Hudson

The circular solid mahogany tilt-top with two bands of ebony inlay, sits upon a turned pedestal with downward swept reeded legs with castors.

Nadeshiko, also known as fringed pinks is a flowering plant native to Japan. Ink, mineral pigments and 18th century gold leaf, with good veining, on mulbe...

The Moroccan-inspired Masinissa Hand-Knotted Wool Rug is soft and dense with a subtle geometric pattern. This plush rug provides maximum comfort and takes center stage in living room...

image size: 15 x 11 inches Artist Proof Photograph of Nude Woman Sitting Unique Polaroid Transfer on Rives BFK paper, unframed signed SM Beard in pencil on bottom right corner, unique print. This is one in a series of Polaroid transfers...

Contemporary minimalist aerial landscape photograph of orange summer sunset against blue mountains Archival digital print, Edition of 25 (#369) Image size 19.3 x 29 inches with 2 inc...

Solidly built of oak with rush seats, this pair of French armchairs offer a modern rustic appeal. Rush seats show minor frayed edges but chair frames and seats are in very good condition consistent with age. Two chairs sold...

C22-9 (Abstract Geometric Color Field Multi panel painting in shades of green) by Ginny Fox Painting is on three panels measuring 36 x 12 x 2 inc...

Hongzhi Period (1487 - 1505) sculpture of an important man, possibly Confucius. Comes with box.

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Artist signature on the bottom and on original storage box: Hasegawa Isamu. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

Okinawa painting with palm trees, flying swallows, and antheriums. Graphic and dynamic splashes of color and design gives this painting an air ...

Fine Kano School painting on silk with silk brocade border.

Acrylic on canvas Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ab...

Pause that Refreshes (Vintage Tin Type Triptych of Young Man Drinking Coca Cola) Wet plate collodion on aluminum, unique Triptych, each panel is 6 x 4 inches ...

Photo-realist still life painting of lush green lotus plants on a soft grey sky background "Lotus Number Twenty-Eight", painted by Frank DePietro in 201...

A private viewing in picnic surrounding of nobles (probably samurai), including one woman. Mineral pigments on mulberry paper with silk brocade border.

Lacquer painting on wood.

Venerable pine trees supported and cared for by temple Arborists. Artist signature reads: Koka Sugibayashi. Meiji period painting (1868-1912) in mineral pigments on silk with a silk ...

Art Deco walnut table.

The metal wall art, shown here, happens to be a salvaged tractor hood panel from the 1950s. Having weathered the elements and time, the molded metal hood takes on a distinctive look...

Abstract landscape sepia tone photograph of clouds Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches ...

This large and impressive piece of furniture was intended to travel as the center of a Gentleman's of means packing requirements. Made circa 1750-1760 under the reign of George II an...

Painted by artist Morito Kunitsugu, 1958, thick mineral pigments on textured mulberry paper. This was exhibited at the 1st newly reorganized Nitten National Exhibition in 1958, and ...

This pair of Mexican devotional pillows have been decorated in a collection of vintage mother of pearl buttons by contemporary artist D...

Two Buildings in Covington, Tennessee (Oil Painting Pink/Green Building) Made in 2023 by Berkshire based artist Margaret G. Still Oil on Canvas, 14 x 18 inches The desaturated tones...

Delicate painting of garden chrysanthemums with a fine gold mist. A cat grooms herself while a kitten plays with a chrysanthemum. Mineral pigments...

Screen A: Autumn Scene with Geese in a Gentle Landscape. Lovely painting depicting geese under maple, in a gentle water landscape. Mineral pigments on paper with gold leaf clouds. ...

One of three divinities known as Fu-Shou-Lu (Happiness, prosperity and longevity).  

Pigment on silk. Various walkways interconnecting the temple complex with one lone figure of a woman. Back paper is hand-stamped with mica paint. Signature and seal read: Gekkan

This screen is very likely inspired by the Noh play, "Eguchi", in which the courtesan Eguchi transforms into the Buddhist deity, Fugen, who is the patron of women and is often seen o...

Bowl of Cherries Contemporary Still Life Cyanotype Photograph of a bowl of cherries Image is 20 x 16 inches, paper size is 24 x 18 inches, ed of 5 Unframed David Sokosh is a storyteller with a unique ability to internalize, synthesize, and recollect. If one of his tenderly photographed stills lifes was a tiny window into the workings of his mind, then on the other side you would discover a trove of collected treasures. Vintage teacups...

