, Universal and Impartial History of Englan...

Fine 17th century Baroque period silk and metallic thread embroidery panel. Excellent vibrant colors of bold burgundy, pale cream and beautiful, elegant teal with a border of textur...

Exceptional oil painting on copper from the 17th century, depicting Saint Francis of Assisi in a moment of deep devotion. The artwork showcases fine detailing, characteristic of the ...

A lovely pair of Dutch oil on panel framed paintings by Jan Evert Morel, (1777-1808), both signed lower left and late 18th Century in date. The painti...

Antique map titled 'Carte de la Tartarie Chinoise. Projettee et assujettie aux observations astronomiques par M. Bonne, Hydrographe du Roi. A Paris, Chez Lattre Graveur, ordinaire de...

This pair of manuscript pages are 18th century and are done it water colour and gauche. The images are of people in landscapes and the colors are still...

Bacchus and Ariadne, early 18th Century mythological tapestry Flemish, early 18th Century Width 428cm, depth 276cm, height 2cm The tapestry is rec...

Text: "Le cheval étant sur son plan naturel, pour faire voir la plus parfaitte posture du Cavallier" Translated: "The horse being in its natural position, to show the most perfect ...

"Convolvulus Jalapa Botanical Engraving - Icones Plantarum Medicinalium, 1788" Description This hand-colored engraving presents the Convolvulus Jalapa, commonly known as the Jalap b...

This rare original handcolored print includes detailed illustrations of birds, and there is text at the bottom that serves to identify each bird depicted. Here's the transcribed text...

Large Pair of 18th Century Continental Battle Scene Engravings in Faux Tortoiseshell Frames

The engraving captures a moment of traditional Hawaiian life, portraying native Hawaiians maneuvering a war canoe. The presence of traditional masks emphasizes the cultural significa...

Antique print titled 'La Tour de Porcelaine, Arc de Triomphe'. Old print depicting the Porcelain Pagoda in the Chinese city of Nanjing. It no longer ...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Lofty pair of 18th Century French hand colored engravings of parrots in natural settings as discovered by noted naturalist George Louis Leclerc Comte de Buffon. Presented under glass...

Wonderful print of indigenous Siberians Copper-plate engraving Published C.1780 Unframed.     

This engraving features "Delphinus Phocaena Linn.," referring to what we now call the harbor porpoise (*Phocoena phocoena*). This depiction forms part of a broader collection from th...

Antique print titled 'Vue de la Superbe place Sepulerale Erigée (..)'. View of the Prophet's Mosque or Al-Masjid an-Nabawī in Medina. This is an optical print, also called 'vue optiq...

Image title: "Chile: Inhabitants and monuments of Easter Island." Publsihed: 1797, based on a drawing from 1786 Title: "Sociable Encounters at the Monolithic Giants: Easter Island'...

Antique print titled 'Marina, et autres femmes donnees a cortez'. This print depicts the Spanish conqueror of Mexico, and some of his soldiers, being presented with the gift of sever...

A fine quality circa 1780 oil on canvas portrait painting of a gentleman in powdered wig, coat, waistcoat, and frilled shirt housed in a period giltwood frame having bead and lamb's tongue design. Red wax seal collection...

This hand-colored engraving, titled "Het Stadhuis van vooren," depicts the Amsterdam Royal Palace (initially the Town Hall) in the mid-18th century. Created in 1765 by Frans de Bakke...

The image is a historical copper engraving from 1673, taken from the German edition of Arnoldus Montanus' work, which is known for its depiction of the Americas and the Southern land...

Description of this original antique engraving - Subject Matter: Hebrew midwives refusing to kill male babies as ordered by the Pharaoh of Egypt. - Artists: Engraving by Peter ...

Pair of 18th century Irish Georgian sconces with agate coral and coordinating gold leaf baroque pearls. Fossil agate coral is Florida's state stone and is known for its unique formation that can take place over 20 million years. It's a natural gemstone that is created when Prehistoric coral is gradually replaced with agate. The pair is put together by Jean O'Reilly Barlow, the artist and creative director of Interi. The date of manufacture reflects when she created the pieces and the period shows that the pair of Irish Georgian wall brackets are originally 18th century. The pairs of Georgian sconces...