Lisa A. Frank

For Scout A, Very Good Dog: Modern Baroque Style Floral Still Life Digital Print

2013

Contemporary color photograph of the interior of an abandoned theater 25 x 35 inches unframed 31.5 x 41.5 inches in white wood frame with AR non-glare glass This contemporary photograph of an abandoned theater interior was captured by New York based photographer, Elliott Kaufman, in 2005. Here the artist highlights the beautiful fading facade of the once renowned Capitol Theater in New London, CT. The photograph is complimented with a custom white wood frame measuring 31.5 x 41.5 inches. There is wiring on the back for installation. About the series: Elliott Kaufman conveys the haunting magnificence of forgotten buildings in the Abandoned series. Architectural marvels once home to heartbreaking operas, spectacular gatherings, or a loving family now sit vacant and linger in fading memories of the past with each new crack of paint, crumbling brick, or falling beam. Through his lens, Kaufman captures the remnants of these majestic structures, romanticizing what once was for viewers in the present day. This series won 2nd place in the ASMP National Competition. Exhibitions: 2014 Carrie Haddad Gallery: Water Pictures : December 18th thru January 2015. 2014 International Center of Photography, Juried Group Faculty Show: Photographs in the Social Landscape 2013 Carrie Haddad Gallery, Hudson, NY. Group Show: Street Dance Series 2012 Carrie Haddad Gallery, Hudson, NY. Group Show : Time Transformations 2012 The Hudson Studio, Hudson, NY.: Solo Show : Abandoned Architecture. 2011 Garrison Art Gallery, Juried Group Show 2010 Alan Klotz Gallery, Group Show on the 400th Anniversary of the Hudson River. 2009 Through the Eyes of Others Photographs of India...

Contemporary color photograph of the interior of an abandoned power station 35 x 25 inches unframed 41.5 x 31.5 inches in white wood frame with AR non-glare glass This contemporary photograph of an abandoned theater interior was captured by New York based photographer, Elliott Kaufman, in 2005. Here the artist highlights the beautiful crumbling interior of the Glendale Power Station in Yonkers, NY. The photograph is complimented with a custom white wood frame measuring 41.5 x 31.5 inches. There is wiring on the back for installation. About the series: Elliott Kaufman conveys the haunting magnificence of forgotten buildings in the Abandoned series. Architectural marvels once home to heartbreaking operas, spectacular gatherings, or a loving family now sit vacant and linger in fading memories of the past with each new crack of paint, crumbling brick, or falling beam. Through his lens, Kaufman captures the remnants of these majestic structures, romanticizing what once was for viewers in the present day. This series won 2nd place in the ASMP National Competition. Exhibitions: 2014 Carrie Haddad Gallery: Water Pictures : December 18th thru January 2015. 2014 International Center of Photography, Juried Group Faculty Show: Photographs in the Social Landscape 2013 Carrie Haddad Gallery, Hudson, NY. Group Show: Street Dance Series 2012 Carrie Haddad Gallery, Hudson, NY. Group Show : Time Transformations 2012 The Hudson Studio, Hudson, NY.: Solo Show : Abandoned Architecture. 2011 Garrison Art Gallery, Juried Group Show 2010 Alan Klotz Gallery, Group Show on the 400th Anniversary of the Hudson River. 2009 Through the Eyes of Others Photographs of India...

Contemporary color photograph of the interior of an abandoned theater 35 x 25 inches unframed 41.5 x 31.5 inches in white wood frame with AR non-glare glass This contemporary photograph of an abandoned theater interior was captured by New York based photographer, Elliott Kaufman, in 2005. Here the artist highlights the beautiful fading facade of the once renowned Capitol Theater in New London, CT. The photograph is complimented with a custom white wood frame measuring 41.5 x 31.5 inches. There is wiring on the back for installation. About the series: Elliott Kaufman conveys the haunting magnificence of forgotten buildings in the Abandoned series. Architectural marvels once home to heartbreaking operas, spectacular gatherings, or a loving family now sit vacant and linger in fading memories of the past with each new crack of paint, crumbling brick, or falling beam. Through his lens, Kaufman captures the remnants of these majestic structures, romanticizing what once was for viewers in the present day. This series won 2nd place in the ASMP National Competition. Exhibitions: 2014 Carrie Haddad Gallery: Water Pictures : December 18th thru January 2015. 2014 International Center of Photography, Juried Group Faculty Show: Photographs in the Social Landscape 2013 Carrie Haddad Gallery, Hudson, NY. Group Show: Street Dance Series 2012 Carrie Haddad Gallery, Hudson, NY. Group Show : Time Transformations 2012 The Hudson Studio, Hudson, NY.: Solo Show : Abandoned Architecture. 2011 Garrison Art Gallery, Juried Group Show 2010 Alan Klotz Gallery, Group Show on the 400th Anniversary of the Hudson River. 2009 Through the Eyes of Others Photographs of India...

