Framed Abstract Paintings

2901 City Landscape ,acrylic on canvas Displayed in a custom gilt wood frame Image size 18x24" overall 21x26.5" Signed Varen

Artist/ School: French School, late 20th century, signed Title: Provencal Landscape Medium: oil on canvas, framed Framed: 28.5 x 22.5 Canvas : 24 x 19 inches Provenance: privat...

'How many types of pretty flowers grow, in an English country garden?' or so the song goes - and the garden in question here is a cottage garden belonging to a friend. It is glorious...

This small original abstract watercolor painting by Nealy Hauschildt features a palette that combines washes of varying blue and turquoise tones. It ...

FIGURES IN MOTION Size: 29 x 33.5 cm (including frame) Oil on board A brilliantly executed abstract figurative oil composition painted by the established Swedish artist Ivar Morsing...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in w...

Katharina Hormel paints minimalistic every day scenes of life. The people she portrays are out and about going about their daily life, enjoying a walk in the park, cycling, playing f...

Katherine Westphal's oil on board painting titled 'Abstract Landscape' embodies the stylistic qualities of abstract painting. Using a diverse color palette of orange, red, yellow, bl...

Combine several abstract monochrome paintings in your interior for a stylish modern effect. The artwork is executed in black and white monochrome tones and will be suitable for any ...

This Painting, "Happy Horses", is a 30x30 oil painting on canvas by artist Trip Park. Featured in the painting is a repeating and overlapping pattern of a rider and horse in various ...

Julien Airault (B.1979) Untitled Oil on canvas 92 x 73 cm / 36.22 x 28.74 inches With frame : 98 x 79 cm / 38.58 x 31.10 inches 2024 Born in 1979, Juli...

AN IMPULSE BUDDING 2024 Paris, France This piece is formed first with a pink dye underpainting on canvas, with white acrylic and green oil painted on top. The notion of the title, "...

A unique oil painting, drawing heavily from the post-impressionist movement. A beautiful, gloomy nighttime scene, typical of Glanville's work. Oil on stretched canvas, ready to hang....

This Untitled Abstract Composition in Oil on Canvas signed Joe Stefanelli is a gem of Mid-Century American Abstraction. This painting brilliantly exemplifies the approach and movemen...

A large-scale, atmospheric abstract piece depicting swirling forms in long, ribbon-like strands. Unsigned. Presented in a simple wooden frame. On canvas.

This work is one of two panels depicting an autumn woodland in bright sunshine. This painting is available separately, but a second panel Bunny Woods in Bright Sunshine right panel, ...

Original Color Field Oil Painting Multi-Color Geometric Abstract - "Commute" Dramatic multi-color geometric abstract painting by Virginia Sevier Rogers (American, 1917-2015). Vivid ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Signed, inspired by recycling, old golf ball, recycled paper and wooden frame.