Contemporary pigment print 36 x 45.5 inches unframed Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photographs, which capture nature's beautiful moments, are printed on panels of thin Japanese Kozo paper. The paper's translucent quality compliments the image with delicate sophistication. A thin layer of encaustic is applied on top of the photograph panels, creating a matte, smooth surface. Here, four black and white panels combine to depict a sky-scape that could easily be mistaken for an abstract water color due to the style of this negative photograph...

Abstract still life photograph of pink magenta Bougainvillea flowers and green leaves against a white sky background Photograph printed on Japanese Kozo paper infused with encaustic ...

"Big Little #142" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and blue palette acrylic, p...

Edition # 1/5 The listed price is the framed price; this editioned photograph is also available in 2 other paper sizes listed. Heal says, "Martin and I have worked together profes...

Meiji period (1868-1912) bronze, with removable top, stylized geometric shape and silver inlay. Signature reads: Miharu Kadayashi.

Hand colored screen print of a colorful New Jersey sunset made in 1977 by Bill Sullivan Signed, bottom left 43 x 31 inches in natural wood frame This 1970's hand colored landscape print...

Formalist sepia toned still life photograph of white lily flowers and brown plantains on a tabletop Lilies and Plantains, by David Halliday, printed in 2003 Sepia toned silver gelati...

Italian born Gio Colucci (1892-1974) was mainly a painter but he also worked in ceramics, glass, and even did book illustrations. He studied architecture at the Fine Art School in Pa...

32 x 12 x 6.5 carved precision board & Venetian plaster This contemporary, abstract minimalist wall sculpture was made by Japanese artist, Dai Ban in 2017. The elegant minimali...

This is a lovely pair of watercolor paintings of two young children by British portrait painter James Ramsay (1789-1854). One depicts a little girl clutching her kitten and the othe...

This is a beautifully stylized repoussé copper architectural fragment of the Goddess of Harvest, Demeter. Made sometime at the end of the 19th century, this was likely originally a ...

The distinctive Scottie dog-inspired fireplace andiron, shown here, serves its intended purpose with a bit of whimsy. Designed to mimic the look of a Scottie terrier, the decorative ...

Tunisia, Red Trees: Colored Pencil Drawing & Unique Stamp by Andrea Moreau colored pencil and postage stamp on paper 11 x 11 inches 15 x 15 inches framed Artist Statement: My drawin...

Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...

Abstract encaustic painting with a green, earth toned palette. Made with natural plant material (Northern Sea Oats) "Chasmanthium Insignias I" made by Allyson Levy in 2021 encaustic and plant material on wood panel, 24 x 24 x 1 inches Lightweight, hangs with one d-ring, Signed, verso This modern abstract encaustic painting by Allyson Levy is made with Northern Sea Oats and green encaustic, sealed with a layer of neutral wax on a wood panel. The artist begins by finding the organic material in her 4-acre garden in upstate New York which she then arranges and embeds with encaustic on a wooden panel. The brown, earth toned sea oats are laid in a linear pattern on a wood panel with a surface of green encaustic and then sealed with clear wax. The encaustic wraps around to the sides of the panel, revealing some bumps and downward drips, accumulated during the natural drying process. The piece is lightweight and hangs on one d-ring. About the artist and her work: After moving to the rural town of Stone Ridge, NY seventeen years ago and starting a 4-acre botanical garden with her husband, mixed media artist, Allyson Levy, has found endless inspiration in the plant kingdom that surrounds her. The garden itself, named “Hortus Conclusus”, consisting of thousands of rare plants and edibles, remains at the epicenter of Levy’s art making. A fascination with earth’s bounty is expressed with her works in encaustic. Assorted organic material such as leaves, seeds, branches, insect wings...

Industrial floor lamp with tripod base and adjustable shade and arm. USA, circa 1940. Features: *Bronze colored shade *Brushed steel metal arms and base *Adjustable shade and arm p...

A pair of custom carved Louis XVI style parcel-gilt door panels carved on both sides.

Big Little 119 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of Yellow Pink & bu...

Subtle and wonderfully painted fur expressive faces.

Contemporary Abstract geometric painting in vivid shades of yellow, greys, white, and black "Ospedale III" painted by Hudson Valley, NY based painter, Anthony Finta, in 2019 36 x 24...