Color still life photograph of white peonies on a black background Archival digital print 24 x 40 inches unframed, edition of 30 This contemporary, archival digital print was made ...

Contemporary Baroque Style floral still life photograph of colorful flowers in a dark vignette Archival digital print, edition of 30 40 x 34.75 inches unframed Lisa Frank’s new body of work produces complex arrangements of flowers and dark vegetation reminiscent of Baroque still lifes and tapestry. Frank stages, duplicates and then layers photographic elements to create work that keeps the viewer fixated in her realm of digitally manipulated imagination. In this piece, the artist has digitally collaged twisted vines, dried leaves, pink, yellow, and purple flowers, and turtle shells in intricate patterns to resemble a Baroque tapestry. The contemporary vertical digital print is available in additional sizes. Artist's Statement: I make large scale photographs that depict complex patterns. These patterns are composed from elements of nature and are presented in the form of traditional wallpaper designs. Densely ornamental, my artwork draws upon my own background as a textile designer as well as the interior decoration documents of Britain’s Aesthetic...

Contemporary still life photograph of white tulip flower on white background "Untitled - Number 149 (White)", by Chad Kleitsch, 2010 Archival pigment print on Hahnemuhle photo rag ma...

'Tulip, Awakening' 60 x 40" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Gauzy afternoon light, the tulips are stretching softly,...

" Macaw #7 ” - Signed limited edition archival pigment print - Edition of 3 Green-Winged Macaw in flight. These large parrots can be mistaken for a Scarlet Macaw as their plumage is mainly red from the front. They are the second largest parrots next to the Hyacinth Macaw...

Oscar - Signed limited edition archival pigment print, Edition of 5 Provenance : Ian Sanderson’s Estate This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Named Oscar the time to photograph it, this lobster returned to live in the sea... No animals were mistreated during the photoshoot. Signed + numbered by artist with certificate of authenticity, unframed Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Available sizes ( Image size , the white margin is not counted): 39 x 35 cm / 15,35" x 13,77" - Edition of 5 60 x 67 cm / 23,62" x 26,38" - Edition of 5 ( 4 available ) 102 x 91 cm / 40,15" x 35,82" - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. He produced images over a 35 year career, and in recent years used archival techniques to produce his prints. For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery. Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art). They have created rare and personalized pieces with an artisanal technique. Ian Sanderson was one of only a handful of artists worldwide producing this type of work. Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs. Styles: Colour photography, 21st century, Archival print, Long room, kitchen decorative...

Dutch dog #3 King Charles Spaniels - Signed limited edition archival pigment print - Edition of 3 A series of four images inspired by the 17th century go...

Horse 7 - Signed limited edition archival pigment print, Edition of 5 Horse photographed on location using studio lighting. This is an Arch...

" Macaw #4 ” - Signed limited edition archival pigment print - Edition of 10 Green-Winged Macaws are monogamous and pair for life. They mate once in a lifetime, remaining and travelling together even out of the breeding season. Their beaks are powerful, allowing them to easily crack hard shelled nuts like the Brazil nut. The beak of the Green-Winged macaw can generate a pressure of 2000 pounds per square inch. Animal photography is about being ready for the split-second moment when it happens. This takes a certain amount of production. The studio set-up, the lighting and the camera settings can all be planned but the magic moment is seldom planned. It just happens naturally and you need to be prepared. Whether you capture it will depend on patience, concentration and reflex. This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lignin-free, Museum quality for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Please note that prices increase as editions sell. Archival pigment print available sizes : 106 x 69 cm / 41.5 x 27” - Edition of 10 152.4 cm x 101.63 cm / 60 x 39,76 in - Edition of 3 Tim Platt specialises in creating minimal stylised studio portraits of birds and animals, which he describes as beauty shots. A frozen moment in time allows us to observe the world in suspension and will often reveal a graphic beauty that might otherwise flash by in the blink of an eye and remain unnoticed. Whether observing the magnified eye of a bullfrog, or an eagle captured at several thousandths of a second in mid-flight, he is fascinated by the level of detail that can be revealed in a large format print. It is the stillness of a photograph that gives us time to pause and marvel at the myriad levels of detail in Nature’s grand design and allows us to reflect on the wonderful diversity of life on Earth. Styles: Color photography, 21st century, Archival pigment print, Animal, Portrait, Beauty, Fine Art , Parrot, Colourful, Red, Black, animal photographer, animal photography, bird, bird photography...