Copper Engraving of a Section of the Royal Botanic Gardens, Kew, London, 1776

Antique print titled 'Coupe sur la longueur d'une partie de la Galerie des Antiques dans les jardins de Kew'. Copper engraving showing a section of the Royal Botanic...

Antique print titled 'L'Hermitage à Versailles - Labyrinthe d'Abano au Prince Mocenigo - Projet d'un Labyrinthe par Bettini'. Copper engraving showing a Labyrinth and the Hermita...

Antique print titled 'Ruin de Kew vuë par le Nord'. Copper engraving of a ruin of the Kew gardens. This print originates from 'Jardins Anglo-Chinois à la Mode' by Georg Louis le Rouge. Artists and Engravers: The work of Le Rouge is considered the most important engraved work concerning the history of European gardens during the 18th century. Kew Gardens is a botanic garden in southwest London that houses the "largest and most diverse botanical and mycological collections in the world". Founded in 1840, from the exotic garden at Kew Park, its living collections includes some of the 27,000 taxa curated by Royal Botanic Gardens, Kew, while the herbarium, one of the largest in the world, has over 8.5 million preserved plant...

Antique print titled 'The Elevation of the Royal Exchange (..)'. Old engraving of the entrance facade of the Royal Exchange, Cornhill. This print originates from 'Vitruvius Brita...

Antique print titled 'Melbourne, the Botanic Gardens'. Old print of the Royal Botanic Gardens Victoria, Australia. This print originates from 'The Aust...

Antique print titled 'Machine Hydraulique dans les Jardins de Kew (..)'. Copper engraving showing the hydraulic system of the Kew gardens and the cave of Chiswick. This print origina...

A very nice antique map of the Royal Botanic Garden & Arboretum in London, England, circa 1880s. The map itself measures 12" x 16" and is professionall...

Print by engraving on copper plate Tav III TIX fig. 17-22 from the volume Navigazione; with frame 28 x 33. Some calculations are depicted. Very good condition. Shipping is insured by...

"The Small Horse" copper plate engraving by Albrecht Dürer, circa 1505. This is a 19th century engraving, printed in black on laid paper, framed by a beautiful gilt and ebonized carv...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

By John Pine considered the foremost heraldic and decorative engraver of his generation. Depicting the defeat of the Spanish by the English Fleet in 1588. These are after a set of tapestries that hung in the House of Commons...