Contemporary color aerial landscape photograph above a beach near Martha's Vineyard, MA Archival digital print, Edition of 25 (#085) Image size 26 x 39 inches with 2 inch border, unf...

A set of 8 (eight) rim soup /pasta bowls in the Academy Platinum pattern by Ralph Lauren Home collection. Bone china. Signed. Imported, production period 1995-2002. Features a pla...

Signed "Nell Blaine" upper left in pencil. Signed, titled, dated verso on sheet. Signed, titled, dated verso on backing panel. The artist. Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Purchased by private collectors c.1994. By descent. Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). From her November 15, 1996 NYT obituary: Nell Blaine, a widely respected New York landscape painter and watercolorist, died yesterday at Mount Sinai Hospital. She was 74 and had homes in Manhattan and Gloucester, Mass. Ms. Blaine, who had been hospitalized since July, had been confined to a wheelchair since 1959, when she contracted polio. Ms. Blaine was born in Richmond, Va., in 1922, and first studied at the Richmond School of Art, now part of Virginia Commonwealth University. She moved to New York in 1942 to study painting with Hans Hofmann and later studied etching and engraving at Atelier 17 with Stanley William Hayter. During her first years in New York, her work, which had previously been tightly realist, turned abstract, inspired by Mondrian, Leger and Jean Helion. At one time she was the youngest member of the American Abstract Artists. She was also a founding member of the Jane Street Gallery, one of Manhattan's earliest artists' cooperatives, and had her first solo show there in 1945. Just as Ms. Blaine was becoming known as a promising abstract painter, and gaining the admiration of such critics as Clement Greenberg, she started to shift back to representation. Inspired in part by a trip with Larry Rivers in 1950 to Paris, where she was especially impressed by the work of Vuillard and Bonnard, she immersed herself in the tradition of 19th-century European painting. From the mid-1950's, she cultivated an increasingly painterly and colorful style, usually working directly from nature, or still life, with particular emphasis on the forms and hues of flowers. Her work retained a sense of all-over structure and pulsating energy that she nonetheless credited to abstract art. ''It all goes back to Mondrian,'' she would say. In the 1950's, Ms. Blaine was prominent among a circle of New York artists and poets that included John Ashbery, Frank O'Hara, Kenneth Koch, Mr. Rivers, Jane Freilicher, Leland Bell, Louisa Matthiasdottir, Robert De Niro Sr. and Rudy Burckhardt. She had her first solo show of representational work at the Tibor de Nagy Gallery in 1953 and was represented by the Poindexter Gallery until it closed in 1978, and, in recent years, by the Fischbach Gallery. During the 1950's she supported herself as a commercial artist, designing brochures for art galleries. In 1955, she designed the original logo, column heads and layout for The Village Voice. In 1957, Ms. Blaine was featured in Life magazine as one of five leading young female artists in America. In 1959, after several months of traveling and painting in Greece, she contracted severe bulbar polio on the island of Mykonos. ''To Nell Blaine,'' an exhibition organized at Poindexter to raise money for her hospital bills, included the work of 79 artists, including Saul Steinberg, Robert Motherwell, Elaine and Willem de Kooning, Philip Guston, Mr. Rivers, Ms. Freilicher and Robert Rauschenberg. After eight months in a New York hospital, including five months in an iron lung...

Bed, 1992 Still Life Photograph of Mahogany Canopy Bed in a Bedroom by David Halliday Sepia toned silver gelatin print, edition of 15 Custom brown...

Impressionistic, en plein air landscape oil painting on linen with a bright yellow palette of a rural country farm during a winter sunset #5540 New Year's Day, in Late Day Light, 201...

landscape oil painting on linen on homasote board, unframed 13.75 x 18.25 inches Harry Orlyk is celebrated for his ability to capture an rural country landscape with impressionistic...

American, late 18th century/early 19th century wooden mortar and pestle. The urn shaped mortar with rich patina has a wonderful ...

Edition #1/10 This is the frame price listed. The photograph are available in the additional sizes listed unframed. Veteran artist Patricia Heal documents her visual narrative o...

Edition #1/1. This is a Photograph on canvas with Mixed Media. This is the framed price: $3,000. ”Dartmoor “depicts the wild ponies of Dartmoor National Park in Devon, England. The ...