Monumental modernist oil on panel painting by Louis Demott Bunce (1907-1983), from an installation for the Oregon Centennial Exposition, 1959. A rare & important and monumental abstract painting by the celebrated Oregon artist Louis Bunce, the artist was commissioned to paint a mural for the 1959 Oregon Centennial & Trade Fair in Portland, the installation was titled " Gay Garden Way ", it was painted for the exterior of the Horticultural building. The mural having abstract plant abstractions, according to Bunce in his own words it was "the rounded shapes of flowers and the sun", the mural created a major furor from the conservative art public. The painting signed and dated by the artist lower left, the work was sold in the late 1980s through the celebrated Laura Russo Gallery, this painting is featured in Roger Hull's book; "Louis Bunce, Dialogue with Modernism". The painting is in good condition and ready to grace your wall. Louis Bunce attended high school and the Museum Art School before leaving for the Art Students League in New York. He established a New York connection that began when he first attended classes there in 1927 and continued over the years with frequent visits. He became friends with many promising artists, including Jackson Pollock and David Smith. In 1939 he worked for the WPA Easel Project in New York and by the time he returned to Portland he was an established artist on the East Coast. He worked at the WPA art center in Salem as an Instructor and Assistant Director. His work included murals, two of which are in the Post Offices in Grants Pass and St. Johns. Their subjects, mining and orchard farming, are activities of each region. "I have always been visually drawn to the landscape, at first the desert and mountain regions of Wyoming; then the lush and gentle color of the Pacific Northwest and the urban landscape of New York." From 1942-1945 he worked as an illustrator, a tool designer, and in assembly for the Oregon Shipbuilding Corporation. After WWII, Bunce joined the faculty of the Museum Art School in Portland, where he had been a student in 1925-1926. He taught there until his retirement in 1972. He excelled at producing screen-prints and introduced this technique to Oregon. While maintaining a national reputation throughout the 1950s and 1960s, some of New York's most prestigious galleries represented him. Theater buffs will remember his murals and portraits for Portland Civic Theater's 1938 production of Pride and Prejudice. In a career that made him one of the most recognized names in Oregon's art history, Bunce had many styles: cubism, expressionism, surrealism and abstractionism. His 1958 mural in the Portland International Airport presents this abstract style: "whirling propellers and shadows of the concourse as seen from above." It was controversial at the time as being too abstract for a public art project. Louis and wife Eda opened a full-time art gallery in Portland in 1949, called the Kharouba. Located first at 1016 SE Morrison, then at SW 11th and Alder, the gallery represented many of the leading artists of the day: Josephine Cameron, William Givler, Clifford Gleason, Jack Hammack, Charles Heaney, Frederick Heidel, George Johanson, Jack McLarty, Rick Norwood, C.S. Price, Arthur Runquist, Jolan Torok, Charles Voorhies...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. This painting by contemporary impressionist David Farren prese...

A dramatic, atmospheric abstract landscape with a story... My heart is broken. It's taken me a while to just accept it. To say it. My heart is broken. Having cancer and going thro...

The French City French School, circa 1970's, signed lower corner oil painting on canvas: 31 x 38.5 inches framed: 23.5 x 32 inches condition: sound condition though with minor crack...

Stunning Synchromist abstract by Danish/American artist, Benny Collin (1896-1980). Symphonic Forms, 1955. Oil on wood panel measures 22 x 29 inches. Measures 24 x 31 inches in custo...

Art measures 19.68 x 19.68 inches Frame measures 27.55 x 27.55 inches Framed in a high-quality contemporary wooden moulding. Color: Gold patinated Artist: Roger König b. Dessau, ...

3717 Equestrian Surreal painting on board Set in a vintage wood frame

Antique American modernist abstract oil painting by Adele Becker. Framed. Oil on canvas.

An abstract collage on wood by Kenneth Morrow Martin, American (1911-1983). Exhibited: 1st Knoxville Art Center National Exhibtion, 1961 White Landscape by Keith Morrow Martin...

Donald Stacy "Eve" c.1950s Gouache and oil pastel on paper 14x17" black wood frame 14.75"x17.75" Unsigned, Eve written in paint along right margin Came from artist's estate Donald S...

"Cheat Day Is Always When I Find Something to Eat" is an evocative piece from Andreas Claussen that depicts an abstract scene of an astronaut eating an entire cake at once. Andreas...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Tycjan Knut...

A painting by Paul Jenkins. "Phenomena with Black Anadem" is an abstract painting, ink, acrylic, and oil on canvas in a palette of dark blues and black by American, Abstract Expressi...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on canvas. It features a muted, earth-toned palette with contrasting warm yellow, orange, and red accents throughout. The painting is framed in a floater frame with gold face and black sides. It is 22" x 36" and measures 24" x 38" x 2" framed. This painting is not signed by the artist, but has been authenticated by his estate. It is stamped with the estate seal on the back of the painting, and on the back of the frame. Ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Silver and Gold (Abstract Landscape of Winter Forest in Blue & Yellow Encaustic) by Regina Quinn 2024 encaustic, India ink, and oil with wax on panel 6 x 6 unframed / 8 x 8 framed "...

Encaustic, abstracted landscape of a country farm field with autumn foliage "November Light" made in 2024 by Regina Quinn encaustic and oil with wax on panel 12 x 9 inches unframed ...

"Pale Sky Before Sunrise" is a framed oil painting on canvas by Marshall Noice, depicting an abstracted copse of white trees with turquoise leaves set against a multicolored backgrou...

Mid-century Abstract Painting No visible signature 24 x 40 unframed, 24.74 x 40.75 framed  

"Habitual II", 2023, Paris, France This rich and cerebral abstract painting uses a subtle but powerful color palette of brown, pink, and white oil paints and wood stain to create visual texture and depth. The artist selected a French, antique postal...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Light Lavender background with thick use of paint...

Sophie Dumont – “Instant Suspendu” Oil on canvas – 19.69 x 19.69 in (50 x 50 cm) Framed dimensions: 22.44 x 22.44 in (57 x 57 cm) – Choice of black or natural wood frame Year: 2025 C...

Step into the serene world of American minimalism with this exquisite 1980 signed original oil painting. Created by a talented American artist, this work invites you to explore the c...

An abstract impressionist warm sunset painting, "Ballad of the Wind" inspired by late summer golden light, and a Chopin ballad. This painting is ...

Richard Andres American, 1927-2013 Mirror, 1984 acrylic and ink on paper mounted on canvas signed lower right, dated and titled verso 12 x 12 inches Richard Andres was born in Buff...

Blue Gaze, 1977, by Robert Natkin (1930-2010) Acrylic on canvas 66 x 66 inches framed 25.98 x 25.98 cm) Signed on bottom right In childhood, Natkin recalls a dream where he dives into an Oriental rug and as he floats down into the rug he passes through bejeweled mazes of color that appear exotic to him. This recurring dream is not surprising to anyone familiar with this artist's work, since much of Natkin's work reminds one of textiles. He achieves this look by his use of cross-hatching, blottings, dottings and his own technique of transferring textures right onto the canvas by pressing with a heavy cloth or paper towel. Exhibitions: In 1957, Momentum, Chicago, IL In 1968, Pointdexter Gallery, New York, NY (solo) In 1969, San Francisco Museum of Art (retrospective 1952-1969), San Francisco, CA (solo) In 1974, Within the Decade: Selections from the Guggenheim Museum Permanent Collection, The Solomon R. Guggenheim Museum, New York, NY In 1980, Masters of American Watercolor, The Oklahoma Art Center, Oklahoma City, OK In 1992, Gimpel Fils Gallery, London, UK (solo) In 2007, LewAllen Contemporary, Santa Fe...

This contemporary painting by Fiona Ackerman references moonlight. The bold artistic vision of Vancouver painter Fiona Ackerman is often inspired by nature. This painting, entitled ...

"Laurel Canyon" is a contemporary framed mixed media work on canvas by Maura Segal, with abstract shapes and color blocking. The artist cuts hundreds of paper shapes and adheres them...

Framed abstract oil on canvas, signed and dated 1968 in the lower right corner. Canvas size 30"H x 25"W Gilt-wood frame.

This original large-format abstract painting by renowned New Mexico artist Suzanne VandeBoom (20th–21st Century) exemplifies her powerful, expressive...

Laying the Nets by Andrew Grant Kurtis (British contemporary) signed oil painting on canvas, framed framed: 24 x 35 inches canvas: 20 x 30 inches provenance: from a UK collection co...

"Don't Play in the Sun" is a large, framed collage on paper with acrylic paint, photographs, gold leaf, metallic paint, burns, and other mixed media. The work itself is 22"x30" and i...

This contemporary abstract acrylic painting is by Fiona Ackerman. The signature artwork of Vancouver artist Fiona Ackerman has found an international audience. Her unique visionary ...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

This framed Picasso print, is an offset lithographic book plate from a captivating book, entitled Toros y Toreros (Bulls and Bullfighters), which ...

#5-2894 A bold figurative painting , oil on canvas applied on board ,signed lower left by A.Flanigran ,displayed in a white wood frame.Image size 10.5 H x 13.5 W

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

"On the Water XXII: Spinnaker" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition with color blocks of creamy light blues and vibrant cool blues wit...

3710b Cubic oil on artist board Set in a simple gilt wood frame

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

Abstract Expressionist Figurative Homage to Willem de Kooning's "Women Singing" Colorful and dynamic abstract expressionist figurative mixed media painting contemporary piece, featu...

This whimsical and sophisticated painting was realized by the esteemed contemporary painter, Hunt Slonem in 2013. It presents a stylized rabbit in profile, rendered with loose and ex...